Search results for ""Of the Diaspora""

This book is a cumulative analysis of an international, longitudinal study of a tour program which brings Jewish youth from around the world to Israel. It is a case study of the longest running and most thoroughly documented, intentionally organized heritage tour program in existence, including a wealth of data never previously published. Issues central to Jewish studies are explored in depth, including cross-cultural analysis of the impact and meaning of the program in Jewish communities around the world. Additionally, it touches on core issues related to identity in the post-modern era, the sociology of contemporary tourism, and informal education and adolescent psychology and sociology. The book is relevant to researchers, professionals and university students in the fields of Jewish studies and tourism.

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In this provocative book, Benjamin Ginsberg examines the cycle of Jewish success and anti-Semitic attack throughout the history of the Diaspora, with a concentrated focus on the "special case" of America. For Ginsberg, the essential issue is not anti-Jewish feeling, but the conditions under which such sentiment is likely to be used in the political arena. The Fatal Embrace identifies the political dynamics that, historically, have set the stage for the persecution of Jews.

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In the spirit of I Am Enough, this is a moving and lyrical tribute to and affirmation of Black children around the world—by an exciting new author and illustrator team.Dear Black Child, We are here to remind you of your glory…An inspiring love letter to Black children from all cultures, this book is a celebration of their beauty, joy, and resilience.Dear Black Child is a story of self-acceptance, love, and empowerment for Black immigrant children and families of the diaspora around the world and features joyful and vibrant illustrations.

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Israeli Jews’ response to and appropriation of Greek culture is the subject of the essays in this rich volume. Contributors provide evidence of Greek cultural influence in Judea and Galilee, from before the Maccabean revolt into the rabbinic period. They also probe the limits of that influence, the persistence of Semitic languages and thought patterns, and the exclusiveness of Jewish religion. While Greek thought had a significant impact on Judaism, Jews remained distinct in the Greco-Roman world. Hellenistic Judaism’s relationship to Greek culture was never simply one of assimilation or repudiation. Similarly, the Hebrew and Aramaic-speaking Judaism of the homeland remained distinct from the Hellenistic Judaism of the Diaspora.

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From a leading voice of the new generation of young Jewish cooks who are reworking the food of their forebears, this take on the cuisine of the diaspora pays homage to tradition while reflecting the values of the modern-day food movement. Author Leah Koenig shares 175 recipes showcasing handmade, seasonal, vegetable-forward dishes. Classics of Jewish culinary culture—such as latkes, matzoh balls, challah and hamantaschen—are updated with smart techniques and vibrant spices. Approachable recipes for everything from soups to sweets go beyond the traditional, incorporating regional influences from North Africa to Central Europe. Featuring holiday menus and rich photography, this collection is at once a guide to establishing traditions and a celebration of the way we eat now.

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Finally a book on African design that celebrates the contemporary! It is packed with works that show how the continent’s rich array of craft traditions are being preserved and revived with an exciting contemporary twist. An introductory section identifies the sophistication, vitality, diversity and soulfulness of the past that is now being harnessed to develop a contemporary African identity. Sections on furniture, textiles, ceramics, basketry and lighting bring together the work of respected designers, makers and organizations based on the African continent or part of the diaspora. Celebrating the wider changes occurring across Africa, the fifty or so designers and crafters included have been chosen for their innovative approach to creating sophisticated products. Many of the pieces demonstrate how sustainability and recycling are often of the utmost importance. The book is completed by a glossary and bibliography.

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Contemporary popular culture stereotypes Filipina women as sex workers, domestic laborers, mail order brides, and caregivers. These figures embody the gendered and sexual politics of representing the Philippine nation in the Filipina/o diaspora. Gina K. Velasco explores the tensions within Filipina/o American cultural production between feminist and queer critiques of the nation and popular nationalism as a form of resistance to neoimperialism and globalization. Using a queer diasporic analysis, Velasco examines the politics of nationalism within Filipina/o American cultural production to consider an essential question: can a queer and feminist imagining of the diaspora reconcile with gendered tropes of the Philippine nation? Integrating a transnational feminist analysis of globalized gendered labor with a consideration of queer cultural politics, Velasco envisions forms of feminist and queer diasporic belonging, while simultaneously foregrounding nationalist movements as vital instruments of struggle.

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Contemporary popular culture stereotypes Filipina women as sex workers, domestic laborers, mail order brides, and caregivers. These figures embody the gendered and sexual politics of representing the Philippine nation in the Filipina/o diaspora. Gina K. Velasco explores the tensions within Filipina/o American cultural production between feminist and queer critiques of the nation and popular nationalism as a form of resistance to neoimperialism and globalization. Using a queer diasporic analysis, Velasco examines the politics of nationalism within Filipina/o American cultural production to consider an essential question: can a queer and feminist imagining of the diaspora reconcile with gendered tropes of the Philippine nation? Integrating a transnational feminist analysis of globalized gendered labor with a consideration of queer cultural politics, Velasco envisions forms of feminist and queer diasporic belonging, while simultaneously foregrounding nationalist movements as vital instruments of struggle.

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A father and his daughters may not be able to return home . . . but they can celebrate stories of their homeland! As bedtime approaches, three young girls eagerly await the return of their father who tells them stories of a faraway homeland-Palestine. Through their father's memories, the Old City of Jerusalem comes to life: the sounds of street vendors beating rhythms with brass coffee cups, the smell of argileh drifting through windows, and the sight of doves flapping their wings toward home. These daughters of the diaspora feel love for a place they have never been, a place they cannot go. But, as their father's story comes to an end, they know that through his memories they will always return. A Palestinian family celebrates the stories of their homeland in this moving autobiographical picture book debut by Hannah Moushabeck. With heartfelt illustrations by Reem Madooh, this story is a love letter to home, to family, and to the persisting hope of people, which transcends borders.

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This book delves into the history of the Horn of Africa diaspora in Italy and Europe through the stories of those who fled to Italy from East African states. It draws on oral history research carried out by the BABE project (Bodies Across Borders: Oral and Visual Memories in Europe and Beyond) in a host of cities across Italy that explored topics including migration journeys, the memory of colonialism in the Horn of Africa, cultural identity in Italy and Europe, and Mediterranean crossings. This book shows how the cultural memory of interviewees is deeply linked to an intersubjective context that is changing Italian and European identities. The collected narratives reveal the existence of another Italy – and another Europe – through stories that cross national and European borders and unfold in transnational and global networks. They tell of the multiple identities of the diaspora and reconsider the geography of the continent, in terms of experiences, emotions, and close relationships, and help reinterpret the history and legacy of Italian colonialism.

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With this translation of the essay Harpaja lezorech negia ("Let go to touch") published in Hebrew in 2005, for which he wrote the "portraits" anew, one of Dan Miron's works appears in German for the first time. Here, Dan Miron reflects on the topic the specific, but not necessarily uniform, character of the overall complex of Jewish literatures. Instead of merging the polyphonic and heterogeneous phenomenon into a supposedly coherent national literature, he advocates thinking in terms of a plurality of Jewish textual culture. Instead of starting from a tradition and a canon, Miron suggests speaking of entanglements, interdependence and a literary "touch." With this approach, Miron succeeds in examining the very different Jewish literary traditions of the diaspora and at the same time those in to interpret plural Israeli literature as one voice in a large Jewish choir. Just a close look at the entanglements of multilingualism, difference and plurality, but not the popular or scientific insinuation of unity and uniformity, makes it possible to do justice to Jewish literatures in terms of literature as well as literary and intellectual.

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An updated introduction to the religions developed in the Caribbean region Creole Religions of the Caribbean offers a comprehensive introduction to the overlapping religions that have developed as a result of the creolization process. Caribbean peoples drew on the variants of Christianity brought by European colonizers, as well as on African religious and healing traditions and the remnants of Amerindian practices, to fashion new systems of belief. From Vodou, Santería, Regla de Palo, the Abakuá Secret Society, and Obeah to Quimbois and Espiritismo, the volume traces the historical–cultural origins of the major Creole religions, as well as the newer traditions such as Rastafari. This third edition updates the scholarship by featuring new critical approaches that have been brought to bear on the study of religion, such as queer studies, environmental studies, and diasporic studies. The third edition also expands the regional considerations of the diaspora to the US Latinx communities that are influenced by Creole spiritual practices, taking into account the increased significance of material culture?art, music, literature, and healing practices influenced by Creole religions.

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In Muslims in Motion, Nazli Kibria provides a comparative look at Bangladeshi Muslims in different global contexts--including Britain, the U.S., the Middle East, and Malaysia. Kibria examines international migrant flows from Bangladesh, and considers how such migrations continue to shape Islamization in these areas. Having conducted more than 200 in-depth interviews, she explores how, in societies as different as these, migrant Muslims, in their everyday lives, strive to achieve economic gains, sustain community and family life, and realize a sense of dignity and honor.Muslims in Motion offers fresh insights into the prominence of Islam in these communities, especially an Islam defined by fundamentalist movements and ideologies. Kibria also focuses on the complex significance of nationality--with rich analyses of the diaspora, the role of gender and class, and the multiple identities of the migrants, she shows how nationality can be both a critical source of support and also of difficulty for many in their efforts to attain lives of dignity. By bringing to life a vast range of experiences, this book challenges prevailing stereotypes of Muslims.

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An updated introduction to the religions developed in the Caribbean region Creole Religions of the Caribbean offers a comprehensive introduction to the overlapping religions that have developed as a result of the creolization process. Caribbean peoples drew on the variants of Christianity brought by European colonizers, as well as on African religious and healing traditions and the remnants of Amerindian practices, to fashion new systems of belief. From Vodou, Santería, Regla de Palo, the Abakuá Secret Society, and Obeah to Quimbois and Espiritismo, the volume traces the historical–cultural origins of the major Creole religions, as well as the newer traditions such as Rastafari. This third edition updates the scholarship by featuring new critical approaches that have been brought to bear on the study of religion, such as queer studies, environmental studies, and diasporic studies. The third edition also expands the regional considerations of the diaspora to the US Latinx communities that are influenced by Creole spiritual practices, taking into account the increased significance of material culture?art, music, literature, and healing practices influenced by Creole religions.

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In this definitive study of the African diaspora in North America, Toyin Falola offers a causal history of the western dispersion of Africans and its effects on the modern world. The African diaspora is arguably the most important event in modern African history. From the fifteenth century to the present, millions of Africans have been dispersed -- many of them forcibly, others driven by economic need or political persecution -- to other continents, creating large communities with African origins living outside their native lands. The majority of these communities are in North America. This historic displacement has meant that Africans are irrevocably connected to economic and political developments in the West and globally. Among the known legacies of the diaspora are slavery, colonialism, racism, poverty, and underdevelopment, yet the ways in which thesesame factors worked to spur the scattering of Africans are not fully understood -- by those who were part of this migration or by scholars, historians, and policymakers. In this definitive study of the diaspora in NorthAmerica, Toyin Falola offers a causal history of the western dispersion of Africans and its effects on the modern world. Reengaging old and familiar debates and framing new ones that enrich the discourse surrounding Africa, Falola isolates the thread, running nearly six centuries, that connects the history of slavery, the transatlantic slave trade, and current migrations. A boon to scholars and policymakers and accessible to the general reader, the book explores diverse narratives of migration and shows that the cultures that migrated from Africa to the Americas have the capacity to unite and create a new pan-Africanist movement within the globalized world. Toyin Falolais the Jacob and Frances Sanger Mossiker Chair in the Humanities and University Distinguished Teaching Professor at the University of Texas at Austin. He is the 2011 recipient of the Distinguished Africanist Award from the African Studies Association and serves as the vice president of the International Scientific Committee of the UNESCO Slave Route Project. His previous books published by the University of Rochester Press include The Power of AfricanCultures and Nationalism and African Intellectuals.

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What do we think about when we think of Greek food? For many, it is the meze and traditional plates of a typical Greek island taverna from summer holidays or from Greek restaurants at home. This book takes us into and beyond the taverna to offer us a unique, comprehensive history of the foods of Greece. Andrew and Rachel Dalby discuss how the land was first settled, what was grown, and how certain fruits, herbs and vegetables came to be identified. Moving through prehistorical and classical Greece, and the Roman, Byzantine and Ottoman empires, they explore the variety of Greek foods among communities outside the national borders as well as the food culture of the regions and islands of Greece itself. Through a synthesis of modern Greek food, with all that it owes to Christianity and to Greeks of the diaspora, they lead us into a discussion of Greek hospitality. Greek food is brimming with thousands of centuries of history, lore and culture. With many superb illustrations, and traditional recipes that blend historical and modern flavours, Gifts of the Gods is a fine account of this rich and ancient cuisine.

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A history of the continent-spanning Armenian print tradition in the early modern period Early Modernity and Mobility explores the disparate yet connected histories of Armenian printing establishments in early modern Europe and Asia. From 1512, when the first Armenian printed codex appeared in Venice, to the end of the early modern period in 1800, Armenian presses operated in nineteen locations across the Armenian diaspora. Linking far-flung locations in Amsterdam, Livorno, Marseille, Saint Petersburg, and Astrakhan to New Julfa, Madras, and Calcutta, Armenian presses published a thousand editions with more than half a million printed volumes in Armenian script. Drawing on extensive archival research, Sebouh David Aslanian explores why certain books were published at certain times, how books were sold across the diaspora, who read them, and how the printed word helped fashion a new collective identity for early modern Armenians. In examining the Armenian print tradition Aslanian tells a larger story about the making of the diaspora itself. Arguing that “confessionalism” and the hardening of boundaries between the Armenian and Roman churches was the “driving engine” of Armenian book history, Aslanian makes a revisionist contribution to the early modern origins of Armenian nationalism.

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This collected volume is based on the proceedings of a symposium held in 2018 at York University, Canada, which was held to commemorate the 70th anniversary of Israel. This symposium highlighted contemporary Jewish identity, Israel-Diaspora relations, and how Jewish life has been transformed in light of various types of antisemitism. The book considers the diasporic Jewish experiences through examining the intersections between various Jewish communities sociologically, historically, and geographically.The text covers world Jewry in general, and each of the diaspora and Israeli Jewries more specifically in the context of mutual responsibility, but also focuses on areas of tension concerning values and political matters. The challenges of antisemitism, racism, and nationalism are explored in terms of the relationship of the Jewish diasporas to their host countries. This text also covers antisemitism, which may take the form of traditional antisemitism or of the new antisemitism in the era of anti-Israel activity related to the Boycott, Divestment, and Sanctions movement. The latter movement is especially prevalent on university campuses and has an impact on students, faculty, and staff. This volume is unique in its international perspective in examining issues of Jewish identity, Israel-diaspora relations, and antisemitism and will appeal to students and researchers working in the field.

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Intellectuals of Jewish origin have long been well represented in the social sciences, although very few of the most prominent among them have devoted any of their work to the fact of being Jewish itself. At the same time, the founding role of Jewish theoreticians has been thought to derive from their dual position as both outsiders faced with the possibility of anti-Semitism and insiders assimilated into behaving according to the norms of a dominant "code of civility." In Geography of Hope, Pierre Birnbaum studies the trajectories of eight celebrated Jewish thinkers of the past two centuries (Marx, Durkheim, Simmel, Aron, Arendt, Berlin, Walzer, and Yerushalmi) who emerged from milieus acculturated to greatly varying degrees. The result is a renewed historiography of the Diaspora traversed by the tensions between adherence to Enlightenment universalism and a return to individual origins. Birnbaum's analysis of writings often neglected by previous scholarship, such as private correspondence, testifies to the multiplicity of possible responses to this challenge of double allegiance—from the more republican turn of the French to those Americans touched by the culture of identity. This vast and encompassing work is a stimulating, provocative, and hopeful contribution to the study of Judaism and democracy.

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Traces the rich social, cultural, economic and political history of the Greeks. Often referred to as the 'Long Nineteenth Century', this period in Greek history conventionally begins with the war of independence in 1821. However, this book adopts a broader geographical scope, encompassing the Greeks of Russia and of the Ottoman Empire. The story therefore begins earlier than the war of independence and extends later into the 20th century. This period witnessed the establishment of a Greek nation state which had a profound impact on the Greeks of the Diaspora. As well as looking at identity and migration, this volume examines some key themes that were especially important in shaping the development of Greek culture during the 19th century, including the impact of the formation of the nation state, the formation of multi tiered, multinational social structure, and the development of a transnational Greek culture. It is an interdisciplinary approach that bridges history, anthropology and archaeology. It emphasises social history, including an in depth discussion of Greek rural society and economy. It brings Greek history and Ottoman history into dialogue in a way that hasn't been done before. It includes over 70 figures - maps, illustrations, tables and line drawings - which illustrate the key aspects of Greek social life.

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This collection of published and unpublished essays connects antiquity with the present by debating the current prohibiting conceptions of performance theory and the insistence on a limited version of ‘the contemporary’. The theatre is attractive for its history and also for its lively present. These essays explore aspects of historical performance in ancient Greece, and link thoughts on its significance to wider reflections on cultural theory from around the world and performance in the contemporary postmodern era, concluding with ideas on the new theatre of the diaspora. Each section of the book includes a short introduction; the essays and shorter interventions take various forms, but all are concerned with theatre, with practical aspects of theatre and theoretical dimensions of its study. The subjects range from ancient Greece to the present day, and include speculations on the origin of ancient tragic acting, the kinds of festival performance in ancient Athens, how performance is reflected in the tragic scripts, the significance of the presence of the chorus, technology and the ancient theatre, comparative thinking on Greek, Indian and Japanese theory, a critique of the rhetoric of performance theory and of postmodernism, reflections on modernism and theatre, and on the importance of adaptation to theatre, studies of the theatre and diaspora in Britain.

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Though often overlooked in conventional accounts, women with myriad backgrounds and countless talents have made an impact on Polish and Polish American history. John J. Bukowczyk gathers articles from the journals Polish Review and Polish American Studies to offer a fascinating cross-section of readings about the lives and experiences of these women. The first section examines queens and aristocrats during the Polish-Lithuanian Commonwealth, but also looks at the life of the first Polish female doctor. In the second section, women of the diaspora take center stage in articles illuminating stories that range from immigrant workers in Europe and the United States to women's part in Poland’s nationalist struggle. The final section concentrates on image, identity, and consciousness as contributors examine the stereotyping and othering of Polish women and their portrayal in ethnic and émigré fiction. A valuable and enlightening resource, Through Words and Deeds offers an introduction to the many facets of Polish and Polish American womanhood.Contributors: Laura Anker, Robert Blobaum, Anna Brzezińska, John J. Bukowczyk, Halina Filipowicz, William J. Galush, Rita Gladsky, Thaddeus V. Gromada, Bożena Karwowska, Grażyna Kozaczka, Lynn Lubamersky, Karen Majewski, Nameeta Mathur, Lori A. Matten, Jan Molenda, James S. Pula, Władysław Roczniak, and Robert Szymczak

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The figure of the Polish plumber or builder has long been a well-established icon of the British national imagination, uncovering the UK's collective unease with immigration from Central and Eastern Europe. But despite the powerful impact the UK's second largest language group has had on their host country's culture and populist politics, very little is known about its members. This painstakingly researched book offers a wide perspective on Polish migrants in the UK, taking into account the interactions between Poles and British society through discursive actions, policies, family connections, transnational networks, and political engagement of the diaspora. Borne out of a decade of ethnographic studies among various communities of Polish nationals living in London, Micha P Garapich documents the changes that affect both Polish migrants and British society. Arguing that neither group can be fully understood in isolation, it explores the complexity of Polish ethnicity and offers an insight into the inner tensions and struggles within what the public and scholars often assume to be a uniform and homogeneous category. From Polish financial sector workers to the Polish homeless population, this ground-breaking book offers an ethnographic, street-level account of cultural and social determinants of Polish migration and how Polish migrants redefine and reconstruct their understanding of class and ethnicity on a daily basis.

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Answering a call for help from a neighboring group of settlers, the heroes embark on a rescue mission that takes them to a hidden jungle valley, where alien dinosaurs prowl among ancient elven ruins. The trail leads through a magical portal to an abandoned Azlanti base on the world’s moon. There, survivors from a scouting mission gone awry huddle in the darkness, hiding from a terrifying, malevolent creature from another plane! “Whispers of the Eclipse” is a Starfinder Roleplaying Game adventure for four 5th-level characters by Kate Baker. This adventure continues the Horizons of the Vast Adventure Path, a six-part, bimonthly campaign in which the heroes are at the forefront of exploring and charting a newly discovered world filled with mystery. This volume also includes a history of the diaspora of the elves, gear from an ancient spacefaring civilization, and a selection of diverse alien creatures. Each bi-monthly full-color softcover Starfinder Adventure Path volume contains a new installment of a series of interconnected science-fantasy quests that together create a fully developed plot of sweeping scale and epic challenges. Each 64-page volume of the Starfinder Adventure Path also contains in-depth articles that detail and expand the Starfinder campaign setting and provide new rules, a host of exciting new monsters and alien races, a new planet to explore and starship to pilot, and more!

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“A thick, tangled and deliciously idiosyncratic history of hair.” Times Literary Supplement 19th and early 20th-century hair appears to be everywhere when you start to look, from the abundant locks of the pre-Raphaelites to the myriad objects on show at the Great Exhibitions. The latter, hosted at venues such as the Crystal Palace, hinted at the level of global trade in hair economies, from hair harvest, hairpieces, and hairwork to commodities for styling and adornment. It was a period when hair became fetishized in all sorts of ways, from fashioning hair to moralising constriction, from suggestions of sexuality in abundant free-flowing locks, to intricate hair-incorporating jewellery which offered spiritual connections to the dead. In a period of increasing globalization and associated anxieties, hair came to express identity not just for the individual but for different cultures. Perhaps inevitably, hair itself became a contested site of signification whether as the strands of the diaspora, the cut locks of the underclass, or the coiffures of the court. A Cultural History of Hair in the Age of Empire presents an overview of the tangled tresses of hair in this period, with essays covering: Religion and Ritualized Belief; Self and Society; Fashion and Adornment; Production and Practice; Health and Hygiene; Gender and Sexuality; Race and Ethnicity; Class and Social Status and Cultural Representations.

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Explores the dimensions of the coming-of-age novel in the Spanish-speaking Caribbean and Brazil, focusing on works by eight major Afro-Latin American writers The centuries-old European genre of the coming-of-age story has been transformed by contemporary Afro-Latin American novelists to address key aspects of the diaspora in various nations of the Caribbean and Latin America. While attention to Afro-Hispanic and Afro-Brazilian literature has increased in recent decades, few critics have focused specifically on the Afro-Latin American Bildungsroman, and fewer still have addressed novels from both Spanish- and Brazilian-speaking regions, as author Bonnie Wasserman does in this study. The memory and continuing impact of slavery especially shape these coming-of-age stories. Often interwoven with race is a focus on religion, particularly the importance of African folk religions and traditions in the lives of young people. Immigration-and the return journey-is another important theme in the novels. Coming of Age in the Afro-Latin American Novel discusses works&emdash;all published around the turn of the 21st century&emdash;by such important writers as Dahlma Llanos-Figueroa and Mayra Santos-Febres (from Puerto Rico), Conceição Evaristo and Paulo Lins (from Brazil); Teresa Cardenas and Pedro Pérez Sarduy (from Cuba); and Junot Diaz and Rita Indiana (from the Dominican Republic). Wasserman's far-reaching analysis is both rigorous and compassionate, shedding a clear light on ways in which descendants of Africans have experienced life in the New World.

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In recent scholarly debates concerning the history of the Jews in Roman times, the study of the Diaspora has begun to play an increasingly important part. New archaeological and inscriptional discoveries have provided scholars with much evidence to demonstrate that, in later Roman times, the majority of Jews lived outside the Land of Israel, in communities that could be found in virtually every corner of the Roman world. An investigation of how all these Jewish communities related to the Greco-Roman world surrounding them has become a central theme in the study of ancient Jewish history. In the present collection of essays, Dr. L.V. Rutgers, author of the award-winning The Jews in Late Ancient Rome (1995), investigates how Diaspora Jews defined their identity while interacting with temporary non-Jewish society. Bringing to bear on this issue archaeological, epigraphical, and historical evidence, the author investigates Jewish and non-Jewish evidence side-by-side in an attempt to shed new light on the question of how physical remains can help us to revise current perceptions of Jewish life in the Diaspora. In an introductory chapter Dr. Rutgers uses the evidence collected elsewhere in this book to argue that the Jews of antiquity must have had a very clearly defined sense of identity. Discussing some of the methodological problems that face scholars working in this particular field of study, Dr. Rutgers also questions the idea that variety is characteristic of Diaspora Judaism.

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For as long as historians have contemplated the Jewish past, they have engaged with the idea of diaspora. Dedicated to the study of transnational peoples and the linkages these people forged among themselves over the course of their wanderings and in the multiple places to which they went, the term "diaspora" reflects the increasing interest in migrations, trauma, globalism, and community formations. The Oxford Handbook of the Jewish Diaspora acts as a comprehensive collection of scholarship that reflects the multifaceted nature of diaspora studies. Persecuted and exiled throughout their history, the Jewish people have also left familiar places to find better opportunities in new ones. But their history has consistently been defined by their permanent lack of belonging. This Oxford Handbook explores the complicated nature of diasporic Jewish life as something both destructive and generative. Contributors explore subjects as diverse as biblical and medieval representations of diaspora, the various diaspora communities that emerged across the globe, the contradictory relationship the diaspora bears to Israel, and how the diaspora is celebrated and debated within modern Jewish thought. What these essays share is a commitment to untangling the legacy of the diaspora on Jewish life and culture. This volume portrays the Jewish diaspora not as a simple, unified front, but as a population characterized by conflicting impulses and ideas. The Oxford Handbook of the Jewish Diaspora captures the complexity of the Jewish diaspora by acknowledging the tensions inherent in a group of people defined by trauma and exile as well as by voluntary migrations to places with greater opportunity.

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Reveals the forgotten history of Baghdadi Jews’ journey into India through the stories of four generations of Jewish women. An invaluable cultural document shaped from personal experience, Jewish Portraits, Indian Frames explores the fascinating social and cultural history of Baghdadi Jewish women in Calcutta, India. Through the lives of her foremothers over four generations, Jael Silliman discovers how they “dwelled in travelling” despite being widely dispersed across Asia, which created a moving geography of Baghdadi Jewish culture. She shows us how they negotiated multiple identities, including that of emergent Indian nationalism, and how they perceived and shaped their Jewishness and gender in response to changing cultural and political contexts. She also traces the trajectory of a Jewish presence in one of the most hospitable cities of the diaspora. These rich family portraits convey a sense of the singular roles women played in building and sustaining a complex diaspora in what Silliman calls “Jewish Asia” over the past 150 years. Her sketches of the everyday lives of her foremothers—including the food they ate and the clothes they wore—bring to life a community and a culture, even as they disclose the unexpected and subtle complexities of the colonial encounter as experienced by Jewish women. Now back in print and featuring a new preface by the author, Jewish Portraits, Indian Frames will be a vital resource for those interested in Jewish histories as well as women’s studies and will prove to be a fascinating narrative for a general readership as well.

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Thali Katori brings together two words that celebrate difference, acknowledge the need for the sensitive appreciation of difference, the virtues of complementarity and the nourishment that poetry and the arts, as vitally as savoury and sweet dishes, dal and other vegetables, gives us, to keep us alive, to refuse, in Hugh MacDiarmid’s phrase, ‘a life deprived of its salt.’Thali Katori is a feast of many flavours. Thali, literally means a plate on which a selection of many dishes is served. Katori signifies the bowls which accompany the thali. Together, the dishes are all different, but they complement each other, bringing out each other’s flavours and unique identities.Featuring poems and extracts from writers such as Sir Walter Scott, Vikram Seth and Hugh MacDiarmid, Thali Katori is a collection of poetry and prose that celebrates the difference and the diversity of the Indian sub-continent and Scotland. Through a diverse collection of poetry that explores the unique history of the relationship between India and Scotland and the ways in which it has affected the lives of many since, both Scottish and Indian writers alike are brought together in this anthology to create a feast of appreciation for the diversity of culture and identity of the two nations.Thali Katori provides a platform for a multitude of voices… if one is searching for a synergy then it surely must be that of the experience of the Diaspora and the formation of attachments to the Motherland. – Amrit Khan

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In a book that will both enlighten and provoke, Daniel Boyarin offers an alternative to the prevailing Euro-American warrior/patriarch model of masculinity and recovers the Jewish ideal of the gentle, receptive male. The Western notion of the aggressive, sexually dominant male and the passive female reaches back through Freud to Roman times, but as Boyarin makes clear, such gender roles are not universal. Analyzing ancient and modern texts, he reveals early rabbis - studious, family-oriented - as exemplars of manhood and the prime objects of female desire in traditional Jewish society. Challenging those who view the 'feminized Jew' as a pathological product of the Diaspora or a figment of anti-Semitic imagination, Boyarin argues that the Diaspora produced valuable alternatives to the dominant cultures' overriding gender norms. He finds the origins of the rabbinic model of masculinity in the Talmud, and though unrelentingly critical of rabbinic society's oppressive aspects, he shows how it could provide greater happiness for women than the passive gentility required by bourgeois European standards. Boyarin also analyzes the self-transformation of three iconic Viennese modern Jews: Sigmund Freud, the father of psychoanalysis; Theodor Herzl, the founder of Zionism; and Bertha Pappenheim (Anna O.), the first psychoanalytic patient and founder of Jewish feminism in Germany. Pappenheim is Boyarin's hero: it is she who provides him with a model for a militant feminist, anti-homophobic transformation of Orthodox Jewish society today. Like his groundbreaking "Carnal Israel", this book is talmudic scholarship in a whole new light, with a vitality that will command attention from readers in feminist studies, history of sexuality, Jewish culture, and the history of psychoanalysis.

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This book addresses a largely unresolved mirror question. Does migration cause development or the other way around? As the contributors show, the compromise idea that they are mutually constitutive depends on a careful examination of the forms of migration (temporary, circular, permanent or return), the role of the destination and origin states and the ways in which remittance income has been deployed. Robert Lucas has assembled an excellent team of established and up-and-coming economists who address these issues in this instructive Handbook.'- Robin Cohen, University of OxfordMigration and economic development are mutually linked. Development is a catalyst for migration and vice versa. However, the signs of causal links in both directions remain widely disputed, prompting questions about the reciprocity between the two.This Handbook summarizes the state of thinking and presents new evidence on various links between international migration and economic development, with particular reference to lower-income countries. The connections between trade, aid and migration are critically examined through global case studies. Some of the topics covered include:- a review of European states' co-development strategies to limit immigration and redirect remittances- an exploration of the role of the diaspora in transferring technology and stimulating trade- an examination of the economic roots of international terrorism.The various chapters extend our frontiers of understanding with fresh evidence, providing a useful reference point for researchers, students and policymakers interested in development and migration.Contributors include: C. Carletto, M.A. Clemens, J. Crush, P. Derin-Güre, J. Gibson, F. Gubert, A.M. Ibáñez, O. Ivus, F. Kondylis, J. Larrison, R.E.B. Lucas, R. A. Margo, D. McKenzie, P. Mishra, V. Mueller, A. Naghavi, Ç. Özden, C.R. Parsons, J. Wahba, L.A. Winters, CB.

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Jewish and Christian authors of the High Middle Ages not infrequently came into dialogue or conflict with each other over traditions drawn from ancient writings outside of the bible. Circulating in Latin and Hebrew adaptations and translations, these included the two independent versions of the Testament of Naphtali in which the patriarch has a vision of the Diaspora, a shipwreck that scatters the twelve tribes. The Christian narrative is linear and ends in salvation; the Jewish narrative is circular and pessimistic. For Ruth Nisse, this is an emblematic text that illuminates relationships between interpretation, translation, and survival. In Nisse’s account, extrabiblical literature encompasses not only the historical works of Flavius Josephus but also, in some of the more ingenious medieval Hebrew imaginative texts, Aesop’s fables and the Aeneid. While Christian-Jewish relations in medieval England and Northern France are most often associated with Christian polemics against Judaism and persecutions of Jews in the wake of the Crusades, the period also saw a growing interest in language study and translation in both communities. These noncanonical texts and their afterlives provided Jews and Christians alike with resources of fiction that they used to reconsider boundaries of doctrine and interpretation. Among the works that Nisse takes as exemplary of this intersection are the Book of Yosippon, a tenth-century Hebrew adaptation of Josephus with a wide circulation and influence in the later middle ages, and the second-century romance of Aseneth about the religious conversion of Joseph’s Egyptian wife. Yosippon gave Jews a new discourse of martyrdom in its narrative of the fall of Jerusalem, and at the same time it offered access to the classical historical models being used by their Christian contemporaries. Aseneth provided its new audience of medieval monks with a way to reimagine the troubling consequences of unwilling Jewish converts.

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The Jewish struggle for survival as a spiritual entity after the cohesiveness of Jewish communal life began to disintegrate in the latter decades of the nineteenth century spawned a new tradition-a modern secular Hebraic cultural tradition. These seventeen essays by Israel's esteemed literary critic, Gershon Shaked, explore the evolution of that new tradition, tracing its major processes and identifying central stages in the development of new canonical texts. After introductory essays in which he defines Israeli secularism, explores the historical consciousness of the Israeli sensibility both in Israel and in the Diaspora, and comments on major trends in the development of Hebrew literature, Shaked describes the mythopoeic creativity of the Hebrew poet laureate Hayyim Nahman Bialik and of the major Hebrew playwright Mattityahu Shoham. He then explores the early literary associations of Yehuda Amichai, who transformed the exalted poetic idiom of the pre-state years into a sober, sensitive, accessible language. Three essays each treat Medele Mosher Seforim and Shmuel Yosef Agnon. As the voice of the limping shlemazels of the shtetl, Mendele foretold the destruction of the eastern European Jewish community but offered no constructive alternative to its dismal prophecy. Agnon's characters seek redemption by immigrating to Eretz Israel. His two works discussed here, "Agunot" (Forsaken Wives) and Shevu'at emunim (The Betrothed) suggest that, while it may be possible to take neurotic Jews out of the Diaspora, taking the Diaspora out of them is another matter. A second set of essays is dedicated to Joseph Hayyim Brenner, an immigrant in the Second Aliyah who also wrote of displaced strangers trying to set down roots in a foreign environment, and Yitzhak Shami, an "Arab-Jew" who wrote about the mentality and lifestyle of the oriental Jewish communities of Palestine and Syria. The last chapter analyzes the work of an outsider, David Vogel. Although Vogel's novel Hayyei nissu'im (Married Life) was written in Hebrew, its plot and characters are strongly reminiscent of the German-Jewish literary tradition. Shaked's analysis of the cultural processes underlying Hebrew literature's major achievements in the late nineteenth and twentieth centuries not only sheds important light upon the major concerns of this new and secular literary tradition but also illuminates key aspects of modern Jewish culture.

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When the official history of twentieth-century Wall Street is written, it will certainly contain more than a few pages on Michael Steinhardt. One of the most successful money managers in the history of "The Street," Steinhardt far outshone his peers by achieving an average annual return of over thirty percent-significantly greater than that of every market benchmark. During his almost thirty-year tenure as a hedge fund manager, he amassed vast wealth for his investors and himself. One dollar invested with Steinhardt Partners L.P., his flagship hedge fund, at its inception in 1967 would have been worth $462 when he retired from active money management in 1995. No Bull offers an account of some of the investment strategies that drove Michael Steinhardt's historic success as a hedge fund manager including a focus on his skills as an industry analyst and consummate stock picker. He also reveals how his uncanny talent for knowing when to trade against the prevailing market trend-a talent that was not always appreciated by several erstwhile high-profile clients-resulted in many of his greatest successes. Here he provides detailed accounts of some of his most sensational coups-including his momentous decision, in 1981, to stake everything on bonds-and his equally sensational failures, such as his disastrous foray into global macro-trading in the mid-1990s. At the same time, No Bull is the rags-to-riches story of a boy from Bensonhurst and his rise from the streets of Brooklyn to the heights of Wall Street. In a thoroughly engaging narrative, Steinhardt relates the early influences that shaped his attitudes toward life and success, as well as the beginning of his love affair with stock investing. Further, he chronicles his dawning awareness of the need for a purpose in life beyond the acquisition of wealth and how it led to his decision to retire and redirect his energies. We learn about his experiences as the chairman of the Democratic Leadership Council for nearly a decade, as well as his innovative thinking and ambitious projects to strengthen the Jewish community. The inspiring true story of a Wall Street genius and world-class philanthropist, No Bull is an unforgettable read for finance professionals and students of human nature alike. Michael Steinhardt is one of the most successful money managers in the history of Wall Street. He is also widely known for his philanthropic activities, particularly in the Jewish community-most notably as cofounder with Charles Bronfman of birthright israel, a program whose mission is to provide a free educational opportunity for every young Jewish person of the Diaspora to visit Israel.

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"A remarkably assured debut" Sunday Times"This is as much a novel as a reckoning." New York TimesThe characters are alluring and ... engaging. So too are the emotional struggles the crew endure as they try to balance duty to family with their love for China and the need to understand their own personalities." Literary Review"This is the heist novel we deserve. Brilliantly twisty and yet so contemplative [...] this book will continue to haunt you long after you've reached the end."-Jesse Q. Sutanto, author of Dial A for Aunties"Portrait of a Thief was everything I imagined and more. The writing felt close and intimate and the characters felt like portraits themselves, bursting with life and delicately human." -Morgan Rogers, author of Honey Girl"Grace D. Li is a virtuosic storyteller [...] the most exciting debut I've read this year [...] an intelligent page-turner that will keep you hooked until the very end." -Lauren Wilkinson, New York Times bestselling author of American Spy "In this slick, dazzling, debut, the stakes are high and the writing elegant. Here's a story that offers not just adventure or a reprieve from the everyday, but big dreams, big hearts, enduring friendships, and the multitudes of identities that can exist within each one of us." -Weike Wang, author of Chemistry "A beautiful examination of identity as children of the diaspora [...] This fast-paced heist leaves you clutching the pages and rooting for the thieves." -Roselle Lim, author of Natalie Tan's Book of Luck and Fortune "A lyrical and action-packed tale of yearning, connection, self-discovery, and righting wrongs, Portrait of a Thief is a unique vision of what it means to come home." -Delilah S. Dawson, New York Times bestselling author of The Violence___________________________________________________________________________________This was how things began: Boston on the cusp of fall, the Sackler Museum robbed of 23 pieces of priceless Chinese art. Even in this back room, dust catching the slant of golden, late-afternoon light, Will could hear the sirens. They sounded like a promise. Will Chen, a Chinese American art history student at Harvard, has spent most of his life learning about the West - its art, its culture, all that it has taken and called its own. He believes art belongs with its creators, so when a Chinese corporation offers him a (highly illegal) chance to reclaim five priceless sculptures, it's surprisingly easy to say yes. Will's crew, fellow students chosen out of his boundless optimism for their skills and loyalty, aren't exactly experienced criminals. Irene is a public policy major at Duke who can talk her way out of anything; Daniel is pre-med with steady hands and dreams of being a surgeon. Lily is an engineering student who races cars in her spare time; and Will is relying on Alex, an MIT dropout turned software engineer, to hack her way in and out of each museum they must rob. Each student has their own complicated relationship with China and the identities they've cultivated as Chinese Americans, but one thing soon becomes certain: they won't say no. Because if they succeed? They earn an unfathomable ten million each, and a chance to make history. If they fail, they lose everything . . . and the West wins again.

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"A remarkably assured debut" Sunday Times"This is as much a novel as a reckoning." New York TimesThe characters are alluring and ... engaging. So too are the emotional struggles the crew endure as they try to balance duty to family with their love for China and the need to understand their own personalities." Literary Review"This is the heist novel we deserve. Brilliantly twisty and yet so contemplative [...] this book will continue to haunt you long after you've reached the end."-Jesse Q. Sutanto, author of Dial A for Aunties"Portrait of a Thief was everything I imagined and more. The writing felt close and intimate and the characters felt like portraits themselves, bursting with life and delicately human." -Morgan Rogers, author of Honey Girl"Grace D. Li is a virtuosic storyteller [...] the most exciting debut I've read this year [...] an intelligent page-turner that will keep you hooked until the very end." -Lauren Wilkinson, New York Times bestselling author of American Spy "In this slick, dazzling, debut, the stakes are high and the writing elegant. Here's a story that offers not just adventure or a reprieve from the everyday, but big dreams, big hearts, enduring friendships, and the multitudes of identities that can exist within each one of us." -Weike Wang, author of Chemistry "A beautiful examination of identity as children of the diaspora [...] This fast-paced heist leaves you clutching the pages and rooting for the thieves." -Roselle Lim, author of Natalie Tan's Book of Luck and Fortune "A lyrical and action-packed tale of yearning, connection, self-discovery, and righting wrongs, Portrait of a Thief is a unique vision of what it means to come home." -Delilah S. Dawson, New York Times bestselling author of The Violence___________________________________________________________________________________This was how things began: Boston on the cusp of fall, the Sackler Museum robbed of 23 pieces of priceless Chinese art. Even in this back room, dust catching the slant of golden, late-afternoon light, Will could hear the sirens. They sounded like a promise. Will Chen, a Chinese American art history student at Harvard, has spent most of his life learning about the West - its art, its culture, all that it has taken and called its own. He believes art belongs with its creators, so when a Chinese corporation offers him a (highly illegal) chance to reclaim five priceless sculptures, it's surprisingly easy to say yes. Will's crew, fellow students chosen out of his boundless optimism for their skills and loyalty, aren't exactly experienced criminals. Irene is a public policy major at Duke who can talk her way out of anything; Daniel is pre-med with steady hands and dreams of being a surgeon. Lily is an engineering student who races cars in her spare time; and Will is relying on Alex, an MIT dropout turned software engineer, to hack her way in and out of each museum they must rob. Each student has their own complicated relationship with China and the identities they've cultivated as Chinese Americans, but one thing soon becomes certain: they won't say no. Because if they succeed? They earn an unfathomable ten million each, and a chance to make history. If they fail, they lose everything . . . and the West wins again.

Read more less

"A remarkably assured debut" Sunday Times"This is as much a novel as a reckoning." New York TimesThe characters are alluring and ... engaging. So too are the emotional struggles the crew endure as they try to balance duty to family with their love for China and the need to understand their own personalities." Literary Review"This is the heist novel we deserve. Brilliantly twisty and yet so contemplative [...] this book will continue to haunt you long after you've reached the end."-Jesse Q. Sutanto, author of Dial A for Aunties"Portrait of a Thief was everything I imagined and more. The writing felt close and intimate and the characters felt like portraits themselves, bursting with life and delicately human." -Morgan Rogers, author of Honey Girl"Grace D. Li is a virtuosic storyteller [...] the most exciting debut I've read this year [...] an intelligent page-turner that will keep you hooked until the very end." -Lauren Wilkinson, New York Times bestselling author of American Spy "In this slick, dazzling, debut, the stakes are high and the writing elegant. Here's a story that offers not just adventure or a reprieve from the everyday, but big dreams, big hearts, enduring friendships, and the multitudes of identities that can exist within each one of us." -Weike Wang, author of Chemistry "A beautiful examination of identity as children of the diaspora [...] This fast-paced heist leaves you clutching the pages and rooting for the thieves." -Roselle Lim, author of Natalie Tan's Book of Luck and Fortune "A lyrical and action-packed tale of yearning, connection, self-discovery, and righting wrongs, Portrait of a Thief is a unique vision of what it means to come home." -Delilah S. Dawson, New York Times bestselling author of The Violence___________________________________________________________________________________This was how things began: Boston on the cusp of fall, the Sackler Museum robbed of 23 pieces of priceless Chinese art. Even in this back room, dust catching the slant of golden, late-afternoon light, Will could hear the sirens. They sounded like a promise. Will Chen, a Chinese American art history student at Harvard, has spent most of his life learning about the West - its art, its culture, all that it has taken and called its own. He believes art belongs with its creators, so when a Chinese corporation offers him a (highly illegal) chance to reclaim five priceless sculptures, it's surprisingly easy to say yes. Will's crew, fellow students chosen out of his boundless optimism for their skills and loyalty, aren't exactly experienced criminals. Irene is a public policy major at Duke who can talk her way out of anything; Daniel is pre-med with steady hands and dreams of being a surgeon. Lily is an engineering student who races cars in her spare time; and Will is relying on Alex, an MIT dropout turned software engineer, to hack her way in and out of each museum they must rob. Each student has their own complicated relationship with China and the identities they've cultivated as Chinese Americans, but one thing soon becomes certain: they won't say no. Because if they succeed? They earn an unfathomable ten million each, and a chance to make history. If they fail, they lose everything . . . and the West wins again.

Read more less