Search results for ""OR Books""

A collection with a feminist ethos that cuts across race, gender identity, and sexuality.Creative activists have reacted to the 2016 Presidential election in myriad ways. Editors Danielle Barnhart and Iris Mahan have drawn on their profound knowledge of the poetry scene to put together an extraordinary list of poets taking a feminist stance against the new authority. What began as an informal collaboration of like-minded poets—to be released as a handbound chapbook—has grown into something far more substantial and ambitious: a fully fledged anthology of women’s resistance, with a portion of proceeds supporting Planned Parenthood and the Center for Reproductive Rights.Representing the complexity and diversity of contemporary womanhood and bolstering the fight against racism, sexism, and violence, this collection unites powerful new writers, performers, and activists with established poets. Contributors include Denice Frohman, Elizabeth Acevedo, Sandra Beasley, Jericho Brown, Mahogany L. Browne, Danielle Chapman, Tyehimba Jess, Kimberly Johnson, Jacqueline Jones LaMon, Maureen N. McLane, Joyce Peseroff, Mary Ruefle, Trish Salah, Patricia Smith, Anne Waldman, and Rachel Zucker.

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Written by the refugees themselves, this highly original anthology of Palestinians forced to live outside their homeland brings together stories of what it means to be exiled, reflections on the events that led to being displaced, and the raw experience of daily life in a camp.The 11 lives given voice here are unique, each an expression of the myriad displacements that war and occupation have forced upon Palestinians since the Nakba of 1948. At the same time, they form a collective testament of a people driven from their homes and land by colonial occupation. Each story is singular; and each tells the story of all Palestinians.As Edward Said argued in 1984, the object of Israel’s colonial warfare is not only material—seeking to minimise Palestinian existence as such—but is also a narrative project that aims to obliterate Palestinian history “as possessed of a coherent narrative direction pointed towards self-determination.”In these pages, Palestinian refugees narrate their own histories. The product of a creative-writing workshop organized by the Institute for Palestine Studies in Lebanon, 11 Lives tells of children’s adventures in the alleyways of refugee camps, of teenage martyrs and ghosts next-door, of an UNRWA teacher’s dismay at the shallowness of her colleagues, and of the love, labour, and land that form the threads of a red keffiyeh.What unites these 11 stories is “the inadmissible existence of the Palestinian people” highlighted by Said. Their words persist, as one contributor writes, “between the Nakba and the Naksa, throughout defeats and massacres, love affairs and revolutions.” The stories of Palestinians in exile are also open-ended, and will continue to reverberate across borders until Palestine is free.With contributions by: Nadia Fahed, Intisar Hajaj, Yafa Talal El-Masri, Youssef Naanaa, Ruba Rahme, Hanin Mohammad Rashid, Mira Sidawi, Wedad Taha, Salem Yassin, Taha Younis, Mahmoud Mohammad ZeidanCo-published with the Institute of Palestine Studies.

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The November 2020 US election was arguably the most consequential since the 1860 election of Abraham Lincoln—and grassroots leaders and organizers played crucial roles in the contention for the presidency and control of both houses of Congress. Power Concedes Nothing tells the stories behind a victory that won both the White House and the Senate and powered progressive candidates to new levels of influence. It describes the on-the-ground efforts that mobilized a record-breaking turnout by registering new voters and motivating an electorate both old and new. In doing so it charts a viable path to victory for the vital contests upcoming in 2022 and 2024. Contributors include: Cliff Albright, Yong Jung Cho, Larry Cohen, Sendolo Diaminah, Neidi Dominguez, David Duhalde, Alicia Garza, Ryan Greenwood, Arisha Michelle Hatch , Jon Liss, Thenjiwe McHarris, Andrea Cristina Mercado, Maurice Mitchell, Rafael Návar, Deepak Pateriya, Ai-jen Poo, W. Mondale Robinson, Art Reyes III, Nsé Ufot and Mario Yedidia

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Charlie Parker is an African Gray Parrot. He entered the life of Debby and Michael Smith three decades ago when, at the insistence of their young son, Eli, they brought him home from a downtown Manhattan bird shop. He has been an integral, and voluble, member of the family ever since. Charlie’s vocabulary is astonishingly diverse and colorful. He can be demanding, squawking imperiously “Clean my cage” or “Want some water.” He can be brutally direct, warning an aggressive business associate who had been yelling at Debby “I’m going to kick your ass, you sonofabitch.” He can be mischievous, making meowing noises to a neighbor’s confused dog in the elevator. Charlie is a survivor. He ended up recovering on an IV after the collapse of the World Trade Center filled the Smiths’ apartment with toxic dust. He is often an entertainer, with a songbook that extends across “Home on the Range” to “The Yellow Rose of Texas.” And most of the time he is affectionate, often hanging upside down against the side of his cage and demanding to be tickled. In encountering Charlie’s tales in this concise and charming book, we come to realize that parrots are intelligent and loving creatures, to an extent that, as the renowned avian scientist Professor Irene Pepperberg points out in her introduction, they cannot meaningfully be owned by humans but only enjoyed as companions.

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In this characteristically turbocharged book, now in a new post-election edition, celebrated Rolling Stone journalist Matt Taibbi provides an insider’s guide to the variety of ways today’s mainstream media tells us lies. Part tirade, part confessional, Hate Inc reveals that what most people think of as “the news” is, in fact, a twisted wing of the entertainment business. In the Internet age, the press have mastered the art of monetizing anger, paranoia, and distrust. Taibbi, who has spent much of his career covering elections in which this kind of manipulative activity is most egregious, provides a rich taxonomic survey of American political journalism’s dirty tricks. After a 2020 election season that proved to be a Great Giza Pyramid Complex of invective and digital ugliness, Hate Inc. is an invaluable antidote to the hidden poisons dished up by those we rely on to tell us what is happening in the world.

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Bev Stohl ran the MIT office of the renowned linguist and social critic Noam Chomsky for nearly two and a half decades. This is her account of those years, working next to a man described by the New York Times as “arguably the most important intellectual alive today.” Through these pages we observe the comings and goings of a constant and varied stream of visitors: the historian Howard Zinn; activists Alex Carey, Peggy Duff, and Dorie Ladner; the inventor of the World Wide Web, Tim Berners Lee; actors Catherine Keener and Wallace Shawn; the writer Norman Mailer; gaggles of fourteen-year-old school students, and the world’s leading linguists. All make appearances in these stories. Many who visit are as careless of their allotted time as Chomsky is generous with his. Shepherding them out in mid-conversation is one of Bev’s more challenging responsibilities. Other duties include arranging lectures to overflow crowds around the world, keeping unscrupulous journalists at bay, preventing teetering ziggurats of paper and books from engulfing her boss, and switching on his printer when it is deemed “broken” by a mind that is engaged less by mundane technology than the realms of academia and activism. Over the years, what has commenced as a formal working arrangement blossoms into something more: a warm and enduring friendship that involves work trips to Europe, visits with her partner and dog to Noam’s summer home on Cape Cod, and a mentorship that challenges Bev with all manner of intriguing mental and practical puzzles. Published with the approval of its subject and written with affection, insight and a gentle sense of humor, Chomsky and Me describes a relationship between two quite different people who, through the happenstance of work, form a bond that is both surprising and reciprocally rich.

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Beckett’s Children is a lyrical blend of personal memoir, father-son dialogue, and literary investigation that probes the works of Irish writer Samuel Beckett and American poet Susan Howe in search of traces of their long-rumored status as father and daughter. Although Howe has denied the rumor, the possibility that it might be true leads Coffey to a highly original appreciation of her work and a fascinating focus on the dozens of unattended children who wander through Beckett’s oeuvre. The saga of Coffey’s adult son, at various moments on the run in the Indiana woods or incarcerated, shines light on life without parental connection in a cold America. As an adoptee himself, Coffey looks to literature for traces of his own origin story and lineage, a heritage held in secret by a closed adoption system but which, through books and cultural signs, he has been able to decipher in his own way.  Provoc

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"A lucid, persuasive case for overhauling diagnosis regimes to catch cancer early rather than late."—Kirkus ReviewsCatching cancer early remains the single best way to combat a disease that is the second-leading killer in both the US and worldwide. But the vast majority of resources in the fight against cancer are devoted to relatively ineffective late stage treatments. Early Detection examines this important anomaly in an accessible and expertly researched survey.In a co-authorship that brings together the passion and urgency of someone touched deeply by the experience of cancer with the knowledge of a skilled science writer, Ratner and Bonislawski narrate compelling case studies across a range of screening programs and different forms of cancer. They look at the science underpinning early detection and discuss the organizational and social challenges of widespread screening, a dimension that has been shown to be especially

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Tale of Ahmed is a gripping fictional account of the dangerous journey of a teenage boy, Ahmed, who travels from Afghanistan, across the Middle East and Europe, to seek refuge in England.Author Henry Cockburn lives at one end of a long trail stretching from Afghanistan to the southeast coast of England. His home in Kent is close to where small, frail boats arrive bringing refugees on the last lap of their 6,000-mile journey from Kabul and the Hindu Kush. Meeting and talking with refugees, Henry became aware that even they themselves rarely understand the heroic nature of their odyssey. The journey's never-ending risks have become second nature to them. For most other people, they are simply unknown. Correcting such misperceptions is one of the objectives of this powerful story.Written in the form of an epic poem and richly illustrated by the author, Tale of Ahmed describes how its eponymous hero gets help from fellow travelers an

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I Dare Say: A Gerald Horne Reader is a timely and essential collection of the many works of Professor Gerald Hornea historian who has made an indelible impact on the study of US and international history. Horne approaches his study of history as a deeply politically engaged scholar, with an insightful and necessarily partisan stance, critiquing the lasting reverberations of white supremacy and all its bedfellowsimperialism, colonialism, fascism and racismwhich continue to wreak havoc in the United States and abroad to this day.Drawing on a career that spans more than four decades, The Gerald Horne Reader will showcase the many highlights of Horne's writings, delving into discussions of the United States and its place on the global stage, the curation of mythology surrounding titans of 20th Century African American history like Malcolm X, and Horne's thoughts on pressing international crises of the 21st Century including the war in Afghanistan

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As COVID-19 swept across the globe with merciless force, it was working people who kept the world from falling apart. Deemed “essential” by a system that has shown just how much it needs our labor but has no concern for our lives, workers sacrificed—and many were sacrificed—to keep us fed, to keep our shelves stocked, to keep our hospitals and transit running, to care for our loved ones, and so much more. But when we look back at this particular moment, when we try to write these days into history for ourselves and for future generations, whose voices will go on the record? Whose stories will be remembered? In late 2020 and early 2021, at what was then the height of the pandemic, Maximillian Alvarez conducted a series of intimate interviews with workers of all stripes, from all around the US—from Kyle, a sheet metal worker in Kentucky; to Mx. Pucks, a burlesque performer and producer in Seattle; to Nick, a gravedigger in New Jersey. As he does in his widely celebrated podcast, Working People, Alvarez spoke with them about their lives, their work, and their experiences living through a year when the world itself seemed to break apart. Those conversations, documented in these pages, are at times meandering, sometimes funny or philosophical, occasionally punctured by pain so deep that it hurts to read them. Filled with stories of struggle and strength, fear and loss, love and rage, The Work of Living is a deeply human history of one of the defining events of the 21st century told by the people who lived it.

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“Racism is like a Cadillac, they bring out a new model every year.”— Malcolm X (a former auto worker) Written in a lively, accessible fashion and drawing extensively on interviews with people who were formerly incarcerated, Cars and Jails examines how the costs of car ownership and use are deeply enmeshed with the U.S. prison system. American consumer lore has long held the automobile to be a “freedom machine,” consecrating the mobility of a free people. Yet, paradoxically, the car also functions at the cross-roads of two great systems of entrapment and immobility– the American debt economy and the carceral state. Cars and Jails investigates this paradox, showing how auto debt, traffic fines, over-policing, and automated surveillance systems work in tandem to entrap and criminalize poor people. The authors describe how racialization and poverty take their toll on populations with no alternative, in a country poorly served by public transport, to taking out loans for cars and exposing themselves to predatory and often racist policing. Looking skeptically at the frothy promises of the “mobility revolution,” Livingston and Ross close with thought-provoking ideas for a radical overhaul of transportation.

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“Len tells his story as only he can: forthright, confident and witty. What emerges is a hard-hitting assessment of dramatic times, and a message of hope for the future.”— Jeremy CorbynLen McCluskey is the standout trade unionist of his era. Head of the giant Unite union for more than a decade, he is a unique and powerful figure on the political stage. In this major autobiography, McCluskey throws back the curtains on life at the top of the Labour movement—with explosive revelations about his dealings with Keir Starmer, the behind-the-scenes battles of the Corbyn era, his secret Brexit negotiations with Theresa May’s government, the spectacular bust-up with his former friend Tom Watson, and his tortuous relationship with Ed Miliband. McCluskey is no run-of-the-mill trade unionist. Fiercely political, unflinchingly left wing, he is a true workers’ leader. His politics were formed in Liverpool at a time of dock strikes, the Beatles, and the May 1968 revolution in Paris. An eyewitness to the Hillsborough tragedy, he recounts in harrowing detail searching for his son. Witty and sharp, McCluskey delivers a powerful intervention, issuing a manifesto for the future of trade unionism and urging the left not to lose sight of class politics. A central player in a tumultuous period of British political history, McCluskey’s account is an essential—and entertaining—record of our times.

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In this expanded edition of a widely praised book, now available for the first time in North America, the renowned journalist Patrick Cockburn looks at his experience of contracting polio as a child in the context of a new pandemic, that of COVID-19. The parallels between what happened 65 years ago and today’s crisis are both striking and salutary. Cockburn was just six when he woke up one day in the summer of 1956 with a headache and a sore throat. His parents, Claud and Patricia, had recently returned to Ireland, to their house in East Cork, careless of the fact that polio had broken out in Cork City. Patrick caught the disease and was taken to the fever hospital. The virus attacks the nerves of the brain and the spinal cord, leading to paralysis of the muscles. Patrick could no longer walk. The Broken Boy is at once a memoir of Patrick Cockburn’s own experience of polio, a portrait of his parents, both prominent radicals, and the story of the Cork epidemic, the last great polio epidemic in the world.

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Few urban critters are more reviled than the hipster. They are notoriously difficult to define, and yet we know one when we see one. No wonder: they were among the global cultural phenomena that ushered in the 21st century. They have become a bulwark of mainstream culture, cultural commodity, status, butt of all jokes and ready-made meme. But frightening as it is to imagine, for more than a century hipsters have been lurking among us. Defined by their appearances and the cloud of meaning attached to them—the cool vanguard of gentrification, the personification of capitalism with a conscience—hipsters are all looks, and these looks are a visual timeline to America’s past and present. Underlining this timeline is the pattern of American popular culture’s love/hate/theft relationship with Black culture. Yet the pattern of recycling has reached a chilling point: the 21st century hipster made all possible past fads into new trends, including and especially the old uncool. In Decolonize Hipsters, Grégory Pierrot gives us a field guide to the phenomenon, a symptom and vanguard of the wave of aggressive white supremacist sentiment now oozing from around the globe.

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Tesla jolts and flows between the extraordinary life of the inventor Nikola Tesla, the making of a feature film about him by the celebrated director Michael Almereyda, and episodes from the filmmaker’s own restless, quixotic career. In these pages, we encounter Tesla’s colleagues and friends intermingling with Almereyda’s collaborators and influences: Thomas Edison and David Lynch, Mark Twain and Sam Shepard, Sarah Bernhardt and Ethan Hawke, J.P. Morgan and Orson Welles. A rich array of illustrations – vintage and personal photographs, film stills, drawings and comic-book art – enhance the sense of time travel and parallel histories, as we read of a scheme to transmit wireless energy through the earth, of the electrocution of an elephant, of fortunes made and surrendered, and of the obsessions that propel a scientist seeking to transform the world and a director seeking to make a movie.

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Trees are crucial in preserving a liveable future. Canopy of Titans makes an eloquent plea for saving one of North America's last great forests.— Elizabeth Kolbert, author of The Sixth Extinction: An Unnatural History In Canopy of Titans, Paul Koberstein and Jessica Applegate examine the global importance of the Pacific Coastal Temperate Rainforest that stretches from Northern California to Alaska. Their urgent and authoritative account sets out the threats facing a vital environmental resource, and celebrates the beauty and complexity of one of the world’s great forests. Drawing on years of on-the-ground reporting, Koberstein and Applegate pull back the curtain on policies of governmental bodies that have seriously diminished the rainforest’s capacity to store carbon, and uncover industry practices that have led to the destruction of swaths of a major ecological resource. Additionally, using an environmental justice perspective, Canopy of Titans shines a light on the Indigenous communities that have lived in the rainforest for millennia, and the impact forest policies have had on their lives.

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"Beautiful Rising offers insights and lessons for creative resistance from across the Global South, making it a crucial resource for change-makers."—Archbishop Desmond Tutu "Beyond a brilliantly innovative toolkit for making social change, you will find here a 'deep structure' of activist patterns and principles that can unite millions in creating a new world beyond capitalist sociopathy and strong man despotism. Read this optimistic book for hope in grim times. " —Charles Derber, professor of sociology at Boston College and author of Welcome to the Revolution: Universalizing Resistance for Social Justice and Democracy in Perilous Times Based on face-to-face jam sessions held in Yangon, Amman, Harare, Dhaka, Kampala and Oaxaca, Beautiful Rising includes stories of the Ugandan organizers who smuggled two yellow-painted pigs into parliament to protest corruption; the Burmese students' 360-mile long march against undemocratic and overly centralized education reforms; the Lebanese "honk at parliament" campaign against politicians who had clung to power long after their term had expired; and much more. Now, in one remarkable book, you can find the collective wisdom of more than a hundred grassroots organizers from five continents. It's everything you need for a DIY uprising of your own.

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• A police officer kills a twelve-year-old boy. It’s caught on video. The officer gets off.• A police officer strangles a man selling cigarettes. It’s caught on video. The officer gets off.• A police officer shoots a man in his car. It’s live-streamed. The officer gets off. It happens over and over again. The culprit here, alongside the cops, is Qualified Immunity (QI), a legal principle which Reuters describes as “a nearly failsafe tool to let police brutality go unpunished and deny victims their constitutional rights.” Originally intended to protect cops from being sued over good faith mistakes, courts have interpreted QI so broadly that police are shielded from accountability in all but the rarest of circumstances. Only when the exact same abusive behavior was already deemed unconstitutional by a court in the exact same jurisdiction can victims succeed in a prosecution. Above the Law recounts 12 cases in which justice was denied because of QI. The stories are accompanied by infographics, timelines, and contextualizing background to create a concise and compelling indictment of an outrageously unjust legal principle that must be changed.

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"Serious but easily readable. The History of Havana employs conventional documentary, written and visual sources and a variety of testimonials from throughout the world to bring to life the complex portraits and challenges of contemporary Havana." —Harry Belafonte Since its founding in 1519, Havana has drawn people from all over the world, including explorers, immigrant, refugees, and the exiled, to create a melting pot of influences and cultures––and a very distinct history. From its colonial roots to its communist revolution, authors Dick Cluster and Rafael Hernández examine not only the ruptures in the city's life, but its continuities as well. The traditions that make the city unique, like its idiosyncratic combination of territorialism and hospitality or its proclivity for protest, are as much a drive for change as an integral element of its character. Drawing on oral histories and cultural artifacts alike, this history acknowledges the rich and artfully selected stories of the citizens, from their fascinating exploits to their grand successes, to be as significant to the very fabric of the city as its dynamic culture and intriguing politics, making it a superbly well-rounded account of the most alluring city in the Caribbean. With grace and precision, in this updated and revised second edition of their classic history of the city Cluster and Hernández offer the divergent but productive perspectives of the American and the Cuban in lyrical and accessible prose on Cuba's magical capital. Generously illustrated with black-and-white photographs and maps.

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Concrete Utopia  conceptualizes the human rights project of the last two and a half centuries as a “backward-looking” endeavor, which, in order to move forward, must return to the utopian roots of its foundational documents.  Human rights advance by judging the ills of the present world from a standpoint in the future where they might no longer exist—a fundamentally utopian gesture. This peculiar character of human rights makes them continually ripe for reinvention and for responding to changing world circumstances. Looking at topics such as the Auschwitz trials in Frankfurt in the mid-1960s, public outrage to the Vietnam War, the US civil rights movement and the founding of Amnesty International in 1961, this book surveys the history of human rights and how they have been reconceived at different points in time. It closes by sketching the way th

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In real life, there is a person like “Anonymous”, who, for the sake of this story, I’ll call Huey Carmichael. I was friends with this person for a while before I learned about his other life. The real Huey knows more than a thing or two about the weed business. He keeps rules. The Business Secrets of Drug Dealing tells the story of a hyper-observant, politically-minded, but humorously pragmatic weed dealer who has spent a working life compiling rules for how to a) make money and b) avoid prison. Each rule shapes a chapter of this fast-paced outlaw tale, all delivered in Huey’s deliciously trenchant argot. Here are a few of them: • No guns but keep shooters. • Stay behind the white guy. • Don’t snitch. • Always have a job. • Be multi-sourced. • Get your money and get out. Part edge-of-the-seat suspense story, part how-to manual in the tradition of The Anarchist Cookbook, The Business Secrets of Drug Dealing is as scintillating as it is subversive. Just reading it feels illegal.

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The Business Secrets of Drug Dealing tells the story of a hyper-observant, politically-minded, but humorously pragmatic weed dealer who has spent a working life compiling rules for how to a) make money and b) avoid prison. Each rule shapes a chapter of this fast-paced outlaw tale, all delivered in his deliciously trenchant argot. Here are a few of them: No guns but keep shooters. Stay behind the white guy. Don’t snitch. Always have a job. Be multi-sourced. Get your money and get out. Part edge-of-the-seat suspense story, part how-to manual in the tradition of The Anarchist Cookbook, The Business Secrets of Drug Dealing is as scintillating as it is subversive. Just reading it feels illegal.

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The Dead Center takes an acerbic and often ribald eye to contemporary politics, particularly those of mainstream liberals in the United States. Combining engaging polemic and serious intellectual analysis, it offers a timely portrait of a political landscape sullied by an already ineffectual Biden administration, the marginalization of forces around Bernie Sanders and the ominous shadow of Donald Trump in the wings. In these pages Jacobin staff writer Luke Savage exposes the hollowness and futility of the liberal project in the 21st century, offering searing critiques of some of its leading figures, notably Barack Obama and Justin Trudeau, and touching on topics that extend over the milquetoast politics of the Biden presidency, Aaron Sorkin’s The West Wing, the monopolists of Silicon Valley, and the worst excesses of cable news punditry. Always deeply informed, often on the basis of direct personal experience, Savage’s book also explores the recent trajectory of younger people away from the liberal mainstream and towards the socialist left.

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Black politics are key to recognizing the most important social dynamics of the United States. Over the past forty years, no commentator has been as deeply insightful about the paradoxes and personalities of Black American public life as the journalist and radio host Glen Ford. In this stunning overview, Ford draws from his work for Black Agenda Report, one of the most incisive and perceptive publications of the progressive left, to examine competing struggles for class power and identity in the Black movement. In a survey stretching from the violent gentrification of New Orleans in the wake of Hurricane Katrina, through the engineered bankruptcy of Detroit, to the “more effective evil” of the Obama presidency, Ford casts a caustic eye on the empty posturing and corruption of the Democratic Party. This, he insists, depends on a Black constituency for electoral success, while using a co-opted “Black misleadership class” to sell out working people’s interests. Profiling along the way storied Black leaders such as Martin Luther King, Jr., Malcolm X, and James Brown (for whom Ford once worked), The Black Agenda looks, too, beyond American shores, at US intervention in Libya, the Congo and the Middle East, showing how these are imbricated with racism at home. Ford concludes with a discussion of the Black Lives Matter movement, setting out both its pitfalls and potentialities.

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Creating Chaos explores that dark side of statecraft, the covert use of political warfare in international relations – from its early practices during the Great Game between the British and Russian empires, through the Cold War era of ideological confrontation and forward into the hybrid political warfare of the 21st Century. Creating Chaos presents and illustrates the full body of covert and deniable political warfare practices, tracing their historical development and their use by both America and Russia throughout the Cold War and beyond. Using the most current information available, Hancock, a “veteran national security journalist” (Publishers Weekly) examines the evolution of political warfare tools and tactics in the era of the global Internet and ubiquitous social media, evaluating their effectiveness and illustrating the rapidly increasing levels of risk associated with these new and untested cyberwarfare tools. Virtually no books have studied actual political warfare beyond the Cold War, and only a handful have provided any insights into the new and rapidly evolving practices of the Russian Federation or of the political warfare aspect of NGOs or other surrogate actors. A companion volume to Shadow Warfare: The History of America's Undeclared Wars, Creating Chaos introduces the nature and history of political action practices, exploring a number of formerly secret American and Russian hybrid warfare and active measures projects in detail. With that background for context, it then extends those practices into the twenty-first century and contemporary events, evaluating wellestablished practices as they are being used with the newest tools of the global Internet and social media. It demonstrates the exponential increase in their effectiveness—and the equally exponential risk and consequences involved.

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From its beginning—“My English professor’s ass was so beautiful.”—to its end—“You can actually learn to have grace. And that’s heaven.”—poet, essayist and performer Eileen Myles’ chronicle transmits an energy and vividness that will not soon leave its readers. Her story of a young female writer, discovering both her sexuality and her own creative drive in the meditative and raucous environment that was New York City in its punk and indie heyday, is engrossing, poignant, and funny. This is a voice from the underground that redefines the meaning of the word.

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U.S. relations with Iran have been fraught for decades, but under the Trump Administration tensions are rising to startling levels. Medea Benjamin, one of the best-known 21st century activists, offers the incredible history of how a probable alliance became a bitter antagonism in this accessible and fascinating story. In 1979, the Iranian Revolution brought a full-scale theocracy to the 80 million inhabitants of the Middle East's second largest country, with. The rule of the ayatollahs opened the door to Islamic fundamentalism. In the decades since, bitter relations have persisted between the U.S. and Iran. Yet how is it that Iran has become the primary target of American antagonism over nations like Saudi Arabia, whose appalling human rights violations fail to depose it as one of America's closest allies in the Middle East? In the first general-audience book on the subject, Medea Benjamin elucidates the mystery behind this complex relationship, recounting the country's history from the pre-colonial period to its emergence as the one nation Democrats and Republicans alike can unite in denouncing. Benjamin has traveled several times to Iran, and uses her firsthand experiences with politicians, activists, and everyday citizens to provide a deeper understanding of the complexities of Iranian society. Tackling common misconceptions about Iran's system of government, its religiosity, and its citizens' way of life, Benjamin makes short work of the inflammatory rhetoric surrounding U.S.-Iranian relations, and presents a realistic and hopeful case for the two nations' future.

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Set in the author’s homeland, Colombia, this is the heartbreaking story of Leonor, former child soldier of the FARC, a rural guerrilla group. Paula Delgado-Kling followed Leonor for nineteen years, from shortly after she was an active member of the FARC forced into sexual slavery by a commander thirty-four years her senior, through her rehabilitation and struggle with alcohol and drug addiction, to more recent days as the mother of two girls. Leonor’s physical beauty, together with resourcefulness and imagination in the face of horrendous circumstances, helped her carve a space for herself in a male-dominated world. She never stopped believing that she was a woman of worth and importance. It took her many years of therapy to accept that she was also a victim. Throughout the story of Leonor, Delgado-Kling interweaves the experiences of her own family, involved with Colombian politics since the 19th century and dee

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Over the course of the last century, the focus group has become an increasingly vital part of the way companies and politicians sell their products and policies. Few areas of life, from salad dressing to health care legislation to our favorite TV shows, have been left untouched by the questions put to controlled groups about what they do and don’t like. Divining Desire is the first-ever popular survey of this rich topic. In a lively, sweeping history, Liza Featherstone traces the surprising roots of the focus group in early-twentieth century European socialism, its subsequent use by the “Mad Men” of Madison Avenue, and its widespread deployment today. She also explores such famous “failures” of the method as the doomed launch of the Ford Edsel with its vagina shaped radiator grille, and the even more ill-fated attempt to introduce a new flavor of Coca Cola (which prompted street protests from devotees of the old formula). As elites have become increasingly detached from the general public, they rely ever more on focus groups, whether to win votes or to sell products. And, in a society where many feel increasingly powerless, the focus group has at least offered the illusion that ordinary people will be listened to and that their opinions count. Yet, it seems the more we are consulted, the less power we have. That paradox is particularly stark today, when everyone can post an opinion on social media—our 24 hour “focus group”—yet only plutocrats can shape policy. In telling this fascinating story, Featherstone raises profound questions about democracy, desire and the innermost workings of consumer society.

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A sparkling new take on an age-old publication: The Other Almanac brings together a stellar group of young writers, artists and activists to pick up themes of environmentalism, gardening, recipes, folklore, seasonal savvy, and off- the-beaten-track amusement, all presented in brilliant color and eye-popping design. Out with the Old, in with the Other!The original Almanac is the oldest continuously printed publication in the US . It comprises a popular mix of ancient wisdom, garden advice, poems, jokes, how-to's, recipes, and calendars. It is, however, still tailored to its traditional audience: largely rural, white and conservative. It eschews stances on anything overtly progressive, be it political, ecological, or social. The Other Almanac puts right these omissions. Whilst retaining the quirkiness and liveliness of the original, it aims to bridge the urban/rural divide in America, delving into issues of politics and culture that unite us all. Its pages are filled with buoyant contributions from climate organizers, indigenous activists, migrant farmworkers, historians, scientists, medicine makers, incarcerated painters, astrologers, lawyers, borderland midwives and more. Original, full color art surrounds their writing, creating an inviting, accessible yearbook that will entertain and educate a wide new readership for an age-old chronicle. Contributors: 10th Floor Studio, adrienne maree brown, Alexis Pauline Gumbs, Alfredo Jaar, Amaryllis R. Flowers, Andrea Aliseda, Bill McKibben, Bread and Puppet Press, Carla J. Simmons, Chloë Boxer, Chris Lloyd, Dyani White Hawk, Dylan Smith, Daniel Barreto, Esther Elia, Food With Fam, Francesca DiMattio, Hangama Amiri, Hannah Beerman, Jennifer Givhan, Jessie Kindig, Jumana Manna, Kirk Gordon, Keegan Dakkar Lomanto, Lily Consuelo Saporta Tagiuri, Philip Poon, Sophia Giovannitti, Tania Willard, Tyrrell Tapaha, Veladya Chapman, Who Tattoo, Yaku Perez Guartambel.

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Much has been written In English about the experiences and treatment of immigrants from south of the Rio Grande once they have entered the United States. But this account, by the itinerant, effervescent and highly original journalist Belén Fernández, offers a different and wholly original take. Belén Fernández shows us what life is like for would-be migrants, not just from the Mexican side of the border but inside Siglo XXI, the notorious migrant detention center in the south of the country. Journalists are prohibited from entering Siglo XXI; Fernández only gained access because she herself was detained as a result of faulty paperwork when she attempted to return to the US to renew her passport. Once inside the facility, Fernández was able to speak with detained women from Honduras, Cuba, Haiti, Bangladesh, and beyond. Their stories, detailing the hardships that prompted them to leave their homes, and the dangers they have experienced on an often-tortuous journey north, form the core of this unique book. The companionship and support they offer to Fernández, whose antipathy to returning to the United States, the country they are desperate to enter, is a source of bemusement and perplexity, demonstrates a spirited generosity that is deeply moving. In the end, the Siglo XXI center emerges as a strikingly precise metaphor for a 21st century in which poor people, effectively imprisoned by American political and economic policies, nevertheless display astonishing resilience.

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Jeremy Corbyn and Len McCluskey collaborated to help achieve the biggest electoral success for socialism in recent British history. The two men share a passionate belief in a fairer, more equal Britain, encapsulated in Labour’s election slogan “For the many, not the few.” That slogan, inspired by Shelley’s famous poem The Masque of Anarchy, points to something else the two have in common: a lifelong enthusiasm for poetry. In this sparkling anthology they discuss the poems that have moved and enlightened them. Their choices travel over centuries and continents, with poets ranging from Shakespeare and Juana de la Cruz, through William Blake and Emily Dickinson, to Bertolt Brecht, Stevie Smith and Linton Kwesi Johnson. Rounding out the collection are appreciations of poems selected by guest contributors Melissa Benn, Rob Delaney, Julie Hesmondhalgh, Ken Loach, Morag Livingstone, Francesca Martinez, Karie Murphy, Maxine Peake, Michael Rosen, Alexei Sayle and Gary Younge. With the burgeoning popularity of poetry, especially among Gen Z, this joyful celebration of the power of verse is bound to delight and inspire across a wide audience. All royalties from sales of this book will be donated to the Peace and Justice Project.

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Meticulously researched while reading like a fast-paced thriller, this explosive new book details the way the Israel lobby deployed charges of anti-Semitism to destroy Jeremy Corbyn’s bid for power as leader of the Labour Party. In an electrifying account, investigative journalist Asa Winstanley shows how Labour’s anti-Semitism crisis was manufactured by pro-Israel groups. Despised and feared by Israel and its allies because of his long-standing support for the Palestine solidarity movement, Jeremy Corbyn became a target of enemies determined to abort his left-wing project. Drawing on new interviews with many of those victimized in purges the Labour leadership claimed were necessary to tackle anti-Semitism, Winstanley exposes a plot by the Israel lobby, in alliance with the Labour right and Israeli and British intelligence agencies, to prevent a socialist entering Downing Street. An essential historical corrective, Weaponising Anti-Semitism shines light into the murkiest corners of the British state and those who work with it.

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Mind control. Satanic rituals. Unspeakable sexual perversions. Supervillains eating children’s brains. A divine mandate to keep Donald Trump in the White House, no matter what. This surreal combination of horror-movie shocks and fascist marching orders is the signature of QAnon, which emerged from the dark corners of the internet in 2017 and soon became the galvanizing force behind Trump supporters, both during Trump’s presidency and in the volatile, ongoing aftermath of the 2020 election. But despite the strange pervasiveness of QAnon, its origins remain obscure. Who is behind QAnon’s messaging, and what do they want? And why do they pair their extreme political agenda with such obviously made-up, phantasmagorical beliefs? In Operation Mindfuck, Robert Guffey argues that this is not as mysterious as QAnon’s anonymous “drops” of cryptic directives seem to be. Drawing on an encyclopedic knowledge of conspiracy theories and mixing deep-dive research, political analysis, and firsthand notes from QAnon’s underbelly, Guffey insists that we’ve seen it all before. Unraveling QAnon’s patchwork quilt of recycled material, from pulp-fiction spook stories to Hunter S. Thompson-style pranksterism to Nixon-esque dirty tricks, Guffey diagnoses QAnon as a highly engineered ploy, calibrated to capture the attention and lock-step loyalty of its audience. Will its followers ever realize that they’ve been had? Can this new American religion be dispelled as a cult like any other? The answers, Operation Mindfuck reveals, are hidden in plain sight.

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Russia’s brutal February 2022 invasion of Ukraine has attracted widespread condemnation across the West. Government and media circles present the conflict as a simple dichotomy between an evil empire and an innocent victim. In this concise, accessible and highly informative primer, Medea Benjamin and Nicolas Davies insist the picture is more complicated. Yes, Russia’s aggression was reckless and, ultimately, indefensible. But the West’s reneging on promises to halt eastward expansion of NATO in the wake of the collapse of the Soviet Union played a major part in prompting Putin to act. So did the U.S. involvement in the 2014 Ukraine coup and Ukraine's failure to implement the Minsk peace agreements. The result is a conflict that is increasingly difficult to resolve, one that could conceivably escalate into all-out war between the United States and Russia—the world’s two leading nuclear powers. Skillfully bringing together the historical record and current analysis, War In Ukraine looks at the events leading up to the conflict, surveys the different parties involved, and weighs the risks of escalation and opportunities for peace. For anyone who wants to get beneath the heavily propagandized media coverage to an understanding of a war with consequences that could prove cataclysmic, reading this timely book will be an urgent necessity.

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With a new introduction by the author Some thousands of years ago, the world was home to an immense variety of large mammals. From wooly mammoths and saber-toothed tigers to giant ground sloths and armadillos the size of automobiles, these spectacular creatures roamed freely. Then human beings arrived. Devouring their way down the food chain as they spread across the planet, they began a process of voracious extinction that has continued to the present. Headlines today are made by the existential threat confronting remaining large animals such as rhinos and pandas. But the devastation summoned by humans extends to humbler realms of creatures including beetles, bats and butterflies. Researchers generally agree that the current extinction rate is nothing short of catastrophic. Currently the earth is losing about a hundred species every day. This relentless extinction, Ashley Dawson contends in a primer that combines vast scope with elegant precision, is the product of a global attack on the commons, the great trove of air, water, plants and creatures, as well as collectively created cultural forms such as language, that have been regarded traditionally as the inheritance of humanity as a whole. This attack has its genesis in the need for capital to expand relentlessly into all spheres of life. Extinction, Dawson argues, cannot be understood in isolation from a critique of our economic system. To achieve this we need to transgress the boundaries between science, environmentalism and radical politics. Extinction: A Radical History performs this task with both brio and brilliance.

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Told through the lives of the American Century’s most talented and stubborn dissidents, Flights is the archetypal hero’s journey of a group of progressives whose struggle for truth, and for freedom from persecution, sent them into exile, both literal and metaphorical. Wanted for a crime she did not commit, Professor Angela Davis went on the run in 1970, describing the struggle against panic in her nightly safehouse transfers: “Living as a fugitive means resisting hysteria, distinguishing between the creations of a frightened imagination and the real signs that the enemy is near.” In her quest “to elude him, outsmart him,” she recalled, “Thousands of my ancestors had waited, as I had…for nightfall to cover their steps…” Davis is just one of a rich array of refugees portrayed here by Joel Whitney, all forced to flee homes and/or friends because of their progressive sta

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Governor Andrew Cuomo, scion of Mario Cuomo, is today as famous as his father, also a governor of New York state for three terms. Like Robert Moses, he is one of New York’s great and infamous power brokers. Though initially lavishly celebrated for his handling of the coronavirus pandemic, not least by himself, it is now apparent that Cuomo’s management of the crisis was a juddering and fatal failure. Thousands died because, ignoring the advice of experts, he shut down too late and returned still sick patients to nursing homes. The crisis was intensified by his previous commitment to austerity, which saw the slashing of funding to hospitals. A vital riposte to Cuomo’s recently published book about the pandemic, now increasingly derided as self-serving and deceitful, The Prince is a searing indictment of Cuomo’s handling of coronavirus and his time overall in the highest office of the state.

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Although imagined as a queer subcultural practice, drag seems to be everywhere we look: from AI filters on TikTok to brunchtime entertainment, from state legislations to political rallies. Yet as drag enters the mainstream—largely due to the intense, global popularity of reality TV competition RuPaul’s Drag Race—some kinds of gender-based performance fall out of the purview of what we (could) call drag. Decolonize Drag details the ways that gender is used as a form of colonial governance to eliminate various types of expression, and tracks how contemporary drag, including that on Drag Race, both replicates and disrupts these institutional hierarchies. This book focuses on several gender performers that resist and laugh at colonial projects through their aesthetic practices. It also features the voice of Khubchandani's drag alter ego, judgmental South Asian aunty LaWhore Vagistan. From the firsthand perspective of a drag artist, LaWhore describes encounters with depoliticized versions of drag that leave her disappointed and perplexed, and prompts Khubchandani for context and analysis. Their dynamic sets the tone for the book, investigating how drag—and gender more broadly—has been privatized and delimited so that it's only available to certain people. Decolonize Drag argues for more abundance in and access to fashioning gender, and considers how drag changes meaning and efficacy as it shifts across geographies.

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A Creature Wanting Form is a bleakly funny work of fiction from a journalist widely celebrated for his wry, mordant take on life. Filtered through the lens of a writer and characters who are horrified by the earth’s looming mortality, and their own, but still compelled to carry on, O’Neil interweaves science fiction, allegory, fables, poetry, and reflections on the deeply grounded indignities of modern life. In these pages, climate catastrophe lurks on the horizon; animals voraciously devour each other; your parents only call to tell you who from home has just died; and you want to go for a swim, but there’s a shark in the pool. In short, A Creature Wanting Form is a book for anyone trying to survive with a shred of humanity in the bleak alienation of America, 2023.

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