Search results for ""Notting Hill Editions""

A collection of essays by the winner and the five finalists of the prestigious Notting Hill Editions Essay Prize 2017Covering an array of subjects, from the meaning of art to supermarket shopping, these pieces were chosen for their originality, literary style, and above all, their ability to persuade. The judges awarded the first prize to “Five Ways of Being a Painting” by William Max Nelson for “its curious mix of the philosophical and the personal, the argumentative and the ruminative, that makes it a real essay.”The biennial Notting Hill Editions Essay Prize is open to all essays written in English of between 2,000 and 8,000 words, on any subject. The first prize is £20,000 and five runners up each receive £1,000, making it the richest non-fiction prize in the world. The judges of the 2017 prize were: Kirsty Gunn, essayist and novelist; Daniel Mendelsohn, essayist, memoirist and critic; Sameer Rahim, Arts & Book

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An ardent steward of the land, fearless traveller and unrivalled observer of nature and culture, Barry Lopez died after a long illness on Christmas Day in 2020. The previous summer, a wildfire had consumed much of what was dear to him in his home and the community around it – a tragic reminder of the climate change of which he’d long warned. At once a cri de Coeur and a memoir of both pain and wonder, this remarkable collection of essays adds indelibly to Lopez’s legacy, and includes previously unpublished works, some written in the months before his death. They unspool memories, both personal and political, among them tender, sometimes painful stories of his childhood in New York and California, reports from expeditions to study animals and sea life, recollections of travels to Antarctica and other extraordinary places on earth, and mediations on finding oneself amid vast, dramatic landscapes. He reflects on those who taught him, including Indigenous elders and scientific mentors who sharpened his eye for the natural world. We witness poignant returns from his travels to the sanctuary of his Oregon backyard and in prose of searing candour, he reckons with the cycle of life, including own and – as he has done throughout his career – with the dangers the earth and its people are facing. With an introduction by Rebecca Solnit that speaks to Lopez’s keen attention to the world, including its spiritual dimensions, Embrace Fearlessly the Burning World opens our minds and sounds to the important of being wholly present to the beauty and complexity of life.

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Dogs throughout history have enjoyed a special relationship with humankind, and our favourite four-legged creatures continue to grow in popularity. The writers and poets collected within this anthology reflect on the joys and pitfalls of dog ownership with brilliant wit, insight, and affection. From Roald Amundsen’s account of using and eating sled dogs in his expedition to the South Pole, to J.R. Ackerley’s tender portrayal of his ill-behaved dog Tulip, ON DOGS traces the canine’s journey from working animal to pampered pet. With a humorous introduction by Tracey Ullman (an inveterate adopter of strays), and 6 characterful dog portraits by animal photographer Rhian ap Gruffydd and a cover image by Picasso of his dog Lump. Contributors include Alice Walker, Charles Dickens, James Thurber, Miranda Hart, Brigitte Bardot, A.A. Gill, David Sedaris, Barbara Woodhouse, and many more.

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Linenbound with a satin marker, these notebooks are slim enough to be carried in a pocket. Contains ninety-six pages, left-side blank; right-side lined, with occasional literary quotations on the theme of voyage. There are three versions – Voyage, Epiphany and Nostalgia.

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“Above all, do not lose your desire to walk: every day I walk myself into a state of well-being and walk away from every illness.” —Søren Kierkegaard Duncan Minshull has always walked and in the last twenty years has made use of it by writing and publishing books on the subject. He has described the whys, hows, and wheres of traveling on foot for various magazines and newspapers, including The Times (London), the Financial Times, Condé Nast Traveler, and Vogue. He has edited two other collections on walking: While Wandering: A Walking Companion (originally The Vintage Book of Walking) and The Burning Leg: Walking Scenes from Classic Fiction. Walking and writing have always gone together. Think of the poets who walk out a rhythm for their lines and the novelists who put their characters on a path. But the best insights, the deepest and most joyous examinations of this simple activity are to be found in nonfiction—in essays, travelogues, and memoirs. Beneath My Feet: Writers on Walking rounds up the most memorable walker-writers from the 1700s to the modern day, from country hikers to urban strollers, from the rationalists to the truly outlandish. Follow in the footsteps of William Hazlitt, George Sand, Rebecca Solnit, Will Self, and dozens of others. Keep up with them—and be astonished.

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William Makepeace Thackeray has always been an author for those with discriminating literary palettes. `I do not hesitate to name Thackeray first’ said his most devoted disciple, Anthony Trollope. Few would deny that he is the finest literary stylist of his time. Thackeray was at his most Thackerayan in what he called `small beer chronicles’: the little things in life. His style reached its highest pitch in essays, his cutting wit in journalism. This is the first `sampler’ which covers all of Thackeray’s versatile genius: his cartoons, his journalism, his carefully restrained sentimentality (much to Victorian taste), his cutting satire, his essayism and what one could grandly call the Thackerayan world view---summed up (as printed here) in the foreword and afterword of his masterpiece, Vanity Fair. This collection of incidental pieces and cartoons (no writer has ever illustrated his own work better) catches him at his most characteristic. Enjoy. Key Points: •The first anthology of Thackeray’s varied writings as journalist and essayist •With explanatory notes throughout by scholar and writer John Sutherland •Illustrated with sketches and cartoons by Thackeray •A charming gift for fans of Thackeray and Victoriana

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Through interviews conducted with surviving members of Soviet orchestras, through his reading of philosophers, psychoanalysts, and neurologists, Johnson paints a compelling picture of one man's music and its power to validate and sustain another man's life.

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Following on from the bestselling Nairn's Towns - a celebration of the city of Paris by cult figure Ian Nairn. Illustrated with original black and white images taken by Nairn himself. More than a guide book - this is a journey of discovery. Out of print since 1968, this is a unique guide book from the late, great architectural writer, Ian Nairn. Illustrated with the author's snaps of the city, Nairn gives his readers an idiosyncratic and unpretentious portrait of the 'collective masterpiece' that is Paris. 'Once you discover [Nairn]...you want to read everything he's written.' - Daily Telegraph

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A new work by a highly acclaimed author - The Big Music(2012) was described as 'One of the finest novels of the past decade' by the TLS The essay will appeal to all fans of Katherine Mansfield A profound meditation on the nature of home and artistic influence When Kirsty Gunn received a Randell Fellowship from the British Academy and Carnegie Foundation in 2009 she returned to spend the winter in Wellington, near the childhood home of Katherine Mansfield, the writer to whom she'd always felt most connected.

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What motivated the 16th century explorers? The question is a vexed one the world over. To this day, a troubled folkloric status hangs about the better-known names. Many of the Tudor explorers set sail from the South West peninsula. Morpurgo, with his own deep connections to the Dorset coast, unearths the stories behind little-known key figures Stephen Borough and John Davis, and their brilliant navigational teacher, John Dee, inventor of the 'paradoxall compass'. Morpurgo dramatises an episode in Drake's circumnavigation during which the Golden Hind was stranded on a rock off Celebes, Indonesia. What altercation occurred between Drake and the ship's chaplain, Francis Fletcher, during those terrifying twenty hours? Morpurgo makes a compelling argument for what was really at the heart of that disagreement, and its present-day repercussions. He argues that the Tudor navigators and their stories may hold the key to how we should approach the current environmental crisis. This is the Age of Discovery as you've never heard it before.

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Woolf's fine character studies of several authors, among them Samuel Taylor Coleridge, who 'seems not a man, but a swarm, a cloud, a buzz of words, darting this way and that, clustering, quivering and hanging suspended'. He is, Woolf adds,so complex, so eccentric, that we 'become dazed in the labyrinth of what we call Coleridge'. He was incapable of adopting requisite social modes, of suppressing his obsessive urge to talk, of pandering to the expectations of others. Woolf tries to capture a 'clear picture' of Coleridge but this metaphor is skewed and what she really reveals is a voice - mad and beautiful - never to be heard again:

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From Macaulay in the 19th century to Fukuyama in the late 20th, historians have often been lulled into thinking that things can only get better. Such belief in progress, argues leading political commentator Simon Heffer, may be typical of times of plenty, but it ignores a less palatable truth: that, since the beginnings of recorded history, the major events in international relations can be attributed to a single cause, the desire by rulers to assert or protect their power.

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For centuries, cats have been worshipped, adored and mistrusted in equal measure. This beautiful gift book contains a selection of essays, stories, and poems on cats by writers from across the ages. In these pages, writers reflect on the curious feline qualities that inspire such devotion in their owners, even when it seems one-sided. Cats' affections are hard-won and often fickle. Freud considered his cat an embodiment of true egoism; Hilaire Belloc found peace in his feline companion's complacency; and Hemingway-a famous cat-lover-wrote of drinking with his eleven cats and the pleasant distraction they gave him. Edward Gorey can't turn down a stray despite the trouble they cause him, and admits he has no idea what they're thinking about; Muriel Spark gives practical advice on how to teach a cat to play ping-pong; Nikola Tesla, who helped design the modern electricity supply system, describes a seminal experience with a cat that first sparked his fascination with electricity; and Caitlin Moran considers the unexpected feelings of loss after the death of her family cat. These writers, and many others (including Mary Gaitskill, Alice Walker, Ursula K. Le Guin, John Keats, James Bowen, Lynne Truss, and more), paint a joyful portrait of cats and their mysterious and loveable ways. As Hemingway wrote, "one cat leads to another." The book features six black-and-white cat portraits by photographer Elliot Ross.

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Following on from the huge success ofBeneath My Feet: Writers on WalkingandSauntering: Writers Walk Europe, Duncan Minshull brings together over fifty walker-writers who have travelled the world's seven continents. With contributions from Edith Wharton, Thomas Jefferson, Charles Darwin, Rabindranath Tagore, D. H. Lawrence, Isabella Bird, Katherine Mansfield, Rachel Carson, Jean-Paul Clébert, Colin Thubron, William Boyd and many more,Globetrottingtakes us across the streets of London, Rome, Melbourne, Cairo, Kyiv and Kabul; through the frozen wastes of Antarctica; along the pilgrim paths of Japan; into the jungles of Ghana; around the Great Wall of China.

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'A hilarious and morose invocation of a lost world. Anyone who has ever been movie-mad will relish this irrepressibly digressive, surprise-filled, exquisitely written memoir (sort of). I certainly did.' Phillip Lopate Todd McEwen grew up in Southern California, so his head was hopelessly messed with by the movies. As the son of relatively normal people, he had no in with Hollywood, a mere thirteen miles away, try as he might. This is a kid who loved the movies so much, he got up at 4.30 in the morning to watch Laurel and Hardy. A kid who made his father project 8mm cartoons onto the family's dining room curtains so they could be slowly parted, just like at a real cinema. A guy who based his philosophy of life on Captain Nemo, and has watched Chinatown over sixty times. So far.

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In this light-hearted book, poet and gardener James Fenton describes a hundred plants he would choose to grow from seed. ‘It seemed a simple and interesting idea: what plants would you choose if starting a garden from scratch?’ Includes chapters on flowers for colour, size, or exotic interest; herbs and meadow flowers; climbing vines and tropical species; the micro-meadow; raising plants from seed; and a wealth of personal tips and advice. As Fenton writes, ‘the emphasis is on childish simplicity of approach, and economy of outlay.’ Here is a happy, stylish, thought-provoking exercise in good principles, which exudes that rare thing: common-or-garden sense about gardens.

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On foot the world comes our way. We get close to the Continent’s alpine ranges, arterial rivers, expansive coastlines. Close to its ancient cities and mysterious thoroughfares; and close to the walkers themselves—the Grand Tourers and explorers, strollers and saunterers, on their hikes and quests, parades and urban drifts. Sauntering features sixty walker-writers—classic and current—who roam Europe by foot. Twenty-two countries are traversed. We join Henriette d’Angeville, the second woman to climb Mont Blanc; Nellie Bly roaming the trenches of the First World War; Werner Herzog on a personal pilgrimage through Germany; Hans Christian Andersen in quarantine; Joseph Conrad in Cracow; Rebecca Solnit reimagining change on the streets of Prague; and Robert Macfarlane dropping deep into underground Paris. Contributors include: Patrick Leigh Fermor; John Hillaby; Robert Walser; Henriette d’Angeville; Joseph Roth; Joanna Kavenna; Richard Wright; Werner Herzog; Robert Antelme; George Sand; Rainer Maria Rilke; Robert Macfarlane; Rebecca Solnit; Kate Humble; Nicholas Luard; Edith Wharton; Elizabeth von Armin; Joseph Conrad; D. H. Lawrence; Vernon Lee; Guy Debord, Mark Twain, Thomas Coryat, and more.

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A.A. Milne, best known as the author of the classic Winnie-the-Pooh stories, was a successful writer long before his children’s stories launched him to overnight success. Milne himself disliked being relegated as a children’s author. At the age of twenty-three, he was appointed the Assistant Editor of Punch. He claimed ‘I know no work manual or mental to equal the appalling heart-breaking anguish of fetching an idea from nowhere.’ Milne had a talent for regularly turning out a thousand whimsical words on lost hats and umbrellas, tennis, dogs, faulty geysers, dotty maids, women loading film in a camera, the English obsession with rank and titles, cheap cigars, and any amount of life’s other little difficulties. He was praised for being able to produce ‘with apparently effortless ease and the utmost gaiety’ articles notable for their ‘enchanting ingenuity’. But there was another, more serious side to Milne. After serving in World War 1, where he survived the Somme, Milne was invalided home with trench fever in 1916. His experiences made him a committed and vocal pacifist. War was nothing but ‘mental and moral degradation’. His fiercely argued pacifism was ahead of his time, and forms some of his most powerful work.;This selection of Milne’s articles, spanning over four decades of his life from 1910 to 1952, are collected for the first time in this volume, including his passionately argued writings on pacifism. The writings demonstrate his trademark wit, varied genius, little-known political views, and nostalgia for a lost era.

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I want to show what denialism seeks to prevent; the exposure of dark desire. It is only when we look directly at this darkness that we can truly grasp why it is so unspeakable.' The Holocaust never happened. The planet isn't warming. Vaccines harm children. There is no such thing as AIDS. The Earth is flat. Denialism comes in many forms, often dressed in the garb of scholarship or research. It's certainly insidious and pernicious. Climate change denialists have built well-funded institutions and lobbying groups to counter action against global warming. Holocaust deniers have harried historians and abused survivors. AIDS denialists have prevented treatment programmes in Africa. All this is bad enough, but what if, as Keith Kahn-Harris asks, it actually cloaks much darker, unspeakable, desires? If denialists could speak from the heart, what would we hear? Kahn-Harris sets out not to unpick denialists' arguments, but to investigate what lies behind them. The conclusions he reaches are shocking and uncomfortable. In a world of `fake news' and `post-truth', are the denialists about to secure victory?

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Richard Sennett has spent an intellectual lifetime exploring how humans live in cities. In this pair of essays he visits two of the world's greatest cities at crucial moments in their history to meditate on the condition of exile in both geographical and psychic space: the Jewish Ghetto of Renaissance Venice, where state-imposed outsiderdom was translated into a rich community identity; and nineteenth-century Paris, a magnet for political exiles, where the experience of displacement seeped into the city's culture at large.

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Celebrated as the man who wrote an entire novel without using the letter 'e', and another in the form of a vast jigsaw puzzle, Georges Perec found humour - and pathos - in the human need for arrangement and classification. The essays in Thoughts of Sorts explore the rules by which we find a place in the world. Is thinking a kind of sorting? Is sorting a kind of thought?

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A walking guide to this historic London neighbourhood, uncovering its countercultural roots. A delightful English/Japanese pocket-size guide to London's most popular district. Through four walks London writer Julian Mash uncovers the history, culture and fascinating characters that have made Notting Hill so iconic. Beautifully laid out including several photographic images and four hand-drawn maps, the guide will appeal to both tourists and residents alike. Key Points: Good sales potential to tourists visiting this hugely popular area of London. Appeals to residents as it uncovers the lesser-known Notting Hill. Stylish pocket-size guide illustrated with hand drawn maps and photographs. Taps into the burgeoning interest in literary walks and psychogeography made popular by writers such as Ian Nairn, Iain Sinclair, Matthew Beaumont

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Reality versus fiction is at the heart of the current literary debate. We live in a world of docu-drama, the 'real life' story. Works of art, novels, films, are frequently bolstered by reference to the autobiography of the creator, or to underlying 'fact.' Where does that leave the imagination? And who gets to define the parameters of 'reality' and 'fiction' anyway? Five writers debate the limits of materialism and realism, in art and literature - and offer a passionate defence of the alchemical imagination in a fact-based world.

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What happens when cataracts rob an art critic of his sight? John Berger, whose classic book Ways of Seeing has been in print for fifty years, joins forces with Turkish illustrator Selcuk Demirel to reflect on his own experience of loss of vision. 'John Berger writes about what is important, not just interesting. In contemporary English letters he seems to me peerless; not since Lawrence has there been a writer who offers such attentiveness to the sensual world.' Susan Sontag.

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"Patience, patience, because the great movements of history have always begun in those small parenthesis that we call 'in the meantime.'" --John Berger The last book that John Berger wrote was this precious little volume about time titled What Time Is It?, now posthumously published for the first time in English by Notting Hill Editions. Berger died before it was completed, but the text has been assembled and illustrated by his longtime collaborator and friend Sel uk Demirel, and has an introduction by Maria Nadotti. What Time Is It? is a profound and playful meditation on the illusory nature of time. Berger, the great art critic and Man Booker Prize-winning author, reflects on what time has come to mean to us in modern life. Our perception of time assumes a uniform and ceaseless passing of time, yet time is turbulent. It expands and contracts according to the intensity of the lived moment. We talk of time "saved" in a hundred household appliances; time, like money, is exchanged for the content it lacks. Berger posits the idea that time can lengthen lifetimes once we seize the present moment. "What-is-to-come, what-is-to-be-gained empties what-is."

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Identity is a term much used yet hard to define. Perhaps for this reason, the concept has long been a favourite with philosphers, and for the very same reason has been avoided by brain scientists, - until now. In this neurobiological exploration of identity, Greenfield briefly reviews the social perspective from finger prints, to faces, to signatures of the many ways we try to identity ourselves, - in vain. The psychiatric perspective however does offer some valuable clues that then leads to an excursion into the physical brain: the neuroscience perspective. But identity cannot just be an objective phenomenon: hence any pertinent brain phenomena have to be seen also, as they are in the follwing chapter, from an individual perspective. Armed with the insights gained from these diverse approaches, Greenfield attempts to conceive of actual scenarios in the physical brain that would correspond to familiar examples of identity. However, given the physical brain adapts exquisitely to the environemnt, and the 21st Century environment is changing in unprecedented ways, are we facing correspondingly unprecedented changes to our identity?

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This is a story of a scarcely credible abundance, of flocks of birds so vast they made the sky invisible. It is also a story, almost as difficult to credit, of a collapse into extinction so startling to the inhabitants of the New World as to provoke a mystery. In the fate of the North American passenger pigeon we can read much of the story of wild America - the astonishment that accompanied its discovery, the allure of its natural 'productions', the ruthless exploitation of its 'commodities' and the ultimate betrayal of its peculiar genius. And in the bird's fate can be read, too, the essential vulnerability of species, the unpredictable passage of life itself.

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Over the past few decades, there has been a remarkable rise in the number of people who speak publicly about their experience of crime. These personal accounts used to be confined to the police station and the courtroom, but today bookshops heave with autobiographies by prisoners, criminals, police and barristers while streaming platforms host hours of interviews with serial killers, death-row residents, vigilantes and gang members. In this fascinating new book, criminologist Jennifer Fleetwood examines seven infamous crime stories to make sense of this modern confessional impulse, including Howard Marks's outlandish autobiography Mr Nice, Shamima Begum's controversial Times interview, Prince Andrew's disastrous Newsnight appearance and Myra Hindley's unpublished prison letters.

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'It was the most liberating thing that ever happened to me, having children. The children's demands on me were things that nobody else ever asked me to do.' -Toni Morrison Children are a miracle, and everyone has an opinion on how we should raise them. From novelists to paediatricians; from Enlightenment philosophers to experimental psychologists; from parenting 'experts' to people whose expertise is simply - and powerfully - being a parent, Tiny Feet is the first anthology of its kind, showcasing a range of influential writing about children over the past four hundred years. Introduced by Lauren Child, and with contributions from Jean-Jacques Rousseau, Maria Montessori, Dr Spock, D. W. Winnicott, Toni Morrison and many more, this ideal gift book for soon-to-be parents shows the extent to which some of our attitudes have changed while others remain absolute, and reminds us of the joy that children bring to our lives.

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Confessions of a Heretic is a collection of provocative essays by the influential social commentator and polemicist Roger Scruton. Each “confession” reveals aspects of the author’s thinking that his critics would probably have advised him to keep to himself. In this selection, covering subjects from art and architecture to politics and nature conservation, Scruton challenges popular opinion on key aspects of our culture: What can we do to protect Western values against Islamist extremism? How can we nurture real friendship through social media? Why is the nation-state worth preserving? How should we achieve a timely death against the advances of modern medicine? This provocative collection seeks to answer the most pressing problems of our age. In his introduction, the bestselling author and commentator Douglas Murray writes of what it cost Scruton to express views considered unpalatable, and of the importance of these ideas after Scruton’s death.

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A fascinating account by one of the world's leading neurologists of the profound influence of William Burroughs on his medical career. Lees relates how Burroughs, author of Naked Lunch and troubled drug addict, inspired him to discover a ground-breaking treatment for Parkinson's Disease. Lees journeys to the Amazonian rainforest in search of cures for Parkinson's Disease, and through self-experimentation seeks to find the answers his patients crave. He enters a powerful plea for the return of imagination to medical research.

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A new anthology of Dostoevsky's remarkable work 'A Writer's Diary'. A voluminous and variegated miscellany in which the celebrated author spoke to his readers about issues concerning Russia, it is a work as eerily prescient of global preoccupations in the twenty-first century as it is frequently overlooked. Dostoevsky's Writer's Diary was also his creative laboratory, and proves to be a source of fundamental importance in understanding the complex mind behind his artistic works.'Virulent nationalism, religious extremism, ethnic intolerance, urban deprivation, child abuse, suicide, opinionated criticism, intimate confession, utopian dreaming, genial digression, moral fervour, profound insight, macabre humour and superlative fiction - welcome to the world of Dostoevsky's A Writer's Diary. ' - Rosamund Bartlett

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In Thus Spake Zarathustra, Nietzsche conducts his protagonist through his great journey of life - the quest for meaning, and fulfilment, and for a way to live with the knowledge of death. In this faithful new translation by Michael Hulse, Zarathustra is revealed in all his bold and ironic splendour, as a man who strives to find a way to live - joyfully - in a secular world. Luminous and ecstatic, Thus Spake Zarathustra is a grand celebration of perilous, beautiful, human life by one of the most important philosophers in history.

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Cyclogeography is an essay about the bicycle in the cultural imagination and a portrait of London seen from the saddle. The bicycle enables us to feel a landscape, rather than just see it, and in the great tradition of the psychogeographers, Day attempts to depart from the map and reclaim the streets of the city whilst exploring the relationship between bodies, bikes and geography.

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A charming gift for anyone prone to insomniaThe dilemma my friends suppose me to be in,' writes the author ofAlice's Adventures in Wonderland, has, for its two horns, the endurance of a sleepless night, and the adoption of some recipe for inducing sleep.' In this delightful book the perfect gift for all insomniacs are collected a splendid variety of entertainments devised to help pass 'the wakeful hours'. Ranging frompuzzles, rhymes and limericks to simple number problems and calming calculations; from composing rhymes to planning dreams, here is a feast of intriguing activitiesguaranteed to keep you entertained as you search for the elusive rabbit-hole of a good night's sleep.

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Louisa May Alcott (1832–1888) is, of course, best known as the author of Little Women (1868). But she was also a noted essayist who wrote on a wide range of subjects, including her father’s failed utopian commune, the benefits of an unmarried life, and her experience as a young woman sent to work in service to alleviate her family’s poverty. Her first literary success was a contemporary close-up account of the American Civil War, brilliantly depicted in Hospital Sketches drawn from her own experience of serving as an army nurse near the nation’s capitol. As with her famous novel, Alcott writes these essays with clear observation, unforgettable scenes, and one of the sharpest wits in American literature. Blending gentle satire with reportage and emotive autobiography, Alcott’s exquisite essays are as exceptional as the novels she is known for. Published together for the first time, this delightful selection shows us another side to one of our most celebrated writers.

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Why do people love ghost stories, even if they don’t believe (or say they don’t believe) in ghosts? Is it simply the adrenaline rush that comes from being mesmerized and terrified by a great storyteller, or do these tales yield deeper meanings—telling us things about our own inner shadows? Stephen Johnson brings together some of the most memorable encounters with ghosts in world literature, from Europe, Russia, the United States, and China. Recurring themes and imagery are noted, interpretations suggested—but only suggested, since ambiguity and resistance to rational interpretation are key elements in the best ghost stories. As the writer Robert Aickman observed, often the decisive moment comes when someone, somehow, makes a “wrong turning”—literally, perhaps, but at the same time psychologically, even morally—and some mysterious nemesis takes over. Old favorites by M. R. James, Ambrose Bierce, and Charlotte Perkins Gilman are interlaced with extracts from longer works by Emily Brontë, Henry James, and Alexander Pushkin,, along with slightly left-field apparitions from Tove Jansson and Flann O’Brien. With such expert guides, who knows what we will be led to encounter in the haunted chambers of our minds?

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As a trainee doctor, Andrew Lees was enthralled by his mentors: esteemed neurologists who combined the precision of mathematicians, the scrupulosity of entomologists and the solemnity of undertakers in their diagnoses and treatments. For them, there was no such thing as an unexplained symptom or psychosomatic problem-no difficult cases, only interesting ones-and it was only a matter of time before all disorders of the brain would be understood in terms of anatomical, electrical, and chemical connections. Today, this kind of "holistic neurology" is on the brink of extinction as a slavish adherence to protocols and algorithms-plus a worship of machines-runs the risk of destroying the key foundational clinical skills of listening, observation and imagination that have been at the heart of the discipline for over 150 years. In this series of brilliant, insightful, and autobiographical essays, Andrew Lees takes us on a kind of Sherlock Holmes tour of neurology, giving the reader insight into-and a defense of-the deep analytical tools that the best neurologists still rely on to diagnose patients: to heal minds and to fix brains.

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Frida Kahlo was an amputee in the last part of her life, but long before that her right leg had been compromised by a childhood bout with polio. Since adolescence, Emily Rapp, herself an amputee since the age of four, felt that there were many things she had in common with Frida Kahlo. From the first sight of Kahlo's painting of the devastating bus crash that almost killed her, Rapp felt a sense of kinship with the artist. They both endured numerous operations; both alternately hid and revealed their altered bodies; and both found a way to live and create despite physical and emotional pain. In this riveting read, Rapp gets to the essence of Kahlo through her art, her letters, and her diaries. Rapp tells her own story of losing a child to Tay-Sachs; finding love, and becoming pregnant with her daughter; and of how Kahlo's life and work helped her to find a way forward when all seemed lost. Containing several full-color images of Kahlo's art and clothing, Frida Kahlo and My Left Leg offers a unique perspective on the artist and the challenges she faced. I want to know and remember what it was like to walk as Frida once walked: before polio at six years old shrunk her right leg; before the infamous bus crash on September 17, 1925 when the pole pierced her pelvis; then the casts, the saws, the stitches woven into the skin and then carefully twisted out, the scars gone white and silent and sealed. I am one-legged, like Frida, but I am also unlike her, and there in our essential difference is where my fascination lies, and there lies also my devotion, my despair, my revulsion, my resentment, my desire.

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Cyclogeography is an essay about the bicycle in the cultural imagination and a portrait of London seen from the saddle. Informed by his years spent as a bicycle courier, Jon Day reflects on the way bicycles connect people with places. Parasitic on the city, couriers have an intimate knowledge of London, and for those who survive the grinding toughness of the job the bicycle can become the only thing holding them together.

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This new selection of essays by Oscar Wilde show-cases the varied aspects of his genius. For Pearson, the biographer, the essays and dialogues illustrate the many faces of Wilde's extraordinary character: wit, romancer, talker, lecturer, humanist and scholar. The ideas expressed remain remarkably relevant to modern readers, whilst his popularity remains undiminished.

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In Junkspace (2001), architect Rem Koolhaas itemises in delirious detail how our cities are being overwhelmed. His celebrated jeremiad is here updated and twinned with Running Room, a fresh response from architectural critic Hal Foster. 'The manifesto is a modernist mode, one that looks to the future… Junkspace makes no such claim: “Architecture disappeared in the twentieth century,” states Koolhaas matter-of-factly. Junkspace does a harder thing: it “foretells” the present, which is to say that it calls on us to recognize what is already everywhere around us.’ Hal Foster

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In the winter of 1811 Lewis Way had an epiphany on the road to Exmouth. From that moment the eccentric millionaire devoted himself and his fortune to only one goal - the return of the Jews to the Holy Land. To achieve this mission he undertook extraordinary journeys as far as Moscow and Mount Lebanon. Lewis Way is now a neglected figure, but his legacy still has profound religious and political influence in the Middle East and today's America.

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In this revealing 'psycho-geography', Dennis Marks makes a journey through the eastern borderlands of Europe to learn about the elusive writer Joseph Roth and the world in which he lived. The result is a riveting and involving documentary that reunites Roth with his creative landscape.Joseph Roth, best-known as the author of the novel The Radetsky March and the non-fiction work, The Wandering Jews, was one of the most seductive, disturbing and enigmatic writers of the twentieth century. Born in 1894 in the Habsburg Empire in what is now Ukraine, and dying in Paris in 1939, he was a perpetual displaced person, a traveller, a prophet, a compulsive liar, and a man who covered his tracks. Through the Eastern borderlands of Europe, Dennis Marks explores the spiritual geography of a still neglected master and uncovers the truth about Roth's lost world.

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Jonathan Keates's passion for collecting historic guidebooks has resulted in a beguiling work of cultural archaeology, which explores the experience of travel for the British before the First World War. Unlike Lucy Honeychurch in E.M.Forster's A Room with a View, he revels in Baedeker, Murray and other Victorian examples, taking us on a poignant, funny and often revealing tour through this undiscovered genre.

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'Without any doubt, London is one of the best cities in the world for modern architecture. But it is also one of the biggest cities in the world, and it does not make a display of its best things. A visitor looking for new buildings in the City and the West End might well be justified in turning away with a shudder. Yet delightful things may be waiting for him in Lewisham or St. Albans.' Ian Nairn, from the 'Foreword' to Modern Buildings in London. As one of the few architectural critics to eschew purely aesthetic modes of analysis, Ian Nairn's timeless books on modern urban cities have been hailed as some of the most significant writing about contemporary Britain, while also being praised as alternative 'guidebooks' for curious travellers. First published in 1964, Modern Buildings in London celebrates the character of buildings that were immediately recognisable as 'modern' in 1964, many of which were not the part of the well-known landscape of London but instead were gems that Nairn stumbled across. Written 'by a layman for laymen', Nairn's take on modern design includes classic buildings such as the Barbican, the former BBC Television Centre and the Penguin Pool at Regent's Park Zoo as well as schools, old timber yards, ambulance stations, car parks and even care homes.

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