Search results for ""New Museum of Contemporary Art,U.S.""

Recent works by Hong Kong animator Wong Ping, whose childlike cartoons evoke adult themes and anxieties Produced in tandem with his first solo museum exhibition in New York, this publication offers insight into the work of Hong Kong–based animator Wong Ping (born 1984). Over the past ten years, Ping has crafted tales of individual desires, societal pressures and political upheaval. His works, which are often vibrantly pop-colored and rely on geometric form, reveal themselves as metaphors for larger systemic issues, such as immigration, social relations and economic anxieties. Although his videos may initially recall the language of children’s cartoons, Wong Ping’s work emerges from his own stories and journals in which he reveals the daily aspirations and anxieties of everyday residents of Hong Kong through surreal narratives and a bizarre cast of anthropomorphic characters. This exhibition brings together a selection of recent work by Wong Ping from across his widely experimental oeuvre.

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This first major monograph on Guatemalan multimedia artist Naufus Ramírez-Figueroa (born 1978) contextualizes his works in performance, sculpture, drawing and printmaking of the past ten years. Ramírez-Figueroa's installations often combine sculpture and aspects of avant-garde theater to allude to traumatic events that have shaped the political climate of present-day Guatemala. Ramírez-Figueroa expands on references to literature, folklore, magic and childhood memories. For this catalog, Catherine Wood, Senior Curator of Performance at Tate Modern, considers the artist's work through the lens of performance art, while Guatemalan Garifuna poet Wingston Gonzalez takes up its connections to the legacy of experimental theater in Latin America. Natalie Bell, Associate Curator at the New Museum, contributes an essay surveying selected bodies of work, and Kunsthalle Lissabon directors João Mourão and Luís Silva contribute an interview with the artist.

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At once factual and otherworldly, Nguyen’s collaborative interdisciplinary practice addresses suppressed histories and the healing of intergenerational trauma Developing projects through collaborative community engagement and extensive archival research, Vietnamese artist Tuan Andrew Nguyen (born 1976) utilizes strategies of remembrance to highlight unofficial and suppressed histories. Interweaving fact and fiction and often employing mythologies of otherworldly realms, Nguyen reworks dominant narratives into stories that propose creative forms of healing the intergenerational traumas of colonialism, war and displacement. Nguyen’s 2023 New Museum presentation is his first US solo museum exhibition, showcasing a new film and two recent video projects, The Unburied Sounds of a Troubled Horizon (2022) and The Specter of Ancestors Becoming (2019), alongside works from the artist’s sculptural and object-based practice. Drawing together conceptual threads from across the Global South, Nguyen’s exhibition sparks a dialogue on inherited memory and testimony as forms of resistance and empowerment.

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Menesunda Reloaded marks the first-ever presentation outside of Argentina of the legendary work, La Menesunda, first envisioned by Marta Minujín and Rubén Santantonín in 1965. Over the past 60 years, Minujin (born 1943), a pioneering Argentinian artist, has developed happenings, performances, installations and video works that have greatly influenced generations of contemporary artists in Latin America and beyond. The catalog features a text by Zanna Gilbert of the Getty Research Institute that focuses on La Menesunda in the context of Argentinian and international art of the 1960s. Also included in the catalog are a new interview with Minujín and Massimiliano Gioni, Edlis Neelson Artistic Director of the New Museum, and Helga Christoffersen, New Museum Associate Curator; and a contribution from environmental artist Christo. Menesunda Reloaded is part of an ongoing series of solo exhibitions that provide a focused exploration of artists’ practices and continues the New Museum’s history of bringing first-ever presentations of major works to New York.

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Art as anthropology: uncovering and upending regimes of visibility Over the past decade, Canadian-born, Paris-based artist Kapwani Kiwanga (born 1978) has created complex installations, sculptures, performance lectures and films that consider marginalized histories and colonial economies. Drawing from her training in anthropology and the social sciences, Kiwanga’s ethereal environments bring attention to the backstories of systems of authority and their embodied effects. Accompanying the exhibition at the New Museum, this catalog provides one of the most complete overviews of Kiwanga's work in sculpture and installation. Inspired by the early 18th-century New York legal codes known as “lantern laws”—ordinances that required all Black, Indigenous or mixed-race individuals over 14 to carry lanterns or lit candles after dark if not accompanied by a white person—her new commission for the New Museum weaves together different layers of opacity and transparency through the use of large-scale curtains and mirrored surfaces, playing with natural light and darkness.

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Pepón Osorio’s epic installations unite conceptual art and community dynamics Informed by his background in theater and performance as well as his experiences as a child services case worker and professor, the richly textured sculptures and installations of Puerto Rican–born, Philadelphia-based artist Pepón Osorio (born 1955) are deeply invested in political, social and cultural issues affecting Latinx and working-class communities in the United States. Published for the artist’s most comprehensive exhibition to date, this catalog focuses on the elaborate, large-scale multimedia environments that Osorio has been creating since the early 1990s. Often developed through long-term conversations and collaborations with individuals in the neighborhoods where they were first shown, his installations draw from personal stories in order to empathetically elucidate larger social ills. Taken from an eponymous work, the book’s title addresses themes that resonate throughout Osorio’s practice, such as the need to better care for one another.

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Published for Jordan Casteel’s major New Museum show, Within Reach surveys her paintings exploring the nuances of Black subjectivity In her large-scale oil paintings, New York-based artist Jordan Casteel (born 1989) takes up questions of Black subjectivity and representation by examining the gestures, spaces and forms of nonverbal communication that underpin portraiture. “There is a certain amount of mindfulness that it requires ... to be present with someone in a moment.” she explains. “I’ve always had an inclination towards seeing people who might be easily be unseen.” Published for Casteel’s first solo museum exhibition in New York, this volume brings together 40 large-scale paintings from throughout her career, including works from the celebrated series Visible Man (2013-14) and Nights in Harlem (2017), along with recent cropped “subway paintings” and portraits of her students at Rutgers University-Newark. Whether depicting former classmates from Yale, nude and in serene repose; street vendors near her home in Harlem; anonymous New Yorkers huddled on the subway; or her own students, posed largely in domestic interiors among their personal belongings, she explores how both public and private spheres can serve as frames for an inner life. This generously illustrated, oversized publication honors the larger-than-life scale of the artist's work. It is the first comprehensive monographic publication on Casteel’s work and includes texts by Dawoud Bey, Amanda Hunt and Lauren Haynes, and conversations conducted with the artist by Massimiliano Gioni and Thelma Golden.

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This volume is published for a new site-specific installation that incorporates several films by Italian artist Adelita Husni Bey (born 1985), including the premiere of a major new work. Chiron continues Husni Bey’s explorations of the complexity of collectivity and the human and social consequences of imperialism. The introductory text to the catalog, “On exercise and outcome,” by New Museum Associate Curator Helga Christoffersen, features a survey of Husni Bey’s work from the past decade. Two new texts and an interview were written specifically for this catalog: “Who determines if something is habitable?” by Fred Moten and Stefano Harney, “Referred pain: On the work of Adelita Husni Bey” by Johanna Burton, and “There is water in among the Stones: A Conversation between Adelita Husni Bey and Hannah Black.”

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Recent film works from the international duo exploring cultural change Working together for a decade, artists Bárbara Wagner (born 1980, Brazil) and Benjamin De Burca (born 1975, Germany) produce films and video installations that feature protagonists engaged in cultural production. The duo typically collaborates with nonactors to make their films, from writing scripts to staging performances on camera. The resulting works are marked by economic conditions and social tensions present in the contexts in which they are filmed, giving urgency to new forms of self-representation through voice, movement and drama. Accompanying the exhibition at the New Museum—which focuses on projects that the artists filmed in Brazil over the past seven years, as well as a new commissioned piece featuring the theater group Coletivo Banzeiros—this volume includes a conversation between the artists and Margot Norton, as well as texts by Vivian Crockett, Bernardo Mosqueira and Wendelien van Oldenborgh.

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