Search results for ""National Portrait Gallery London""

Accompanied by a major exhibition at the National Portrait Gallery, London, in spring 2014, which will then tour to venues on four continents, this book like the exhibition, is structured thematically, with iconic images presented alongside many lesser-known and previously unseen portraits.

Read more less

Charlotte Bolland is Collections Curator, Sixteenth Century, at the National Portrait Gallery, London. She has co - authored The Encounter: Drawings from Leonardo to Rembrandt (2017), The Real Tudors: Kings and Queens Rediscovered (2014) and Les Tudors (2015). Her other publications include contributions to Leadership and Elizabethan Culture (2013), Elizabeth I & Her People (2013) and Painting in Britain 1500 1630: Production, Influences and Patronage (2015).

Read more less

Charlotte Bolland is Senior Curator, Research and 16th Century Collections, at the National Portrait Gallery, London. Among other publications, she authored The Tudors: Passion, Power and Politics (National Portrait Gallery, 2022) and Tudor and Jacobean Portraits (National Portrait Gallery, 2018), and co-authored with Tarnya Cooper The Encounter: Drawings from Leonardo to Rembrandt (National Portrait Gallery, 2017). Suzannah Lipscomb is Professor Emerita of History at the University of Roehampton and Senior Member at St Cross College, Oxford. She has written and edited seven books and is an established television presenter. She hosts the History Hit podcast, 'Not Just the Tudors'. Her next book, The Six: A New History of Henry VIII's Queens will be published in Autumn 2025. Other contributors include Nicola Clark, Brett Dolman, Alden Gregory, Benjamin Hebbert, Nicola Tallis, and Valerie Schutte.

Read more less

The Collection of the National Portrait Gallery, London, embraces over 500 years of British history, more than 60,000 sitters and explores ideas of social change, power and influence. Arguably as powerful and influential as any individual are the heads of state and empire, whose portraits are among the most popular in the Gallery's Collection. For the exhibition that accompanies this book, the portraits of kings, queens, statesmen and stateswomen featured will go on tour for the first time, providing international audiences with the opportunity to encounter these famous historical and contemporary personalities face to face. The publication traces major events in British history and examines the ways in which royal portraiture has reflected individual sitters' personalities and wider social, cultural and historical change. Works are arranged chronologically in sections, each of which is prefaced by an introductory text and timeline providing context to the peri

Read more less

Featuring works from the 1950s onwards, this book explores Francis Bacon's deep connection to portraiture and how he challenged traditional definitions of the genre. From his responses to portraiture by earlier artists, to large-scale paintings memorialising lost lovers, works from private and public collections will showcase Bacon's life story. As well as the artist's self-portraits, sitters include Lucian Freud, Isabel Rawsthorne and lovers Peter Lacy and George Dyer. The first publication in over 20 years dedicated to the portraits of Francis Bacon, this book accompanies the exhibition of the same name opening at the National Portrait Gallery, London, in October 2024. From his renowned triptychs and paintings of ghostly figures, to tender and psychologically revealing individual portraits, the figurative works displayed in this publication chart the development of a groundbreaking artist, highlighting the influence of his peers and other artists. Edited and with introductory text

Read more less

Francesca Woodman and Julia Margaret Cameron: Portraits to Dream In draws parallels between two of the most significant practitioners in the history of photography, presenting fresh research, rare vintage prints, and previously unseen archival works. 'I feel that photographs can either document and record reality or they can offer images as an alternative to everyday life: places for the viewer to dream in.' Francesca Woodman, 1980 Living and working over a century apart, Julia Margaret Cameron (18151879) and Francesca Woodman (19581981) experienced very different ways of making and understanding photographs. Francesca Woodman and Julia Margaret Cameron: Portraits to Dream In accompanies the exhibition of the same name opening at the National Portrait Gallery, London, in March 2024. Spanning the careers of both artists, the beautifully illustrated catalogue includes their best-known photographs as well as less familiar images. The exhibition works are arranged into eight thematic

Read more less

Nicholas Cullinan is Director of the National Portrait Gallery, London, and curator of he Gallery's forthcoming exhibition Michael Jackson: On the Wall. He was formerly Curator of Modern and Contemporary Art at the Metropolitan Museum of Art, New York (201315) and Curator of International Museum Art at Tate Modern (200713), where he co-‐curated the hugely successful exhibition Henri Matisse: The Cut-‐Outs (2014). Margo Jefferson is a Pulitzer Prize-‐winning cultural critic. Her 2015 memoir, Negroland, received the National Book Critics Circle Award for Autobiography and was shortlisted for the Baillie Gifford Prize. Her book On Michel Jackson was published in 2006. She has been a staff writer for the New York Times and Newsweek, and her reviews and essays have appeared in New York Magazine, Grand Street, Vogue and Harper's, among many other publications. Zadie Smith is the award-‐winning author of the novels White Teeth (2000), The Autograph Man (2002), On

Read more less

The National Portrait Gallery, London, holds a large collection of portraits featuring sitters who have played an important role in British history and culture across the periods, many of which have also made significant contributions as writers. 100 Writers will be the first Gallery publication to bring together portraits of writers from varied disciplines and periods into one publication. An illustrated introductory text will explore the range of writers' portraits held in the Gallery and the important role they have played in British culture. It will also look at the relationship between the written word and visual arts, encompassing the variety of writers and themes. This new title will include earlier sixteenth-century works through to contemporary portraits, with a focus on writers who have made an important contribution to a number of areas such as literature, history, philosophy and politics. Select works will also be accompanied by quotations taken from interviews, essays and

Read more less

Christopher Tinker is the Managing Editor at the National Portrait Gallery, London, where he has edited Vogue 100: A Century of Style (2016), David Bailey's Stardust (2014) and Lucian Freud Portraits (2012). Before joining the Gallery he spent twelve years at BBC Books, where he edited Jeremy Paxman's The Victorians (2009), Jonathan Dimbleby's Russia (2008) and commissioned The Wonderful World of Albert Kahn (2008), a collection of early colour photographs. Simon Callow is an actor, director and writer. He has appeared in many popular films, including Four Weddings and a Funeral (1994), Maurice (1987), A Room with a View (1985) and Amadeus (1984). His stage work includes the one-man plays The Mystery of Charles Dickens (2012), Being Shakespeare (2011) and The Importance of Being Oscar (1997). His books include a biographical trilogy on Orson Welles, Oscar Wilde and His Circle (2013), Charles Dickens and the Theatre of the World (2012), My Life in Pieces, Charles Laughton (

Read more less

The Taylor Wessing Photo Portrait Prize showcases a wide range of portraits from inspiring contemporary photographers. The Taylor Wessing Photo Portrait Prize is one of the most prestigious global photography awards, celebrating the very best in contemporary portraiture. Exhibited annually at the National Portrait Gallery, London, it showcases talented professional and amateur photographers from around the world, and this year features new work from the 2023 In Focus Photographer Hassan Hajjaj, as well as the newly introduced Commission Prize. Fully illustrated in colour throughout, it includes interviews with all prize-winning photographers, alongside extended captions for each exhibited work and insights from the judges. This book provides a unique opportunity to see an inspiring range of portraits from contemporary photographers selected from thousands of submissions. An in-depth interview with this year’s celebrated In Focus Photographer, Hassan Hajjaj, showcases his vibrant, expressive portraits, which embrace diverse cultural influences and reflect on his life between Britain and Morocco.

Read more less

British photographer Julia Margaret Cameron (1815-1879) has been described as one of the Finest portraitists of the nineteenth century-in any medium. Raised in a well-connected and creative family, Cameron led an unconventional life for a woman of the Victorian age. After devoting herself to an artistic and literary salon at her home on the Isle of Wight and raising eleven children, Cameron took up photography in her late forties. Over the next fourteen years, she produced more than a thousand strikingly original and often controversial images. Her searching portraits of her friends and acquaintances, including Alfred Tennyson and Charles Darwin, have been called the world's first close-ups. This biography casts new light on the artist's links with the leading cultural figures of her time and on the techniques she used to achieve her distinctive style. It is published to coincide with a travelling exhibition of Cameron's photographs that will be on display at the National Portrait Gallery, London, and the National Museum of Photography, Film and Televison, Bradford, England, in spring 2003 and will open at the Getty Museum in October 2003.

Read more less

David Hockney: Normandy Portraits accompanies a major exhibition on David Hockney at the National Portrait Gallery, London. It reveals new portraits painted in Hockney's Normandy Studio between 2020 and 2022. David Hockney: Normandy Portraits illustrates around 40 acrylic on canvas works painted by Hockney at his Normandy studio – depicting his friends and visitors, including his partner JP, pop-star sensation Harry Styles, and the artist himself. This image-led book product will showcase a series of some previously unseen portraits, through 48 pages, uninterrupted by text, to allow readers to engage directly with the artworks that will be on display at the National Portrait Gallery as well as some added exclusives. These works highlight the ongoing importance of portraiture within the artist’s practice and demonstrate his sentiment that ‘drawings and paintings … are a lot better than photographs to give you a sense of the person’. Hockney returned to painting after an intensive period spent depicting the Normandy landscape using an iPad. The portraits were painted quickly and directly onto the canvas without under drawing. As Hockney has said ‘to do a portrait slowly is a bit of a contradiction’.

Read more less

Richard Cosway was once a more famous artist than Gainsborough. His portraits of the fashionable were the rage in Regency London. From 1785 he became First Painter to the Prince of Wales - the only artist ever to have been accorded such a title. He and his wife Maria entertained everybody who was anybody. Herself a talented artist in her own right, she was also a composer, musician and authority on girls' education. Thomas Jefferson fell in love with her; Napoleon doted on her. And yet, save for Richard Coswayís pre-eminence as a miniaturist, he and Maria have long been neglected by the public, their reputation tarnished by rumour and misrepresentation. Here, Gerald Barnett seeks to present them in a truer and clearer light, emphasising their achievements as artists and individuals and rehabilitating them as major figures in the artistic history of eighteenth-century England. Richard Cosway was the subject of major exhibitions at the Scottish National Portrait Gallery (Edinburgh) and the National Portrait Gallery (London) from August 1995. Richard and Maria Cosway feature prominently as characters in the Merchant-Ivory film Jefferson in Paris.

Read more less

Fragments of a Jigsaw: Portraits of Artists and Writers of Wales is an unprecedented collection of photos by Bernard Mitchell who has compiled a gallery of notable characters within the Arts community in Wales. Fragments of a Jigsaw: Portraits of Artists and Writers of Wales is based on the on-going Welsh Arts Archive project. The project began in 1966 with a series of portraits of the Swansea friends of Dylan Thomas, including the artists Ceri Richards and Alfred Janes, the poet Vernon Watkins and the composer Daniel Jones. The collection kept growing: since 1990, Bernard Mitchell has added many artists who have since passed away, including, Will Roberts, Josef Herman, John Petts, Ivor Roberts Jones, John Elwyn, David Tinker and Ernest Zobole. The work continues with the artists working today. In 1999, a large exhibition of photographs of artists was held at the National Library of Wales, Aberystwyth. Photographs are also held in the collections of the National Portrait Gallery, London, The National Museum of Wales, Cardiff and the Glynn Vivian Gallery, Swansea. This is a unique collection of photo-portraits from the Welsh arts scene.For more information on the Welsh Arts Archive project, visit bernardmitchell. co.uk/welsharts-archive/.

Read more less

A unique exploration of self-portraits by two artists born nearly a century apart This beautifully illustrated book draws together for the first time the work of French artist Claude Cahun (1894-1954) and British contemporary artist Gillian Wearing (b. 1963). Although they were born almost a century apart, their work shares similar themes--gender, identity, masquerade, and performance. In 2015, Sarah Howgate traveled with Wearing to the island of Jersey, in the English Channel, where Cahun lived and worked until her death, and where her archive is housed. In examining Cahun's photographs, Wearing was struck by the remarkable parallels with her own explorations of the self-image through photography. Cahun was a contemporary of Andre Breton and Man Ray, but her work was rarely exhibited during her lifetime. Wearing, who has exhibited extensively and is a recipient of Britain's prestigious Turner Prize, was no stranger to Cahun's work when she made the trip to Jersey--her 2012 self-portrait, Me as Cahun holding a mask of my face, is a reconstruction of Cahun's iconic Self-portrait, made in 1927. In this book, Howgate examines the work of both artists, investigating how their cultural, historical, political, and personal contexts have affected their interpretations of similar themes. This book features stunning reproductions of more than ninety key works, presented thematically by artistic evolution, performance, masquerade, and memento mori, among others. Also included are new works by Wearing, a revealing interview with her by Howgate, and an illuminating essay on Cahun by writer and curator Dawn Ades. Exhibition schedule: National Portrait Gallery, London March 9-May 29, 2017

Read more less

Photographs and Reflections by Paul McCartney'Millions of eyes were suddenly upon us, creating a picture I will never forget for the rest of my life.'In 2020, an extraordinary trove of nearly a thousand photographs taken by Paul McCartney on a 35mm camera was re-discovered in his archive. They intimately record the months towards the end of 1963 and beginning of 1964 when Beatlemania erupted in the UK and, after the band's first visit to the USA, they became the most famous people on the planet. The photographs are McCartney's personal record of this explosive time, when he was, as he puts it, in the 'Eyes of the Storm'.1964: Eyes of the Storm presents 275 of McCartney's photographs from the six cities of these intense, legendary months - Liverpool, London, Paris, New York, Washington, D.C. and Miami - and many never-before-seen portraits of John, George and Ringo. In his Foreword and Introductions to these city portfolios, McCartney remembers 'what else can you call it - pandemonium' and conveys his impressions of Britain and America in 1964 - the moment when the culture changed and the Sixties really began.1964: Eyes of the Storm includes:- Six city portfolios - Liverpool, London, Paris, New York, Washington, D.C. and Miami - and a Coda on the later months of 1964 - featuring 275 of Paul McCartney's photographs and his candid reflections on them- A Foreword by Paul McCartney- Beatleland, an Introduction by Harvard historian and New Yorker essayist Jill Lepore- A Preface by Nicholas Cullinan, Director of the National Portrait Gallery, London, and Another Lens, an essay by Senior Curator Rosie Broadley

Read more less

The Time is Always Now: Artists Reframe the Black Figure edited by Ekow Eshun celebrates flourishing Black artists whose work illuminates the richness, beauty and complexity of Black life. "There is never a time in the future in which we will work out our salvation. The challenge is in the moment, the time is always now." - James Baldwin 'Angry, elegiac, critical and celebratory, The Time Is Always Now brings together 22 leading black artists working in the UK and US.' - The best art and architecture shows to visit in 2024, The Guardian The Time is Always Now: Artists Reframe the Black Figure assembles contemporary African diasporic artists working in the UK and US whose practice foregrounds the Black figure. Edited and with texts by Ekow Eshun, and original essays by Bernardine Evaristo, Esi Edugyan and Dorothy Price. Published to coincide with the exhibition at the National Portrait Gallery, London, this publication explores and celebrates contemporary Black artists internationally who work within Black figuration. This visual and beautifully produced book examines contemporary figurative artworks against a backdrop of heightened cultural visibility. Within this context, its collected paintings, drawings and sculptures take on a dual role as the accomplished work of individual artists and as a collective assertion of Black presence. Through a three-part structure containing detailed artist profiles and stunningly reproduced artworks, the publication examines Black figuration as a means to address the absence and distortion of Black presence within Western art history. Profiled artists include Hurvin Anderson, Michael Armitage, Jordan Casteel, Njideka Akunyili Crosby, Noah Davis, Godfried Donkor, Kimathi Donkor, Denzil Forrester, Lubaina Himid, Claudette Johnson, Titus Kaphar, Kerry James Marshall, Toyin Ojih Odutola, Chris Ofili, Jennifer Packer, Thomas J. Price, Nathaniel Mary Quinn, Lorna Simpson, Amy Sherald, Henry Taylor and Barbara Walker.

Read more less

Emily Andersen has been making photographic portraits of the international avant-garde since graduating from the Royal College of Art in the early 1980s. Having started out by finding her way into some pretty cool-sounding private parties in London and New York, she began convincing artists and musicians to pose for her – from Nan Goldin to Nico. Over the past thirty-five years, she has built up a remarkable and beautiful portfolio that includes many high-profile writers, poets, film directors, actors and architects, with Peter Blake, Michael Caine, Derek Jarman, Zaha Hadid, Arthur Miller, Helen Mirren, Michael Nyman and Eduardo Paolozzi among those featured in this new publication devoted to her black-and-white portraits.In addition to celebrities, Andersen has documented many interesting and inspiring figures who are celebrated and respected within their fields, offering an invaluable insight into the lives of people who have made significant contributions to the wider cultural and creative life of the USA, Britain and Europe over the current and recent generations. An illuminating essay by critic Jonathan P. Watts not only explores the lives of some of Andersen’s many sitters and the photographs she has taken of them, but also get to grips with ideas such as the nature of portraiture, photojournalism and the limitations of the documentary photograph, framing them within debates of the late 1980s onwards. ‘While all of these portraits may not be recognisably activist images’, asserts Watts, ‘they’re rooted in the belief of a micro-politics of everyday lives and relationships.’ Readers can discover more about the background, circumstances and dynamics of many of the shoots by means of notes prepared by Andersen herself to accompany each image, which are regularly entertaining and thought-provoking as well as informative.Beyond capturing the essence of these figures and of the times in which they are living, Andersen has a particular talent for entering into their private lives and private spaces, often being invited into her sitters’ own homes. By photographing family members and friends, she gets an angle on them that is often deeply personal, sensitive and honest. Creating works that are carefully composed and choreographed and yet regularly informal and relaxed, there is always, somehow, a sense that Andersen is more interested in encouraging her subjects to speak through her images than in imposing her own impressions upon them. It is also fascinating to note how Andersen is often keen to document the young children of celebrities, especially girls, and has made a substantial body of work of fathers and daughters. She is always interested to know what these young women grew up to be, and sometimes returns to photograph the same people years, if not decades, later.Andersen has been commissioned for innumerable magazines and newspapers including the New Musical Express (NME), The Face, Elle Deco, Domus, The Times, The Guardian, The Independent, The Sunday Telegraph and The Economist, and has been commissioned by publishers such as Quadrille, Simon and Schuster, Oxford University Press, Hachette, Random House and Harper Collins. Her works have been exhibited internationally in venues including The Photographers’ Gallery, London; The Institute of Contemporary Art, London; The Scottish National Portrait Gallery, Edinburgh; The Barber Institute of Fine Arts, University of Birmingham; Massachusetts Museum of Contemporary Art; Jehangir Art Gallery, Mumbai; and China Arts Museum, Shanghai. A winner of the John Kobal prize for portraiture, she has a number of works in The National Portrait Gallery, London and in other public collections including The British Library, London, and The Contemporary Art Society, London. Andersen is a senior lecturer in photography at Nottingham Trent University.Designed by Melanie Mues of Mues Design, London, with reprography by DPM, London, and printed by EBS, Verona, this stunning hardback monograph has been released in both a trade edition published by Anomie and as an artist’s limited edition of fifty signed and numbered copies, accompanied by an original print.The cover image is of the Chilean-French filmmaker Alejandro Jodorowsky and his son, Axel, in London in 1989.

Read more less