Search results for ""Mandel Vilar Press""

The Skipping Stone Magazine Honor Award (one of the best multicultural books for children in 2020) Green Was My Forest is an illustrated collection of twelve short stories about each of Ecuador's six remaining Amazon indigenous groups, told from the point-of-view of the indigenous children themselves. In simple, yet beautiful language, the stories explore the culture, customs and ancestral wisdom of the indigenous groups living in the Ecuadorian Amazon, highlighting their collective love, respect and custodianship of the natural world. These stories offer a rare perspective on these indigenous peoples whose culture and way of life are continuously being threatened by outsiders and the forces of modernization. They portray the way of life of the people who live in Ecuadorian Amazonia known for its forest, exotic animals, and indigenous towns. After traveling to this little-known region and meeting the people who inhabit it, Iturralde studied their way of life, observed their culture, and then wrote these imaginative entertaining stories remaining faithful to these tribes and their world.Ecuadorian author, Edna Iturralde, is considered the most important figure in children and young adult's literature in Latin America with nearly sixty published books. In 2014, her collection of short stories, Verde fue mi selva, now translated and published here in English for the first time as Green Was My Forest, was selected as one of the ten best children’s books written in Latin America during the 20th Century. Iturralde’s books are used in the school curriculum of Houston and Los Angeles. The Texas Library Association selected two of her books for its 2016-17 list of ten recommended books. Two of her books are part of the Required Summer Reading Books recommended by Scholastic Books. Three of her books have won the Skipping Stones International Book Prize, and five of her books won the International Latino Book Award.Jessica Powell, has translated dozens of works by a wide variety of Latin American writers. Her translation of Antonio Benítez Rojo's novel Woman in Battle Dress (City Lights, 2015) was a finalist for the PEN Center USA Literary Award for Translation. Her translation of Wicked Weeds by Pedro Cabiya (Mandel Vilar Press, 2016), was named a finalist for the 2017 Best Translated Book Award and made the longlist for the 2017 National Translation Award. Her most recent translation, the first-ever English translation of Pablo Neruda’s book-length poem, venture of the infinite man, was just published by City Lights Books in October of 2017.

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As the daughter of Holocaust survivors, Anna Salton Eisen's memoir, Pillar of Salt: A Daughter's Life in the Shadow of the Holocaust, breaks down the barrier of silence that was intended as a protective shield for her parents and their children. From early childhood, Anna, as a second-hand witness to the Holocaust, felt overwhelmed by the unspoken but ever-present trauma of her parents' past. Her father, born as Lucjan Salzman, survivor of ten different concentration camps, is enveloped in impenetrable grief and his history encased in secrecy. But Anna is determined to look backwards, breaking through her father’s reticence to confront the unspoken terrors of the past. The entire Salton family embarks on a journey through Poland unlocking a history sealed in silence and buried by time. The Salton family's quest takes them to the towns where Anna's parents lived as children under Nazi occupation. The family returns to the ghetto where a 15-year-old Lucjan experienced his first selection and bid farewell to his parents before they were herded into a boxcar and sent to their deaths at the Belzec concentration camp. They continue their travels through the picturesque Polish countryside, still pockmarked by the remnants of former concentration camps and a spattering of Holocaust memorials. By the end of her odyssey, Anna acquires a new understanding of her legacy as a child of Holocaust survivors and how trauma is revisited upon subsequent generations. By revisiting those places of trauma with her father as her guide, Anna Salton Eisen's tour of terrors provide her with a new understanding of how her identity has been shaped under the shadow of the Holocaust. Anna confides that by looking back like Lot's wife, and by taking in the whole story, "I could carry the pain of the Holocaust and find there is more to me than a pillar of salt." Building on Salton Eisen’s own background as a Holocaust author—she co-wrote The 23rd Psalm: A Holocaust Memoir with her father George Salton—Pillar of Salt completes their story. The book will be launched with a documentary film about Anna and her father with a global release.

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Elie Wiesel (1928-2016) is best known as the author of Night, survivor of Auschwitz and a powerful, enduring voice of the Holocaust. A recipient of the Nobel Peace Prize and the Presidential Medal of Freedom, he was a hero of human rights, professor and author of more than 50 books. Among his accomplishments, Wiesel co-founded Moment Magazine with Leonard Fein in 1975 to be a place of conversation for America’s Jews. For editor-in-chief Nadine Epstein, he became a mentor and friend after she took over the magazine in 2004. In this striking volume, Epstein shares her memories of Wiesel and brings together 36 interviews with friends, colleagues and others who knew him – including, his son Elisha, Michael Berenbaum, Wolf Blitzer, Father Patrick Debois, Ronald S. Lauder, Bernard Henri-Levi, Kati Marton, Natan Sharansky, Ben Kingsley, and Oprah Winfrey. The foreword is by British Rabbi Jonathan Sacks and the afterword is by broadcaster Ted Koppel. To celebrate this humanitarian and keep his inspiration alive, Epstein presents readers with a visual history of Wiesel’s life and examines the influence of Night. This chilling story of the Holocaust has already gripped the souls of millions of readers. Epstein includes a selection of his speeches and writings, lively conversations with teenagers about Night and discussion questions. The book features more than 100 photos. Says Rabbi Jonathan Sacks: "This book of reflections is a fitting tribute to the legacy of Elie Wiesel. In its pages and through the words of its contributors, you will feel a promise, not just to the souls who perished, but also to Elie and all those who survived Europe’s darkest night."From the Inside Flap"It is absolutely imperative for this legacy of Elie Wiesel's to continue. It has to, and if it doesn't, it is our loss, and it will be an unfathomable loss." ―Ben Kingsley"Wiesel taught us that we must not forget; that there is no greater sin than that of silence and indifference. In doing so he has not just illumined the past, he has illumined the future" ―Oprah Winfrey"There was something burning inside of Elie, a flame ignited by injustice and pain. He was willing to share that part of himself. Pain can make people retreat from life, but opened Elie to the world." ―Kathleen Kennedy Townsend"He performed the alchemy of converting pain, injustice and horror into love, compassion and tolerance. We remember him not so much because he so often succeeded but because he never stopped trying." ―Ted Koppel"I believe there is a risk of Elie Wiesel, the Holocaust, and other genocides being forgotten. Without a real effort to retain their memory, they may simply disappear from history. Elie Wiesel was a light in the night for the whole world, not just the Jewish one." ―Father Patrick DesboisAbout the AuthorEditor: Nadine Epstein, Editor-in-Chief of Moment Magazine, is the founder and executive director of the Center for Creative Change and founder of the Daniel Pearl Investigative Journalism Initiative. An award-winning journalist and author, she reported for the City News Bureau of Chicago and the Chicago Bureau of the New York Times and covered the U.S.-Mexico border. She was a Knight-Wallace Fellow at the University of Michigan, where she also taught journalism. She is also an artist and the creator of the iShadow Project.Foreword: Rabbi Lord Jonathan Sacks is the former Chief Rabbi of the United Kingdom. He is the author of more than 25 books, most recently Not in God’s Name: Confronting Religious Violence. Ted Koppel was the anchor and managing editor of ABC News Nightline for 25 years. He is currently a contributor to CBS News Sunday Morning and author of Lights Out.

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Each year, in the Mexican town of Contepec, migrating Monarch butterflies spend the winter in the temperate forests of Mexico. This children’s book (ages 8-12) is an adventure story about two courageous cousins Eréndira and Corina. With the help of their community as well as Maria the Monarch butterfly, who speaks to them in their dreams, they save the lives of millions of Monarch butterflies threatened by illegal logging and traffickers of wild animals. Together they help preserve the natural and cultural wealth of their homeland.In an afterword “The Monarch: A Tireless Traveler” Betty Ferber describes the life and evolution of the Monarch butterfly, its migration from North to South America, and the establishment of the sanctuaries in Mexico and the laws that protect them.

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This beautifully written memoir is composed of linked stories about growing up on a kibbutz in Israel in the 1950s and 60s, when children spent most of their time, from birth on, in a Children’s House. This memoir starts with a Prologue drawn from the diaries of Rachel Biale’s mother and the letters her parents exchanged while her father served in the British army. With excerpts from these documents, she describes how the long trials and tribulations that encompassed her parents dangerous escape from Eastern Europe to Israel – fleeing from the Nazis from Prague in 1939, five years of dangerous sea voyages, and long internments in British refugee camps. Throughout these ordeals, her parents socialist and Zionist values sustained them and eventually brought them to their kibbutz. The middle and main section of the memoir is devoted to Rachel's growing up as a kibbutz child. While Rachel's parents soon realized that no community can live up to its utopian ideals, Rachel's youth on kibbutz was a robust and buoyant one. Rachel pens 24 beautifully written and engaging stories about her kibbutz childhood -- from earliest memories at age three as part of a children's society, to her army service at age twenty. The stories focus on the world of children, but also offer a window into the lives of the adult kibbutz members, including Holocaust survivors. The book ends with a Postscript—as Rachel revisits her kibbutz and updates the stories of her childhood companions.

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This anthology showcases the best Israeli science fiction and fantasy literature published since the 1980s. The stories included come from Hebrew, Russian, and English-language sources, and include well-known authors such as Shimon Adaf, Pesach (Pavel) Amnuel, Gail Hareven, Savyon Liebrecht, Nava Semel and Lavie Tidhar, as well as a hot-list of newly translated Israeli writers. The book features: an historical and contemporary survey of Israeli science fiction and fantasy literature by the editors; a foreword by revered SF/F writer Robert Silverberg,; an afterword by Dr. Aharon Hauptman, the founding editor of Fantasia 2000, Israel’s seminal SF/F magazine; an author biography for each story included in the volume; and illustrations for each story by award winning American-born Israeli srtist, Avi Katz. PRAISE FOR ZION’S FICTION“Zion’s Fiction will supply a distinctive bright line to the spectrum of futuristic fiction, which stands in sore need of broadening, in the cause of promoting cross-cultural understanding as well as showcasing exciting new talent.”– Brian Stableford, author of over 70 novels and renowned SF historian“Zion’s Fiction explores the unlimited dreams of a people who have learned to stand on shifting ground. To face a future filled with danger and hope, forging into territory that can only be surveyed with the lamp of imagination on our brows.”– David Brin, multiple Hugo and Nebula award-author of EARTH and Existence“When my collection Wandering Stars: An Anthology of Jewish Fantasy and Science Fiction was published in 1974,[It] became a classic. And now…we have the first ever anthology in the entire universe of Israeli fantasy and science fiction: Zion’s Fiction…Go forth and read…and may you find Zion’s Fiction unexpected, delightful, and delirious!” –Jack Dann, award winning author and editor of over 75 books including The Memory Cathedral and The Silent“The basic joy in science fiction and fantasy is the chance to look inside minds different from your own. Here’s your chance. Some bright minds in the nation of Israel have been exercising their imaginations, sharing their different dreams and nightmares, and the results are ours to enjoy.” – Larry Niven, a multiple Hugo and Nebula Award-winning author of the Ringworld Series Sheldon Teitelbaum, an award-winning Los Angeles-based Canadian/American/Israeli writer, and former member of the Editorial Board of Fantasia 2000, is a longtime commentator on Jewish and Israeli science fiction and fantasy literature who has published widely in the Los Angeles Times, Cinefantastique, The Jerusalem Report, Foundation: The Review of Science Fiction, and The Encyclopedia of Science FictionEmanuel Lottem, a central figure in Israeli science fiction and fantasy scene and former member of the Editorial Board of Fantasia 2000, is the translator and editor of some of the best SF/F books published in Hebrew, and a moving force in the creation of the Israeli Society for Science Fiction and Fantasy.Avi Katz, an award-winning American-born Israeli illustrator, cartoonist, and painter, is the staff illustrator of Jerusalem Report magazine. He has illustrated over 170 books in Israel and the United States.

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"There may never have been a funnier or more honest account of life in higher education."—Jonathan Larsen, former editor of High Times and the Village Voice"Will Wootton reminds us of the joys and the value of small liberal arts colleges [and] why we should fight—as he did mightily—for their survival." —Dr. Paul LeBlanc, President and CEO of Southern New Hampshire UniversityWill Wootton, at various junctures in his life, has been a horse wrangler in Colorado, a sous-chef in southern Vermont, and the editor of a Chinese-English newspaper in Boston. While Good Fortune Next Time touches on these endeavors, its real focus is on the joys and tribulations of administering small liberal arts colleges in New England. This literary memoir tracks Wootton's twenty-nine- year odyssey through the halls of academia, ending with his six years as president of Sterling College in Vermont's Northeast Kingdom, where he paces back and forth on the "porch of worry," coaxing the small but beloved college back to life.Will Wootton served as President of Sterling College from 2006 to 2012. Before then, he was Vice President for Institutional Advancement at Montserrat College of Art, and for nineteen years he was at Marlboro College. Wootton has published articles in the Chronicle of Higher Education and recently a chapter from Good Fortune Next Time in the Santa Fe Writers Project. He and his wife Lulu live in Craftsbury Common, Vermont.

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1. Every Year almost 700,000 Americans visit Israel, this novel focuses on the year long visit of an American Graduate student and her experiences of the Holy Land.2. The protagonist, Wendy Goldberg is writing her dissertation on American's who decide to do "Aliya"--permanently move to Israel from their homes and lives in the United States. Every year thousand make this same decision. This novel focuses on the Americans who have decided to "return" to Israel permanently. Why have they made this choice? Is life better in Israel? What would motivate them to leave the United States to live in Israel? Do they have any regrets? What are their lives like? What ties to the United States do their retain or give up?

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Portrays Robinson's career from a new perspective--that of an adoring nine-year-old fan who saw him play up close, at Ebbets Field. Through this boy's eyes, we see how the borough of Brooklyn embraced Jackie Robinson, the man and the player, as their own.

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Yad Vashem, Jerusalem's memorial to the six million Jews murdered by the Nazis during World War II, also recognizes non-Jewish individuals who risked their lives to save the Jews from the Nazi executioners. One of the trees that line the memorial's "Avenue of the Righteous" was planted to honor Raoul Wallenberg, a Swede. Among the bravest heroes of World War II, he saved about 100,000 Jews. But when the war ended, Wallenberg did not return home to well-earned acclaim. Instead he was arrested by the Soviet troops who marched into Budapest. The Soviet government has declared time and again that he is dead. And, just as often, new witnesses have insisted that Raoul Wallenberg is--or was--still alive in a Soviet prison or a mental hospital. For over seventy years his fate has remained a mystery, and that mystery is the subject of Alan Lelchuk's novel, Searching for Wallenberg--at once a detective story and an unusual, multilayered love story, with surprising characters, daring plunges into the gaps of history, and an engaging narrative. Here history is enhanced and challenged by fiction

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"Fans of the greater Miami megalopolis rejoice! Finally there's a novel that nails your part of the world!" —Gary Shteyngart, author of Absurdistan and Super Sad True Love Story"It's hard to resist raising a toast to a book that shows Meyer Lansky, Frank Sinatra, Isaac Bashevis Singer and Muhammad Ali at a Little League Baseball game umpired by Fidel Castro. As Gleason would say, "And awaaaay we go!" —The Washington PostSet in Miami Beach in 1972, this novel follows the Posner family—two Holocaust survivors, Sophie and Jacob, and their son, Adam—doing everything they can to avoid one another in a city with an infinite supply of colorful diversions. In '72 Miami hosted both the Republican and Democratic political conventions and experienced the rise of the counterculture, the Cold War, and the desegregation of the old South. Miami Beach was to be the Posner's salvation. Instead they discover their lives quickly turning into a Disney World of funhouse mirrors and chaotic rides that give them front row seats through a transformational year in American culture, politics, and history.Thane Rosenbaum, author of the novels The Stranger Within Sarah Stein, The Golems of Gotham, Second Hand Smoke, and Elijah Visible (winner of the Edward Lewis Wallant Award), is a Senior Fellow at New York University School of Law, where he directs the Forum on Law, Culture, and Society.

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Paul Gruhler opened his first studio in 1962 at the age of 21 — a year later he had a solo show at the DeMena Gallery in lower Manhattan. From the beginning, Gruhler, a self-taught artist, was compelled by what came to be known as geometric abstraction, in which the deliberative arrangement of color, line, texture, and scale, in paintings and collage, evoke from these disparate elements a sense of meditative harmony. For sixty years, he has continued to explore the subtle differences that can be made from color and line. Gruhler was fortunate in the early years to have met and become good friends with three older artists who were also important teachers and mentors — first Michael Lekakis, then Harold Weston and Herb Aach. Lekakis, a celebrated sculptor, who already had had exhibitions at the Guggenheim Museum, the Whitney Museum of American Art, and the Museum of Modern Art’s exhibition Americans 1963, took Gruhler under his wing, navigating him through New York’s thriving avant-garde art scene. As Carolyn Bauer writes, “Michael Lekakis was instrumental in encouraging Gruhler to attend art events, while taking him to invite-only museum openings.” He also introduced him to renowned artists — among them, Alexander Calder, Isamu Noguchi, Louise Nevelson, and Barnett Newman — whose works influenced the young Gruhler, as did such artists as Mark Rothko, Clyfford Still, and Ad Reinhardt. Lekakis was also instrumental in Gruhler’s first show, giving titles to his paintings and writing catalog copy that drew upon his own abstract poetics. “These canvases,” he wrote, are “multi colored fire densely cascades to suspension hanging a counterpoint of rhythmic patterns in space covering it like a shroud united by a golden fragmentation.” Over these years Gruhler has had numerous solo and group shows in the U.S. in New York and Vermont, in Mexico, and abroad in Finland, Germany, Sweden, and The Netherlands. HARMONICS is both a retrospective and a current view of Paul Gruhler’s intensive art. “My work,” he says, “has been a meditative exploration of vertical and horizontal relationships in space, in order to achieve both harmony and tension within color, line and form.”

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Indie Awards Silver Medal Winner (Children's Nonfiction) The Skipping Stone Magazine Honor Award (one of the best multicultural books for children in 2019)When legendary and beloved actor, singer and activist Theo Bikel wrote a short story, shortly before his passing in 2015, about his happy childhood as a Jewish boy in Vienna—confused by rising anti-Semitism, and ultimately forced to flee after the Nazi takeover—he never could have imagined that Jewish children in the US, at the start of 2020, would have to ask their parents the same questions he had asked his own parents: Why are we hated? Why must I be afraid to be who I am?In The City of Light , Theodore poignantly recounts moments from his childhood in Vienna— at first the happy memories of family, sweet cakes, and holidays; and then darker times, when he experienced and witnessed brutal and violent anti-Semitism as Nazi influence grew. Set in Vienna in 1937-38 during Nazi Germany’s annexation of Austria, a young Jewish boy witnesses Kristallnacht, “The Night of Broken Glass,” and elderly Jews being spat upon and forced to clean the sidewalks with their coats. Once at home in the city, he is ostracized and beaten. One night, the boy dreams that his favorite Jewish superhero, Judah Maccabee, has arrived to save Vienna’s Jews. But when he awakens, there has been no Maccabean rescue. Years pass and the boy, now an old man, returns to Vienna and finds its Jewish community and Temple have been restored. He looks for the eternal light in the Temple and can’t find it. Then suddenly it becomes clear to him: “The light was there all the time; it was in my own heart.” This special book, gentle and bittersweet in its tone, also includes a three-page Yiddish glossary, a recipe for Honey Cake from Bikel's grandmother, and sheet music of a little-known Hanukkah song "Little Candle Fires" with a link to a website where you can hear Theo singing it.Theodore Bikel’s The City of Light is receiving critical acclaim, loved by adults who have followed Bikel for decades, as well as young people struggling to make sense of the acts of hatred and bigotry they are now exposed to daily. Aimee Ginsburg Bikel, Theo’s widow and veteran journalist, has added a backstory, several glossaries, and an afterword about an event in Bikel’s life with stunning historic significance. Noah Phillips’ moving illustrations bring the story to life.

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Each year, in the Mexican town of Contepec, migrating Monarch butterflies spend the winter in the temperate forests of Mexico. This children’s book (ages 8-12) is an adventure story about two courageous cousins Eréndira and Corina. With the help of their community as well as Maria the Monarch butterfly, who speaks to them in their dreams, they save the lives of millions of Monarch butterflies threatened by illegal logging and traffickers of wild animals. Together they help preserve the natural and cultural wealth of their homeland.In an afterword “The Monarch: A Tireless Traveler” Betty Ferber describes the life and evolution of the Monarch butterfly, its migration from North to South America, and the establishment of the sanctuaries in Mexico and the laws that protect them.

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"If baseball is really a metaphor for life, then Kill the Ampaya -- Dick Cluster's wonderful collection of Latin American baseball stories -- is an astonishing record of its beauty and coarseness, redemption and tragedy. You don't have to be a baseball fan to appreciate these stories, each one hinged on baseball directly or indirectly, and delight in this reading."-Achy Obejas, author of The Tower of Antilles and Other Stories "These are stories we have lived...Some are funny, some cruel or violent, but in the end they are part of our culture that makes us act the way we do. They make me think of the millions of stories that got lost behind us." -Omar Vizquel, from Venezuela, one of baseball's all-time best fielding shortstops who played for the Seattle Mariners, Cleveland Indians, San Francisco Giants, Texas Rangers, Chicago White Sox, and Toronto Blue Jays. "Baseball is in the soul of millions in Puerto Rico and the other countries that play the game with a Latino flair. These stories are portraits of its place in our lives." -Benjie Molina, former Texas Rangers catcher and first base coach. A rich variety of baseball fiction exists south of the Florida Straits and the Rio Grande, but almost none available in English. This collection translates for the first time stories ranging from the highly literary to the vernacular. These inventive and entertaining stories reveal the place of baseball in Latin America. Mixing fan and fandom, baseball and politics, rural and urban life, sexism and poverty, Kill the Ampaya! reveals how baseball shapes the social fabric of everyday Latin American life. The collection includes well known writers such as Leonardo Padura from Cuba (The Man Who Loved Dogs), Sergio Ramirez from Nicaragua (Divine Punishment, A Thousand Deaths Plus One). Others are well known writers in their home countries such as Arturo Arango and Eduardo del Llano in Cuba, Alexis Gomez Rosa and Jose Bobadilla in the Dominican Republic, Yolanda Arroyo Pizarro in Puerto Rico, Vicente Lenero in Mexico as well as emerging literary figures such as Salvador Flejan and Rodrigo Blanco Calderon in Venezuela, Sandra Tavarez and Daniel Reyes German in the D.R., Carmen Hernandez Pena in Cuba.

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Ellen Cassedy and Yermiyahu Ahron Taub (the translators) on encountering Blume Lempel’s stories wrote: "When we began reading and translating, we didn’t know we were going to find a mother drawn into an incestuous relationship with her blind son. We didn’t know we’d meet a young woman lying on the table at an abortion clinic. We didn’t know we’d meet a middle-aged woman full of erotic imaginings as she readies herself for a blind date. Buried in this forgotten Yiddish-language material, we found modernist stories and modernist story-telling techniques – imagine reading Gabriel Garcia Marquez with the conversational touch of Grace Paley."Lempel (1907–1999) was one of a small number of writers in the United States who wrote in Yiddish into the 1990s. Though many of her stories opened a window on the Old World and the Holocaust, she did not confine herself to these landscapes or themes. She often wrote about the margins of society, and about subjects considered untouchable. her prize-winning fiction is remarkable for its psychological acuity, its unflinching examination of erotic themes and gender relations, and its technical virtuosity. Mirroring the dislocation of mostly women protagonists, her stories move between present and past, Old World and New, dream and reality.While many of her stories opened a window on the Old World and the Holocaust, she also wrote about the margins of society, about subjects considered untouchable, among them abortion, prostitution, women's erotic imaginings, and even incest. She illuminated the inner lives of her characters—mostly women. Her storylines migrate between past and present, Old World and New, dream and reality, modern-day New York and prewar Poland, bedtime story and passionate romance, and old-age dementia and girlhood dreams.Immigrating to New York when Hitler rose to power, Blume Lempel began publishing her short stories in 1945. By the 1970s her work had become known throughout the Yiddish literary world. When she died in 1999, the Yiddish paper Forverts wrote: "Yiddish literature has lost one of its most remarkable women writers."Ellen Cassedy, translator, is author of the award-winning study "We Are Here", about the Lithuanian Holocaust. With her colleague Yermiyahu Ahron Taub, they received the Yiddish Book Center 2012 Translation Prize for translating Blume Lempel. Yermiyahu Ahron Taub is the author of several books of poetry, including "Prayers of a Heretic/Tfiles fun an apikoyres" (2013),"Uncle Feygele"(2011), and "What Stillness Illuminated/Vos shtilkayt hot baloykhtn (2008)."

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"Homero is one of the planet's great environmental heroes."—Jacob Scherr, Director of Global Strategy & Advocacy, Natural Resources Defense Council, Washington, DC News of the Earth chronicles Homero Aridjis's relationship with the natural world through his writings and his activism as president of the Grupo de los Cien [Group of 100], Mexico's influential environmental group composed of one hundred prominent personalities in the arts, culture, and science, which Aridjis founded in 1985. Under his leadership, the group's efforts led to a ban on the capture and commercialization of sea turtles, legislation reducing the amount of lead in gasoline, daily monitoring of air quality in Mexico City, and official designation of sanctuaries for the monarch butterfly. Aridjis waged a lifelong battle against threats to endangered ecosystems and wildlife in his country, many with global implications, including campaigns to save the gray whale, bottle-nosed dolphin, bee population, giant saguaro cactus, endangered coral reefs, and rainforests of Mexico. This book highlights these crucial battles, with detailed documentation of critical environmental victories. Homero Aridjis, one of Latin America's foremost literary figures, is the author of forty-eight books of poetry and prose. He served as Mexico's Ambassador to Switzerland, The Netherlands, and UNESCO, and as president of PEN International. He received awards from the United Nations (Global 500 Award), the Orion Society, Mikhail Gorbachev, Global Green USA, and the Natural Resources Defense Council. Betty Ferber Aridjis was born in New York and graduated from Bryn Mawr College. She served as the International Coordinator of the Grupo de los Cien (Group of 100) since its founding in 1985. Her lifelong commitment to the environment was also honored by Mikhail Gorbachev and by Global Green USA with the Green Cross Millennium Award for International Environmental Leadership. She is the translator of several books by Homero Aridjis into English.

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It is 1968, the Cold War is raging, and the United States is bogged down fighting the “Communists” in Vietnam. The Berlin Wall is the symbol of a world cut in half, a punitive wall, isolating the Soviet republics that then formed the USSR. In the spring of 1968, the Czechoslovakian Communist Party experimented with "socialism with a human face"—known then as the “Prague Spring.” Suddenly there was freedom of the Press; an end to arbitrary wiretaps; and citizens regained the right to travel without prior authorizations and visas. The borders opened to the West, consumer goods appeared in the stores---and the winds of freedom blew over the country. That summer, Alexander and Anna boarded their Skoda Felicia, a brand-new convertible, to join their daughter Petra in Bratislava, where she had just completed her brilliant medical studies. Tereza, the daughter of a railway worker who survived the concentration camps and a Pravda editor who had long taken in Hungarian refugees from 1956, stayed in a kibbutz in Israel to reconnect with her Jewish culture. Józef, a pastor defrocked for refusing to denounce parishioners to the Party, delivered his first uncensored sermons on the radio. Then, suddenly, on the nights of August 20-21, Soviet tanks invaded Prague to put an end to this brief liberalization experiment. For a few hours, the border with Austria would remain open. Vienna was an hour's train away. Everyone now must make a choice: leave or stay? Fleeing violence or resisting the oppressor? Faced with the invasion of our country by an overmatched foreign power, what would we do? Viliam Klimacek’s historical novel looks back at these major events in Czechoslovakian history. Celebrating the identity of a people, its folklore, its beauty, and its vitality, he makes this novel personal and real by focusing on the story of ten people enmeshed in this difficult moment in history. By telling the human stories of the Czech diaspora, Klimacek reveals the impact of these rapidly moving events on his characters and the lives of their families (based on real people whose names have been changed). Through Tereza, Petra, Józef, Sena (Alexander), Anna and Erika, he tells us about the lives of these (extra)ordinary people—their lives in Czechoslovakia, Their decisions to leave, their flight, their families torn apart and separated, the abandonment of all that they possessed for unknown elsewhere, their perilous journeys, their arrival in a new country, their reception and integration in a new country. The novel describes the vicissitudes and hopes of newcomers, mainly in Canada, the United States, Austria, England, and Israel, who face obstacles—learning a new language, encountering red tape with registration, validating their diplomas and finding a job and housing. They quickly realize—depending on their own situation that many will never see or visit the families they left behind in Czechoslovakia. The experiences that Klimacek’s characters face, endure and overcome we all know will be repeated for untold millions again and again as people around the world flee intolerance, war, calamities in weather and other disaster in our contemporary age. Constructing his stories on very real testimonies, Klimacek’s novel is simultaneously a hymn to tolerance, to acceptance of others, and to the need to support and help the weakest or the poorest. It leads us all to ask ourselves questions, to reflect and perhaps, with a little goodwill, to see certain things differently. While the story is at time dark, it is also full of hope. You may know someone in your own community whose experiences are mirrored in this novel and through your reading you may now appreciate their unbending spirit and desire for freedom and well being for themselves and their families.

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Dr. Alla Shapiro was a first physician-responder to the worst nuclear disaster in history: the explosion at the Chernobyl Nuclear Power Station in Ukraine on April 26, 1986. Information about the explosion was withheld from first responders, who were not given basic supplies, detailed instructions, or protective clothing. Amid an eerie and pervasive silence, Dr. Shapiro treated traumatized children as she tried to protect her family. No protocols were in place because no one had anticipated the consequences of a nuclear accident. From the outset of the disaster, the Soviet government worsened matters by spreading misinformation; and first responders, including Alla, were ordered to partake in the deception of the public. After years of persistent professional hostility and personal discrimination that she and her family experienced as Jewish citizens of the USSR, four generations of the Shapiro family fled the Soviet Union in the late 1980s. As émigrés, they were each allowed to take no more than 40 pounds of possessions and $90 in cash. Their escape route took them first to Vienna and then to Italy, where they were stranded as stateless persons for six months. Eventually the family received permission to enter the United States. Motivated by her Chernobyl experiences, Alla Shapiro ultimately became one of the world’s leading experts in the development of medical countermeasures against radiation exposure. From 2003 to 2019, she worked for the FDA on disaster readiness and preparation. Dr. Shapiro issues stern warnings regarding the preparedness—or lack thereof—of America for the current Covid-19 pandemic. Doctor on Call exposes the horrifying truths of Chernobyl and alerts us to the deceptions that undermine our ability to respond to global disasters.

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For most of her adult life, Dara Kurtz kept a Ziploc bag of letters written by her mother who passed away from cancer when she was twenty-eight years old. The bag also included other letters written by her long-departed grandmothers. These letters gave Dara a glimpse into their lives and personalities at the time the letters were written. They offered her so much wisdom and relevance and taught her so many beautiful, life lessons that Dara decided to share their story, the incredible love between Jewish mothers and daughters, and the wisdom passed on from one generation to the next. As a mother, Dara has passed down these family traditions and wisdom to her two daughters, who now carry on the legacy contained in the Ziploc bag bridging the generations of women in their family. She unexpected discovered that this is best done through the lens of love and through the hand-written word.

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“Henry Allen is the truest chronicler of our American dream. By taking us into the homes of his history, he reveals our own lives in shafts of sunlit prose streaming through the windows of time and place.”—James Grady, author of Six Days of the Condor“I loved the book.”—Ann Beattie, author of Mrs. Nixon: A Novelist Imagines a Life and The State We’re In: Maine Stories“Henry Allen, one of the best deadline essayists in the business.”—Christopher Buckley, author of Thank You for SmokingPulitzer Prize-winner Henry Allen brings alive nearly five centuries of family by describing places where they lived—from plantations in South Carolina and Guadeloupe to a boarding house in Queens; a sadly grand old house in Orange, New Jersey; farmhouses, mansions, apartments, ships, tents, and dormitories; towns in Rhode Island and Connecticut. He vividly describes his family’s historical journey through Indian wars, a witchcraft trial, privateering, wagon trains, a split over slave trading, the friendship of presidents, the dwindling of the old Anglo-Saxon hegemony, and the heartless mysteries of money, alcohol, and gentility. I feared my children and their children would never know about the lost worlds of our family—love, moral stands, disappointment, Christmas dinners, the ancient and ordinary sunlight that transported us like aliens from galaxies of the past. These galaxies not only existed but persisted despite the apathy of their inheritors. Consider this book a last will and testament, an attempt to stave off the probate of oblivion. Intense, mercurial, and bearded, Henry Allen is a Marine veteran of Vietnam and was a feature writer and art critic at The Washington Post from 1970 to 2009. His books include Going Too Far Enough: American Culture at Century’s End, What It Felt Like: Living in the American Century, Fool’s Mercy, and The Museum of Light Air.

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"I can't think of many novels that . . . manage to be intelligent and sympathetic to not one but two oft-misunderstood American religions . . . Quite a feat." —Mark Oppenheimer, The New York TimesThe Book of Norman probes Mormon-Jewish relationships and traditions with humor and thoughtfulness. A sibling rivalry erupts between brothers Norman and Jon Gould, who compete for their dead father's soul in this wild theological ride set in southern California during the Summer of Love. Norman, a recent drop-out from the New York Jewish Seminary, wants to catch up on his generation's sex, love, and rock 'n' roll. Yet when his doper brother Jon gets a buzz cut, sells his stash, and becomes a Mormon-in- training, the battle is engaged. As the religious tug-of- war ensues, Norman tries to pull his brother back to Judaism while Jon tries to prove to Norman that Mormonism is the truer path. The struggle culminates in a monumental and hilarious game of basketball pitting Norman and two gorgeous Jewish angels, Tali and Aviva, against a Mormon team headed by Wes, the Elder, and his compatriots.Allan Appel, novelist and playwright, is the author of The Hebrew Tutor of Bel Air; High Holiday Sutra, a Barnes & Noble Discover Great New Writers selection; and The Rabbi of Casino Boulevard, a finalist for the National Jewish Book Award. Raised in California and a longtime New Yorker, he lives in Connecticut, where he is a writer for the New Haven Independent.

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"Potok is blind but he makes us see not only the pre-World War Two landscape from which he and his family fled, but also how and why and at what price." --Jay Neugeboren, author of "Max Baer and the Star of David" and "Imagining Robert" "Potok explores the long reach of both his family's 1939 escape from Poland and his own blindness in this thoughtful and elegant memoir." --Elinor Langer, author of "Josephine Herbst" and "A Hundred Little Hitlers." When Andrew Potok was eight he fled with his family from Warsaw, leaving home and business to escape the invading Nazis. The family made it to American, but Andrew's memories of violence, Jew hatred, and betrayal--including that of his father--erupted into nightmares and eventually formed the backdrop of his rich, though at times turbulent, life as an artist and writer. When, late in Andrew's life, a Polish lawyer offers to help him reclaim property in Krakow that was wrongfully inherited by a relative, he and his wife revisit Poland, with its still-virulent anti-Semitism. The visit awakens long-dormant memories and provokes deep reflections on the nature of evil. The ongoing lawsuit becomes emblematic of the book's central theme: There can be no closure for survivors of the Holocaust--no justice for either victims or perpetrators, no compensation, and no forgiveness. Andrew Potok was a successful visual artist until he went blind in his forties. He then turned to writing and published "Ordinary Daylight, Portrait of An Artist Going Blind," "My Life With Goya," and "A Matter of Dignity." He lives in Vermont.

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Raoul Wallenberg, the Swedish diplomat who saved thousands of Budapest Jews in 1944-45, was arrested by the Soviets and taken to Moscow where he disappeared. Now, more than 70 years after these events, many mysteries about Wallenberg's life and fate persist. As both a literary detective story and historical investigation Alan Lelchuk uses a fictional investigation to explore what really happened.

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Beautifully translated by Shelley Frisch, The Number on Your Forearm Is Blue Like Your Eyes is a poignant and riveting memoir that sets a family story in historical context and brings psychological insight to bear on accounts of emotional trauma. Having achieved prominence as a pediatrician, child therapist, and international speaker, Eva finally decided to tell her story. In 2016, at the age of seventy-four, with the assistance of journalist Stefanie Oswalt, Eva Umlauf published Die Nummer auf deinem Unterarm ist blau wie deine Augen: Erinnerungen (Hoffmann und Campe Verlag).As someone who has endured the effects of the Holocaust from infancy, she writes, I wish for all that has happened to be understood and processed from diverse perspectives so that personal suffering, societal ruptures, and brutal transgen

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By turns somber and funny but above all provocative, Elizabeth Benedict’s Rewriting Illness: A View of My Own is a most unconventional memoir. With wisdom, self-effacing wit, and the story-telling skills of a seasoned novelist, she brings to life her cancer diagnosis and committed hypochondria. As she discovers multiplying lumps in her armpit, she describes her initial terror, interspersed with moments of self-mocking levity as she indulges in “natural remedies,” among them chanting Tibetan mantras, drinking shots of wheat grass, and finding medicinal properties in chocolate babka. She tracks the progression of her illness from muddled diagnosis to debilitating treatment as she gathers sustenance from her family and an assortment of urbane, ironic friends, including her fearless “cancer guru.” In brief, explosive chapters with startling titles – “Was it the Krazy Glue?” and “Not Everything Scares the Shit out of Me” – Benedict investigates existential questions: Is there a cancer personality? Can trauma be passed on generationally? Can cancer be stripped of its warlike metaphors? How do doctors’ own fears influence their comments to patients? Is there a gendered response to illness? Why isn’t illness one of literature’s great subjects? And delving into her own history, she wonders if having had children would have changed her life as a writer and hypochondriac. Post diagnosis, Benedict asks, “Which fear is worse: the fear of knowing or the reality of knowing? (164)”Throughout, Benedict’s humor, wisdom, and warmth jacket her fears, which are personal, political, and ultimately global, when the world is pitched into a pandemic. Amid weighty concerns and her all-consuming obsession with illness, her story is filled with suspense, secrets, and even the unexpected solace of silence.

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How much do we really know about the lives of our parents and the secrets lodged in their past? Judy Bolton-Fasman’s fascinating saga, "Asylum: A Memoir of Family Secrets," recounts the search for answers to the mysteries embedded in the lives of her Cuban-born mother, Matilde Alboukrek Bolton and her elusive, Yale-educated father, K. Harold Bolton. In the prefatory chapter, “Burn This,” Judy receives a thick letter from her father and conjectures that the contents will reveal the long hidden explanations, confessions, and secrets that will unlock her father’s cryptic past. Just as she is about to open the portal to her father’s “transtiendas,” his dark hidden secrets, Harold Bolton phones Judy and instructs her to burn the still unopened letter. With the flick of a match, Judy ignites her father’s unread documents, effectively destroying the answers to long held questions that surround her parents’ improbable marriage and their even more secretive lives. Judy Bolton, girl detective, embarks on the life-long exploration of her bifurcated ancestry; Judy inherits a Sephardic, Spanish/Ladino-speaking culture from her mother and an Ashkenazi, English-only, old-fashioned American patriotism from her father. Amid the Bolton household’s cultural, political, and psychological confusion, Judy is mystified by her father’s impenetrable silence; and, similarly confounded by her mother’s fabrications, not the least of which involve rumors of a dowry pay-off and multiple wedding ceremonies for the oddly mismatched 40-year-old groom and the 24-year-old bride. Contacting former associates, relatives, and friends; accessing records through the Freedom of Information Act; traveling to Cuba to search for clues, and even reciting the Mourner’s Kaddish for a year to gain spiritual insight into her father; these decades-long endeavors do not always yield the answers Judy wanted and sometimes the answers themselves lead her to ask new questions. Among Asylum’s most astonishing, unsolved mysteries is Ana Hernandez’s appearance at the family home on Asylum Avenue in West Hartford, Connecticut. Ana is an exchange student from Guatemala whom Judy comes to presume to be her paternal half-sister. In seeking information about Ana, Judy’s investigations prove to be much like her entire enterprise--both enticing and frustrating. Was Ana just a misconstrued memory, or is she a still living piece of the puzzle that Judy has spent her adult life trying to solve? Readers will relish every step and stage of Judy’s investigations and will begin to share in her obsession to obtain answers to the mysteries that have haunted her life. The suspense, the clairvoyant prophecies, the discoveries, the new leads, the dead-ends, the paths not taken—all capture our attention in this absorbing and fascinating memoir.

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“Only a life lived on the edge such as Liliane Atlan's could have given rise to these highly original poems, at once manic and tragic, electrifying and poignant.” Hoyt Rogers, writer and translator from the French, German, Italian, and Spanish; he has translated books by Bonnefoy and Borges, among other authors“Liliane Atlan’s poems are as personal as dreams and as public as history. Wry, spare, flickering with wit, they are also resonant, authoritative, weighted with centuries of what Atlan calls ‘the wisdom that is not inscribed,’ that ‘makes written notes inexhaustible.’” Rachel Hadas, the author of many books of poetry, prose, and translations — her most recent book is Poems for Camilla. Liliane Atlan writes both prose and poetry with the beauty and brilliance of lyric, the bite of epigram, the passion of an idealist fighting to survive in a brutal world. In the colloquies of great poets held in the next world, I imagine her seated with her peers—perhaps at a table with Kafka, Bob Dylan, and Emily Dickinson. Having her work in this bilingual edition, with Marguerite Feitlowitz’ elegant translations, is a valuable gift to the English-speaking world of experimental literature.”—Alicia Ostriker, author of Waiting for the Light and The Volcano and After: Selected and New Poems, 2002-2012 FOR LILIANE ATLAN (1932-2012), visionary French writer of plays, poetry, and prose, her creative quest was to “find language to say the unsayable. . . to [find a way] to integrate within our conscience, without dying in the attempt, the shattering experience of Auschwitz.” After spending the war years as a child in hiding, she later studied at the groundbreaking Gilbert Bloch school in Paris where she studied Torah, Talmud, and Kabbalah, alongside science and contemporary literature. As a writer, Atlan defies easy categorization—she was known as “a Jewish writer,” “a Holocaust writer,” an originator of French feminist writing, and a pioneering theater artist. Her writings are steeped in Jewish sources and her French is inflected with Hebrew, Ladino, and Yiddish. This background helped make her into a genre-defying, feminist, and political writer, active in both France and Israel.This bi-lingual French-English language collection of Liliane Atlan’s poetry and non-fiction prose introduces Liliane Atlan, to the greater world English language reading audience. Thematically she draws upon her personal experiences during the War, the testimonials of Holocaust survivors, and her intensive study of Jewish literature. All these experiences became the wellsprings for her writings which focus on the psychological effects of the Holocaust. Given the recent rise and spread of Anti-Semitism in France and world-wide, Atlan’s work is being rediscovered and she is once again being recognized as an acclaimed and respected voice for new generations of readers both in Europe and in the United States, Great Britain, and other parts of the world English language readership. When Liliane died in Israel in 2012. she engraved on her tombstone her final wish: “The one I used to be no longer exists. But her light shines again. What light? The fight for love in spite of human horror.”This new translation of her work resurrects her voice anew and helps insure her legacy.MARGUERITE FEITLOWITZ is the author of A Lexicon of Terror: Argentina and the Legacies of Torture, a New York Times Notable Book and Finalist for the PEN-Winship Prize, Feitlowitz has also translated, from the Spanish, the work of Griselda Gambaro, Luisa Valenzuela, Salvador Novo, and Ennio Moltedo. Her many awards include two Fulbright’s to Argentina, a Mary Ingraham Bunting Institute Fellowship (now the Radcliffe Institute), and a 2020 NEA Literary Translation Fellowship. She teaches at Bennington College where she is the Founding Director of Bennington Translates, a multi-disciplinary initiative on literary and humanitarian translation in the context of forced displacement, exile, and collective crisis

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Winner of 2020 International Latino Book Awards in the category “ Best Political/Current Affairs Book – English”2019 Finalist for INDIES Book of the YearThis book is an insider's history and memoir of the battle for The Immigration Reform and Control Act of 1986: its evolution, passage, impact, and its legacies for the future of immigration reform. Charles Kamasaki has spent most of his life working for UnidosUS, formerly the National Council of La Raza (NCLR), the nation's largest Hispanic civil rights and advocacy organization. He was a direct participant in the many meetings, hearings, mark-ups, debates, and other developments that led to the passage of the last major immigration reform legislation, The Immigration Reform and Control Act of 1986 (IRCA). He reveals the roles of key lawmakers and a coalition of public interest lobbyists that played a role in opposing, shaping, and then implementing IRCA. His account underscores the centrality of racial issues in the immigration reform debate and why it has become a near-perpetual topic of political debate.

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Lena is a married, chronically infidelitous Berlin-based European writer, devoted only to gratifying her ambitions and hard-driving libido. Nathan is a footloose womanizing American author, unable to produce the big novel for which he’s been contracted. When both writers meet in the Alps, they fall into a mad kind of addictive love, chasing each other selfishly, sexually and even digitally across Europe and America, turning their affair into a high-stakes reckless game of jealousy, rivalling ambitions, gender conflict, political combat and artistic outrage. But beneath it all, their hearts are breaking, dark secrets haunt their pasts, while overshadowing their love is a fast-changing, ruthless world in which not only is The Holocaust denied or forgotten but across the social and political spectrum a new kind of totalitarianism -- spearheaded by a new breed of “strongmen” leaders -- threatens to sweep Lena, Nathan, and all of humanity, to the very brink of annihilation. Fast-paced, written in contagious gonzo style, and with leading characters whose wild bohemian lives make for binge-worthy compulsive reading, The Berlin Woman is a new kind of no-holds barred love story written by Alan Kaufman, an author known for his storytelling power and who’s been not only praised by everyone from Dave Eggers, Etgar Keret and Sapphire to David Mamet, Hubert Selby Jr. and Thane Rosenbaum but has been compared by critics to such prose masters as Henry Miller, I.B. Singer and Jack Kerouac.

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1941, Hitler's army crosses into Soviet-ruled Ukraine in a secret mission titled "Operation Barbarossa. A young Jewish girl, Hanna Slivka is fourteen when German soldiers arrive in her small village of Kwasova. Until their arrival, Hanna has split her time between playing with her younger siblings, sharing drawings with the sweet shy Leon Stadnick, and assisting her neighbor, Mrs. Petrovich, with her annual dyeing and selling of psyanky, decorative eggs. But now, she, Leon and their families are forced into hiding, first in the woods outside of their town and then into caverns beneath it. They battle sickness and starvation, and the local peasants who join the Nazis in hunting Jews through the ravaged countryside, but at no time are they more tested than when Hanna's father – briefly above ground to scavenge for food – goes missing, and suddenly, it's on Hanna to find him, and to find a way to keep her mother, brother and sister alive. This novel is inspired by the true story of Esther Stermer and her family, who survived underground for 511 days. Less than 5% of the Jewish population in Ukraine survived these Holocaust "Actions."

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Ellen Cassedy and Yermiyahu Ahron Taub (the translators) on encountering Blume Lempel’s stories wrote: "When we began reading and translating, we didn’t know we were going to find a mother drawn into an incestuous relationship with her blind son. We didn’t know we’d meet a young woman lying on the table at an abortion clinic. We didn’t know we’d meet a middle-aged woman full of erotic imaginings as she readies herself for a blind date. Buried in this forgotten Yiddish-language material, we found modernist stories and modernist story-telling techniques – imagine reading Gabriel Garcia Marquez with the conversational touch of Grace Paley."Lempel (1907–1999) was one of a small number of writers in the United States who wrote in Yiddish into the 1990s. Though many of her stories opened a window on the Old World and the Holocaust, she did not confine herself to these landscapes or themes. She often wrote about the margins of society, and about subjects considered untouchable. her prize-winning fiction is remarkable for its psychological acuity, its unflinching examination of erotic themes and gender relations, and its technical virtuosity. Mirroring the dislocation of mostly women protagonists, her stories move between present and past, Old World and New, dream and reality.While many of her stories opened a window on the Old World and the Holocaust, she also wrote about the margins of society, about subjects considered untouchable, among them abortion, prostitution, women's erotic imaginings, and even incest. She illuminated the inner lives of her characters—mostly women. Her storylines migrate between past and present, Old World and New, dream and reality, modern-day New York and prewar Poland, bedtime story and passionate romance, and old-age dementia and girlhood dreams.Immigrating to New York when Hitler rose to power, Blume Lempel began publishing her short stories in 1945. By the 1970s her work had become known throughout the Yiddish literary world. When she died in 1999, the Yiddish paper Forverts wrote: "Yiddish literature has lost one of its most remarkable women writers."Ellen Cassedy, translator, is author of the award-winning study "We Are Here", about the Lithuanian Holocaust. With her colleague Yermiyahu Ahron Taub, they received the Yiddish Book Center 2012 Translation Prize for translating Blume Lempel. Yermiyahu Ahron Taub is the author of several books of poetry, including "Prayers of a Heretic/Tfiles fun an apikoyres" (2013),"Uncle Feygele"(2011), and "What Stillness Illuminated/Vos shtilkayt hot baloykhtn (2008)."

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This novel is inspired by a true historical event. Before Theodore Herzl there was Mordecai Manuel Noah, an American journalist, diplomat, playwright, and visionary. In September 1825 he bought Grand Island, downriver from Niagara Falls, from the local Native Americans as a place of refuge for the Jewish people and called it "Ararat." But no Jews came. What if they had followed Noah's call? In Nava Semel's alternate history Jews from throughout the world flee persecution and come to Ararat. Isra Isle becomes the smallest state in the US. Israel does not exist, and there was no Holocaust. In exploring this what-if scenario, Semel stimulates new thinking about memory, Jewish/Israeli identity, attitudes toward minorities, women in top political positions, and the place of cultural heritage. The novel is divided into three parts. Part 1, a detective story, opens in September 2001 when Liam Emanuel, an Israeli descendant of Noah, learns about and inherits this island. He leaves Israel intending to reclaim this "Promised Land" in America. Shortly after he arrives in America Liam disappears. Simon T. Lenox, a Native American police investigator, tries to recover Israel's "missing son." Part 2 flashes back to the time and events surrounding Mordecai Noah's purchase of the island from the local Native Americans. Part 3 poses an alternate history: the rise of a successful modern Jewish city-state, Isra Isle, on the northern New York and Canadian border--a metropolis that looks remarkably like New York City both before and after 9/11--in which the Jewish female governor campaigns to become president of the United States. Nava Semel has published novels, short stories, poetry, plays, children's books, and a number of TV scripts. Her books have been translated and published in many countries. Her book, Becoming Gershona, received the 1990 National Jewish Book Award in the US.

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In this bewitching tale, fictional characters,the African American couple Horace and Joleen Littlejohn, interact with a real historical character, boxing champion Max Baer. Presenting themselves as husband and wife, Horace and Joleen are, in fact, brother and sister. They become constant companions and sometime lovers to Max in this story about Max's life in and out of the ring.

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A portal into the perseverance of Jewish culture in the face of attempts to destroy it.To answer his son's question: what was it like growing up in Samarkand? Rabbi Hillel Zaltzman wrote and researched this memoir and history about Chassidic Jews who found refuge in Samarkand during the World War II and continued to live there under Soviet rule. This is a personal story for Zaltzman, who was born in Kharkov, Ukraine. When the Nazis invaded Kharkov, Zaltzman’s parents fled with their three young children to Samarkand (Uzbekistan). There they reconnected to other refugee Chassidic families, as well as some famous Chassidic rebbes also in flight. In Uzbekistan they created a thriving Jewish community until its institutions were abruptly shut down by Stalin immediately after the war. Still this Jewish community in Samarkand, Uzbekistan is remembered as shpitz Chabad—the epitome of Chassidic ideals and devotion.Zaltzman’s father kept him out of the Soviet schools, where atheism was promoted and Sabbath observance was impossible, teaching him furtively at home, until a neighbor discovered his existence at the age of 9. Zaltzman had no choice but to attend a public school then, but he still observed the demands of his faith and stayed home from school when necessary. Hillel studied with esteemed Chabad Chassidic rebbes who taught at great personal risk. If discovered, they could be sentenced to harsh labor in Siberia.Zaltzman credits his father’s unswerving commitment to his chinuch—his Jewish education—was beyond any compromise, and it was an exemplary expression of their Chabad brand of Chassidic Judaism: “The Chabad community was infused with a rich inner world of Chassidic vitality,” Zaltzman writes.Meanwhile, the Soviet regime remained obsessed with eliminating a Jewish religious identity; a special division of the NKVD (Soviet secret police) was assigned the task of destroying Jewish schools and yeshivas, and surveilling individuals through synagogue informers. Zaltzman records his experiences and adventures and those of other memorable people he has known and the sacrifices they made to share their love of Torah and Jewish learning in the secret underground yeshivas. He describes their attempts to celebrate Jewish holidays, make matzah, and obtain prayer books, as well as their other colorful escapades. He also tells of their exasperating experiences trying to obtain exit visas to leave the Soviet Union. The largely untold story of Chabad activism and heroism comes through with great immediacy in this first-person account of spiritual resistance to a Communist regime at war with the Jewish devotion to God and Torah. From the age 16, along with several other idealistic young men, Hillel Zaltzman was involved in Chamah, an underground Jewish organization that helped sustain and preserve Jewish life in the Soviet Union through education. Chamah established a network of underground Jewish schools that clandestinely taught more than 1,500 children over the years and provided material and spiritual support to Jews trying to obtain exit visas in the 1960s and 70s. Hillel himself was allowed to immigrate to Israel only in 1971, after years of trying. Now living in New York, he is the director of IChamah, an international organization which is devoted to serving Jews from the Former Soviet Union in Israel, Russia, and the US. Rabbi Zaltzman was honored for his humanitarian and Jewish outreach in the U.S. Senate in May 2016, as part of Jewish American Heritage Month.

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This is a memoiristic book and a dual portrait, built around intense friendships with two leading public intellectuals who achieved celebrity status—Susan Sontag on a global scale, George Steiner principally in Europe, though also for a time in the US. For audiences at Woody Allen movies Sontag was the prime embodiment of the term “intellectual,” whose famous 1965 essay “Notes on Camp” won her an enormous following. For viewers of French, German and British television over decades Steiner was the primary interview show talking head, igniting controversy on many fronts, while also commanding a loyal audience for thirty years as a book critic at The New Yorker. To know Sontag and Steiner, as this memoir suggests, was often to feel overmatched and yet also bemused and awe-struck. Both of them gave off an air of omniscience and self-confidence, as if they had taken to heart the words of the Nobel laureate Elias Canetti, who wrote, “I cannot become modest; too many things burn in me.”Maestros & Monsters is the work of a well-known public intellectual who was close to Sontag and Steiner over a half century, and who managed to bring them together on several occasions—the only times they ever met. Those encounters are among the most bizarre episodes in this narrative, which also features extended encounters with such literary figures as Arthur Koestler, Edward Said, Phillip Rieff, James Wood and others.

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This powerful and moving historical novel is inspired by the written recollections and the memories that haunted the author’s father, Nicias Aridjis,—a captain in the Greek army, who returned from the fields of battle to Smyrna, 50 miles northwest of his hometown of Tire, in 1922 just as Turkish forces captured this cosmopolitan port city. Smyrna in Flames , by the internationally acclaimed Mexican writer and poet Homero Aridjis, lays bare the unimaginable events and horrors that took place for nine days between September 13 and 22—known as the Smyrna Catastrophe. After capturing Smyrna, Turkish forces went on a rampage, torturing and massacring tens of thousands of Greeks and Armenians and devastating the city—in particular, the Greek and Armenian quarters—by deliberately setting disastrous fires. After years of fighting in World War I and the Greco-Turkish War, Nicias enters a Smyrna under siege. He desperately moves through the city in search of Eurydice, the love of his life whom he left behind. Wandering the streets, the sounds of hopelessness commingle in his mind with echoes of the ancient Greek poets who sang of the city’s past glories. Images and voices, suggestive of Homeric ghosts adrift in a catastrophic scenario, conjure up a mythological, historical, geographical quest that, in the manner of classical epic, hovers between the heroic and the horrible, illustrating the depths and depravity of the human soul. Making his way from district to district, evading capture, Nicias observes the last vestiges of normal life and witnesses unspeakable horrors committed by roaming Turkish forces and irregulars who are randomly abusing and raping Greek and Armenian women and torturing and murdering their men. What he experiences is literally a living hell unfolding before his eyes. As Nicias passes familiar buildings, cafes, and churches, his mind and soul fill with nostalgia for his earlier life and the promise of love. Fortunately for the reader, the brutal and bloodthirsty scenes of the Smyrna Catastrophe are leavened by the voice of this “visionary poet of lyrical bliss, crystalline concentrations and infinite spaces,” as Kenneth Rexroth has described Aridjis. His portrayal of a genocide-in-progress floods our senses, turning these chaotic scenes into a poignant drama. At the very end, aboard one of the last ships to take refugees out of Smyrna before its final fall, Nicias scours the throng of thousands of desperate Greeks and Armenians pressing forward to escape on already overcrowded ships. Suddenly Turkish forces move in to shoot and stab, and, overwhelmed by the all-pervasive tragedy, Nicias abandons Smyrna and Asia Minor forever.

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A smart, hip and provocative book for anyone interested in the rich diversity of Jewish thought on contemporary questions.Should we edit our children’s genes? Are there things that can’t be forgiven? Are Jews still expecting a messiah? Is Judaism good for women? Should Jews strive to be happy? What does Judaism say about love? Are we commanded to vote? Is democracy a Jewish idea? Does Jewish law forbid racism? Is silence consent? What sins should we atone for in our use of social media? When does life begin? Do Jews believe in an afterlife? Can robots be Jewish?In this book, rabbis spanning the range of modern Jewish thought, from Humanist and Reform to Orthodox and beyond, consider these difficult and provocative questions of our time and many others. Sometimes they agree—but not often.You don’t have to be a scholar to follow these lively, accessible voices. They offer intelligent discussion of topics both timely and timeless, deep interrogation of Jewish text, law and commentary and an unparalleled look at the breadth, creativity and continued relevance of the Jewish tradition.Editor Amy E. Schwartz provides delightful commentary, celebrating the rabbinic impulse to question every assumption and highlighting the many and sometimes surprising ways ancient texts can speak to us today.

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