Search results for ""MIDPOINT""

IT''S TIME TO REDEFINE MIDDLE AGEMAKE THE MIDPOINT THE START OF THE REST OF YOUR LIFE! Inspired by the hit podcast, The Mid-Point Plan is your midlife survival kit.Packed to the brim with advice and life lessons from experts in their field (Dr Louise Newson, Prof Greg Whyte amongst others) and successful people navigating this time of life (Claudia Winkleman, Jo Whiley, Lee Mack, Michael Johnson, Caitlin Moran, Phil Neville and so many more) the book draws on their wise words to help you to navigate the biggest challenges that midlife can throw at you. It will help you to:- keep yourself fit and healthy into older age- keep your brain firing on all cylinders- improve your sleep- deal with anxiety- thrive in your career- navigate changing relationships (whether that''s empty nests or aging parents)- cope with illness and loss

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Experienced and novice hikers alike will benefit from the information in this updated and expanded edition of the best-selling The Hikers Guide to O‘ahu. The author describes in detail 52 trails that will take you to O‘ahu’s lush valleys, cascading waterfalls, windswept ridges, and remote seacoasts. Although 8 trails from the previous edition are no longer open to the public, 10 new hikes have been added. Included for each hike are directions for reaching the trailhead, a detailed route description, and information on the length of the hike, degree of difficulty, and trail conditions.For GPS users, UTM coordinates have been added for the midpoint or endpoint of each route. An expanded notes section will help readers identify geological features, historical points of interest, and commonly encountered plants and birds along the trail.

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This is the story of Thomas McCreary, a slave catcher from Cecil County, Maryland. Reviled by some, proclaimed a hero by others, he first drew public attention in the late 1840s for a career that peaked a few years after passage of the Fugitive Slave Act of 1850. Living and working as he did at the midpoint between Philadelphia, an important center for assisting fugitive slaves, and Baltimore, a major port in the slave trade, his story illustrates in raw detail the tensions that arose along the border between slavery and freedom just prior to the Civil War. McCreary and his community provide a framework to examine slave catching and kidnapping in the Baltimore-Wilmington-Philadelphia region and how those activities contributed to the nation's political and visceral divide.

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Molissa Fenley, one of the most influential artists of postmodern dance, has had a lasting impact on performance. In dance, she has explored extreme effort and duration in highly crafted patterns and performed with an explosive, joyous energy that infused her work with endurance, balance, and life force. She challenged modern dance orthodoxy and redefined the character of a woman's moving body in the late twentieth century, bringing postmodernized ritual to the stage. Rhythm Field is a vivid and probing portrait of Fenley's four-decade career, written by her fellow artists. The collection functions as a multifaceted look into one woman's complex performing arts legacy. The result is itself an aesthetic undertaking that investigates the ways in which Fenley straddles dance traditions, art genres, and gender norms and has been a model to the field. The collection offers several scholarly analyses of the choreographer's work, and is, above all, a vibrant record from the field. Rhythm Field sits at a necessary midpoint between criticism and scholarship.

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The various kinds and conditions of love are a common theme for Kierkegaard, beginning with his early Either/Or, through "The Diary of the Seducer" and Judge William's eulogy on married love, to his last work, on the changelessness of God's love. Works of Love, the midpoint in the series, is also the monumental high point, because of its penetrating, illuminating analysis of the forms and sources of love. Love as feeling and mood is distinguished from works of love, love of the lovable from love of the unlovely, preferential love from love as the royal law, love as mutual egotism from triangular love, and erotic love from self-giving love. This work is marked by Kierkegaard's Socratic awareness of the reader, both as the center of awakened understanding and as the initiator of action. Written to be read aloud, the book conveys a keenness of thought and an insightful, poetic imagination that make such an attentive approach richly rewarding. Works of Love not only serves as an excellent place to begin exploring the writings of Kierkegaard, but also rewards many rereadings.

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Lauded for “bringing a bracing and much-needed dose of reality about the Founders’ views of sexuality” (New York Review of Books), Geoffrey R. Stone’s Sex and the Constitution traces the evolution of legal and moral codes that have legislated sexual behavior from America’s earliest days to today’s fractious political climate. This “fascinating and maddening” (Pittsburgh Post-Gazette) narrative shows how agitators, moralists, and, especially, the justices of the Supreme Court have navigated issues as divisive as abortion, homosexuality, pornography, and contraception. Overturning a raft of contemporary shibboleths, Stone reveals that at the time the Constitution was adopted there were no laws against obscenity or abortion before the midpoint of pregnancy. A pageant of historical characters, including Voltaire, Thomas Jefferson, Anthony Comstock, Margaret Sanger, and Justice Anthony Kennedy, enliven this “commanding synthesis of scholarship” (Publishers Weekly) that dramatically reveals how our laws about sex, religion, and morality reflect the cultural schisms that have cleaved our nation from its founding.

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With an Introduction and Notes by Merry M. Pawlowski, Professor and Chair, Department of English, California State University, Bakersfield. Virginia Woolf's Orlando 'The longest and most charming love letter in literature', playfully constructs the figure of Orlando as the fictional embodiment of Woolf's close friend and lover, Vita Sackville-West. Spanning three centuries, the novel opens as Orlando, a young nobleman in Elizabeth's England, awaits a visit from the Queen and traces his experience with first love as England under James I lies locked in the embrace of the Great Frost. At the midpoint of the novel, Orlando, now an ambassador in Costantinople, awakes to find that he is a woman, and the novel indulges in farce and irony to consider the roles of women in the 18th and 19th centuries. As the novel ends in 1928, a year consonant with full suffrage for women. Orlando, now a wife and mother, stands poised at the brink of a future that holds new hope and promise for women.

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A vibrant portrait of the importance, influence, and impact of John Cage’s iconic piece 4'33" by a leading modern music critic First performed at the midpoint of the twentieth century, John Cage’s 4'33", a composition conceived of without a single musical note,is among the most celebrated and ballyhooed cultural gestures in the history of modern music. A meditation on the act of listening and the nature of performance, Cage’s controversial piece became the iconic statement of the meaning of silence in art and is a landmark work of American music.In this book, Kyle Gann, one of the nation’s leading music critics, explains 4'33" as a unique moment in American culture and musical composition. Finding resemblances and resonances of 4'33" in artworks as wide-ranging as the paintings of the Hudson River School and the music of John Lennon and Yoko Ono,he provides much-needed cultural context for this fundamentally challenging and often misunderstood piece. Gann also explores Cage’s craft, describing in illuminating detail the musical, philosophical, and even environmental influences that informed this groundbreaking piece of music. Having performed 4'33" himself and as a composer in his own right, Gann offers the reader both an expert’s analysis and a highly personal interpretation of Cage’s most divisive work.

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Brilliant reworkings of Euripides' classic dramas by the great modernist poet H.D., now available in one volume. H.D.'s 1927 adaptation of Euripides's Hippolytus Temporizes and her 1937 translation of Ion appeared midpoint in her career. These two verse dramas can both be considered as "freely adapted" from plays by Euripides; they constitute a commentary in action, and in this regard resemble the Oedipus plays of W. B. Yeats and Ezra Pound's Women of Trachis. In the first play, the young man Hippolytus is obsessed with the virgin goddess Artemis and discovers the depth of his passion with the sensual Phaedra, his disguised stepmother: this experience brings self-knowledge and death. The heroine Kreousa in Ion attempts to poison Ion when she fails to recognize him as her son by Apollo and sees instead an outsider and possible usurper of her throne. H.D.'s translations of the Greek were greatly admired by T. S. Eliot. In her reworkings, she creates modern versions of classic plays, enabling her to explore her favorite poetic themes. Sigmund Freud (with whom H.D. was undergoing analysis just before she embarked on Ion) commended her translations; and after writing them, H.D. was able to go on to write Helen in Egypt, "a sweeping epic of healing and integration." These marvelous versions attest to H.D.'s claim that "the lines of this Greek poet (and all Greek poets if we have but the clue) are today as vivid and as fresh as they ever were."

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‘Reminiscent of Edna O’Brien, with shades too of Jean Rhys.’ – The Irish TimesThings to Come and Go showcases the incomparable talent of Bette Howland in three novellas of stunning power, beauty, and sustaining humour.‘Birds of a Feather’ is a daughter’s story of her extended, first-generation family, the ‘big, brassy yak-yakking Abarbanels’. Esti, a merciless, astute observer, recalls growing up amid (the confusions and difficulties of) their history, quarrels, judgements, noisy love and inescapable bonds of blood.In ‘The Old Wheeze’ a single mother in her twenties returns to her sunless apartment after a date at the ballet. Shifting between four viewpoints – the young woman, the older professor who took her out, her son, and her son’s babysitter – the story masterfully captures the impossibility of liberating ourselves from the self.In ‘The Life You Gave Me’, a woman at the midpoint of life is called to her father’s sickbed. A lament for all that is forever unsaid and unsayable, the story is ‘an anguished meditation on growing up, growing old and being left behind, a complaint against time.’ (The New York Times)First published in 1984, Things to Come and Go, Bette Howland’s final book, is a collection of haunting urgency about arrivals and departures, and the private, insoluble dramas in the lives of three women.With an introduction by Rumaan Alam, bestselling author of Leave the World Behind.

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Reassessing the role of torture in the context of police violence, mass incarceration, and racial capitalism At the midpoint of a century of imperial expansion, marked on one end by the Philippine–American War of 1899–1902 and on the other by post–9/11 debates over waterboarding, the United States embraced a vision of “national security torture,” one contrived to cut ties with domestic torture and mass racial terror and to promote torture instead as a minimalist interrogation tool. Torture in the National Security Imagination argues that dispelling this vision requires a new set of questions about the everyday work that torture does for U.S. society. Stephanie Athey describes the role of torture in the proliferation of a U.S. national security stance and imagination: as U.S. domestic tortures were refined in the Philippines at the turn of the twentieth century, then in mid-century counterinsurgency theory and the networks that brought it home in the form of law-and-order policing and mass incarceration. Drawing on examples from news to military reports, legal writing, and activist media, Athey shows that torture must be seen as a colonial legacy with a corporate future, highlighting the centrality of torture to the American empire—including its role in colonial settlement, American Indian boarding schools, and police violence. She brings to the fore the spectators and commentators, the communal energy of violence, and the teams and target groups necessary to a mass undertaking (equipment suppliers, contractors, bureaucrats, university researchers, and profiteers) to demonstrate that, at base, torture is propelled by local social functions, conducted by networked professional collaborations, and publicly supported by a durable social imaginary.

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A TWIST THAT WILL BREAK YOUR HEART . . . AN ENDING THAT WILL PUT IT BACK TOGETHER AGAIN.'I loved it' Jojo Moyes'Compelling and moving . . . it made me cry' Marian Keyes*****Audrey's family has fallen apart. Her two grown-up daughters, Jess and Lily, are estranged, and her two teenage granddaughters have never been allowed to meet. A secret that echoes back thirty years has splintered the family in two, but is also the one thing keeping them connected. As tensions reach breaking point, the irrevocable choice that one of them made all those years ago is about to surface. After years of secrets and silence, how can one broken family find their way back to each other?*****Praise for If Only I Could Tell You:'A must-read. An absorbing tale of long-buried family secrets, grief and guilt with a midpoint twist that changes everything' - SUNDAY EXPRESS MAGAZINE'Resolutely heartbreaking...in a plot galvanised by guilt...quieter observations become just as unravelling' - GUARDIAN'A tender portrait of family lives, losses and secrets' Clare Mackintosh, author of I Let You Go'Tense, moving and tender' - SUN ON SUNDAY'Tender, heartbreaking and utterly beautiful' - PSYCHOLOGIES'Utterly compelling and completely heart-breaking. I couldn't put it down' Ruth Hogan, author of The Keeper of Lost Things'A powerful novel about grief, guilt and...secrets' - SUNDAY EXPRESS'Emotionally engaging, clever & wonderfully satisfying' Kate Mosse, author of The Burning Chambers'A tender and heartbreaking second novel' - DAILY MAIL'If Only I Could Tell You breaks your heart, but with an incredible skill and elegance... I loved it to bits' Joanna Cannon, author of The Trouble With Goats and Sheep'Life-affirming' - RED

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Reassessing the role of torture in the context of police violence, mass incarceration, and racial capitalism At the midpoint of a century of imperial expansion, marked on one end by the Philippine–American War of 1899–1902 and on the other by post–9/11 debates over waterboarding, the United States embraced a vision of “national security torture,” one contrived to cut ties with domestic torture and mass racial terror and to promote torture instead as a minimalist interrogation tool. Torture in the National Security Imagination argues that dispelling this vision requires a new set of questions about the everyday work that torture does for U.S. society. Stephanie Athey describes the role of torture in the proliferation of a U.S. national security stance and imagination: as U.S. domestic tortures were refined in the Philippines at the turn of the twentieth century, then in mid-century counterinsurgency theory and the networks that brought it home in the form of law-and-order policing and mass incarceration. Drawing on examples from news to military reports, legal writing, and activist media, Athey shows that torture must be seen as a colonial legacy with a corporate future, highlighting the centrality of torture to the American empire—including its role in colonial settlement, American Indian boarding schools, and police violence. She brings to the fore the spectators and commentators, the communal energy of violence, and the teams and target groups necessary to a mass undertaking (equipment suppliers, contractors, bureaucrats, university researchers, and profiteers) to demonstrate that, at base, torture is propelled by local social functions, conducted by networked professional collaborations, and publicly supported by a durable social imaginary.

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Between 1500 and 1700, London grew from a minor national capital to the largest city in Europe. The defining period of growth was the period from 1550 to 1650, the midpoint of which coincided with the end of Elizabeth I's reign and the height of Shakespeare's theatrical career. In Material London, ca. 1600, Lena Cowen Orlin and a distinguished group of social, intellectual, urban, architectural, and agrarian historians, archaeologists, cultural anthropologists, and literary critics explore the ideas, structures, and practices that distinguished London before the Great Fire, basing their investigations on the material traces in artifacts, playtexts, documents, graphic arts, and archaeological remains. In order to evoke "material London, ca. 1600," each scholar examines a different aspect of one of the great world cities at a critical moment in Western history. Several chapters give broad panoramic and authoritative views: what architectural forms characterized the built city around 1600; how the public theatre established its claim on the city; how London's citizens incorporated the new commercialism of their culture into their moral views. Other essays offer sharply focused studies: how Irish mantles were adopted as elite fashions in the hybrid culture of the court; how the city authorities clashed with the church hierarchy over the building of a small bookshop; how London figured in Ben Jonson's exploration of the role of the poet. Although all the authors situate the material world of early modern London—its objects, products, literatures, built environment, and economic practices—in its broader political and cultural contexts, provocative debates and exchanges remain both within and between the essays as to what constitutes "material London, ca. 1600."

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Make gerometry paractice easy and dun!Geometry is one of the oldest mathematical subjects in history. Unfortunately, few geometry study guides offer clear explanations, causing many people to get tripped up or lost when trying to solve a proof—even when they know the terms and concepts like the back of their hand. However, this problem can be fixed with practice and some strategies for slicing through all the mumbo-jumbo and getting right to the heart of the proof. Geometry Workbook For Dummies ensures that practice makes perfect, especially when problems are presented without the stiff, formal style that you’d find in your math textbook. Written with a commonsense, street-smart approach, this guide gives you the step-by-step process to solve each proof, along with tips, shortcuts, and mnemonic devices to make sure the solutions stick. It also gives you plenty of room to work out your solutions, providing you with space to breathe and a clear head. This book provides you with the tools you need to solve all types of geometry problems, including: Congruent triangles Finding the area, angle, and size of quadrilaterals Angle-arc theorems and formulas Touching radii and tangents Connecting radii and chords Parallel, perpendicular, and intersecting lines and planes Slope, distance, and midpoint formulas Line and circle equations Handling rotations, reflections, and other transformations Packed with tons of strategies for solving proofs and a review of key concepts, Geometry Workbook For Dummies is the ultimate study aid for students, parents, and anyone with an interest in the field.

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A compelling account of the failure of Imperial Japan's Operation Ro-Go, intended to take the offensive in the Solomons theater of the Pacific War, but which became Japan's first line of defense against the Allies' Rabaul raids and Bougainville landings. By the midpoint of World War II in the Pacific, Japan was on the defensive. At the end of 1943, after a year of tumultuous air combat around Rabaul and the Solomons, 173 Japanese aircraft were sent to Rabaul. The plan was for them to participate in Ro-Go Sakusen (known as Operation Ro, Ro-Go, or B) to strike Allied air power and shipping in the Solomons and to slow the American advance by severing Allied supply chains. However, instead of challenging Allied air and sea power on their own terms, the operation became unexpectedly embroiled in defensive combat and counterattacks, first to defend Rabaul from Allied air raids, and then to challenge the Allied landings at Bougainville. In one fell swoop, Operation Ro-Go was turned on its head, and transformed into a defensive battle for the Japanese. In this book, the first in English to focus on Operation Ro-Go, Michael John Claringbould uses rare Japanese primary source material to explain how the Japanese planned and fought the campaign, and corrects enduring myths often found in books that rely only on Western sources. He traces the unexpected and tremendous pressures placed on the operation’s units at Rabaul as the Japanese dealt with massive, surprise raids from Fifth Air Force bombers, and later US Navy carrier aircraft, concluding with the strategic upset of the Bougainville landings. Packed with previously unpublished photos, spectacular original illustrations, 3D recreations of specific missions, maps and explanatory diagrams, this study tells the previously untold but significant story of Japan's air war in the Solomons.

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'Honest, acerbic, alert, and always dazzling.' - Amitava Kumar, author of Immigrant, MontanaThings to Come and Go showcases the incomparable talent of Bette Howland in three novellas of stunning power, beauty, and sustaining humour.‘Birds of a Feather’ is a daughter’s story of her extended, first-generation family, the ‘big, brassy yak-yakking Abarbanels’. Esti, a merciless, astute observer, recalls growing up amid (the confusions and difficulties of) their history, quarrels, judgements, noisy love, and inescapable bonds of blood.In ‘The Old Wheeze’, a single mother in her twenties returns to her sunless apartment after a date at the ballet. Shifting between four viewpoints – the young woman, the older professor who took her out, her son, and her son’s babysitter – the story masterfully captures the impossibility of liberating ourselves from the self.In ‘The Life You Gave Me’, a woman at the midpoint of life is called to her father’s sickbed. A lament for all that is forever unsaid and unsayable, the story is ‘an anguished meditation on growing up, growing old and being left behind, a complaint against time.’ (The New York Times)First published in 1984, Things to Come and Go, Bette Howland’s final book, is a collection of haunting urgency about arrivals and departures, and the private, insoluble dramas in the lives of three women.This edition features an introduction by Rumaan Alam, bestselling author of Leave the World Behind.'Stunning power and beauty abound in this book.' - The New York Times'Howland recalls the short-story writer Lucia Berlin' - Harper's Magazine

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An in-depth political study of Alabama's government during the Civil War. Alabama's military forces were fierce and dedicated combatants for the Confederate cause. In his new study of Alabama during the Civil War, Ben H. Severance argues that Alabama's electoral and political attitudes were, in their own way, just as unified in their support for the cause of southern independence. To be sure, the civilian populace often expressed unease about the conflict, as did a good many of its legislators, but the majority of government officials and military personnel displayed pronounced patriotism and a consistent willingness to accept a total war approach in pursuit of their new nation's aims; as Severance puts it, Alabama was a 'war state all over.' In his innovative study, Severance examines the state's political leadership at every level of governance - congressional, gubernatorial, and legislative - and orients much of its analysis around the state elections of 1863. Coming at the war's midpoint, these elections provide an invaluable gauge of popular support for Alabama's role in the Civil War, particularly at a time when the military situation for Confederate forces was looking bleak. The results do not necessarily reflect a society that was unreservedly prowar, but they clearly establish a polity that was committed to an unconditional Confederate victory, in spite of the probable costs. A War State All Over: Alabama Politics and the Confederate Cause focuses on the martial character of Alabama's polity while simultaneously acknowledging the widespread angst of Alabama's larger culture and society. In doing so, it puts a human face on the election returns by providing detailed character sketches of the principal candidates that illuminate both their outlook on the war and their role in shaping policy.

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In 1910 New York’s art scene was dull and stuck in the past—lagging considerably behind Europe. Before the century reached its midpoint, however, New York would come to dominate the art world. It seemed that in a blink of an eye New York City transformed from provincial backwater to vibrant epicenter of the art world. This incredible transformation was entirely triggered by the Armory Show, the most important art exhibit in U.S. history. Held at Manhattan’s 69th Regiment Armory in 1913, the show brought modernism to America in an unprecedented display of 1300 works by artists including Picasso, Matisse, and Duchamp, A quarter of a million Americans visited the show; most couldn’t make sense of what they were seeing. Newspaper critics questioned the artists’ sanity. A popular rumor held that the real creator of one abstract canvas was a donkey with its tail dipped in paint. The Armory Show went on to Boston and Chicago and its effects spread across the country. American artists embraced a new spirit of experimentation as conservative art institutions lost all influence. New modern art galleries opened to serve collectors interested in buying the most progressive works. Over time, the stage was set for American revolutionaries such as Jackson Pollock, Mark Rothko, Roy Lichtenstein, and Andy Warhol. Today, when museums of modern and contemporary art dot the nation and New York reigns as art capital of the universe, we live in a world created by the Armory Show. Elizabeth Lunday, author of the breakout hit Secret Lives of Great Artists, tells the story of the exhibition from the perspectives of organizers, contributors, viewers, and critics. Brimming with fascinating and surprising details, the book takes a fast-paced tour of life in America and Europe, peering into Gertrude Stein’s famous Paris salon, sitting in at the fabulous parties of New York socialites, and elbowing through the crowds at the Armory itself.

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Emory University professor Sally Wolff has carried on a fifty-year tradition of leading students on expeditions to ""Faulkner country"" in and around Oxford, Mississippi. Not long ago, she decided to invite alumni on one of these field trips. One response to the invitation surprised her: ""I can't go on the trip. But I knew William Faulkner."" They were the words of Dr. Edgar Wiggin Francisco III, and in talking with Wolff he revealed that as a child in the 1930s and 1940s he did indeed know Faulkner quite well. His father and Faulkner maintained a close friendship for many years, going back to their shared childhood, but the fact of their friendship has been unrecognised because the two men saw much less of each other after the early years of their marriages. In Ledgers of History, Wolff recounts her conversations with Dr. Francisco - known to Faulkner as ""Little Eddie"" - and reveals startling sources of inspiration for Faulkner's most famous works.Dr. Francisco grew up at McCarroll Place, his family's ancestral home in Holly Springs, Mississippi, thirty miles north of Oxford. In the conversations with Wolff, he recalls that as a boy he would sit and listen as his father and Faulkner sat on the gallery and talked about whatever came to mind. Francisco frequently told stories to Faulkner, many of them oft-repeated, about his family and community, which dated to antebellum times. Some of these stories, Wolff shows, found their way into Faulkner's fiction.Faulkner also displayed an absorbing interest in a seven-volume diary kept by Dr. Francisco's great-great-grandfather Francis Terry Leak, who owned extensive plantation lands in northern Mississippi before the Civil War. Some parts of the diary recount incidents in Leak's life, but most of the diary concerns business transactions, including the buying and selling of slaves and the building of a plantation home. During his visits over the course of decades, Francisco recalls, Faulkner spent many hours poring over these volumes, often taking notes. Wolff has discovered that Faulkner apparently drew some of the most important material in several of his greatest works, including Absalom, Absalom! and Go Down, Moses, at least in part from the diary.Through Dr. Francisco's vivid childhood recollections, Ledgers of History offers a compelling portrait of the future Nobel Laureate near the midpoint of his legendary career and also charts a significant discovery that will inevitably lead to revisions in historical and critical scholarship on Faulkner and his writings.

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Half a century after the publication of The Lonely Doll, Dare Wright remains a subject of fascination. A strikingly attractive woman-child—a model and fashion photographer who always saw the world through the eyes of a girl—she was the author of nineteen children’s books that are still remembered fondly by a legion of fans. Ocracoke in the Fifties, now in print for the first time, is Dare Wright’s only book for adults. First and foremost, it is a tribute to one of Dare’s favorite places. It is also a time capsule of a unique island culture just past the midpoint of the twentieth century. And surprisingly, it is a testament to the timelessness of Ocracoke—which would please Dare immensely. Ocracoke has seen its share of changes, to be sure, but readers will have no trouble recognizing the durable little island off the North Carolina coast. The Ocracoke Lighthouse, the British Cemetery, the pony herd, the white picket fences, the legend of Blackbeard, the weathered fishermen, the barefoot children—seldom have Ocracoke’s landmarks, legends, and people been portrayed so memorably as by Dare Wright’s camera and pen. Dare Wright died in 2001. Ocracoke in the Fifties will bring a twinge of nostalgia to those who loved her children’s books and introduce her to a new generation of readers. Dare Wright (1914–2001) was born in Canada on December 3, 1914. Her parents' marriage dissolved before Dare turned three, and Dare's father left with her older brother, Blaine. The children were not to reunite until they were in their twenties. Dare grew up in Cleveland, Ohio, and showed an early creative aptitude. Encouraged by her mother, the artist Edith Stevenson Wright, Dare learned to sketch, paint, write, and sew. It took the catalyst of photography for Dare to later combine these talents into her Lonely Doll book series. Moving to New York in her twenties, Dare modeled for major magazines and had small parts in theatrical productions. A stunning beauty, Dare seemed a natural for show business, but she was never comfortable performing in a public venue. Competition, whether with other actresses for roles, or with her mother as a painter, was too distressing. Instead, Dare found her niche as a photographer, first in the fashion field, and then as a children's book author. In 1941, Dare and her brother Blaine met for the first time since they had been separated as children. Blaine was handsome, witty, and everything Dare could have wished for in a sibling. Blaine introduced Dare to his RAF friend, Philip Sandeman. The two became engaged, but the wedding never transpired. The 1957 success of Dare's first book, The Lonely Doll, brought her recognition as both an author and photographer. Illustrated with Dare's haunting black-and-white photographs, the seemingly simple text touched both children and their parents. Almost fifty years later, Dare's nineteen published books continue to delight a new generation of readers.

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