Search results for ""Lisson Gallery""

In the 90s a group of architects formed in London that moved towards a matter-of-fact, unspectacular architecture inspired by the location. A key work and model in this style was Tony Fretton''s Lisson Gallery from 1992 with its unembellished facade and strong lines, constructed virtually without details and integrated into the row of buildings. Text in English and German.

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"The book is an impressive work of scholarship" – Studio International "Richard set about to produce a study of distribution networks, and achieved this through immaculate and thorough research. It is no criticism of the book to say that there are many questions left unexplored ... As scholars of the future think through these and other questions, they will remain grateful to Richard’s extraordinary and meticulous scholarship." – Mark Godfrey, Frieze Emerging in the late 1960s, conceptual art was spurred by a network of artists, dealers, curators and critics. These little-known connections are detailed for the first time in this highly significant volume. By focusing on 15 artists – including Marcel Broodthaers, Richard Long, Lawrence Weiner, Hanne Darboven and Daniel Buren – and a specific network of dealer-galleries, private and public institutions and collectors around them, author Sophie Richard documents the role of art dealers in the development of conceptual art – which ultimately led to the structure of today's art world. We learn how conceptual artworks entered private collections and public institutions, how value was conferred to them, and the distribution networks that drove these artists' success. A detailed account of artistic activity in the decade 1967–77 is accompanied by extensive and previously unpublished data, charting the exhibitions and sales of conceptual works. The relationships, support structures and strategies of dealer-galleries – such as Konrad Fischer, Wide White Space and Lisson Gallery – are revealed and make fascinating reading. Including numerous interviews with key figures of the period, 'Unconcealed' exposes the new dealing, curatorial, collecting and teaching methods formed in this decade that continue to be critical to today’s art world.

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Flora: A Frozen English Garden presents artist Marisa Culatto’s Flora series from a botanical perspective, with texts by botanical researcher and landscape gardener Eduardo Barba, and botanical watercolour illustrations by Anna Tiulkina.Culatto’s Flora includes 35 works, each featuring a selection of plant life that has been composed, frozen and then photographed in the manner of a classic still life. There is a conscious act of staging but also an element of chance encounter to these works as the artist restricted herself to collecting the vegetation she came across on walks or in the day-to-day tasks of her daily life. As a consequence, each still life features plants that were found near one another and in a specific part of the world, such as the South East of England.The conceptual intention addresses beauty, the loss of it, and the vain attempt to hold on to it. Through these works, Culatto tries to understand and accept the value of fading youth; Flora is her personal way of exploring and coming to terms with it. Ultimately, this body of work also speaks of the very act of photography: to freeze the moment.Flora: A Frozen English Garden is presented in 35 chapters – one for each work in the Flora series. In addition to the artwork itself, each section includes botanical content: Barba writes about a single plant from the relevant work and, as the plants in Flora are encased in ice and are not always clearly visible, Tiulkina’s illustration provides an accurate depiction of the chosen plant.The book also includes a thorough introductory text by the internationally renowned contemporary art curator Greg Hilty, whose interest in the intersection of disciplines has spanned his tenures at the Hayward Gallery, Arts Council England and Lisson Gallery, where he has been the Curatorial Director since 2008.

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Richard Long has been at the forefront of land art for more than half a century. A pioneer of conceptual practices in the 1960s, his expanded approach to sculpture has consistently taken the medium out of the studio into the natural world and around the globe, using time, space, distance, navigation, perception, the elements and the geological forces that have shaped the landscape around us as both his tools and his vocabulary. Many Rivers to Cross is a thorough overview of Long's career, selected by the artist himself and spanning the late 1960s to the present day. It covers his practice in all its forms – walks, photographs, text works, large installations, mud works and drawings, including some early unpublished works as well as many seminal and celebrated projects. A number of short ‘back stories’ written by Long not only provide insight into the context and creation of key works, but also evoke the sense of freedom and adventure of an epic journey across foreign landscapes. Texts include a recent conversation between Long and internationally acclaimed composer and musician Nitin Sawhney; a dialogue about the recreation of Muddy Water Circle (1994) at Frieze Masters in London with Lisson Gallery in 2013; and a discussion with curator Alkistis Dimaki on the occasion of the presentation of Athens Slate Line at the Acropolis, Athens, in summer 2020. The book also includes documentation of works presented internationally in museums and galleries. Using earth, rocks, sticks and other natural materials and forces ranging from water and gravity to clouds and constellations of stars, over the course of his distinguished career Long has represented the primal relationship between humankind, art and the landscape. In a modern, post-industrial, digital world, his poetic and often profound practice is a poignant reminder of the origins of life, of human development and civilization, and of the fundamental, primordial drive to create.

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