Search results for ""Library of America""

Rediscover the adventure-pulp classic that gave the world its first great interplanetary romance—now featuring an introduction by Junot Díaz In the spring of 1866, John Carter, a former Confederate captain prospecting for gold in the Arizona hills, slips into a cave and is overcome by mysterious vapors. He awakes to find himself naked, alone, and forty-eight million miles from Earth—a castaway on the dying planet Mars. Taken prisoner by the Tharks, a fierce nomadic tribe of six-limbed, olive-green giants, he wins respect as a cunning and able warrior, who by grace of Mars’s weak gravity possesses the agility of a superman. He also wins the heart of fellow-prisoner Dejah Thoris, the alluring, red-skinned Princess of Helium, whose people he swears to defend against their grasping and ancient enemy, the city-state of Zodanga. John Carter first appeared in 1912 in the pages of The All-Story magazine and immediately entered the dream-life of American readers young and old. He was Edgar Rice Burroughs’s favorite among his many creations and remains a favorite of lovers of science fiction and fantasy everywhere.

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Thomas Jefferson defined, at the moment of our nation’s birth, the issues that still direct our political life. Displaying his extraordinary variety of interests and powerful and precise style, Jefferson’s writings are an invaluable and incisive record of the landscape, inhabitants, life, and daily customs of America in the Revolutionary and early national eras, as well as a testimony to the brilliance of one of the most influential and controversial figures in our nation’s history.

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"The pleasure of reading the Education is . . . the pleasure of seeing history come alive, of seeing it move, of seeing behind history to the actions and actors. It is the pleasure of seeing revealed the humanity so often concealed in history." -Alfred Kazin Henry Adams was one of the most powerful and original minds to confront the American scene from the Civil War to World War I. Though a man of the modern world, Adams remained in temperament a child of the 18th century, his political ideals shaped by his presidential ancestors, great-grandfather John Adams and grandfather John Quincy Adams. The Education of Henry Adams is both a brilliant memoir and a profound meditation on the extraordinary developments in science, politics, religion, and society that so transformed the world as he knew it. For almost thirty years, The Library of America has presented America's best and most significant writing in acclaimed hardcover editions. Now, a new series, Library of America Paperback Classics, offers attractive and affordable books that bring The Library of America's authoritative texts within easy reach of every reader. Each book features an introductory essay by one of a leading writer, as well as a detailed chronology of the author's life and career, an essay on the choice and history of the text, and notes. The contents of this Paperback Classic are drawn from Henry Adams: Novels, Mont Saint Michel, The Education, volume number 14 in the Library of America series. That volume is joined in the series by two companion volumes, numbers 31 and 32, Henry Adams: History of the United States During the Administrations of Thomas Jefferson and Henry Adams: History of the United States During the Administrations of James Madison.

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From his first collection, The Same Door, released in 1959, to his last, My Father’s Tears, published fifty years later, John Updike was America’s reigning master of the short story, “our second Hawthorne,” as Philip Roth described him. His evocations of small-town Pennsylvania life, and of his own religious, artistic, and sexual awakening, transfixed readers of The New Yorker and of the early collections Pigeon Feathers (1962) and The Music School (1966). In these and the works that followed—the formal experiments and wickedly tart tales of suburban adultery in Museums and Women (1972) and Problems (1979), the portraits of middle-aged couples in love and at war with aging parents and rebellious children in Trust Me (1987) and The Afterlife (1994), and the fugue-like stories of memory, desire, travel, and unquenched thirst for life in Licks of Love (2000) and My Father’s Tears (2009)—Updike displayed the virtuosic command of character, dialogue, and sensual description that was his signature. Here, in two career-spanning volumes, are 186 unforgettable stories, from “Ace in the Hole” (1953), a sketch of a Rabbit-like ex-basketball player written when Updike was a Harvard senior, to “The Full Glass” (2008), the author’s “toast to the visible world, his own impending disappearance from it be damned.” Based on new archival research, each story is presented in its final definitive form and in order of composition, established here for the first time. This unprecedented collection of American masterpieces is not just the publishing event of the season, it is a national literary treasure.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

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In celebration of the Tennessee Williams centennial in 2011, The Library of America presents its acclaimed two-volume edition of his plays in a collector's boxed set. Gathering thirty-two works written from the 1930s to the 1980s, this collection contains all the essential dramatic works of the playwright who transformed the American stage. The first volume opens with the rediscovered early plays, Spring Storm and Not About Nightingales, and contains such classics as The Glass Menagerie, A Streetcar Named Desire, The Rose Tattoo, and Cat on a Hot Tin Roof, as well as a selection of one acts. The second volume includes Orpheus Descending, Suddenly Last Summer, Sweet Bird of Youth, Period of Adjustment, The Night of the Iguana, The Eccentricities of a Nightingale, Out Cry, and A Lovely Sunday for Creve Coeur.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

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Go beyond Lin-Manuel Miranda’s Hamilton and get to know the real Alexander Hamilton in this Library of America collection of the Founding Father’s own public and private writings. A brash immigrant who rose to become George Washington’s right-hand man. A fierce partisan whose nationalist vision made him Thomas Jefferson’s bitter rival. An unfaithful husband whose commitment to personal honor brought his life to a tragic early end. The amazing success of Lin-Manuel Miranda’s musical Hamilton has stoked an extraordinary resurgence of interest in Alexander Hamilton, the brilliant and divisive founder who profoundly shaped the American republic. Now, Library of America presents an unrivaled portrait of Hamilton in his own words, charting his meteoric rise, his controversial tenure as treasury secretary, and his scandalous final years—all culminating in his infamous duel with Aaron Burr. Selected and introduced by acclaimed historian Joanne B. Freeman, The Essential Hamilton is a reader’s edition of the Founding Father's public writings and private letters, plus the correspondence between Burr and Hamilton that led to their duel and two conflicting eyewitness accounts of their fatal encounter.

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Discover the works of Joe Brainard, whose quirky style earned him a reputation as a “recognizable American phenomenon” and “oddball classicist”—with a foreword by 4321 author Paul Auster (John Ashbery) An artist associated with the New York School of poets, Joe Brainard (1942-1994) was a wonderful writer whose one-of-a-kind autobiographical work I Remember has had a wide and growing influence. It is joined in this major new retrospective with many other pieces that for the first time present the full range of Brainard's writing in all its deadpan wit, madcap inventiveness, self-revealing frankness, and generosity of spirit. The Collected Writings of Joe Brainard gathers intimate journals, jottings, stories, one-liners, comic strips, mini-essays, and short plays, many of them available until now only as expensive rarities, if at all. “Brainard disarms us with the seemingly tossed-off, spontaneous nature of his writing and his stubborn refusal to accede to the pieties of self-importance,” writes Paul Auster in the introduction to this collection. “These little works . . . are not really about anything so much as what it means to be young, that hopeful, anarchic time when all horizons are open to us and the future appears to be without limits.” Assembled by the author’s longtime friend and biographer Ron Padgett and including fourteen previously unpublished works, here is a fresh and affordable way to rediscover a unique American artist.

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A compilation of the best essays written by the father of transcendentalism, with selections from Emerson’s lectures on history, art, politics, and moreIn the words of Harold Bloom, “Emerson's prose is his triumph, both as eloquence and as insight. After Shakespeare, it matches anything else in the language.” Here are Ralph Waldo Emerson's classic essays, including the exhortation to “Self-Reliance,” the embattled realizations of “Circles” and “Experience,” and the groundbreaking achievement of “Nature.” Our most eloquent champion of individualism, Emerson acknowledges at the same time the countervailing pressures of society in American life. Even as he extols what he calls “the great and crescive self,” he dramatizes and records its vicissitudes. Also gathered here are his wide-ranging discourses on history, art, politics, friendship, love, and much more. For almost thirty years, The Library of America has presented America's best and most significant writing in acclaimed hardcover editions. Now, a new series, Library of America Paperback Classics, offers attractive and affordable books that bring The Library of America's authoritative texts within easy reach of every reader. Each book features an introductory essay by a leading writer, as well as a detailed chronology of the author's life and career, an essay on the choice and history of the text, and notes.

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Simultaneously with the release of a paperback edition of his acclaimed biography Washington: A Life (Penguin), Ron Chernow presents a revealing portrait of Washington through his own words. A young officer leading an attack that triggered a global struggle for empire. Commander of the ill-equipped and undermanned Continental Army in the War of Independence. Presiding delegate to the Constitutional Convention. First President of the United States. George Washington, the indispensable founder of the American republic, was at the heart of events of worldwide importance. He was also, as revealed in this selection introduced by his Pulitzer Prize-winning biographer, a writer of remarkable clarity, energy, force, and eloquence. This career- spanning selection includes detailed notes, an essay on the selection of texts, and a chronology of Washington's life.

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Describing his spiritual awakening amid the mountains and valleys of central California, John Muir's My First Summer in the Sierra is, like Walden, one of the seminal texts in the literature of the American environment. It is presented here with an introduction by writer and activist Bill McKibben and related essays about Yosemite, the Hetch Hetchy Valley, and other wonders of the Sierra Nevada.

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In 1855, a small volume appeared, self-published by a failed Brooklyn journalist and carpenter: twelve untitled poems and a preface announcing the author's aims. A commercial failure, this book was the first stage of a massive, lifelong enterprise. Six editions and thirty-seven years later, Leaves of Grass had been recognized as one of the central masterworks of world poetry. This Library of America Paperback Classic includes two complete texts: the 1855 first edition and the magnificent culminating edition of 1891-1892. For almost thirty years, The Library of America has presented America's best and most significant writing in acclaimed hardcover editions. Now, a new series, Library of America Paperback Classics, offers attractive and affordable books that bring The Library of America's authoritative texts within easy reach of every reader. Each book features an introductory essay by one of a leading writer, as well as a detailed chronology of the author's life and career, an essay on the choice and history of the text, and notes. The contents of this Paperback Classic are drawn from Walt Whitman: Poetry and Prose, edited by Justin Kaplan, volume #3 in the Library of America series.

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On September 28, 1960—a day that will live forever in the hearts of fans—Red Sox slugger Ted Williams stepped up to the plate for his last at-bat in Fenway Park. Seizing the occasion, he belted a solo home run—a storybook ending to a storied career.In the stands that afternoon was twenty-eight-year-old John Updike, inspired by the moment to make his lone venture into the field of sports reporting. More than just a matchless account of that fabled final game, Hub Fans Bid Kid Adieu is a brilliant evocation of Williams’ entire tumultuous life in baseball.Now, on the fiftieth anniversary of the dramatic exit of baseball’s greatest hitter, The Library of America presents a commemorative edition of Hub Fans, prepared by the author just months before his death. To the classic final version of the essay, long out-of-print, Updike added an autobiographical preface and a substantial new afterword.

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From the eve of the Great Depression to the start of World War II, Lynd Ward (1905–1985) observed the troubled American scene through the double lens of a politically committed storyteller and a visionary graphic artist. His medium—the wordless “novel in woodcuts”—was his alone, and he quickly brought it from bold iconographic infancy to subtle and still unrivalled mastery. Gods’ Man (1929), the audaciously ambitious work that made Ward’s reputation, is a modern morality play, an allegory of the deadly bargain a striving young artist often makes with life. Madman’s Drum (1930), a multigenerational saga worthy of Faulkner, traces the legacy of violence haunting a family whose stock in trade is human souls. Wild Pilgrimage (1932), perhaps the most accomplished of these early books, is a study in the brutalization of an American factory worker whose heart can still respond to beauty but whose mind is twisted in rage against the system and its shackles.Prelude to a Million Years (1933) is a dark meditation on art, inspiration, and the disparity between the ideal and the real. Song Without Words (1936), a protest against the rise of European fascism, asks if ours is a world still fit for the human soul. Vertigo (1937), Ward’s undisputed masterpiece, is an epic novel on the theme of the individual caught in the downward spiral of a sinking American economy. Its characters include a young violinist, her luckless fiancé, and an elderly business magnate who—movingly, and without ever becoming a political caricature—embodies the social forces determining their fate.The images reproduced in this volume are taken from prints pulled from the original woodblocks or first-generation electrotypes. The Library of America is proud to bring Ward’s masterworks to a new generation of readers, together with nine illuminating essays about his craft, including those he wrote for the long out-of-print Storyteller Without Words, a 1974 retrospective. Art Spiegelman contributes an introductory essay, “Reading Pictures,” that defines Ward’s towering achievement in that most demanding of graphic-story forms, the wordless novel in woodcuts.

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