Search results for ""Lemoine""

Animaux minute Vol.3 for clarinet by Guillaume Druel.CONTENTS: Puces savantes, sous le plus petit chapiteau du monde / Learned fleas, under the smallest tent of the world (1'15); Escargot, immobile, il avance ; je regarde / Snail, motionless, it's advancing; I watch (1'50); Petit cheval, sur le sentier d'une montagne inconnue, loin / Little horse, on the trail of an unknown mountain, far away (1'10); Chenille, brindille animee / Caterpillar, animated twig (1'15); Chrysalide, laboratoire secret / Chrysalis, secret laboratory (1'20); Pieride, petale volant / Imported cabbageworm, flying petal (1'10); Meduse, aux caprices de la houle / Medusa, to the vagaries of the swell (1'20); Etoile de mer, un bout de ciel dans l'eau / Starfish, a piece of sky in the water (1'15); Tatou, blinde leger / Armadillo, light armoured vehicle (1'20); Cygne, un sillage dans la brume froide / Swan, a wake in the cold mist (1'); Faon, valse lente d'un futur incertain / Fawn, slow waltz of an uncertain future (1

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14 easy pieces for Celtic harp. CONTENTS: Invocation; Chanson bretonne; Kerlisou; Bagad; Goemons; Genets; Fest noz; Easy and slow (Trad. Scottish); Fougeres; Quelque part en Irlande...; Les Sept AZles (Cotes d'Armor); Le Sillon de Talbert (Cotes d'Armor); Trestraou (Cotes d'Armor); Granit.

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My first daily exercises was conceived to follow methods for beginners before using exercise books by grand masters. In a single volume, and in all tonalities, it combines practice on tone, dynamics and intonation, as well as fingerspeed, various types of tonguing and articulations. It will give you a solid technical base for a regular and concise practice, and also practice tools for etudes or exercise books by Taffanel and Gaubert, Reichert, etc.

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Animaux minute Vol.1 for clarinet by Guillaume Druel.CONTENTS: Koala, adoucissant concentre / Koala, concentrated softener (1'20); Ours blanc, legende Inuit / White bear, Inuit legend (1'10); Coccinelle, 7 points, c'est tout / Ladybug, voracious lucky charm (1'15); Lombric, decompositeur celebre / Earthworm, famous composter (1'20); Canard, fidele compagnon du clarinettiste / Duck, the clarinetist's faithful friend (1'20); Lions, a l'heure de la sieste / Lions, at nap time (1'40); Zibeline, vent d'est / Sable, east wind (1'30); Tourterelle, cet elegant mystere / Turtledove, this elegant mystery (1'20); Cloportes, chevaliers en armure / Woodlice, knights in armor (1'05); Hamster, petit clown triste / Hamster, sad little clown (1'); Cobra, artiste de panier / Cobra, basket artist (1'30); Corail, sculpture vivante / Coral, living sculpture (1'10); Araignee, architecte archi-tetue / Spider, stubborn architect (1'05); Tortue luth, accordee a la quinte / Leatherback turtle, tuned to the fif

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4 new pieces by Maximo Diego Pujol, composed for 4 guitars but which can be performed by a guitar ensemble. For intermediate and advanced levels. Contains both score and parts.

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Animaux minute Vol.2 for clarinet by Guillaume Druel.

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Contemporary Pieces for Harpsichord 4 hands. CONTENTS: Vo A e` IV;Kerrang !; Noeuds et nuages; Petits insectes mecaniques.

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Composed for 4 guitars but which can be performed by a guitar ensemble. For intermediate and advanced levels. Contains score and parts.

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Methode creative pour le piano by Paul Huvelle and Valentine Delree.

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In a series of hilarious parodies, Sylvain Coissard and Alexis Lemoine answer the nagging questions of art history: what caused The Scream? Why is Van Gogh’s Yellow Bedroom so suspiciously tidy? Why is Cézanne wearing a bandage in his famous self-portrait? This book is for anyone who wants to know what happened before the Mona Lisa smiled. Or, rather, what might have happened.

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A New York Times Editor's Choice A Herald's Best Summer Book'An unusual and accomplished first novel . . . moves in intriguing leaps and twists.' Economist'Gorgeous' New York Times'Grapples with the complexity of familial love.' Marie ClaireFrench teenager Margot is the illegitimate daughter of a prominent stage actress and an influential politician. The comings and goings of their unconventional family, in a small Parisian apartment, cast her whole life under a veil of secrecy and shame.One summer, Margot decides to exercise her own agency when she meets a well-regarded journalist whose trust seems surprisingly easy to gain. But as Margot is drawn into an adult world, she learns how one impulsive decision can change the contours of her life, and the lives of those around her, in ways she could never have imagined. In this simmering debut Sanaë Lemoine explores private and public faces, truth and deceit, love and persuasion. The Margot Affair is a novel about the bone-deep bond between mothers and daughters, the devotion and betrayal of friendship and the dangers of pushing beyond the boundaries of a life lived in the shadows.

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A New York Times Editor's Choice A Herald's Best Summer Book'An unusual and accomplished first novel . . . moves in intriguing leaps and twists.' Economist'Gorgeous' New York Times'Grapples with the complexity of familial love.' Marie ClaireFrench teenager Margot is the illegitimate daughter of a prominent stage actress and an influential politician. The comings and goings of their unconventional family, in a small Parisian apartment, cast her whole life under a veil of secrecy and shame.One summer, Margot decides to exercise her own agency when she meets a well-regarded journalist whose trust seems surprisingly easy to gain. But as Margot is drawn into an adult world, she learns how one impulsive decision can change the contours of her life, and the lives of those around her, in ways she could never have imagined. In this simmering debut Sanaë Lemoine explores private and public faces, truth and deceit, love and persuasion. The Margot Affair is a novel about the bone-deep bond between mothers and daughters, the devotion and betrayal of friendship and the dangers of pushing beyond the boundaries of a life lived in the shadows.

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Classical antiquity has become a political battleground in recent years in debates over immigration and cultural identity-whether it is ancient sculpture, symbolism, or even philosophy. Caught in the crossfire is the legacy of the famed ancient Greek philosopher Plato. Though works such as Plato's Republic have long been considered essential reading for college students, protestors on campuses around the world are calling for the removal of Plato's dialogues from the curriculum, contending that Plato and other thinkers in the Western philosophical tradition promote xenophobic and exclusionary ideologies. The appropriation of the classics by white nationalists throughout history--from the Nazis to modern-day hate groups--appears to lend credence to this claim, and the traditional scholarly narrative of cultural diversity in classical Greek political thought often reinforces the perception of ancient thinkers as xenophobic. This is particularly the case with interpretations of Plato. While scholars who study Plato reject the wholesale dismissal of his work, the vast majority tend to admit that his portrayal of foreigners is unsettling. From student protests over the teaching of canonical texts such as Plato's Republic to the use of images of classical Greek statues in white supremacist propaganda, the world of the ancient Greeks is deeply implicated in a heated contemporary debate about identity and diversity. Plato's Caves defends the bold thesis that Plato was a friend of cultural diversity, contrary to many contemporary perceptions. It shows that, across Plato's dialogues, foreigners play a role similar to that of Socrates: liberating citizens from intellectual bondage. Through close readings of four Platonic dialogues--Republic, Menexenus, Laws, and Phaedrus--Rebecca LeMoine recovers Plato's unique insight into the promise, and risk, of cross-cultural engagement. Like the Socratic "gadfly" who stings the "horse" of Athens into wakefulness, foreigners can provoke citizens to self-reflection by exposing contradictions and confronting them with alternative ways of life. The painfulness of this experience explains why encounters with foreigners often give rise to tension and conflict. Yet it also reveals why cultural diversity is an essential good. Simply put, exposure to cultural diversity helps one develop the intellectual humility one needs to be a good citizen and global neighbor. By illuminating Plato's epistemological argument for cultural diversity, Plato's Caves challenges readers to examine themselves and to reinvigorate their love of learning.

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“The Tower is also present to the entire world... a universal symbol of Paris... from the Midwest to Australia, there is no journey to France which isn’t made, somehow, in the Tower’s name.” — Roland Barthes When Gustave Eiffel completed his wrought iron tower on Paris’s Champ de Mars for the World’s Fair in 1889, he laid claim to the tallest structure in the world. Though the Chrysler Building would, 41 years later, scrape an even higher sky, the Eiffel Tower lost none of its lofty wonder: originally granted just a 20-year permit, the Tower became a permanent and mesmerizing fixture on the Parisian skyline. Commanding by day, twinkling by night, it has mesmerized Francophiles and lovers, writers, artists, and dreamers from all over the world, welcoming around seven million visitors every single year. Based on an original, limited edition folio by Gustave Eiffel himself, this fresh TASCHEN edition explores the concept and construction of this remarkable building. Step by step, one latticework layer after another, Eiffel’s iconic design evolves over double-page plates, meticulous drawings, and on-site photographs, including new images and even more historical context. The result is at once a gem of vintage architecture and a unique insight into the idea behind an icon.

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Based on the real-life experiences of an expert in the field, an immersive, accessible guide to a career in hairstyling brought to life by acclaimed writer Kate Bolick—essential reading for anyone interested in this creative and dynamic profession. Gwenn LeMoine sees the world through the lens of hair. The daughter of two hairstylists, she has taken her natural talent to an entrepreneurial level and is now the owner of Parlor, a wildly popular, two-location hair salon in the East Village and Brooklyn. A pioneer with four decades of expertise in styling eccentric celebrity personalities, LeMoine works with clients such as such as Piper Kerman, Rue McClanahan, Molly Ringwald, Twyla Tharp, and William Wegman, to name only a few. Her work has also been featured on television (SNL, VH1, ETV), in magazines (Real Simple, Nylon, The New York Times, and Paste), and at awards shows, such as the Tonys and Emmys. In Becoming a Hairstylist, Atlantic columnist and New York Times notable author Kate Bolick provides a compelling profile of a career in hair styling through the life of LeMoine, and offers us a glance at a day in the life at Parlor. The perfect resource for anyone interested in a career in cosmetology, Becoming a Hairstylist portrays how to excel as a stylist—at any age and for all types of customers.

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Monty Newton and Rodolphe Lemoine must be two of the most outrageous conmen in history. When the Rajah Sir Hari Singh of Kashmir came to London in 1919, his first time in Europe, between visits to the King and Queen and the Prince of Wales he was introduced by his aide de camp to Mrs Maud (Maudie) Robinson. They became lovers and went to Paris for Christmas where they were ‘discovered’ in bed together. The Mayfair Mob had set the whole thing up. The Rajah’s aide de camp masterminded the scam and Sir Hari paid up to avoid citation in a divorce case. What happened next was sensational: a court case that gripped the world for eight days in 1924. The British government imposed the greatest secrecy on the scandal and kept files closed for a hundred years rather than the usual thirty. Monty was saved by the intervention of his partner in crime Lemoine, a German working for French intelligence, who - in 1931 - bought the working manuals of the new German Enigma encoding machine from a clerk, so that - in 1932 - a young Polish mathematician could crack the code. This is five years before Alan Turing even thought of studying cryptology. In between the greatest blackmail pay-out in history and buying the code, Chancers follows Newton and Lemoine around the world, from Monte Carlo to Mexico - always staying in the best hotels - as they con the rich and gullible out of their millions. During Barbara Jeffery’s research at the India Office Library and the National Archives she has unearthed an extraordinary story: one document was opened specially for her and she was obliged to read it in a locked room.

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This richly illustrated book takes a different angle on Robert E. Peary’s North Pole expedition. By shifting the focus away from the unanswerable question of whether he truly reached 90º North Latitude, the authors shed light on equally important stories and discoveries that arose as a result of the infamous expedition. Peary's Arctic Quest ventures beyond the well-cited story of Peary’s expedition and uncovers the truth about race relations, womens’ scientific contributions, and climate change that are still relevant today. Readers will gain a greater appreciation for Peary’s methodical and creative mind, the Inughuit’s significant contributions to Arctic exploration, and the impact of Western expedition activity on the Inughuit community. The volume will also feature artifacts, drawings, and historic photographs with informative captions to tell little-known stories about Peary’s 1908-1909 North Pole expedition.

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En el París de 1900, Théo Lemoine es un diletante y un hombre de mundo enfrentado a un caso que pondrá a prueba sus capacidades. Tendrá que descubrir la identidad del misterioso criminal que está tratando de robar unos documentos de origen egipcio relacionados con la consecución de un antiguo anhelo humano: la inmortalidad. El guionista Rodolphe y el gran dibujante Oriol (La piel del oso, Naturalezas muertas) firman un relato de aventuras al más puro estilo del folletín pulp, rebosante de persecuciones, misterios, pasadizos secretos, personajes fascinantes y criaturas fantásticas.

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This richly illustrated book takes a different angle on Robert E. Peary’s North Pole expedition. By shifting the focus away from the unanswerable question of whether he truly reached 90º North Latitude, the authors shed light on equally important stories and discoveries that arose as a result of the infamous expedition. Peary's Arctic Quest ventures beyond the well-cited story of Peary’s expedition and uncovers the truth about race relations, womens’ scientific contributions, and climate change that are still relevant today. Readers will gain a greater appreciation for Peary’s methodical and creative mind, the Inughuit’s significant contributions to Arctic exploration, and the impact of Western expedition activity on the Inughuit community. The volume will also feature artifacts, drawings, and historic photographs with informative captions to tell little-known stories about Peary’s 1908-1909 North Pole expedition.

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Little is known about Walter Leblanc (1932–1986), one of the key representatives of kinetic and optical art in the mid-20th century. This comprehensive monograph, the first on this artist for an international audience, includes unpublished materials, which provide insight not only into the art of LeBlanc, but also into the ZERO artist movement to which he was connected and with which he was in close dialogue beginning in the 1950s. Walter Leblanc is based on extensive studies of the artist’s work: with about 150 images of his paintings and sculptures, comparative works, historical photos and documents, it includes a selection of Leblanc’s writings, an iconographic mapping of selected works in museums around the world, and a bio-bibliographical appendix. Demonstrating the wealth of his creative output, the book reaffirms the enduring role Leblanc played in the development of modern and contemporary art on a global scale.Distributed for Mercatorfonds

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An overdue evaluation of the life and work of a prolific and significant contemporary artist Cuban-born artist Carmen Herrera (b. 1915) has painted for more than seven decades, though it is only in recent years that acclaim for her work has catapulted the artist to international prominence. This handsome volume offers the first sustained examination of her early career from 1948–78, which spans the art worlds of Havana, Paris, and New York. Essays consider the artist’s early studies in Cuba, her involvement with the Salon des Réalités Nouvelles in post-war Paris, and her groundbreaking New York output, as well as situate her work in the context of a broader Latin American avant-garde art. An essay by Dana Miller considers Herrera’s New York work of the 1950s through the 1970s, when Herrera was arriving at and perfecting her signature style of hard edge abstraction. Personal family photographs from Herrera’s archive enrich the narrative, and a chronology addressing the entirety of her life and career features additional documentary images. Over 80 works are illustrated as color plates, making this book the most extensive representation of Herrera’s work to date.Distributed for the Whitney Museum of American ArtExhibition Schedule:Whitney Museum of American Art (09/16/16–01/02/17)Wexner Center for the Arts (02/04/17–04/16/17)

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Together, images and conversations portray the underlying motivation, orientation and stances of some of the most prominent young architects, photographers, artists and filmmakers whose body of work gravitates around the world of architecture. Interviews with: Kersten Geers (Office KGDVS, architect), François Charbonnet (Made In, architect), Ila Bêka & Louise Lemoine (filmmakers), Junya Ishigami (architect), Pier Vittorio Aureli and Martino Tattara (DOGMA, architects), Philipp Schaerer (visual artist), Go Hasegawa (architect), Bas Princen (photographer), Yuri Ancarani (visual artist) and Anne Holtrop (architect). Text in German.

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Vienna, 1900: the heart of the vast Austro-Hungarian Empire and a city populated with people from across the Imperial territories - stretching from central Europe to the Crown lands that reached far into South-eastern Europe. This was a dynamic capital brimming with economic and cultural prosperity; a centre that was fertile ground for the revolutionary artistic practices that emerged at the end of the 19th century and the backdrop to this fascinating new study.Gustav Klimt's election as the first President of the Secession Artists' Association in 1897 formalised the rejection of conservatism and heralded a celebration of the innovative and the modern. Alongside Klimt, Egon Schiele and Oskar Kokoschka have been championed as the key protagonists in the painting revolution that re-defined the traditional genres of portrait, landscape and allegory. However, this ignores the significant contribution made by Koloman Moser whose painting is considered alongside that of Klimt, Schiele and Kokoschka for the first time in this book.Highlighting a decisive moment in the birth of modernity and offering previously unpublished insight into the relationship of Klimt, Schiele, Moser and Kokoschka from 1890 to 1918, this book, with its wealth of stunning images, makes an invaluable contribution to Secessionist scholarship and as such is essential reading for anyone wishing to seek a fresh perspective on a fascinating period in the history of art.

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Renowned for such prominent buildings as London’s Tate Modern, Beijing’s Bird’s Nest National Stadium and 1111 Lincoln Road in Miami Beach, Herzog & de Meuron sits at the cutting edge of contemporary design. Founded in Basel over 40 years ago, the Swiss architectural practice is now an international partnership with projects across the globe – among them museums, hospitals, skyscrapers, arenas, and private and civic buildings. Produced in close collaboration with the architects, and comprising new texts by leading writers, practitioners and thinkers, this exciting new publication gives an authoritative account of the inner workings of what the New York Times dubbed ‘one of the most admired architecture firms in the world’.

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Pairs is a student-led journal at the Harvard University Graduate School of Design (GSD) dedicated to conversations about design. Each annual issue is conceptualized by an editorial team that proposes guests and objects to be in dialogue with one another. Pairs is non-thematic, meant instead for provisional thoughts and ideas in progress. Each issue seeks to organize diverse threads and concerns that are perceived to be relevant to our moment. Thus, Pairs creates a space for understanding and a greater degree of exchange, both between the design disciplines and with a larger public.Pairs 03 features conversations with Thomas Demand, Mindy Seu, Mira Henry and Matthew Au, Alfredo Thiermann, Ila Bêka and Louise Lemoine, Anne Lacaton, Edward Eigen, Katarina Burin, Marrikka Trotter, Christopher C. M. Lee, Keller Easterling, and others. Contributors include the editors and Elif Erez, Emily Hsee, Stephanie Lloyd, Andrea Sandell, Kenismael Santiago-Págan, Klelia Siska, and Julia Spackman.

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Fifteen of the most important and influential women fiction writers, critics, and theorists writing in France today are interviewed in Shifting Scenes. Although their writing and attitudes differ in many ways, their work is perceived in the U.S. to constitute "French Feminism," and has a marked impact on American feminist theory. Alice Jardine and Anne Menke interviewed Chantal Chawaf, Helene Cixous, Catherine Clement, Francoise Collin, Marguerite Duras, Claudine Herrmann, Jeanne Hyvrard, Luce Irigaray, Sarah Kofman, Julia Kristeva, Eugenie Lemoine-Luccioni, Marcelle Marini, Michele Montrelay, Christiane Rochefort, and Monique Wittig. The women were asked what it means to be a woman writer in France today and how each views her relations to her country's institutions, and the place of women writers in the canon. the answers are lively, unexpectedly argumentative, and diverse. What these highly accomplished women have to say about contemporary society, politics, literature, feminism, and their own work, will surprise, inform, and challenge.

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Film and Domestic Space: Architectures, Representations, DispositifEdited by Stefano Baschiera and Miriam De RosaAlthough film and media studies have widely engaged with the different aspects of social space, domestic space in film has rarely been studied in its multiple dimensions. Drawing on a broad range of theoretical disciplines and with case studies of directors such as Chantal Akerman, Agnes Varda, Claire Denis, Todd Haynes, Amos Gitai, Martin Ritt, John Ford, Ila Beka and Louise Lemoine this book goes beyond the representational approach to the analysis of domestic space in cinema, in order to look at it as a dispositif. Adopting this innovative two-fold approach that couples representation and dispositif, the home is studied as an architecture, as the place that embodies, defines and perpetuates the family history, as the milieu of gender and generational struggle, as well as the first site where manifestations of power unfold. All chapters contribute to explore, unpack the complexities, and expand on the richness encapsulated in the notion of domesticity and dwelling in its fascinating relation to moving images.

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NAMED AS ONE OF GRANTA MAGAZINE'S BEST OF YOUNG BRITISH NOVELISTS 2023 FINALIST FOR THE ORWELL PRIZE FOR POLITICAL FICTION 2023 SHORTLISTED FOR THE NERO BOOK AWARDS 2023 FROM THE WINNER OF THE BOOKER PRIZE Birnam Wood is on the move... Five years ago, Mira Bunting founded a guerrilla gardening group: Birnam Wood. An undeclared, unregulated, sometimes-criminal, sometimes-philanthropic gathering of friends, this activist collective plants crops wherever no one will notice, on the sides of roads, in forgotten parks, and neglected backyards. For years, the group has struggled to break even. Then Mira stumbles on an answer, a way to finally set the group up for the long term: a landslide has closed the Korowai Pass, cutting off the town of Thorndike. Natural disaster has created an opportunity, a sizable farm seemingly abandoned. But Mira is not the only one interested in Thorndike. Robert Lemoine, the enigmatic American billionaire, has snatched it up to build his end-times bunker - or so he tells Mira when he catches her on the property. Intrigued by Mira, Birnam Wood, and their entrepreneurial spirit, he suggests they work this land. But can they trust him? And, as their ideals and ideologies are tested, can they trust each other? A gripping psychological thriller from the Booker Prize-winning author of The Luminaries, Birnam Wood is Shakespearean in its wit, drama and immersion in character. A brilliantly constructed consideration of intentions, actions, and consequences, it is an unflinching examination of the human impulse to ensure our own survival.

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"When you revisit a place that matters to you for the first time in a long time it is a rich, spiritual experience, but if you then revisit such a place too frequently it loses some of its power. The power lies in the absences." — Christopher Pratt Widely considered to be one of Canada's most prominent and celebrated painters, Christopher Pratt stands with other great artists — Alex Colville, Lawren P. Harris, Jean Paul Lemieux, and Lionel LeMoine Fitzgerald — who influenced him and the way he represents the land. But Pratt's greatest influence is perhaps the geography of his home province of Newfoundland. The Places I Go focuses on Pratt's paintings of the last decade, each revealing his observations of a place changing even as it endures. Beginning in 2005, Pratt started to travel by car to "everywhere I've ever been," recording his travels in his "car books," in his memory, and, ultimately, in his paintings. The paintings that resulted from this journey are vintage Pratt. They are also acts of remembering, of recording, of becoming the observer of transformation. Standing on "the littoral," looking toward the horizon, Pratt casts his eye on the perpetual presence of the ocean. Yet, his images — houses, spillways, bridges, and boats — also pay homage to the right angles of humanity. Buried in snow, at rest in a dock, they celebrate the built form. This exquisite book, featuring essays by exhibition curator Mireille Eagan, archivist Larry Dohey, and Pratt himself, examines Pratt's interest in and preoccupation with transformation, the act of remembering, and his abstractions of the ineffable.

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Confronting trauma behind the transnational adoption system—now back in printMany adoptees are required to become people that they were never meant to be. While transracial adoption tends to be considered benevolent, it often exacts a heavy emotional, cultural, and economic toll on those who directly experience it. Outsiders Within is a landmark publication that carefully explores this most intimate aspect of globalization through essays, fiction, poetry, and art. Moving beyond personal narrative, transracially adopted writers from around the world tackle difficult questions about how to survive the racist and ethnocentric worlds they inhabit, what connects the countries relinquishing their children to the countries importing them, why poor families of color have their children removed rather than supported—about who, ultimately, they are. In their inquiry, the contributors unseat conventional understandings of adoption politics, reframing the controversy as a debate that encompasses human rights, peace, and reproductive justice. Contributors: Heidi Lynn Adelsman; Ellen M. Barry; Laura Briggs, U of Massachusetts, Amherst; Catherine Ceniza Choy, U of California, Berkeley; Gregory Paul Choy, U of California, Berkeley; Rachel Quy Collier; J. A. Dare; Kim Diehl; Kimberly R. Fardy; Laura Gannarelli; Shannon Gibney; Mark Hagland; Perlita Harris; Tobias Hübinette, Stockholm U; Jae Ran Kim; Anh Đào Kolbe; Mihee-Nathalie Lemoine; Beth Kyong Lo; Ron M.; Patrick McDermott, Salem State College, Massachusetts; Tracey Moffatt; Ami Inja Nafzger (aka Jin Inja); Kim Park Nelson; John Raible; Dorothy Roberts, Northwestern U; Raquel Evita Saraswati; Kirsten Hoo-Mi Sloth; Soo Na; Shandra Spears; Heidi Kiiwetinepinesiik Stark; Kekek Jason Todd Stark; Sunny Jo; Sandra White Hawk; Indigo Williams Willing; Bryan Thao Worra; Jeni C. Wright.

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'An accomplished, inventive detective novel thrumming with tension and family secrets' Sanaë Lemoine, author of The Margot Affair'An astonishingly assured first novel, both funny and moving'The Times Crime Club'Very impressive... Repentance is an evocative crime thriller with a likeable, self-aware protagonist, but also skilfully explores the darkest period in Argentina's modern history'Financial Times'A powerful crime novel ... Opening old historical wounds that still strongly affect Argentinian society, this is a tale with many layers, many of them painful to evoke and a strong depiction of a country and a period that still simmers between the pages of history books and the crime novel is a perfect way of lancing the boil. Recommended'Maxim Jakubowski, Crime Time BUENOS AIRES, 1981.Argentina is in the grip of a brutal military dictatorship.Inspector Joaquín Alzada's work in the Buenos Aires police force exposes him to the many realities of life under a repressive regime: desperate people, terrified people and - worst of all - missing people.Personally, he prefers to stay out of politics, enjoying a simple life with his wife Paula. But when his revolutionary brother Jorge is disappeared, Alzada will stop at nothing to rescue him.TWENTY YEARS LATER...The country is in the midst of yet another devastating economic crisis and riots are building in the streets of Buenos Aires. This time Alzada is determined to keep his head down and wait patiently for his retirement. But when a dead body lands in a skip behind the morgue and a woman from one of the city's wealthiest families goes missing, Alzada is forced to confront his own involvement in one of the darkest periods in Argentinian history - a time ofcollective horror and personal tragedy.Alternating between two key moments in the life of a man and his country, Repentance is a noir with a difference, featuring an unforgettable character on a quest to solve a case that offers both a painful reminder of all he has lost and a last chance at redemption.

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