Search results for ""Le Grand Jeu""

Cartier-Bresson by Cartier-Bresson: the photographer's "master set" survey of his career, presented for the first time alongside selections by Annie Leibovitz, Wim Wenders and others In the early 1970s, at the request of his friends and collectors John and Dominique Menil, Henri Cartier-Bresson went through the thousands of prints in his archives with the idea of choosing the most important and significant works of his career. He picked 385 photographs, which were printed in a format of 12 x 16 inches at his most trusted laboratory in Paris between 1972 and 1973, in five copies each. This so-called "Master Set" has never before been published in its entirety. Now, photographer Annie Leibovitz, film director Wim Wenders, writer Javier Cercas, chief curator of the Department of Prints and Photographs at the Bibliotheque Nationale de France Sylvie Aubenas and collector Francois Pinault have been invited to each choose roughly 50 pictures from this Master Set. Through their selection, each of them shares a personal vision of the work of this great artist. Henri Cartier-Bresson: Le Grand Jeu is divided into two parts: the first presents the personal choice of each of the curators, accompanied by a text written for the occasion; the second presents the whole of the Master Set as it was assembled by Cartier-Bresson. This unprecedented volume thus constitutes the most personal, and indeed the most authoritative, panorama of his oeuvre yet published. Henri Cartier-Bresson (1908-2004) was born in Chantelou-en-Brie, France. He initially studied painting and began photographing in the 1930s. Cartier-Bresson cofounded Magnum in 1947. In the late 1960s he returned to his original passion, drawing. In 2003 Cartier-Bresson established the Fondation Henri Cartier-Bresson in Paris, one year before his death.

Read more less

El Gran Juego es irremediable; solo se juega una vez. Nosotros queremos jugarlo todos los instantes de nuestra vida.Le Grand Jeu no es una revista literaria, artística, filosófica o política. Le Grand Jeu busca lo esencial.No formamos un grupo literario, sino una unión de hombres ligados por una misma búsqueda.Frente a todos los conceptos de la razón, la ?Poesía? adquiere el nombre de ?Subversión total?. Frente a todas las instituciones, se denomina ?Revolución?.El Gran Juego es entera y sistemáticamente destructor.

Read more less

The first full length translation into English of Peret's Le Grand Jeu (The Big Game, first published in 1928). Benjamin Peret (1899-1959) was one of the founders of Surrealism (with Andre Breton and Louis Aragon). The Big Game was Peret's best known work of the time and is still in print in France 80 years later.

Read more less

You’ve Always Been Wrong is a collection of prose and poetic works by the French writer René Daumal (1908–1944). A fitful interloper among the Surrealists, Daumal rejected all forms of dogmatic thought, whether religious, philosophical, aesthetic, or political. Much like the Surrealists (and French theorists of more recent decades), Daumal saw in the strict forms and certainties of traditional metaphysics a type of thought that enslaves people even as it pretends to liberate them. These “cadavers of thought,” Daumal wrote with youthful bravado, “must be met with storms of doubt, blasphemes, and kerosene for the temples.” Daumal tied Surrealism with mystical traditions. A devoted student of Eastern religions, philosophy, and literature, he combined his skepticism about Western metaphysics with a mystic’s effort to maintain intense wakefulness to the present moment and to the irreducible particularity of all objects and experience. Such wakefulness, according to Daumal, leads inevitably to an overwhelming (and redemptive) “vision of the absurd.” Daumal’s important place in French culture of the late 1920s and 1930s has been assured by both his writings and his role as cofounder of the avant-garde journal Le Grand Jeu. Written between 1928 and 1930, You’ve Always Been Wrong reveals Daumal’s thought as it was coalescing around the rejection of Western metaphysics and the countervailing allure of Eastern mysticism. Thomas Vosteen’s nuanced translation provides English-language readers with a provocative introduction to this iconoclastic author.

Read more less