Search results for ""Krannert Art Museum,US""

Financial intrigue and debacle, government-sponsored spying, preemptive war, and more: an endless stream of news underscores the manipulation of power and resources with consequences for us all. The news headlines that have intrigued and horrified us of late have become, not surprisingly, inspiration for many contemporary artists worldwide. Whether exposing the complexity or folly of conspiracy theory, or analyzing money trails and their surprising beneficiaries, all of the artists featured are essentially questioning control. Who controls whom? Who controls what? Where does it leave the rest of us? Despite the heavily-politicized subject matter, the book presents an objective point of view on the power of control as a construct within our society. Under Control includes works created within the past 10 years in a variety of media by artists from Austria, Brazil, Germany, South Korea, Spain, and the United States

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Ours is a culture defined by marketing and acquiring. Virtually every activity in our lives is experienced through purchases, from layettes to caskets. The landscape is studded with logos, brand names, and billboards. Branded and On Display examines the work of artists who explore specific strategies of branding and presentation in their response to this pervasively commoditized environment. Representing a range of media - sculpture, video, installation, sound, painting, and photography - the work is compelling and provocative, nudging us to "re-view" our culture with an appraising eye. There is an exhilarating range of concerns and media represented by artists Ai Weiwei, Conrad Bakker, Amy Barkow, Ashley Bickerton, Michael Blum, Louis Cameron, Diller + Scofidio, Terence Gower, Laurie Hogin, Pierre Huyghe, Clay Ketter, Ryan McGinness, Donna Nield, Haim Steinbach, Tempi & Wolf, Yuken Teruya, Hank Willis Thomas, Brian Ulrich, Siebren Versteeg, and Zhao Bandi.

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Krannert Art Museum: Selected Works is the creation of a wonderfully diverse group: graduate students of the University of Illinois at Urbana-Champaign, Illinois faculty from multiple disciplines; curators, educators, and volunteer docents from Krannert Art Museum and Kinkead Pavilion; and specialists from other museums and universities. Their rich range of voices and backgrounds speaks to the vibrancy of the museum as a campus and community resource. Through its active exhibition and acquisitions programs, the museum has grown from a small colleciton of plaster casts into a breathing, evolving arts institution with a vision focused on the contemporary moment. 161 pieces from the collection are discussed and illustrated in color, from Asia, Africa, the ancient Mediterranean, Europe, and the Americas, including works by Robert Indiana, Frank Stella, Andy Warhol, Robert Arneson, Judy Chicago, and Carrie Mae Weems.

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Out of Sequence is an exploration of the question: what are comics? It is a declaration of the diversity of sequential art in the United States, diversity not just of creators, but also of content and form. It is a broad survey of women, small press, minority, independent, gay and lesbian, self-published, mini, underground, web, and/or gallery comics creators, featuring the work of 70 artists.

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Zina Saro-Wiwa: Did You Know We Taught Them How to Dance? is the first publication on the work of Zina Saro-Wiwa, a British-Nigerian video artist and filmmaker based in Brooklyn. Occupying the space between documentary and performance, Saro-Wiwa’s videos, photographs, and sound produced in the Niger Delta region of southeastern Nigeria from 2013–2015 explore folklore, masquerade traditions, religious practices, food, and Nigerian popular aesthetics. Engaging Niger Delta residents as subjects and collaborators, Saro-Wiwa cultivates strategies of psychic survival and performance, testing contemporary art’s capacity to transform and to envision new concepts of environment and environmentalism. Known for decades for corruption and environmental degradation, the Niger Delta is one of the largest oil producing regions of the world, and until 2010 provided the United States with a quarter of its oil. Saro-Wiwa returns to this contested region—the place of her birth—to tell new stories. Featuring a guest foreword by Ebiegberi Joe Alagoa; essays by Stephanie LeMenager, Amy L. Powell, and Taiye Selasi; an interview with the artist by Chika Okeke-Agulu; and recipes created by the artist.

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An ancient time brought to life by textilesWhile the monumental sculptures of ancient Egypt are more widely known, the simple pleasures of life as it was lived are better portrayed in textiles, which carried designs commemorating the joys of festivals, food, and dancing. Weavings from Roman, Byzantine and Islamic Egypt presents 103 full-color images of the astonishing textile collection of Rose Choron, featuring rare examples from Egypt’s Coptic Christians as well as the Islamic period. Dating primarily from the third to seventh centuries, these hand-woven fabrics showcase colorful images of dancers, haloed saints with hands raised in prayer, and a plethora of flowers and animals evoking the bountiful ecology of the Nile Delta. Some display Arabic inscriptions celebrating divine power, and all offer insights into a lost world: people’s dress, their interior decoration, and their view of their relationship with the natural and supernatural worlds.Eunice Dauterman Maguire explains the work by providing a rich historical and mythic context, as well as detailed technical explanations. This volume also features a preface by Rose Choron herself, explaining the origins of the collection and the source of her fascination with the textiles.

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