Search results for ""Koan""

Genjo Koan is the most important chapter in Zen master Dogen's principal major work, the Shobogenzo. Although Genjo Koan has been translated into English many times, and is familiar to Buddhists both east and west, it is still not well understood. This new commentary by Buddhist teacher and author David Brazier draws back the curtain revealing the deeper meaning of the text in language that will be as transparent to the general reader as it is informative to the specialist. The Dark Side of the Mirror reveals the pivotal principle at the heart of Dogen's Zen and shows how his revelation of it was rooted in his personal experience, as well as in the religious consciousness of his time. For Dogen scholars, Brazier provides a wealth of previously unpublished connections within Dogen's thought, resolving knotty problems of interpretation. For Zen practitioners, Genjo Koan reveals the meaning of satori and the way that it irreversibly commits the practitioner to a life-long 'going forth' in the service of all sentient beings. For the general reader it provides a unique insight into Japanese and Chinese medieval religion and, through this prism, throws light upon spirituality and spiritual experience universally.

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Who is in? is for all spiritual seekers who encounter the basic questions of identity: Who am I?, Who is in? or What is the nature of I? Using the Zen Buddhist koan - a paradox to be meditated upon - ‘Who is in’ as a door to discovering the true self and pure subjectivity, this book provides examples and understandings, techniques and invitations to experiment with self-inquiry.

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In this beautiful and extraordinary zen calligraphy book, Shozo Sato, an internationally recognized master of traditional Zen arts, teaches the art of Japanese calligraphy through the power and wisdom of Zen poetry.Single-line Zen Buddhist koan aphorisms, or zengo, are one of the most common subjects for the traditional Japanese brush calligraphy known as shodo. Regarded as one of the key disciplines in fostering the focused, meditative state of mind so essential to Zen, shodo calligraphy is practiced regularly by all students of Zen Buddhism in Japan. After providing a brief history of Japanese calligraphy and its close relationship with the teachings of Zen Buddhism, Sato explains the necessary supplies and fundamental brushstroke skills that you'll need. He goes on to present thirty zengo, each featuring: An example by a skilled Zen monk or master calligrapher An explanation of the individual characters and the Zen koan as a whole Step-by-step instructions on how to paint the phrase in a number of styles (Kaisho, Gyosho, Sosho) A stunning volume on the intersection of Japanese aesthetics and Zen Buddhist thought, Shodo: The Quiet Art of Japanese Zen Calligraphy guides both beginning and advanced students to a deeper understanding of the unique brush painting art form of shodo calligraphy. Shodo calligraphy topics include: The Art of Kanji The Four Treasures of Shodo Ideogram Zengo Students of Shodo

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Elisa Gabbert’s The Self Unstable combines elements of memoir, philosophy, and aphorism to explore and trouble our ideas of the self, memory, happiness, aesthetics, love, and sex. With a sense of humor and an ability to find glimmers of the absurd in the profound, she uses the lyric essay like a koan to provoke the reader’s reflection—unsettling the role of truth and interrogating the “I” in both literary and daily life: “The future isn’t anywhere, so we can never get there. We can only disappear.”

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This is a book of ghost stories, and for the most part, ghosts are jealous monsters, intent upon our destruction. They never appear overtly here, yet we gradually become aware of the spirits in haunted houses in the way they tread over creaky floors, slam doors, and issue sudden gusts of wind. These poems are Koan-like—the fewer the words, the more charged they are. The engine driving the sense of haunting and loss is money, which Davis describes as “federal bone” boiling around us. Bison in Nebraska are reduced to bones, “seven/standing men/tall” fodder for the fertilizer used by farmers in the 1800s. There is, too, an equality to the hauntings—every instance has its moment, and persists, despite being in the past, present, or future. Index of Haunted Houses is spooky and sad—a stunning debut, one that will surprise, convince, and most of all, delight.

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In his inimitable, recursive, meditative style that reads like a comedic zen koan but contains universes, Seven Samurai Swept Away in a River recounts Korean cult writer's Jung Young Moon’s time spent at an artist’s and writers residency in small-town Texas. In an attempt to understand what a “true Texan should know,” the author reflects on his outsider experiences in this most unique of places, learning to two-step, musing on cowboy hats and cowboy churches, blending his observations with a meditative rumination on the history of Texas and the events that shaped the state, from the first settlers to Jack Ruby and Lee Harvey Oswald. All the while, the author is asking what a novel is and must be, while accompanied by a fictional cast of seven samurai who the author invents and carries with him, silent companions in a pantomime of existential theater. Jung blends fact with imagination, humor with reflection, and meaning with meaninglessness, as his meanderings become an absorbing, engaging, quintessential novel of ideas.

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A taste of Zen for the seeker and the curious alike. This small but wise book collects Eastern and Western sayings, haiku, poetry, and inspiring quotations from ancient and modern thinkers. Its aim is not to define Zen or answer its famous koan—What is the sound of one hand clapping?—but rather to point to a fresh way of looking at the world: with mindfulness, clarity, and joy. “Do not seek to follow in the footsteps of the wise. Seek what they sought” —Basho New material is taken from contemporary spiritual leaders, writers, meditation teachers, and others with an emphasis on the practice of mindfulness—on the heart, rather than the head. Pen and ink illustrations from the author bring an additional layer of feeling and beauty.

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"The empire's missing links are found deep in this poet's ever-astonishing states of multiple consciousness-astutely attuned to the pressured, violent, mass conformities forced upon us-brilliantly formed into poems as ambitious and achieved as any written in the English language today."-Lawrence Joseph In these dramatic monologues, Walid Bitar delivers variations on the theme of power: in politics, in the subjugation and abuse of other cultures, and in our divided selves. Using satire, parody, koan, and riddle, Divide and Rule struggles with the mendacity of language and identity. They have no maps. Ours, I'll redraw. Isn't itself, their neck of the woods, needs a rest-something more than a nap, and less than death, though death wouldn't hurt. Walid Bitar's poetry collections include 2 Guys on Holy Land, Bastardi Puri, and The Empire's Missing Links. He was born in Beirut and lives in Toronto, Ontario.

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In this collection brimming, with pared down imagery and crystal sharp language, we are invited to become the hollow bone, the small vessel with space for insight and reflection. Steeped in the natural world and sensitive to how each body interfaces with the world, Ian Marriott''s debut moves us from the quotidian to the mysterious found in the everyday and in the world''s wilderenesses. The poetry is alive with experiences of the forest, the mountains, the vastness of Antartica; the language meditative, spare and precise and the form follows breath - short lines that carry contemplative thought forward with fluid ease. Winner of the Cinnamon Press Debut Poetry Collection Award, adjudicated by outstanding eco-poet, Susan Richardson, The Hollow Bone is suffused with shamanic sensibilty that is communicated with elegance, from the title poem with it''s thoughfully hone sketches of birds alive and dead to the longer sequence of koan-like fragments in Terra Infirma, it takes the

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'So immense and beautiful, it's both gorgeously composed and an addictive page-turner. Sue Rainsford is an extraordinary writer' DONAL RYAN'Unnervingly, thrillingly strange . . . a masterpiece of literary horror' CAL FLYN'Lyrical, hypnotic and provocative, I devoured Redder Days in a single, slightly furious sitting and have been haunted by it ever since' JAN CARSONTwins Anna and Adam live in an abandoned commune in a volatile landscape where they prepare for the world-ending event they believe is imminent. Adam keeps watch by day, Anna by night. They meet at dawn and dusk.Their only companion is Koan, the commune's former leader, who still exerts a malignant control over their daily rituals. But when one of the previous inhabitants returns, everything Anna and Adam thought they knew to be true is thrown into question.Dazzling, unsettling and incredibly moving, Redder Days is a stunning exploration of the consequences of corrupted power, the emotional impact of abandonment, and the endurance of humanity in the most desperate of situations, from the author of Follow Me to Ground.

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A slow-motion drive-by view of a collapsing universe meant to sit in the palm of your hand. How fast can you go in a buggy drawn by the flap of a butterfly s wings? How do you measure the speed of waking from a dream? Such abstract inquiries into the unrelenting absurdity of contemporary life make up this omnibus of meditative vignettes from one of mainland China s most prolific and recognizable yet anonymous new underground cartoonists of the current generation. Every story in 20 km/h toes the line between pun and poetry, and lands somewhere just short of a zen koan: Come back to it as often as you like, it will never read quite the same way twice. A nondescript figure awakes from an assembly line of identically fashioned companions and boards a rowboat destined for the unknown. A man holds the key to sleep in his hand and uses it to disappear into his mattress. The moon is plucked from the sky and fed into a vending machine for a can of soda. Woshibai s minimalist renderings are a startlingly delightful cocktail of existential dread and silent slapstick that arrest the mind s eye with equal parts humor and grace.

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KESHIKI is a series of exquisitely designed chapbooks, showcasing the work of eight of the most exciting writers working in Japan today. Yuki has not slept in two months. He's been infected with genuine insomnia a condition spreading throughout the city's high-profile businessmen. At first, this is a condition worth boasting about: the less Yuki sleeps, the better he feels, and he gathers with the city's elite in clubs and bars to compare how long they've been awake. It is only when he visits a sanatorium that Yuki is told his memory is quickly deteriorating, and, suddenly, Yoshida's fragmented style starts to make sense... Dream-like, sensual and unnerving, these offerings by Kyoko Yoshida, a Japanese author writing in English, surprise the reader with their texture and imagery. Spring Sleepers, the title story, frames insomnia as the contemporary condition the narrative sliding from metropolitan hyperawareness to delirious exhaustion in the space of a few pages. Spring Awakening, a koan-like mediation, describes a newly born eel emerging from then returning to its home. Finally, Yoshida reflects on her time spent in Norwich, the City of Writing.

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There is a famous Zen story about a disciple, Riko, who once asked his master Nansen to explain to him the old Zen koan of the goose in the bottle. Namely, if a man puts a gosling into a bottle, and feeds the gosling through the bottle's neck until it grows and becomes a goose -- and then there is simply no more room inside the bottle -- how can the man get it out without killing the goose or breaking the bottle? In response, Nansen shouts "RIKO!" and gives a great clap with his hands. Startled, Riko replies, "Yes master!" And Nansen says, "See! The goose is out!" In this Zen-flavored series of responses to questions, the contemporary mystic Osho cuts through the mad complexity of the contemporary human mind and its self-created "problems" with humor, compassion, and even an occasional shout and clap of his hands. The goose in the questioner's bottle may be a philosophical problem or an existential dilemma, a relationship drama or an emotional crisis -- in each case, Osho's unique and transformational response sets the goose free, allowing us to rediscover the simple and innocent clarity each of us brings with us when we

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Longlisted for the 2022 PEN Award for Poetry in Translation, this authoritative new collection by one of China’s most lauded poets is “a thrill to read” (Drew Calvert, Asymptote) “Words as Grain offers Zen koan-like poems that call for rereading and contemplation. As the poet himself says in ‘Reading Great Poems,’ ‘let the dialogue between thought and silence continue.’ We are fortunate to be a party to this sustained and intense dialogue.”—John Bradley, Rain Taxi While keeping a cautious distance from literary trends and labeling, Duo Duo has emerged as one of the world’s preeminent poets. His poems respond to the Chinese political landscape from the Cultural Revolution to the Tiananmen Square tragedy and beyond. Some are written from the vantage point of exile abroad, others in his homeland, but all inscribe an ache for original expression, a sense of place, and the essence of language. In exacting renderings by award-winning translator Lucas Klein, this career-spanning anthology features Duo Duo’s entire oeuvre since his return to China in 2004, as well as a representative selection of his earlier poems, presenting nearly five decades of work. This collection traces the evolution, in a particular historical context and cultural tradition, of one of the most vibrant poets at work in the world today.

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“Insouciant” and “irreverent” are the sort of words that come up in reviews of Dinty W. Moore’s books—and, invariably, “hilarious.” Between Panic and Desire, named after two towns in Pennsylvania, finds Moore at the top of his astutely funny form. A book that could be named after one of its chapters, “A Post-Nixon, Post-panic, Post-modern, Post-mortem,” this collection is an unconventional memoir of one man and his culture, which also happens to be our own. Blending narrative and quizzes, memory and numerology, and imagined interviews and conversations with dead presidents on TV, the book dizzily documents the disorienting experience of growing up in a postmodern world. Here we see how the major events in the author’s early life—the Kennedy assassination, Nixon’s resignation, watching Father Knows Best, and dropping acid atop the World Trade Center, to name a few—shaped the way he sees events both global and personal today. More to the point, we see how these events shaped, and possibly even distorted, today’s world for all of us who spent our formative years in the ’50s, ’60s, and ’70s. A curious meditation on family and bereavement, longing and fear, self-loathing and desire, Between Panic and Desire unfolds in kaleidoscopic forms—a coroner’s report, a TV movie script, a Zen koan—aptly reflecting the emergence of a fractured virtual America.

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Whether you are interested in this unique city's history or are planning to travel to Kyoto, Kyoto City of Zen will serve as inspiration and provide invaluable insight into Kyoto's culture.This travel pictorial and Japan travel guide captures the sites and soul of Kyoto—Japan's historical and spiritual center. An elaborate kaleidoscope of craft, artistry and religion, Kyoto is one of the world's most popular travel destinations. Art and design form the weft and warp of this vibrant 1,200-year-old city, home to hundreds of gardens, palaces, villas and magnificent wooden temples—including seventeen UNESCO World Heritage sites.Like a Zen koan, Kyoto defies easy description. Its citizens may work at Nintendo designing video games, at a company designing precision medical instruments, or sitting cross-legged meticulously affixing micro-thin flakes of gold foil onto a painting. All of them share a living heritage grounded in centuries of traditional culture.In Kyoto City of Zen, local expert Judith Clancy presents the most important gardens, temples, shrines and palaces of this ancient capital city and enduring cultural center. In addition to unveiling the city's spiritual and historical riches, this travel book shares with readers the exquisite foods, artistic crafts, religious ceremonies and architectural traditions that have flourished in Kyoto for over a millennium. Tea ceremonies, calligraphy, weaving, pottery, painting, drama, and many more traditional arts and crafts are presented through more than 350 photographs by Ben Simmons—whose images capture the true essence of Kyoto. The city's natural setting also comes into focus as the book guides you along leafy mountain paths and through spectacular parks and gardens—highlighting the best foliage each season has to offer.

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Zen Masters of China presents more than 300 traditional Zen stories and koans, far more than any other collection. Retelling them in their proper place in Zen's historical journey through Chinese Buddhist culture, it also tells a larger story: how, in taking the first step east from India to China, Buddhism began to be Zen.The stories of Zen are unlike any other writing, religious or otherwise. Used for centuries by Zen teachers as aids to bring about or deepen the experience of awakening, they have a freshness that goes beyond religious practice and a mystery and authenticity that appeal to a wide range of readers.Placed in chronological order, these stories tell the story of Zen itself, how it traveled from West to East with each Zen master to the next, but also how it was transformed in that journey, from an Indian practice to something different in Chinese Buddhism (Ch'an) and then more different still in Japan (Zen). The fact that its transmission was so human, from teacher to student in a long chain from West to East, meant that the cultures it passed through inevitably changed it.Zen Masters of China is first and foremost a collection of mind-bending Zen stories and their wisdom. More than that, without academic pretensions or baggage, it recounts the genealogy of Zen Buddhism in China and, through koan and story, illuminates how Zen became what it is today.

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Winner of the PEN/Jacqueline Bograd Weld Award for Biography: the story of the mystifying relationship between the brilliant and affable Gertrude Stein and her brooding companion, Alice B. Toklas"Janet Malcolm deftly captures Alice B. Toklas's legendary 40-year partnership with the brilliant modernist Gertrude Stein in Two Lives, clearing up a few mysteries along the way—including how two Jewish women were able to survive World War II in their provincial French château with the help of a Vichy collaborator."—Vogue"Shrewd, humane, and beautifully written."— John Gross, Wall Street Journal "How had the pair of elderly Jewish lesbians survived the Nazis?” Janet Malcolm asks at the beginning of this extraordinary work of literary biography and investigative journalism. The pair, of course, is Gertrude Stein, the modernist master “whose charm was as conspicuous as her fatness” and “thin, plain, tense, sour” Alice B. Toklas, the “worker bee” who ministered to Stein’s needs throughout their forty-year expatriate “marriage.” As Malcolm pursues the truth of the couple’s charmed life in a village in Vichy France, her subject becomes the larger question of biographical truth. “The instability of human knowledge is one of our few certainties,” she writes. The portrait of the legendary couple that emerges from this work is unexpectedly charged. The two world wars Stein and Toklas lived through together are paralleled by the private war that went on between them. This war, as Malcolm learned, sometimes flared into bitter combat.Two Lives is also a work of literary criticism. “Even the most hermetic of [Stein’s] writings are works of submerged autobiography,” Malcolm writes. “The key of 'I' will not unlock the door to their meaning—you need a crowbar for that—but will sometimes admit you to a kind of anteroom of suggestion.” Whether unpacking the accessible Autobiography of Alice B. Toklas, in which Stein “solves the koan of autobiography,” or wrestling with The Making of Americans, a masterwork of “magisterial disorder,” Malcolm is stunningly perceptive.Praise for the author:“[Janet Malcolm] is among the most intellectually provocative of authors . . .able to turn epiphanies of perception into explosions of insight.”—David Lehman, Boston Globe“Not since Virginia Woolf has anyone thought so trenchantly about the strange art of biography.”—Christopher Benfey

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