Search results for ""International Quilt Museum""

Part of a comprehensive catalog of the International Quilt Study Center and Museum collection, American Quilts in the Industrial Age, 1760–1870 highlights the dazzling designs and intricate needlework of America’s treasured material culture. From whole cloth to pieced quilts to elaborate appliqué examples, all reflecting various design movements such as Neoclassicism and Eastern exoticism, the contributing authors address the development of quilt making in America from its inception in the 1700s to the period of the U.S. Civil War. Covering more than one hundred years of quilt making, this volume examines the period’s quilts from both an artistic and a historical perspective. The contributors provide critical information regarding the founding of the republic and the influential republican values and ideals manifested in the quilts of this era. They also address the role that immigration and industrialization played in the evolution of materials and styles. With full-color photographs of nearly six hundred quilts, American Quilts in the Industrial Age, 1760–1870 offers new insights into American society.

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Historically, quilts were often created to celebrate special occasions such as weddings and births and as tokens of remembrance for friends and loved ones. Now, they are deeply valued works of art that are sought after for their beautiful compositions, their authenticity, and their sentimental associations. From the commemorative Arnett Leftovers Album Quilt, each block personalized with an embroidered signature, to the colorful Mosaic Soldier's Quilt, intricately hand pieced from wool uniform remnants, the 12 quilts featured in this calendar represent snapshots of life. Experience history from a new perspective with these stunning quilts from the International Quilt Museum. The International Quilt Museum, located on the University of Nebraska-Lincoln campus, has the world's largest publicly held quilt collection, dating from the early 1700s to present day and representing more than 60 countries; the superb examples collected here celebrate the cultural and artistic significance of qui

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Fifty years after its debut, the exhibition Abstract Design in American Quilts is remembered as a pivotal moment in the intersecting histories of art, craft, and design. Installed at New York’s Whitney Museum of American Art in 1971, the exhibition presented traditional American pieced quilts on walls more commonly used to display modern art such as abstract expressionist paintings. The exhibition, curated by Jonathan Holstein and Gail van der Hoof from their own collection, unexpectedly struck a chord with museumgoers and art critics alike, breaking attendance records and subsequently traveling to museums across the United States, Europe, and Japan. With Abstract Design in American Quilts at 50, an exhibition series that includes an installation of the original quilt group, the International Quilt Museum at the University of Nebraska–Lincoln reexamines the half-century impact of this watershed exhibition. In five essays, leading quilt scholars assess the areas upon which the exhibition, in its various iterations, had its greatest impact, most notably the growth of quiltmaking across the United States and in art circles. The essays also discuss broader cultural phenomena that produced an environment in which quilts and other forms of material culture could be viewed and valued in new ways.

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Nancy Crow: Drawings: Monoprints and Riffs is a beautifully illustrated catalog showcasing the newest work of renowned artist Nancy Crow. Over the last decade Crow has transformed her quiltmaking by developing a unique monoprinting technique. Monoprinting on cotton fabric, she focuses on drawn lines, layered one upon another, that result in a complex visual tangle. The work in this series simultaneously produces both clarity and depth. In her Riff and Drawing: Riff series, Crow has continued to explore her “drawing with fabric” approach. In these works Crow improvisationally cuts through layers of highly saturated hand-dyed fabrics, creating crisp forms with slight curves and undulations caused by subtle movements of her arm, which are then stitched together in dynamic compositions. This catalog includes Crow’s descriptions of these innovative techniques as well as candid musings on her personal journey as a driven, passionate artist. In addition, Crow’s work is discussed in an essay by Jean Robertson, Chancellor’s Professor Emerita of Art History at the Herron School of Art and Design at Indiana University–Purdue University. Also featured is a foreword by David Hornung, professor of art and art history at Adelphi University, New York. The catalog accompanies a 2020 exhibition of Crow’s work at the International Quilt Museum, University of Nebraska–Lincoln.

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