Search results for ""Hub City Press""

Reparations Now! asks for what’s owed.In formal and non-traditional poems, award-winning poet Ashley M. Jones calls for long-overdue reparations to the Black descendants of enslaved people in the United States of America. In this, her third collection, Jones deftly takes on the worst of today—state-sanctioned violence, pandemic-induced crises, and white silence—all while uplifting Black joy. These poems explore trauma past and present, cultural and personal: the lynching of young, pregnant Mary Turner in 1918; the current white nationalist political movement; a case of infidelity. These poems, too, are a celebration of Black life and art: a beloved grandmother in rural Alabama, the music of James Brown and Al Green, and the soil where okra, pole beans, and collards thrive thanks to her father’s hands. By exploring the history of a nation where “Black oppression’s not happenstance; it’s the law,” Jones links past harm to modern heartache and prays for a peaceful world where one finds paradise in the garden in the afternoon with her family, together, safe, and worry-free. While exploring the ways we navigate our relationships with ourselves and others, Jones holds us all accountable, asking us to see the truth, to make amends, to honor one another.

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Spanning more than half a century and cities from New Delhi to Atlanta, Anjali Enjeti’s debut is a heartfelt and human portrait of the long shadow of the Partition of India on the lives of three generations of women. The story begins in August 1947. Unrest plagues the streets of New Delhi leading up to the birth of the Muslim majority nation of Pakistan, and the Hindu majority nation of India. Sixteen-year-old Deepa navigates the changing politics of her home, finding solace in messages of intricate origami from her secret boyfriend Amir. Soon Amir flees with his family to Pakistan and a tragedy forces Deepa to leave the subcontinent forever. The story also begins sixty years later and half a world away, in Atlanta. While grieving both a pregnancy loss and the implosion of her marriage, Deepa’s granddaughter Shan begins the search for her estranged grandmother, a prickly woman who had little interest in knowing her. As she pieces together her family history shattered by the Partition, Shan discovers how little she actually knows about the women in her family and what they endured. For readers of Jess Walter’s Beautiful Ruins, The Parted Earth follows Shan on her search for identity after loss uproots her life. Above all, it is a novel about families weathering the lasting violence of separation, and how it can often takes a lifetime to find unity and peace.

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The Columbia space shuttle and its contents rain down on the people of Kiser, Texas, in Kathryn Schwille’s imaginative debut novel set six weeks before the invasion of Iraq. What Luck, This Life begins in the aftermath of the space shuttle’s break-up, as the people of Piney Woods watch their pastures swarm with searchers and reporters bluster at their doors. A shop owner defends herself against a sexual predator who is pushed to new boldness after he is disinvited to his family reunion. A closeted father facing a divorce that will leave his gifted boy adrift retrieves an astronaut’s remains. An engineer who dreams of orbiting earth joins a search for debris and instead uncovers an old neighbor’s buried longing. In a chorus of voices spanning places and years, What Luck, This Life explores the Columbia disaster’s surprising fallout for a town beset by the tensions of class, race, and missed opportunity. Evoking Sherwood Anderson’s classic Winesburg, Ohio and Elizabeth Strout’s Olive Kitteridge, the novel’s unforgettable characters struggle with family upheaval and mortality’s grip and a luminous book emerges—filled with heartache, beauty and warmth.

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Amidst construction of a federal dam in rural Tennessee, Nathan, an engineer hiding from his past, meets Claire, a small-town housewife struggling to find her footing in the newly-electrified, job-hungry, post-Depression South. As Nathan wrestles with the burdens of a secret guilt and tangled love, Claire struggles to balance motherhood and a newfound freedom that awakens ambitions and a sexuality she hadn’t known she possessed. The arrival of electricity in the rural community, where prostitution and dog-fighting are commonplace, thrusts together modern and backcountry values. In an evocative feat of storytelling in the vein of Kent Haruf’s Plainsong, and Ron Rash’s Serena, Watershed delivers a gripping story of characters whose ambitions and yearnings threaten to overflow the banks of their time and place. As the townspeople embark on a biblical undertaking to harness elemental forces, Nathan and Claire are left to wonder what their lives will look like when the lights come on.

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One of our city’s most creative young artists has captured an extraordinary view of home. During a period of rapid change in this growing post-industrial Southern city, Kavin Bradner quietly moved among us, his drone hovering above. He knew that rooftops tell stories we can’t see from the ground. Waiting for just the right light and weather conditions, Bradner reframed Spartanburg with photographs both simple and powerful. His images illuminate patterns below we hardly knew existed. From our parks to our parking decks, from our freight trains to the Fr8yard, Above Spartanburg will transform the way you look at this city.

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Wall Street Journal's Ten Books You'll Want to Read This Spring Indie Next Pick, April 2019 Spring Okra Pick from the Southern Independent Booksellers Alliance In rural north Georgia two decades after the Civil War, thirteen-year-old Lulu Hurst reaches high into her father’s bookshelf and pulls out an obscure book, The Truth of Mesmeric Influence. Deemed gangly and undesirable, Lulu wants more than a lifetime of caring for her disabled baby brother, Leo, with whom she shares a profound and supernatural mental connection. “I only wanted to be Lulu Hurst, the girl who captivated her brother until he could walk and talk and stand tall on his own. Then I would be the girl who could leave.” Lulu begins to “captivate” her friends and family, controlling their thoughts and actions for brief moments at a time. After Lulu convinces a cousin she conducts electricity with her touch, her father sees a unique opportunity. He grooms his tall and indelicate daughter into an electrifying new woman: The Magnetic Girl. Lulu travels the Eastern seaboard, captivating enthusiastic crowds by lifting grown men in parlor chairs and throwing them across the stage with her “electrical charge.” While adjusting to life on the vaudeville stage, Lulu harbors a secret belief that she can use her newfound gifts, as well as her growing notoriety, to heal her brother. As she delves into the mysterious book’s pages, she discovers keys to her father’s past and her own future--but how will she harness its secrets to heal her family? Gorgeously envisioned, The Magnetic Girl is set at a time when the emerging presence of electricity raised suspicions about the other-worldly gospel of Spiritualism, and when women’s desire for political, cultural, and sexual presence electrified the country. Squarely in the realm of Emma Donoghue's The Wonder and Leslie Parry’s Church of Marvels, The Magnetic Girl is a unique portrait of a forgotten period in history, seen through the story of one young woman’s power over her family, her community, and ultimately, herself.

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When the deacons at Mark Beaver’s Bible Belt church cue up an evangelical horror flick aimed at dramatizing Hell, he figures he'd better get right with God, and soon. Convinced he could die at age seven and spend eternity roasting on a spit in the fiery furnace of Hades, he promptly gets Saved. But once adolescence hits, the Straight and Narrow becomes a tight squeeze. But Suburban Gospel offers more than a look inside Bible Belt suburbia, circa Jerry Falwell and the Moral Majority—it’s a tale of faith and flesh. Beaver invites us into a world filled with Daisy Duke fantasies and Prince posters, Nerf Hoops and Atari joysticks, raggedy Camaros and the neon light of strip malls. As much about the adolescent heart as the evangelical mind, the story explores similar emotional terrain as coming-of-age classics like Tobias Wolff's This Boy's Life and Mary Karr's Cherry. Suburban Gospel is a tale of growing up Baptist, all right—but also of just growing up.

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From Beaufort to Boone and a dozen places in between, Carolina Writers at Home is a rich collection of true stories showcasing the houses where some of the most notable Southern authors—including Jill McCorkle, Nikky Finney, Alan Gurganus, Clyde Edgerton, and Michael Parker—have forged their writing lives. The homes in these twenty-five essays range from the classic bungalow and mid-century modern ranch house to wilder locales: a church, a trailer, and a sparsely-inhabited barrier island. Alongside the essays, Rob McDonald's evocative photographs capture the writers in their habitat, preserving their distinct personalities as well as the particular character of the house and place they inhabit. From the simple pleasures of Cassandra King’s writing room, to the hilarious and sometimes terrifying intrusions of curious wildlife in George Singleton’s realm, this unique anthology invites the reader to step inside some of the South’s best loved writers’ private worlds and see what makes their houses truly their own. It shows how collections of objects can transform a simple house into Daniel Wallace's ark or Josephine Humphreys' museum, creating a sheltering place for a creative mind at work. Carolina Writers at Home pays homage to those who have taken inspiration from the beauty and singularity of the Carolina landscape and turned it into the written word.

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Why do writers love dogs? Not always for the same reasons all the rest of us do. Dorothea Benton Frank's dog Henry teaches her about self-righteous indignation every time she leaves on a book tour. Ron Rash learns to appreciate his misanthropic mutt Pepper after he bites his daughter's suitor. For Tommy Hays the dog is something not even a psychic can separate from the family. For some writers, such as Mary Alice Monroe, a Bernese Mountain dog arrives via Swiss Air. For George Singleton, they just wander into his Pickens County yard. The connection between dogs and humans in the geographic region known as South Carolina goes back over 10,000 years. There's even a wild dog in the Lowcountry known as the Carolina Dog, whose ancestors may have accompanied the first Americans across the Bering ice bridge. In Literary Dogs & Their South Carolina Writers twenty-five of the Palmetto State's most beloved authors introduce you to their most memorable dogs. There is Padgett Powell's "Ode to Spode," Josephine Humphreys' paean to a poodle, and Roger Pinckney’s Daufuskie Dog-ageddon. Meet Marshall Chapman's Impy, Mindy Friddle's Otto, Beth Webb Hart's Bo Peep, and more. From bird dogs to bad dogs, wild dogs to café dogs, get to know these canines and their literary companions.

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Setting out from her house, fondly named Middlewood, in the Piedmont of South Carolina, Helen Correll takes long, wandering walks along Meetinghouse Creek with her dogs to observe and draw the nature of her landscape. From her studio nestled in the forest behind the house, Correll paints and writes of the day’s journey, its temper and conversation. With a foreword by naturalist Janisse Ray, Middlewood Journal: Drawing Inspiration from Nature gathers Correll’s illustrations and writings from her hikes and blog by the same name to create a treasury of discoveries, from giant red mushrooms peeking beneath a cover of leaves to hawks on a branch so close you can hear their preening. Season to season, you will discover the miniature beauties of the South, the life that you only find by slowing down, allowing the landscape to inspire: turkey tracks in creek water, persimmon trees that fool the eye, tidy little snow holes hiding the casualties of winter. Correll draws the language and color of life in the South to give breath to a poetry of names: blue darner dragonfly, horse nettle, red-bellied woodpecker, tufted titmouse, heal all, starlings, white wood aster, rue anemone, wild blue phlox. Witness the change of seasons through the blooms, bird songs, and balance of sunlight in Correll’s delicate prose and drawings in Middlewood Journal.

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From a small radio studio in the heart of the Deep South, the voices of gay and lesbian Southerners suddenly filled the AM airwaves. “For far too long,” the announcer stated, “talk radio airwaves have been dominated by the people who talk about us. Starting this fall, we speak for ourselves!” What began as an experiment—Rainbow Radio, South Carolina’s first gay and lesbian radio show—has grown into a grassroots-driven community radio show that, since 2005, has offered diverse, accurate, and often unparalleled stories of gay and lesbian Southerners, their families and their friends. Citadel cadets and drag queens, a slam poet from Columbia and a Spartanburg schoolteacher, a seminary student in Atlanta and a gay Army vet just back from the Middle East, West Columbia rednecks and rural Texas tomboys, as well as South Carolina’s first lesbian Congressional candidate. A young man talking about his gay uncle and a retired attorney talking about her gay son. Two boys who dare to dance at the prom, a psychic who may be attuned to the gay agenda, and a dying man who makes his last visit to church on Christmas. These voices have now been collected in a book, Out Loud: The Best of Rainbow Radio, edited by Ed Madden and Candace Chellew-Hodge. Their stories will inspire you, enrage you, and transform the way you think about what it means to be gay and lesbian in the South.

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Down on his luck, a farmer raffles off a dead mule. While preparing a Sunday dinner, a woman finds her lost diamond in a chicken gizzard. A litter of orphaned baby possums finds a home. Just like his blue jeans after an adventure in Dead Horse Canyon, Kirk Neely's tales are caked with red clay. Neely, a much beloved pastor from Spartanburg, writes about the ordinary -- casseroles and sweet tea, black bears and beagle dogs, WD-40 and Duct Tape, Tabasco Sauce and fatback. Accompanied by striking pen and ink sketches by his nephew, Emory Cash, these stories will make you laugh out loud; others will bring a tear to your eye. A Good Mule is Hard to Find should be a fixture in every mountain cabin and every beach house. Steeped in Southern charm and down-home lore, this volume promises to be a keeper.

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The Columbia space shuttle and its contents rain down on the people of Kiser, Texas, in Kathryn Schwille’s imaginative debut novel set six weeks before the invasion of Iraq. What Luck, This Life begins in the aftermath of the space shuttle’s break-up, as the people of Piney Woods watch their pastures swarm with searchers and reporters bluster at their doors. A shop owner defends herself against a sexual predator who is pushed to new boldness after he is disinvited to his family reunion. A closeted father facing a divorce that will leave his gifted boy adrift retrieves an astronaut’s remains. An engineer who dreams of orbiting earth joins a search for debris and instead uncovers an old neighbor’s buried longing. In a chorus of voices spanning places and years, What Luck, This Life explores the Columbia disaster’s surprising fallout for a town beset by the tensions of class, race, and missed opportunity. Evoking Sherwood Anderson’s classic Winesburg, Ohio and Elizabeth Strout’s Olive Kitteridge, the novel’s unforgettable characters struggle with family upheaval and mortality’s grip and a luminous book emerges—filled with heartache, beauty and warmth.

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In her dynamic debut, Halle Hill’s Good Women delves into the lives of twelve Black women across the Appalachian South. A Kirkus Reviews Best Books of 2023 in Fiction • One of Oprah Daily's Best Books of the Year One of Electric Literature's Best Short Story Collections of 2023 • Featured in People Magazine's Best Books of Fall • One of the Boston Globe's 20 Books We’re Excited to Read This Fall • One of Kirkus's 20 Best Books To Read in September • Poets & Writer's "Page One" New and Noteworthy • One of the Southwest Review's 10 Must Read Books of 2023 "A stunning slow burn brimming with observation, emotion, and incident.” —Kirkus Reviews, Starred Review “A fantastic firecracker of a collection I'll return to again and again!” —Deesha Philyaw, author of The Secret Lives of Church Ladies A woman boards a Greyhound bus barreling toward Florida to meet her sugar daddy’s mother; a state fair employee considers revenge on a local preacher; a sister struggles with guilt as she helps her brother plan to run away with a man he's seeing in secret; a young woman who works for a scam for-profit college navigates the lies she sells for a living. Darkly funny and deeply human, Good Women observes how place, blood-ties, generational trauma, obsession, and boundaries—or lack thereof—influence how we navigate our small worlds, and how those worlds so often collide in ways we don’t expect. Through intimate moments of personal choice, Hill carefully shines a light on how these twelve women shape and form themselves through faith and abandon, transgression and conformity, community, caution, and solitude. With precision and empathy, Hill captures the mundane in moments of absurdity, and bears witness to both joy and heartbreak, reminding us how the next moment could be life-changing. Vibrant and exacting, Hill is a must-read new voice in literary fiction.

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“You are a rare bird, easy to see but invisible just the same.” That thought is close at hand in Sparrow Envy: Field Guide to Birds and Lesser Beasts, as renowned naturalist and writer J. Drew Lanham explores his obsession with birds and all things wild in a mixture of poetry and prose. He questions vital assumptions taken for granted by so many birdwatchers: can birding be an escape if the birder is not in a safe place? Who is watching him as he watches birds? With a refreshing balance of reverence and candor, Lanham paints a unique portrait of the natural world: listening to cicadas, tracking sandpipers, towhees, wrens, and cataloging fellow birdwatchers at a conference where he is one of two black birders. The resulting insights are as honest as they are illuminating.

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Thirty stories, collected in one volume for the very first time, from one of the South's best known and most acclaimed short story writers. With his signature darkly acerbic and sharp-witted humor, George Singleton has built a reputation as one of the most astute and wise observers of the South. Now Tom Franklin introduces this master of the form with a compilation of acclaimed and prize-winning short fiction spanning twenty years and eight collections, including stories originally published in outlets like the Atlantic Monthly, Harper's, Playboy, the Georgia Review, the Southern Review, and many more. A lovelorn and chatty euthanasia vet arrives at a couples’ house to put down their dog, Probate; a father-to-be searches his workplace—a bar—for a replacement sonogram after recording an episode of Bonanza over the original; an unlikely romance sparks between a librarian and a professional bowler while they compete to win an RV; a father takes his son to visit the many ex-girlfriends that could have been his mother. These stories bear the influence of Flannery O’Connor and Raymond Carver, at other times Lewis Nordan and Donald Barthelme, and touch on the mysteries of childhood, the complexities of human relationships, and the absurdity of everyday life, its inexorable defeats and small triumphs. Assembled here for the very first time, You Want More showcases the body of work, hilarious and incisive, that has cemented George Singleton’s place among the South’s greatest living writers.

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One of the New Yorker's "What We're Reading This Summer" * A Millions Most Anticipated Book (June) * A Goop15 May 2020 Feature * One of Apartment Therapy's "7 Must-Read Books Everyone Will Be Talking About This Summer" * One of Debutiful's "9 Books You Should Read This June" * A Publishers Weekly "Upcoming Indie Press Books" feature Hailed by Lauren Groff as “fully committed to the truth no matter how dark or difficult or complicated it may be,” and written with “incantatory crispness,” Sleepovers, the debut short story collection by Ashleigh Bryant Phillips. This collection takes us to a forgotten corner of the rural South, full of cemeteries, soybean fields, fishing holes, and Duck Thru gas stations. We meet a runaway teen, a mattress salesman, feral kittens, an elderly bachelorette wearing a horsehair locket, and a little girl named after Shania Twain. Here, time and memory circle above Phillips’ characters like vultures and angels, as they navigate the only landscape they’ve ever known. Corn reaches for rain, deer run blindly, and no matter how hungry or hurt, some forgotten hymn is always remembered. “The literary love child of Carson McCullers and John the Baptist, Ashleigh Bryant Phillips’ imagination is profoundly original and private," writes Rebecca Lee. Sleepovers marks the debut of a fearless new voice in fiction. Sleepovers is the winner of the 2019 C. Michael Curtis Short Story Book Prize, selected by Lauren Groff.

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In a year when the Southern Foodways Alliance asks, “Where is the South?”, the Fall 2023 issue of Gravy examines Southern food inside and outside the region. Readers will follow traditional Southern foods as they transcend the region’s historic geographic borders. Meanwhile, newcomers to the South adapt to regional tastes and introduce new flavors to the canon. Mackenzie Martin tells of culinary entrepreneur Annie Fisher, who built a booming catering business at the turn of the twentieth century with her signature beaten biscuits—all without investors or access to a bank loan, as a Black woman in Jim Crow Missouri. In a story by Mikeie Reiland, two professional soccer players of African Muslim ancestry find a taste of home in Nashville, at iftar, the fast-breaking meal of Ramadan. Chris Jay serves up Shreveport stuffed shrimp, a dish perfected by a network of Black chefs in Shreveport, Louisiana, through five generations of restaurant ownership. Gravy columnist Hanna Raskin tracks Bojangles’ expansion into the Midwest, asking: does a fast food biscuit lose its fluff outside the South? Adrian Miller digs into the menu archives at the Carter Center to find out exactly how “Southern” the First Family ate in the White House. SFA oral historian Sarah Rodriguez shares excerpts from the new oral history project, Tapping into Richmond Beer, which chronicles craft brewing in Richmond, Virginia, through the city’s vibrant and diverse beer scene. Poet Reyes Ramirez explores Latino foodways in Texas in verse from his debut collection El Rey of Gold Teeth, forthcoming from Hub City Press. Erika Council talks biscuits and business in a Q&A about her new book, Still We Rise: A Love Letter to the Southern Biscuit with Over 70 Sweet and Savory Recipes.

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From editors David Joy and Eric Rickstad comes Gather at the River, an anthology of twenty-five remarkable essays on fishing from an ensemble of contemporary authors. Their experiences explore the ways we come to water, for renewal and reverie, or to simply stand waist-deep in a river and watch the trout rise. Gather at The River is more than a collection of big fish stories; it’s Ron Rash writing about the Appalachia of his youth and C.J. Box revealing the river where he wants his ashes spread. It’s Natalie Baszile on a frogging expedition in the Louisiana Bayou and a teenaged Jill McCorkle facing new realities of adulthood on Holden Beach, North Carolina. This is an anthology about friendship, family, love and loss, and everything in between, because as Henry David Thoreau wrote, “it is not really the fish they are after.” The contributors are an eclectic mix of critically acclaimed writers including New York Times Bestselling Authors Ron Rash, Jill McCorkle, Leigh Ann Henion, Eric Rickstad, M.O. Walsh, and #1 Bestseller C.J. Box. Some of the proceeds of every sale will benefit C.A.S.T. for Kids, public charity that joins volunteers who love to fish with children who have special needs and disadvantages for a day of fishing in the outdoors.

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When Jack Parker's father dies Jack knows one thing: Tom Parker was a good man. Beyond that, decades of distance and silence had kept the two men from truly knowing each other. Jack attends the funeral with the hope he can shovel some dirt onto Tom’s casket, collect a few commiserations, and put miles between himself and the questions he’d let simmer since he’d left home years before. But when a group of strangers appears at the funeral, Jack realizes he has more questions than answers about how his father actually lived his life. Jack picks up the pieces, moving back home to help his ailing mother and continue work on his father’s many projects. He soon finds himself at the center of a family maelstrom, worsened by his troubled siblings’ lives and continued unearthings of Tom’s secrecy. Haunted by hazy nightmares from his youth and driven by guilt, Jack tries to uncover why his father kept such a considerable part of his life from them all. The secrets Jack uncovers might shake the foundation of the refuge he hopes to create. Suddenly thrust into a dangerous world of drug deals and violence, Jack is forced to examine his own brutal limits and those of his father. When finally faced with the truth of his and Tom’s past, he realizes that sometimes secrets are best left buried on the river bottom. A Wild Eden was the 2018 South Carolina Novel Prize winner, selected by Jill McCorkle.

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Picture reversing a rodeo: the rider flies back onto the horse, the horse bucks into stillness. A whirling cast of characters engage in self-interrogation and self-discovery and wrestle in similar fashion in the pages of Rodeo in Reverse, a debut collection from Lindsey Alexander, which Sean Hill calls “the genuine article.” Both time machine and microscope, Rodeo in Reverse is woven from bits of Americana: married life, art history, pioneers, and witches. These poems effortlessly traverse personal and historical pasts with tenderness and unrivaled humor. They offer a tour of American landscape—the trees with bitter crop of the South; the plains of the Midwest; the duels of a cartoonish Wild West. At once a wily romp and a lyric sweep, Rodeo in Reverse considers the possibilities and failures of domestic life on the never-ending quest of rounding up, and defining, the self. Rodeo in Reverse is the winner of the 2017 New Southern Voices Poetry Prize.

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Meet the characters of essayist Philip Gerard’s world: a misguided sailor and his crew of rowdy teenage boys, an ancient nun, a nurse who believes the government has been secretly spreading the bubonic plague, a park ranger, jaded baseball players, a voice on a VHF radio far out to sea, a family of itinerant Mexicans camping dangerously in a dry riverbed, a famous alcoholic writer, and a few inexplicable ghosts. Gerard’s true stories are shot through with the uncanny and the mysterious—they are not quiet interior contemplations but instead are full of public events, remarkable encounters, life-and-death moments that both reveal and deepen the mysteries of our lives. The Patron Saint of Dreams is a collection of fifteen narrative essays that address events in the world through the lens of personal experience, moments when seemingly small decisions have large consequences: enduring the terror of a direct hit by a hurricane, hiking through bear country and suffering a heart attack, hearing a disturbing secret from a old soldier who has kept it for sixty years, discovering an imposter who maintains his dual life long after death. Told by one of the South’s most acclaimed and masterful nonfiction writers, these are the stories we live, and the lovely and terrible people who live them with us.

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Daniel Morgan was known as the best horseman, the fastest runner, the fiercest fighter and the strongest wrestler. On a bitter cold day in January 1781, at an upcountry cattle pasture known as "the cow pens," the cantankerous brigadier general led an army of militiamen, Continental soldiers and cavalry in a stunning defeat of the British. Told in both narrative and verse, the Cowpens story is a classic war story from beginning to end. Come to the Cow Pens!, illustrated with numerous maps by John Robertson, includes an introduction by South Carolina's leading historian, Dr. Walter Edgar. "Beginning with the settlement of the backcountry by thousands of Scots-Irish immigrants and continuing through the horrors of the brutal war in the Carolina backcountry.

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For fans of Americana music and a beer after mowing the lawn, The Last Saturday in America confronts the long shadow of Southern masculinity. The Last Saturday in America is set in a nation on the precipice of great change. Through examinations of suburban neighbors, bullies, gun violence, and vasectomy appointments, Ray McManus draws a portrait of American masculinity in the face of political division, pandemic, and cultural warfare. McManus’s speaker is caught between the way he was raised and the future he wants to see for who he is raising. He can no longer rely on what he thought he knew, nor does he know what to do about it. The man rendered in these pages is a father, a son, a Southerner. And he is willing to burn it all down and start something new, only to see that the new start he is looking for has been with him the whole time.

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Told in the keen, honest voice of a young man growing up on the rural South Carolina coast, The Big Game Is Every Night grapples with masculinity, race, and family in contemporary blue-collar America.Grady Hayes’s whole life revolves around football. When he breaks his leg starting a game against a rival high school, his life comes unglued. As he recovers, Grady grows bored and angry. He no longer relates to his mom, his cousin, or the girl he’s been talking to, and loses interest in catfishing and eating family suppers on the weekends. When Grady tries to return to the team, his spot has been filled, and there are rumors flying about why Coach made Grady a starting running-back in the first place.Frustrated and alone, Grady falls in with Hambone, a brooding older classmate, who takes him deep into the swamps to hunt raccoons and experiment with drugs. After an ugly confrontation with another player in the locker room, his relationship with Hambone turns dark and violent. Out of options, Grady’s mom calls in his estranged father to set him straight, and Grady realizes that his dad isn’t the man he remembers.In his debut novel, Robert Maynor delivers a literary Lowcountry Friday Night Lights that shines a harsh light on the ways American men are steeped in violence, and how hard it can be to shake loose the toxic norms that unchecked can keep us all so far apart.

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Finalist for the 2023 Weatherford Award in Poetry Finalist for the 2023 ASLE Book Award in Creative Writing In these haunting, layered poems, Lucien Darjeun Meadows affirms the interconnection of human and environmental identity. “What can we do but seek nectar where it blooms,” whispers the porous and questioning speaker of In the Hands of the River. With delicate precision, In the Hands of the River subverts traditional poetic forms to show how a childhood for a queer boy of both Cherokee and European heritage happens within and outside dominant narratives of Appalachia.This debut collection weaves ancestral and personal threads of trauma, reclamation, and survival into a multi-generational and multi-species tapestry that reaches from the distant stars visible in an Appalachian holler to the curl of a clover stem and the touch of the beloved, here and now. Moving across time, yet always grounded in place, these poems address the West Virginian landscape, both in exaltation and extraction, balanced with poems about the speaker's own body, and emergent sense of queer identity, as “a boy made of shards.”

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"A spellbinding story of witchcraft and disobedience." - NPR An NPR Best Book of 2016 It's 1939 and the federal government has sent USDA agent Virginia Furman into the North Carolina mountains to instruct families on modernizing their homes and farms. There she meets farm wife Irenie Lambey, who is immediately drawn to the lady agent's self-possession. Already, cracks are emerging in Irenie's fragile marriage to Brodis, an ex-logger turned fundamentalist preacher: She has taken to night ramblings through the woods to escape her husband's bed, storing strange keepsakes in a mountain cavern. To Brodis, these are all the signs that Irenie--tiptoeing through the dark in her billowing white nightshirt--is practicing black magic. When Irenie slips back into bed with a kind of supernatural stealth, Brodis senses that a certain evil has entered his life, linked to thelady agent, or perhaps to other, more sinister forces. Working in the stylistic terrain of Amy Greene and Bonnie Jo Campbell, this mesmerizing debut by Julia Franks is the story of a woman intrigued by the possibility of change, escape, and reproductive choice--stalked by a Bible-haunted man who fears his government and stakes his integrity upon an older way of life. As Brodis chases his demons, he brings about a final act of violence that shakes the entire valley. In this spellbinding Southern story, Franks bares the myths and mysteries that modernity can't quite dispel.

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Winner of the 2020 Southern Book Prize Indie Next Pick, April 2019 One of the Atlanta Journal Constitution's "South's 10 best books of 2019" Finalist for the Townsend Prize Books All Georgians Should Read from the Georgia Center for the Book One of the Wall Street Journal's Spring Picks for books Okra Pick from the Southern Independent Booksellers Alliance In this gorgeously envisioned debut, set as the emergence of electricity and women’s desire for political, cultural, and sexual power electrified the country, a young woman’s rise to Vaudeville fame exposes secrets of her family’s past—and the keys to her own future. In rural north Georgia two decades after the Civil War, thirteen-year-old Lulu Hurst discovers an obscure book by legendary Mesmerist Henrietta Wolf on her father’s shelf. After Lulu uses Wolf’s wisdom to convince a cousin she can conduct electricity with her touch, her father sees an opportunity. Her father’s lessons transform Lulu, once deemed gangly and indelicate, into an electrifying new woman: The Magnetic Girl, captivating enthusiastic crowds by lifting grown men in parlor chairs, throwing them across the stage with her “electrical charge.” As her notoriety grows, Lulu harbors a secret belief that she can use the power of Mesmerism to heal her disabled baby brother, Leo, with whom she shares a profound and supernatural mental connection. To help him, she delves into the mysterious book’s pages, determined to harness Wolf’s teachings and convince herself, and the world, that her gifts are authentic. But will they be enough to heal her family? Based on true events, this award-winning novel is a unique portrait of a forgotten period in history, seen through the story of one young woman’s power over her family, her community, and ultimately, herself.

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In her award-winning debut collection, Emily W. Pease is at work redefining the short story. Let Me Out Here explores the underbellies and strange desires of our neighbors, our loved ones, ourselves. A co-ed takes up/leaves school with a mysterious cab driver who’s been calling every night on her dormitory’s hall phone; a family isolated by their faith hikes to a waterfall in search of healing; a mother sets her balcony on fire after an awkward family dinner; a woman befriends the snakes her preacher boyfriend keeps in their shed. This revealing collection offers a deep empathy for people doing the best they can, despite themselves. Spread over varied landscapes of the South and offering surprising moments of raw revelation, the characters here find themselves at crossroads or alone on an empty street at night. With Let Me Out Here, Pease joins the ranks of Mary Gaitskill, Ottessa Moshfegh, and Kelly Link, and adds to their tradition a deft, singular style and a voice as darkly funny as it is exacting. Let Me Out Here is the 2018 winner of the C. Michael Curtis Short Story Book Prize.

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The title of J.K. Daniels’s first book, Wedding Pulls, comes from a Victorian custom that persists in the American South: charms pulled from a wedding cake by the unmarried attendants are said to predict who will marry next and who never, who will be richer and who poorer. Sensual and sonically-charged, these poems interrogate what it means to be wedded, lawfully or not, and to have and hold, or not, until death do us part. In personas from Eurydice to Eve to Alice B. Toklas, the poems complicate the traditional notions, the “meager plot,” of marriage and family while exploring the enduring pull of intimacy. Inspired by Shakespeare and Stein, Gerard Manley Hopkins and Harryette Mullen, these witty poems riff on art and myth, and the fate that is family. Wedding Pulls is the winner of the 2015 New Southern Voices Poetry Book Prize.

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These twelve deeply metaphorical essays are both intensely personal and vitally concerned with the larger world, including the kingdom beyond our ken. Exploring subjects as diverse as her father's suicide, the great migration that changed the racial composition of Chicago's south side, the nature of light, the geology of the Grand Canyon, or the landscape of writers' desks and offices, Lee Zacharias writes with grace, precision, and candor about the experiences that shape our humanity and our relationships, to our parents, to our children, and to past, present, and future.

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On Common Ground: The Public Art of Spartanburg features 120 pages of images by local photographer Carroll Foster capturing outdoor works on side streets to college campuses, from public parks to river banks, from corporate headquarters to art centers. In the pages of this collection we also meet the sculptors, the mural painters, and the metal artists who produced this remarkable collection of public art. Some are native to our city; others work in studios farther afield. Here they share the diverse stories of their artwork—their inspirations, their passions, and their processes. On Common Ground, produced in collaboration with the Johnson Collection, is a vibrant calling card for the robust cultural life of Spartanburg. It is a moment in time in a city on the move, a snapshot of our community’s eclectic art collection in 2015.

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Rooted in places like Watauga County, Goshen Creek, and Dismal Mountain, the poems in Ron Rash’s fourth collection, Waking, electrify dry counties and tobacco fields until they sparkle with the rituals and traditions of Southerners in the stir of their lives. In his first book of poetry in nearly a decade, Rash leads his readers on a Southern odyssey, full of a terse wit and a sense of the narrative so authentic it will dazzle you. As we wake inside these poems, we see rivers wild with trout, lightning storms, and homemade churches, nailed and leaning against the side of a Tennessee mountain. A two-time PEN/Faulkner Award Finalist, Rash has been compared to writers like John Steinbeck and Cormac McCarthy. With his eye for the perfect detail and an ear for regional idiom, Rash furthers his claim as the new torchbearer for literature in the American South. Here is a book full of sorrow and redemption, sparseness and the beauty of a single, stark detail—the muskellunge at first light, a barn choked with curing tobacco, a porch full of men and the rockers that move them over the same spot until they carve their names into the ground, deeper, even, into the roots where myths start, into the very marrow of the world.

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A wrecker operator with a hardened heart spends Christmas on the icy interstate and unexpectedly lends a hand in a holiday miracle. A fisherman struggling with the death of his wife plants a memorial to her in a special place. A family on the edge of financial ruin unloads its prized possessions at a Christmas yard sale only to have a mysterious, bow-tied stranger answer their prayers. Meet these characters and more in this cozy collection of contemporary holiday stories, Comfort & Joy. Set in the Carolinas -- from the southern Blue Ridge Mountains to the sea islands of the Lowcountry -- these tales reverberate with the homespun style of a classic storyteller, Kirk Neely, pastor of Morningside Baptist Church in Spartanburg, South Carolina. Neely's ode to the redemptive power of Christmas harks back to O. Henry's "The Gift of the Magi." Along the way he introduces us to Sara Williams, a young woman who carries the family legacy of sweetgrass basket making but whose life has gone off track into drugs and prostitution. In the story "Joe's Tree" we follow a Christmas tree on a miraculous journey from a child's grave to a frat house to children's shelter. And together with schoolteacher Mary Alice McCall we learn how slaves once used handmade quilts as a beacon of hope. Comfort & Joy, beautifully illustrated by June Neely Kern, is a book of unforgettable characters and images. The Hub City Writers Project proudly presents these stories as a Christmas gift to readers in our own community and beyond. Enjoy!

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Racine's took him to the Library of Congress and the National Archives and to the homes and offices of many citizens of Spartanburg. Inside the pages of this book are the images of world-renowned photographers Dorothea Lange and Jack Delano and local professionals Alfred T. Willis, Harry White and others. There is a gallery of Spartanburg's mighty men and influential women, her colorful characters and earnest faces, her children at play and citizens at work. There are construction projects and demolitions, local triumphs and tragedies, boom years and hard times. Seeing Spartanburg traces Spartanburg's history from its beginnings during the Colonial period, through the boom years of the early twentieth century and the hard days of war and depression, to the dynamic growth of the present era. Filled with images that are often poignant, sometimes surprising, and always rewarding, Seeing Spartanburg is a visual record of the life of one Southern city.

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All Of Us Together In The End is a lyrical examination of transformation after loss, by a writer the New York Times calls "irresistible" and "utterly convincing."Vollmer’s family memoir shimmers with wonder and enchantment and begins with the death of his mother from early-onset Alzheimer’s and Parkinson’s. Soon after, flashing lights and floating orbs appear in the woods surrounding his family’s home in rural North Carolina, where his widowed father lives. Formative memories of having been raised in the Seventh-day Adventist church resurge in Vollmer’s mind, hastening self-reexamination and reckoning.He corresponds with a retired geology professor about “ghost lights,” which supposedly occur more in North Carolina than any other American state. He scrolls TikTok. He contacts an eccentric shaman who lives in Spain to have transcendental psychotherapy administered over Zoom. And then Jolene emerges, a woman endeared for decades to Vollmer’s father, holding secrets to their family’s past.Amidst the turmoil and loneliness of the pandemic, All of Us Together in the End is a poignant and often humorous investigation into belief set in a time where it seems people will believe anything. It is an elegiac affirmation of the awesome, strange, otherworldly ways our loved ones remain alive to us, even when they are out of reach.

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Thirty stories, collected in one volume for the very first time, from one of the South's best known and most acclaimed short story writers. With his signature darkly acerbic and sharp-witted humor, George Singleton has built a reputation as one of the most astute and wise observers of the South. Now Tom Franklin introduces this master of the form with a compilation of acclaimed and prize-winning short fiction spanning twenty years and eight collections, including stories originally published in outlets like the Atlantic Monthly, Harper's, Playboy, the Georgia Review, the Southern Review, and many more. A lovelorn and chatty euthanasia vet arrives at a couples’ house to put down their dog, Probate; a father-to-be searches his workplace—a bar—for a replacement sonogram after recording an episode of Bonanza over the original; an unlikely romance sparks between a librarian and a professional bowler while they compete to win an RV; a father takes his son to visit the many ex-girlfriends that could have been his mother. These stories bear the influence of Flannery O’Connor and Raymond Carver, at other times Lewis Nordan and Donald Barthelme, and touch on the mysteries of childhood, the complexities of human relationships, and the absurdity of everyday life, its inexorable defeats and small triumphs. Assembled here for the very first time, You Want More showcases the body of work, hilarious and incisive, that has cemented George Singleton’s place among the South’s greatest living writers.

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O, The Oprah Magazine's Best Books of the SummerLonglisted for the Center for Fiction First Novel PrizeSet in contemporary Louisville, Leesa Cross-Smith’s mesmerizing first novel surrounding the death of a police officer is a requiem for marriage, friendship and family, from an author Roxane Gay has called “a consummate storyteller.”One of the Most Anticipated Books of 2018: Entertainment Weekly, Southern Living, Harper's BAZAAR, The Millions, Electric Lit, Book Riot, BookBub, Chicago Review of Books, POPSUGAR, Refinery29, NYLON, and SheReadsEvi—a classically-trained ballerina—was nine months pregnant when her husband Eamon was killed in the line of duty on a steamy morning in July. Now, it is winter, and Eamon's adopted brother Dalton has moved in to help her raise six-month-old Noah.Whiskey & Ribbons is told in three intertwining, melodic voices: Evi in present day, as she’s snowed in with Dalton during a freak blizzard; Eamon before his murder, as he prepares for impending fatherhood and grapples with the danger of his profession; and Dalton, as he struggles to make sense of his life next to Eamon’s, and as he decides to track down the biological father he’s never known.In the vein of Jojo Moyes’ After You, Whiskey & Ribbons explores the life that continues beyond loss, with a complicated brotherly dynamic reminiscent of Elizabeth Strout’s The Burgess Boys. It’s a meditation on grief, hope, motherhood, brotherhood and surrogate fatherhood. Above all, it’s a novel about what it means—and whether it’s possible—to heal.

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A remarkable debut collection about identical twin sisters and their parents’ struggle with addiction "I am busy seeing," declares the reverent and ever-curious speaker of Mustard, Milk, and Gin. In this haunting debut, Megan Denton Ray unflinchingly sifts through the sediment of a girlhood ruled by service. Everything in these poems sweats—the sunflower working hard for its first pair of leaves, the sister feeding her twin like a father, the men and women working in a community ravaged by the opioid crisis. With tender restraint, Ray's poems question the infallibility of devoutness while finding solace in the classification of the natural world. What results is a powerhouse voice that chooses preservation above all else. No poppy, wild carrot, or honeycomb is too small a treasure as Ray weaves stories of loss and mercy through both dreamscapes and domestic scenes alike. The forgettable and forgotten ignite—these poems are gifts of curiosity and care. Mustard, Milk and Gin is the winner of the 2019 New Southern Voices Poetry Prize as selected by G.C. Waldrep.

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Cleveland Sellers Jr. was the scapegoat for one of the bloodiest civil rights events of the 1960s. In 1968 state troopers gunned down black students protesting the segregation of a South Carolina bowling alley, killing three and injuring 28. The Orangeburg Massacre was one of the most violent moments of the Southern Civil Rights Movement, and only one person served prison time in its aftermath: a young black man by the name of Cleveland Sellers Jr. Many years later, the state would recognize that Sellers was a scapegoat in that college campus tragedy and would issue a full pardon. *Outside Agitator* is the story of a Sellers’ early activism: organizing a lunch counter sit-in as a 15-year-old in the tiny South Carolina town of Denmark, registering voters in Alabama and Mississippi, refusing the Vietnam War draft, serving as national program director of the Student Nonviolent Coordinating Committee (SNCC) and working alongside 1960s civil rights icons Stokely Carmichael, Martin Luther King Jr., H. Rap Brown and Malcolm X. It's also the story of his lifelong struggle to overcome the Orangeburg incident and his slow crawl to justice. That journey takes him to Harvard University, then to a hard-fought position in civil service in Greensboro, North Carolina. And in a triumphant end to his career, a major Southern university elevates Sellers to chair its African-American Studies program, and the historically black college in his hometown respectfully calls him to be its president. Adam Parker’s incisive biography is about a proud black man who refuses to be defeated, whose tumultuous life story personifies America’s continuing civil rights struggle.

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20th Anniversary Edition of this classic poetry collection, with a foreword by New York TImes Bestselling author, Robert Morgan and a new preface by the author. First published in 1998, Eureka Mill is Ron Rash’s seminal collection of poetry. It introduced the world to an often overlooked Appalachian region and cemented Rash’s name as synonymous with Southern writing. Eureka Mill presents a lyrical portrait of the migration of poor North Carolina farmers to Chester, South Carolina to work in the Eureka Cotton Mill in the years before the Great Depression. Drawing on his family history in the region that stretches back three hundred years, Rash assembles a nuanced tapestry of mill village life, from the foremen in their offices to the men and women at the looms toiling in the often inhumane conditions of the mills. Rash’s poetry elevates the people and landscapes of rural Appalachia to incandescent heights, garnering comparisons to the work of Seamus Heaney and Robert Frost. Still one of Rash’s finest works to date, Eureka Mill is a vital record of one of the South’s most important historic shifts, offering readers at once intimacy and perspective, heart and understanding.

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Three years ago, the sun began to die. In a desperate attempt to reignite the failing star, the United States had joined the rest of the planet in unloading its nuclear arsenal at the flickering ember. The missiles burst from silos in Wyoming and Bangladesh, cocooning the earth in tendrils of smoke as they began their two-and-a-half year journey into space. When they finally reach their target, it’s thirty degrees in July and getting colder. Lisa and her husband, Guy, sit shivering on a Southern hilltop, watching as humanity’s last hope at survival shimmers faintly...and then disappears below the horizon. A group of militant rebels called the Minutemen take advantage of the ensuing chaos to knock out power grids, cloaking the freezing earth in near darkness. Seizing control. To escape this ruthless new world order, Lisa and Guy join a reluctant band of refugees crossing the snow-covered South in search of shelter and answers. From an icy parking lot in Atlanta to the Minutemen’s makeshift headquarters at Asheville’s Biltmore Estate, only one thing is certain: in a world with little light, nothing is guaranteed—least of all survival.Ember is the 2016 winner of the South Carolina First Novel Prize as judged by novelist Bridgett M. Davis.

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Winner: 2019 IPPY Award - Gold Medal in War/Martime Fiction Shortlisted for the VCU Cabell First Novelist Award Czechoslovakia, 1939: Snow is falling over the city when the Nazis invade. Before the ice on the roads has a chance to melt, everything has changed for the country—and for Viktor Trn. It isn’t obvious at first. The day-to-day realities of occupation take time to sink in. After losing his job as a history professor, Trn remains optimistic, preserving what little he can of his family’s dwindling freedom. In his family’s small apartment, the radio brings worsening news as Europe surrenders to Germany. Friends are arrested, men are hanged in the local school. Trn must protect his young son, but understands leaving their homeland could prove too dangerous. Only when the air raids draw closer is Trn, a soft-spoken pacifist, pressured into making a choice: retreat to his decreasing sphere of familial safety, or join the resistance. Ultimately Trn finds himself caught between two titanic armies—the Nazis and the Soviets—and must decide how to save all that he loves. In the spirit of Kristin Hannah's The Nightingale and Anthony Doerr's All the Light We Cannot See, The Wooden King explores denial, desire, and family drama against the lyrically rendered backdrop of World War II, deftly navigating “the simple difference between what we do and what we ought to do” in the face of rising totalitarianism.

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From Beaufort to Boone and a dozen places in between, Carolina Writers at Home is a rich collection of true stories showcasing the houses where some of the most notable Southern authors—including Jill McCorkle, Nikky Finney, Alan Gurganus, Clyde Edgerton, and Michael Parker—have forged their writing lives. The homes in these twenty-five essays range from the classic bungalow and mid-century modern ranch house to wilder locales: a church, a trailer, and a sparsely-inhabited barrier island. Alongside the essays, Rob McDonald's evocative photographs capture the writers in their habitat, preserving their distinct personalities as well as the particular character of the house and place they inhabit. From the simple pleasures of Cassandra King’s writing room, to the hilarious and sometimes terrifying intrusions of curious wildlife in George Singleton’s realm, this unique anthology invites the reader to step inside some of the South’s best loved writers’ private worlds and see what makes their houses truly their own. It shows how collections of objects can transform a simple house into Daniel Wallace's ark or Josephine Humphreys' museum, creating a sheltering place for a creative mind at work. Carolina Writers at Home pays homage to those who have taken inspiration from the beauty and singularity of the Carolina landscape and turned it into the written word.

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South Carolina is state of great natural beauty and rich biodiversity. From mountainous rainforests to isolated barrier islands, the Palmetto State is a remarkable place to encounter abundant plant and animal life. Wild South Carolina, compiled by a mother-daughter team of naturalists, delves into the most intriguing outdoor destinations, offering advice on how, when, and where to experience the state’s ecological treasures. Organized by region and illustrated with more than 150 color photographs, this guidebook presents handpicked tours of 38 special parks, wildlife refuges, heritage preserves, and other public lands. Discover the federally endangered peregrine falcon in the ACE Basin, the breathtaking synchronized displays of fireflies at Congaree National Park, the world’s largest showing of rocky shoals spider lilies on the Catawba River, the rare Oconee bells nestled in the Blue Ridge Mountains, the world’s oldest cypress-tupelo forest, and many more spectacular sights. Bike, hike, paddle, or even ride a horse while visiting the state’s dramatic waterfalls, boardwalk swamp trails, lighthouses, limestone caverns, a Moorish-styled castle, and much more. Observe deceptively-beautiful carnivorous plants in full bloom, tundra swans lounging in former rice paddies, and hundreds of raptors flying en masse along rocky cliffs. Grab a pair of binoculars, a water bottle, and your copy of Wild South Carolina to explore the best of South Carolina’s natural areas! Experience the wealth of South Carolina’s wonders first hand.

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