Search results for ""Hogarth Press""

The Hogarth Press is perhaps most famous for its association with Virginia Woolf, as she was both a partner in the Press and its most important author. But there is more to the Press than Woolf herself. This catalogue, published to accompany a 2009 exhibit at the University of Alberta's Bruce Peel Special Collections Library, highlights the broad international scope of the Hogarth Press, as well as the variety of genres and surprisingly diverse range of titles it published.

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This multi-authored volume, newly available in paperback, focuses on Leonard and Virginia Woolf's Hogarth Press (1917-1941). Scholars from the UK and the US use previously unpublished archival materials and new methodological frameworks to explore the relationships forged by the Woolfs via the Press and to gauge the impact of their editorial choices on writing and culture. Combining literary criticism, book history, biography and sociology, the chapters weave together the stories of the lesser known authors, artists and press workers with the canonical names linked to the press following a 'rich, dialogic' forum or network. The book brings together a wide range of thematic material in three sections - 'Class and Culture', 'Global Bloomsbury' and 'Marketing Other Modernisms'.

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Encuadernación: RústicaColección: VocesEste libro reúne dieciséis reseñas y ensayos de Virginia Woolf inéditos hasta la fecha en español. Los artículos cubren las tres décadas en que la autora se dedicó al periodismo literario con una muestra que va desde breves colaboraciones en periódicos hasta los panfletos de la Hogarth Press, todos ellos unidos por el hilo conductor del ensayo crítico y la reseña literaria.

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This book interrogates the relationship between the material conditions of Woolf's writing practices and her work as a printer and publisher at the Hogarth Press. In bringing to light her embodied literary processes, from drafting and composition to hand-printing and binding, this study foregrounds the interactions between Woolf's modernist experimentation and the visual and material aspects of her printed works. By drawing on the field of print culture, as well as the materialist turn in Woolf scholarship, it explores how her experience in print, book-design and publishing underlines her experimental writing, and how her literary texts are conditioned by the context of their production. This book, therefore, provides new ways of reading Woolf's modernism in the context of twentieth-century print, material, and visual cultures. By suggesting that Woolf's work at the Hogarth Press sensitized her to the significant role the visual aspects of a text play in its system of representation, it also considers the extent to which materiality informs both her work, as well as her engagement with Bloomsbury formalist aesthetics, which often exaggerate the distinction between visual and verbal modes of expression.

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"París. Un poema" representa un importante hito en la vanguardia en lengua inglesa. Publicado en 1920 en Hogarth Press, la mítica editorial fundada y dirigida por Leonard y Virginia Woolf, condensó muchos de los postulados del modernismo (el gusto por lo "oculto", la fragmentación, el carácter o el "método mítico", las alusiones literarias, históricas y políticas o la libertad formal) y antecedió en casi tres años a "La tierra baldía", de T. S. Eliot. Una auténtica "joya perdida" de la cual ofrecemos la primera traducción al castellano.

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A Companion to Virginia Woolf is a thorough examination of her life, work, and multiple contexts in 33 essays written by leading scholars in the field. Contains insightful and provocative new scholarship and sketches out new directions for future research Approaches Woolf's writing from a variety of perspectives and disciplines, including modernism, post-colonialism, queer theory, animal studies, digital humanities, and the law Explores the multiple trajectories Woolf’s work travels around the world, from the Bloomsbury Group, and the Hogarth Press to India and Latin America Situates Woolf studies at the vanguard of contemporary literature scholarship and the new modernist studies

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WITH INTRODUCTIONS BY JEANETTE WINTERSON AND GILLIAN BEERThe Waves is an astonishingly beautiful and poetic novel. It begins with six children playing in a garden by the sea and follows their lives as they grow up and experience friendship, love and grief at the death of their beloved friend Percival. Regarded by many as her greatest work, The Waves is also seen as Virginia Woolf's response to the loss of her brother Thoby, who died when he was twenty-six.The Vintage Classics Virginia Woolf series has been curated by Jeanette Winterson, and the texts used are based on the original Hogarth Press editions published by Leonard and Virginia Woolf.

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In 1931, Virginia and Leonard Woolf's Hogarth Press published a small run of a beautiful edition of Rainer Maria Rilke's Duino Elegies, in English translation by the writers Vita and Edward Sackville-West. This marked the English debut of Rilke's masterpiece, which would eventually be rendered in English over 20 times, influencing countless poets, musicians and artists across the English-speaking world. Published for the first time in 90 years, the Sackville-Wests' translation is both a fascinating historical document and a magnificent blank-verse rendering of Rilke's poetry cycle. Featuring a new introduction from critic Lesley Chamberlain, this reissue casts one of European literature's great masterpieces in fresh light.

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Originally hand-printed at her Hogarth Press in Richmond, Monday or Tuesday is the only collection of short stories that Virginia Woolf published during her lifetime, providing a fascinating insight into the early stages of development of themes that would blossom in her later masterpieces. From the impressionist description of four groups of people walking by a flowerbed in the botanic gardens at Kew to the soaring flight of a heron above the teeming life of towns and cities below and the reveries of a woman as she looks at a mark on the wall, the eight pieces included in this volume showcase Woolf's inimitable observational powers and her boldly modern style of writing.

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WITH INTROUCTIONS BY EAVAN BOLAND AND MAUD ELLMANThe serene and maternal Mrs Ramsay, the tragic yet absurd Mr Ramsay, together with their children and assorted guests, are holidaying on the Isle of Skye. From the seemingly trivial postponement of a visit to a nearby lighthouse Virginia Woolf constructs a remarkable and moving examination of the complex tensions and allegiances of family life. One of the great literary achievements of the twentieth century, To the Lighthouse is often cited as Virginia Woolf's most popular novel.The Vintage Classics Virginia Woolf series has been curated by Jeanette Winterson, and the texts used are based on the original Hogarth Press editions published by Leonard and Virginia Woolf.

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Based on lectures given at Cambridge colleges and first published by the Hogarth Press in 1929, A Room of One’s Own is an extended essay about the predicament of female writers and a stirring call for autonomy and recognition. As well as settling scores with reactionary critics and laying the foundations of a history of women’s literature, the text is also a triumph of imagination, with a celebrated passage envisaging the fate of a fictional sister of Shakespeare’s. A seminal, widely studied feminist polemic that touches on both literature and politics, A Room of One’s Own is essential reading for those wishing to understand the progress that has been made in women’s rights and the struggles that still lie ahead.

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As the nephew of Virginia Woolf, Quentin Bell enjoyed an initimacy with his subject granted to few biographers. Originally published in two volumes in 1972, his acclaimed biography describes Virginia Woolf's family and childhood; her earliest writings; the formation of the Bloomsbury Group; her marriage to Leonard Woolf; the mental breakdown of the years 1912-15; the origins and growth of the Hogarth Press; her friendships with T. S. Eliot, Katherine Mansfield and Vita Sackvill-West; her struggles to write The Waves and The Years; and the political and personal distresses of her last decade. Compelling, moving and entertaining, Quentin Bell's biography was awarded the James Tait Black Memorial Prize and the Duff Cooper Memorial Prize. It is a fitting tribute to a remarkable and complex woman, one of the greatest writers of the century.

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With an introduction by Adam Phillips Monday 17 July 1922. Back from Garsington, & too unsettled to write - I meant to say read; but then this does not count as writing. It is to me like scratching; or, if it goes well, like having a bath - which of course, I did not get at Garsington. 1920. The war is over, and Virginia Woolf is meeting friends old and new, from Maynard Keynes to Vita Sackville-West. She is reading and reviewing voraciously, and the Hogarth Press is thriving. Jacob's Room was published in 1922, and Woolf began work on what was to become Mrs Dalloway. This was a time of creative highs and lows, as well as a growing confidence as Woolf developed her distinctive literary voice.

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Mark Haddon is a writer and artist. His bestselling novel, The Curious Incident of the Dog in the Night-Time, was published simultaneously by Jonathan Cape and David Fickling in 2003. It won seventeen literary prizes, including the Whitbread Award. In 2012, a stage adaptation by Simon Stephens was produced by the National Theatre and went on to win 7 Olivier Awards in 2013 and the 2015 Tony Award for Best Play. In 2005 his poetry collection, The Talking Horse and the Sad Girl and the Village Under the Sea, was published by Picador, and his play, Polar Bears, was produced by the Donmar Warehouse in 2010. The Pier Falls, a collection of short stories, was also published by Cape in 2016. To commemorate the centenary of the Hogarth Press he wrote and illustrated a short story that appeared alongside Virginia Woolf's first story for the press in Two Stories (Hogarth, 2017). His most recent novel, The Porpoise, was published by Chatto & Windus in 201

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NEW EDITION IN PAPERBACK to coincide with a new project to unveil a statue of the author in Richmond on Thames in 2022 "I ought to be grateful to Richmond & Hogarth, and indeed, whether it's my invincible optimism or not, I am grateful." - Virginia Woolf Although more commonly associated with Bloomsbury, Virginia and her husband Leonard Woolf lived in Richmond-upon-Thames for ten years from the time of the First World War (1914-1924). Refuting the common misconception that she disliked the town, this book explores her daily habits as well as her intimate thoughts while living at the pretty house she came to love - Hogarth House. Drawing on information from her many letters and diaries, as well as Leonard's autobiography, the editor reveals how Richmond's relaxed way of life came to influence the writer, from her experimentation as a novelist to her work with her husband and the Hogarth Press, from her relationships with her servants to her many famous visitors.

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Virginia Woolf, figurehead of the Bloomsbury Group and an innovative writer whose experimental style and lyrical prose ensured her position as one of the most influential of modern novelists, was also firmly anchored in the reality of the houses she lived in and those she visited regularly. Detailed and evocative accounts appear in her letters and diaries, as well as in her fiction, where they appear as backdrops or provide direct inspiration. Hilary Macaskill examines the houses that meant the most to Woolf, including: 22 Hyde Park Gate, London – where Virginia Woolf was born in 1882 Talland House, St Ives, Cornwall – the summer home of Virginia’s family until 1895 46 Gordon Square, Bloomsbury, London – the birthplace of the Bloomsbury Group – Virginia lived here from 1904 to 1912 Hogarth House, Richmond, London – where the newly married Woolfs set up home and founded the Hogarth Press Asheham House, East Sussex – the summer home of the Woolfs, 1912-1919 52 Tavistock Square, London – a return to Bloomsbury, the heart of London Monk’s House, Rodmell, East Sussex – where Virginia lived from 1919 until her death in 1941

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