Search results for ""Harvard University Press""

A university press is a curious institution, dedicated to the dissemination of learning yet apart from the academic structure; a publishing firm that is in business, but not to make money; an arm of the university that is frequently misunderstood and occasionally attacked by faculty and administration. Max Hall here chronicles the early stages and first sixty years of Harvard University Press in a rich and entertaining book that is at once Harvard history, publishing history, printing history, business history, and intellectual history.The tale begins in 1638 when the first printing press arrived in British North America. It became the property of Harvard College and remained so for nearly half a century. Hall sketches the various forerunners of the “real” Harvard University Press, founded in 1913, and then follows the ups and downs of its first six decades, during which the Press published steadily if not always serenely a total of 4,500 books. He describes the directors and others who left their stamp on the Press or guided its fortunes during these years. And he gives the stories behind such enduring works as Lovejoy’s Great Chain of Being, Giedion’s Space, Time and Architecture, Langer’s Philosophy in a New Key, and Kelly’s Eleanor of Aquitaine and the Four Kings.

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In the 1960s, art patron Dominique de Menil founded an image archive showing the ways that people of African descent have been represented in Western art. Highlights from her collection appeared in three large-format volumes that quickly became collector’s items. A half-century later, Harvard University Press and the Du Bois Institute are proud to publish a complete set of ten sumptuous books, including new editions of the original volumes and two additional ones.The new edition of From the Pharaohs to the Fall of the Roman Empire offers a comprehensive look at the fascinating and controversial subject of the representation of black people in the ancient world. Classic essays by distinguished scholars are aptly contextualized by Jeremy Tanner’s new introduction, which guides the reader through enormous changes in the field in the wake of the “Black Athena” story.

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In the 1960s, art patron Dominique de Menil founded an image archive showing the ways that people of African descent have been represented in Western art. Highlights from her collection appeared in three large-format volumes that quickly became collector’s items. A half-century later, Harvard University Press and the Du Bois Institute are proud to publish a complete set of ten sumptuous books, including new editions of the original volumes and two additional ones.Slaves and Liberators looks at the political implications of the representation of Africans, from the earliest discussions of the morality of slavery, through the rise of abolitionism, to the imposition of European imperialism on Africa. Popular imagery and great works, like Gericault’s Raft of the Medusa and Turner’s Slave Ship, are considered in depth, casting light on widely differing European responses to Africans and their descendants.

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In the 1960s, art patron Dominique de Menil founded an image archive showing the ways that people of African descent have been represented in Western art. Highlights from her collection appeared in three large-format volumes that quickly became collector’s items. A half-century later, Harvard University Press and the Du Bois Institute are proud to publish a complete set of ten sumptuous books, including new editions of the original volumes and two additional ones.Europe and the World Beyond focuses geographically on peoples of South America and the Mediterranean as well as Africa—but conceptually it emphasizes the many ways that visual constructions of blacks mediated between Europe and a faraway African continent that was impinging ever more closely on daily life, especially in cities and ports engaged in slave trade.

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Agriculture is the largest economic sector in most countries of Latin American, Africa, and Asia, and the taxation of agricultural land is a potentially important instrument in the development policies of such nations. But there is a large gap between theory and practice, a gap that needs explaining. In addition, there have been interesting changes in thought on the role of such taxation in development. Richard M. Bird covers all this in a complete rethinking of the whole subject. His book is a distinguished successor to Haskell P. Wald’s classic study, Taxation of Agricultural Land in Underdeveloped Economics, published by Harvard University Press in 1959. With abundant evidence Bird argues that the tax system of each country, in order to be effective as a part of development policy, must be tailored carefully to peculiar circumstances and objectives of that country.

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More than twenty years after its original appearance in Italian, The Open Work remains significant for its powerful concept of "openness"--the artist's decision to leave arrangements of some constituents of a work to the public or to chance--and for its striking anticipation of two major themes of contemporary literary theory: the element of multiplicity and plurality in art, and the insistence on literary response as an interactive process between reader and text. The questions Umberto Eco raises, and the answers he suggests, are intertwined in the continuing debate on literature, art, and culture in general.This entirely new edition, edited for the English-language audience with the approval of Eco himself, includes an authoritative introduction by David Robey that explores Eco's thought at the period of The Open Work, prior to his absorption in semiotics. The book now contains key essays on Eco's mentor Luigi Pareyson, on television and mass culture, and on the politics of art. Harvard University Press will publish separately and simultaneously the extended study of James Joyce that was originally part of The Open Work, entitled The Aesthetics of Chaosmos: The Middle Ages of James Joyce. The Open Work explores a set of issues in aesthetics that remain central to critical theory, and does so in a characteristically vivid style. Eco's convincing manner of presenting ideas and his instinct for the lively example are threaded compellingly throughout. This book is at once a major treatise in modern aesthetics and an excellent introduction to Eco's thought.

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In the 1960s, art patron Dominique de Menil founded an image archive showing the ways that people of African descent have been represented in Western art. Highlights from her collection appeared in three large-format volumes that quickly became collector’s items. A half-century later, Harvard University Press and the Du Bois Institute are proud to publish a complete set of ten sumptuous books, including new editions of the original volumes and two additional ones.The much-awaited Artists of the Renaissance and Baroque has been written by an international team of distinguished scholars, and covers the sixteenth and seventeenth centuries. The rise of slavery and the presence of black people in Europe irrevocably affected the works of the best artists of the time. Essays on the black Magus and the image of the black in Italy, Spain, and Britain, with detailed studies of Rembrandt and Heliodorus’s Aethiopica, all presented with superb color plates, make this new volume a worthy addition to this classic series.

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A continuing, comprehensive and timely survey of the state of knowledge of ocean science, this distinguished series provides an overview of research frontiers as ocean science progresses. Areas covered include physical, biological, and chemical oceanography, marine geology, and geophysics and the interactions of the oceans with the atmosphere, the solid earth, and ice. Because ocean science is evolving so rapidly, straining the boundaries of traditional sub-disciplines, interdisciplinary topics have a special place in this series--including those topics related to the application of ocean science, for example, to ocean technology, marine operations, and the resources of the sea. As a treatise on advances and new developments, each topical volume starts with fundamentals and covers recent progress, so as to provide a balanced account of how oceanography is evolving.Previous volumes (1-13) in the series are now available from Harvard University Press.In the manifold, multidisciplinary efforts of science to understand and manage our planet, contemporary ocean science plays an essential role. Volumes 13 and 14 of the series The Sea focus on two of the most important components in the interdisciplinary field of ocean science today--the coastal ocean and its interactions with the deep sea, and coupled physical-biogeochemical and ecosystem dynamics. Comprehensive, definitive studies, these volumes chart the real progress being made by ocean scientists in achieving lasting scientific understanding; specifically, they address issues surrounding significant applications--for coastal regions and in general--such as: the development of monitoring and prediction systems; functionality and stability of ecosystems; eutrophication; harmful algae blooms; habitat modification; and regime shift.Intended as companion volumes to Volumes 10 and 11 on physical coastal oceanography, these studies of the global coastal ocean continue the series' overall effort to encourage and facilitate coastal and shelf ocean sciences and technology on a global basis.

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Emily Dickinson, poet of the interior life, imagined words/swords, hurling barbed syllables/piercing. Nothing about her adult appearance or habitation revealed such a militant soul. Only poems, written quietly in a room of her own, often hand-stitched in small volumes, then hidden in a desk drawer, revealed her true self. She did not live in time, as did that other great poet of the day, Walt Whitman, but in universals. As she knowingly put it: “There is one thing to be grateful for—that one is one’s self and not somebody else.”Dickinson lived and died without fame: she saw only a few poems published. Her great legacy was later rescued from her desk drawer—an astonishing body of work revealing her acute, sensitive nature reaching out boldly from self-referral to a wider, imagined world. Her family sought publication of Dickinson’s poetry over the years, selecting verses, often altering her words or her punctuation, until, in 1955, the first important attempt was made to collect and publish Dickinson’s work, edited by Thomas H. Johnson for the Belknap Press of Harvard University Press.Now, after many years of preparation by Ralph W. Franklin, the foremost scholar of Dickinson’s manuscripts, a new comprehensive edition is available. This three-volume work contains 1,789 poems, the largest number ever assembled. The poems, arranged chronologically, based on new dating, are drawn from a range of archives, most frequently from holographs, but also from various secondary sources representing lost manuscripts. The text of each manuscript is rendered individually, including, within the capacity of standard type, Dickinson’s spelling, capitalization, and punctuation. Franklin gives Dickinson’s alternative readings for the poems, her revisions, and the line and page, or column, divisions in the source. Each entry identifies Franklin’s editorial emendations and records the publication history, including variants. Fourteen appendices of tables and lists give additional information, including poems attributed to Emily Dickinson. The poems are indexed by numbers from the Johnson edition, as well as by first lines.Franklin has provided an introduction that serves as a guide to this edition and surveys the history of the editing of Dickinson’s poems. His account of how Dickinson conducted her workshop is a reconstruction of a remarkable poetic life.

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The Image of the Black in African and Asian Art asks how the black figure was depicted by artists from the non-Western world. Beginning with ancient Egypt—positioned properly as part of African history—this volume focuses on the figure of the black as rendered by artists from Africa, East Asia, and the Indian subcontinent. The aesthetic traditions illustrated here are as diverse as the political and social histories of these regions. From Igbo Mbari sculptures to modern photography from Mali, from Indian miniatures to Japanese prints, African and Asian artists portrayed the black body in ways distinct from the European tradition, even as they engaged with Western art through the colonial encounter and the forces of globalization.This volume complements the vision of art patrons Dominique and Jean de Menil who, during the 1960s, founded an image archive to collect the ways that people of African descent have been represented in Western art from the ancient world to modern times. A half‐century later, Harvard University Press and the Hutchins Center for African and African American Research completed the historic publication of The Image of the Black in Western Art—ten books in total—beginning with Egyptian antiquities and concluding with images that span the twentieth century. The Image of the Black in African and Asian Art reinvigorates the de Menil family’s original mission and reorients the study of the black body with a new focus on Africa and Asia.

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Krevza’s Defense, on the Uniate side, and Kopystens’kyj’s Palinodia (1621), a defense of the Eastern Church, are perhaps the most illuminating works on the debate that culminated at the time of the Union of Brest (1596), when much of the Ruthenian ecclesiastical hierarchy declared itself in communion with the Roman Catholic Church.

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For Descartes, knowledge exists as ideas in the mind that represent the world. In a radical critique, Hubert Dreyfus and Charles Taylor argue that knowledge consists of much more than the representations we formulate in our minds. They affirm our direct contact with reality—both the physical and the social world—and our shared understanding of it.

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Natural-law theory grounds human laws in universal truths of God’s creation. The task of the judicial system was to build an edifice of positive law on natural law’s foundations. R. H. Helmholz shows how lawyers and judges made and interpreted natural law arguments in the West, and concludes that historically it has advanced the cause of justice.

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After 2008, private-sector spending took a decade to recover. Yair Listokin thinks we can respond more quickly to the next meltdown by reviving and refashioning a policy approach, used in the New Deal, to harness law’s ability to function as a macroeconomic tool, stimulating or relieving demand as required under certain crisis conditions.

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How did a Jewish state come to resonate profoundly with Americans in the twentieth century? Since WWII, Israel’s identity has been entangled with America’s belief in its own exceptionalism. Turning a critical eye on the two nations’ turbulent history together, Amy Kaplan unearths the roots of controversies that may well divide them in the future.

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Returns—third in a trilogy—explores the ways people recover and renew their roots. James Clifford looks at native peoples who have become not victims but inventive agents of a tangled, open-ended modernity. Their returns to the land, performances of heritage, and diasporic ties are strategies for moving toward “traditional futures.”

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Epstein offers a sophisticated agenda for comprehensive social reform that undoes much of the mischief of the modern regulatory state. At a time when most Americans have come to distrust government at all levels, Epstein shows how a consistent application of economic and political theory allows us to steer between too much and too little.

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What are the possibilities and limits of historical knowledge? This book explores these issues through a study of the Zuozhuan, a foundational text in the Chinese tradition, whose rhetorical and analytical self-consciousness reveals much about the contending ways of thought unfolding during the period of the text's formation.

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Within a growing scholarly literature devoted to the topics of biography and autobiography, especially in the Arabic literary tradition, the essays in this volume explore the forms and meanings of these genres with particular reference to Persian writings, as well as to writings in Arabic and Turkish that were also composed in Persianate societies.

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Brian Steininger revisits Japan’s mid-Heian court of the Tale of Genji and the Pillow Book, where literary Chinese was not only the basis of official administration, but also a medium for political protest, sermons of mourning, and poems of celebration.

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A work of exceptional ambition by the founder of modern economic sociology, this first full account of Mark Granovetter’s ideas stresses that the economy is not a sphere separate from other human activities but is deeply embedded in social relations and subject to the same emotions, ideas, and constraints as religion, science, politics, or law.

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In 11 comprehensive essays and over 500 encyclopedic entries, an international cast of experts provides the latest scholarship and fresh perspectives on the history and culture of late antiquity, an era marked by the rise of two world religions, unprecedented political upheavals, and the creation of art of enduring glory.

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Elementary Logic has been noted since 1941 for scope and rigor. Quine provides techniques for the central business of modern logic, explaining formal concepts, treating the paraphrasing of words into symbols, and giving procedures for testing truth-function logic and proofing the logic of quantifiers. Fully one third of this revised edition is new.

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Though Hooker (1554–1600) is now known principally for his Laws of Ecclesiastical Polity, in his lifetime Tractates and Sermons brought greater notoriety. His views on justification, the perseverance of faith, and the relationship of the Church of Rome to the reformed Church of England were widely reported, and the tracts extensively circulated.

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Daniel Immerwahr tells how the United States sought to rescue the world from poverty through small-scale, community-based approaches. He also sounds a warning: such strategies, now again in vogue, have been tried before, alongside grander moderization schemes with often disastrous consequences as self-help gave way to crushing local oppression.

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After personal inquiry and study of hearsay and other evidence, Herodotus (born ca. 484 BC) gives us in his famous history of warfare between the Greeks and the Persians a not uncritical estimate of the best that he could find.

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In this work of political philosophy, Cohen sets out to rescue the egalitarian thesis that in a society where distributive justice prevails, people’s material prospects are roughly equal. Arguing against the Rawlsian version of a just society, Cohen demonstrates that distributive justice does not tolerate deep inequality.

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In this book, Casanova shows us the state of world literature behind the stylistic refinements—a world of letters relatively independent from economic and political realms, and in which language systems, aesthetic orders, and genres struggle for dominance.

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Tells the history of how the United States government, along with private philanthropies like the Ford and Rockefeller foundations, aimed to win the hearts and bodies of rural Asia in the post World War II decades by crafting strategies to develop and modernize agriculture and the peasant's way of life.

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This book presents evidence by leading economists of the effects of taxes on the formation of businesses, the supply of labor, the form of executive compensation, the accumulation of wealth, the allocation of portfolios, and the realization of capital gains.

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This book looks beyond the usual explanations of why sports fascinates, and also strives for a language that can frame the pleasure we take in watching athletic events. Gumbrecht argues that the fascination with watching sports is probably the most popular and potent contemporary form of aesthetic experience.

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In a new retelling of the romantic rationalist adventure of ideas that is Hegel’s classic The Phenomenology of Spirit, Robert Brandom argues that when our self-conscious recognitive attitudes take Hegel’s radical form of magnanimity and trust, we can overcome a troubled modernity and enter a new age of spirit.

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Nearly 3% of the world’s population no longer live in the country where they were born. George Borjas synthesizes the theories, models, and econometric methods used to identify the causes and consequences of international labor flows, and lays out with clarity a full spectrum of topics with crucial implications for framing debates over immigration.

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Jonathan A. Silk provides the most comprehensive philological accounting of this fundamental work of Indian Buddhist philosopher Vasubandhu. The edition and translation of the Sanskrit text includes core verses and author commentary based directly on manuscript evidence, accompanied by texts from the Tibetan Tanjurs and a manuscript from Dunhuang.

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In his epigrams, Martial is a keen, sharp-tongued observer of Roman scenes and events, including the new Colosseum, country life, a debauchee’s banquet, and the eruption of Vesuvius. His poems are sometimes obscene, in the tradition of the genre, sometimes affectionate or amusing, and always pointed.

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Lilio Gregorio Giraldi authored many works on literary history, mythology, and antiquities. Among the most famous are his dialogues, modeled on Cicero’s Brutus, translated here into English for the first time. The work gives a panoramic view of European poetry in the late fifteenth and early sixteenth century, concentrating above all on Italy.

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Around 1500 A.D., an African farmer planted a maize seed imported from the New World. That act set in motion the remarkable saga of one of the world’s most influential crops. This compelling history offers insight into the profound influence of maize on African culture, health, technological innovation, and the future of the world’s food supply.

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Emerson remains one of America’s least understood writers, having spawned neither school nor follower. Those wishing to discover or reacquaint themselves with Emerson’s writings but who have not known where or how to begin will not find a better starting place or more reliable guide than David Mikics in this richly illustrated Annotated Emerson.

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The salmagundi of prose poems, musings, criticism, and reflections that is Divagations is a treasure trove for students of aesthetics and modern poetry. The only book of prose Mallarmé published in his lifetime, it is now available for the first time in English just as he arranged it, in all of its languor and musicality.

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Scientists charged with producing a map of the earth during the last ice age ultimately confirmed the theory that the earth's irregular orbital motions account for the bizarre climatic changes which bring on ice ages. This book tells the story of those periods—what they were like, why they occurred, and when the next ice age is due.

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Philology—the discipline of making sense of texts—is enjoying a renaissance within academia. World Philology charts the evolution of philology across the many cultures and time periods in which it has been practiced and demonstrates how this branch of knowledge, like philosophy and mathematics, is essential to human understanding.

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Progymnasmata, exercises in the study of declamation, were the cornerstone of elite education from Hellenistic through Byzantine times. The Rhetorical Exercises of Nikephoros Basilakes, translated here into English for the first time, illuminate teaching and literary culture in one of the most important epochs of the Byzantine Empire.

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