Search results for ""Harvard Graduate School of Design""

The rural, remote, and wild territories we call “countryside”, or the 98% of the earth’s surface not occupied by cities, make up the front line where today’s most powerful forces—climate and ecological devastation, migration, tech, demographic lurches—are playing out. Increasingly under a ‘Cartesian’ regime—gridded, mechanized, and optimized for maximal production—these sites are changing beyond recognition. In his latest publication, Rem Koolhaas explores the rapid and often hidden transformations underway across the Earth’s vast non-urban areas.Countryside, A Report gathers travelogue essays exploring territories marked by global forces and experimentation at the edge of our consciousness: a test site near Fukushima, where the robots that will maintain Japan’s infrastructure and agriculture are tested; a greenhouse city in the Netherlands that may be the origin for the cosmology of today’s countryside; the rapidly thawing permafrost of Central Siberia, a region wrestling with the possibility of relocation; refugees populating dying villages in the German countryside and intersecting with climate change activists; habituated mountain gorillas confronting humans on ‘their’ territory in Uganda; the American Midwest, where industrial-scale farming operations are coming to grips with regenerative agriculture; and Chinese villages transformed into all-in-one factory, e-commerce stores, and fulfillment centers.This book is the official companion to the Guggenheim Museum exhibition Countryside, The Future. The exhibition and book mark a new area of investigation for architect and urbanist Rem Koolhaas, who launched his career with two city-centric entities: The Office for Metropolitan Architecture (1975) and Delirious New York (1978). It’s designed by Irma Boom, who drew inspiration for the book’s pocket-sized concept, as well as its innovative typography and layout, from her research in the Vatican library.The book brings together collaborative research by AMO, Koolhaas, and students at the Harvard Graduate School of Design; the Central Academy of Fine Arts, Beijing; Wageningen University in the Netherlands; and the University of Nairobi. Contributors also include Samir Bantal, Janna Bystrykh, Troy Conrad Therrien, Lenora Ditzler, Clemens Driessen, Alexandra Kharitonova, Keigo Kobayashi, Niklas Maak, Etta Madete, Federico Martelli, Ingo Niermann, Dr. Linda Nkatha Gichuyia, Kayoko Ota, Stephan Petermann, and Anne M. Schneider.

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Combining the talents of an architect, artist, and developer, John Portman was able to embark on a series of large-scale building projects-megastructures-that radically redefined the relationship of architecture to the city and its citizens.Portman's own voice and ideas complement the contributions of others, including new photographs by Iwan Baan, to present a more complex and nuanced reading of both the architect and his architecture.Finally, the repertoire of Portman's buildings is analyzed in meticulous detail and used by a group of students from the Harvard Graduate School of Design as a catalyst for a host of divergent and new architectural speculations.

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Urban Grids: Handbook for Regular City Design is the result of a five-year design research project undertaken by professor Joan Busquets and Dingliang Yang at the Harvard Graduate School of Design. The research that is the foundation for this publication emphasises the value of open forms for city design, a publication that specifically insists that the grid has the unique capacity to absorb and channel urban transformation flexibly and productively. Urban Grids analyses cities and urban projects that utilise the grid as the main structural device for allowing rational development, and goes further to propose speculative design projects capable of suggesting new urban paradigms drawn from the grid as a design tool. Text in Spanish.

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When it comes to golf course design, Robert Muir Graves and Geoffrey S. Cornish are true masters. Over the past few decades, they have produced every type of course imaginable: long and short, entry level and upscale, courses built on ocean bluffs and swamps, courses located in the United States and around the world. Now, drawing on this vast experience and their popular golf course design seminars held at the Harvard Graduate School of Design and nationwide for the Golf Course Superintendents Association of America, Graves and Cornish share a wealth of expertise on all aspects of design and construction in this outstanding book. Golf Course Design covers all of the major historic, aesthetic, business, and technical issues of the subject-- from course layout, hole design, drainage, irrigation, and turf-grass selection to planning, financing, construction, and environmental considerations.

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Architectural exhibition is an important aspect in the study and transmission of architectural culture. The academic thoughts and design styles that influence the trends of global architecture are all established through one or a series of important architectural exhibitions. This book is produced based on the GSD (Harvard Graduate School of Design) autumn exhibition: 'Towards a Critical Pragmatism: Contemporary Chinese Architecture'. It reveals a unique perspective of contemporary Chinese architecture by showcasing 60 works from 60 contemporary architects within five thematic categories: cultural, residential, regeneration, rural, and digital. The selected architects attempt to maintain, from the earliest moments of the design process to its finished outcome, a certain level of critical thinking and quality. It is a record of the continuous evolution and growth of contemporary Chinese architecture and hopes to open up a new avenue from which to encourage further conversation regarding both the present and future state of China's architecture culture.

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In this collection of idiosyncratic lessons, architect and teacher Pier Paolo Tamburelli engages with the very foundations of arch-itecture, proposing a series of new and open-ended perspectives on how we build the world. Developed for the 'Grundkurs', or 'basic course', at Vienna Technical University, Tamburelli's lessons are presented through the annotated sketches that form the basis of his lectures - variously rough and precise, sarcastic and sincere, and always uniquely expressive. This volume is a rich visual sourcebook of architectural ideas that form an accessible and discursive introduction to the discipline - one which pauses on the road to grand theories to learn from the intuitive processes of notetaking, drawing, and association. Tamburelli's lessons are based around a series of dialectic couples, including Roof/Wall, Shelter/Memory, and Language/Action. The pairs are experimental and often provocative, offering a framework to be used to climb in the direction of architecture. Tamburelli trusts in the capacity of images to suspend the restraints of more rigorous theoretical approaches, embraces the flexible wisdom of the note, and relishes the intrigue of the cryptic messages we leave for ourselves. Reproduced here in their entirety, these eight lessons offer countless routes towards, through, and around architecture, providing newcomers and experts alike with an intimate and refreshing encounter with a millennia-old discipline. With an introduction by the author and a text by Mark Lee, Chair of the Department of Architecture at Harvard Graduate School of Design

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Founded in 2004 and based in Shanghai and London, neri & hu design and research office works internationally providing architecture, interior, master planning, graphic, and product design services. They work on projects in many countries with a multi-cultural staff. This diversity emphasises the firm's vision to respond to a global worldview incorporating overlapping design disciplines. This first ever book on neri & hu design and research office documents a selection of their work in architecture and product design. With a lavishly illustrated beautiful design concept, it is structured in three sections: Buildings features seven renovation projects in Shanghai, complete refurbishments as well as interior redesigns. Products presents four designs for household goods and furniture. Projects documents ongoing and unrealized architectural work in Florida, London, Shanghai, and Kuala Lumpur. An introduction and a topical essay on renovation as well as an overview of neri & hu design and research office's projects to date round out the book. Lyndon Neri studied architecture at University of California, Berkeley, and Harvard Graduate School of Design. Before founding his own firm with Rossana Hu he has been working for more than ten years with Princeton-based Michael Graves & Associates and various architectural firms in New York. Rossana Hu studied architecture and music at University of California, Berkeley, and Princeton University. She worked with Michael Graves & Associates and Ralph Lerner Architect in Princeton; Skidmore, Owings & Merrill in New York; and The Architects Collaborative (TAC) in San Francisco before founding neri & hu design and research office.

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A comprehensive playbook for applied design thinking in business and management, complete with concepts and toolkits As many companies have lost confidence in the traditional ways of running a business, design thinking has entered the mix. Design Thinking for Strategic Innovation presents a framework for design thinking that is relevant to business management, marketing, and design strategies and also provides a toolkit to apply concepts for immediate use in everyday work. It explains how design thinking can bring about creative solutions to solve complex business problems. Organized into five sections, this book provides an introduction to the values and applications of design thinking, explains design thinking approaches for eight key challenges that most businesses face, and offers an application framework for these business challenges through exercises, activities, and resources. An essential guide for any business seeking to use design thinking as a problem-solving tool as well as a business method to transform companies and cultures The framework is based on work developed by the author for an executive program in Design Thinking taught in Harvard Graduate School of Design Author Idris Mootee is a management guru and a leading expert on applied design thinking Revolutionize your approach to solving your business's greatest challenges through the power of Design Thinking for Strategic Innovation.

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In the period following the Second World War, the Architectural Association (AA) became the only British school of architecture of truly global renown. It was one of only two schools in the world which fully embraced and promoted the pedagogical ideals put forward by CIAM (Congrès Internationaux d’Architecture Moderne) — the other being Walter Gropius’s Harvard Graduate School of Design — and emerged as an admired example for architectural education in other countries. Many of the most famous British architects and critics of the past 60 years attended the AA, including Ahrends, Burton + Koralek, Alan Colquhoun and John Miller, Jeremy Dixon and Edward Jones, Frank Duffy, Eldred Evans, Kenneth Frampton, Bill Howell, John Killick, Robert Maguire, Cedric Price, Graeme Shankland and Oliver Cox, Quinlan Terry, John Voelcker, and almost a dozen recipients of the RIBA Gold Medal, viz. Neave Brown, Peter Cook, Edward Cullinan, Philip Dowson, Nicholas Grimshaw, Michael and Patricia Hopkins, Powell + Moya, Richard Rogers, and Joseph Rykvert.The book traces the history of the school from the end of the war until the mid-1960s, when it surrendered its position as the pacemaker in British architectural education in order to safeguard its institutional independence. Alvin Boyarsky, who became chairman in 1971, remodelled the AA as a postmodern, ‘internationalist’ school and detached it from its modernist, British origins. In keeping with this (and partly as a result of it), there has been no research into the AA’s postwar history, which remains dominated by myths and half-truths. The book replaces these myths with an in-depth account of what really happened.

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Fusion: The Performance of Architecture explores the work of award-winning, Boston-based architecture firm Payette, a leader in the design of complex settings for science and healthcare. Payette’s work embodies the integration of design and performance that is essential to the creation of humane and sustainable buildings of any type. To achieve this integration amidst the programmatic intricacy, technological complexity, and intense energy use of hospitals and laboratories, the firm draws on its almost ninety-year history of progressive innovation. It draws, as well, on an inclusive, collaborative, research-oriented culture that is a model for the profession. Fusion presents Payette’s philosophy and traces the firm’s contributions through concise histories of laboratory and hospital design. It explores the core principles that underlie its work - Identity and Transformation, Materiality and Craft, Taming Complexity and Measuring Performance - and digs deeply into seven of the firm’s most recent projects. Other chapters describe the process of nurturing the design excellence and practice culture that earned Payette the 2019 AIA Architecture Firm Award. The monograph’s 400 diagrams, drawings, and photographs reveal the firm’s principles and methods, along with the open-source tools it has developed to enable it to design, not “by the numbers,” but with the numbers. A gallery of architectural “fingerprints” presents plan views of more than 100 of Payette’s projects, drawn to a common scale. With a preface by Z Smith, Director of Sustainability and Building Performance at EskewDumezRipple, and an introduction from Kevin Sullivan, President of Payette, Fusion includes essays by Sullivan and partners James Collins, George Marsh, Leon Drachman, Andrea Love and Peter Vieira, as well as a critical reflection by Mark Lee, Chair of the Department of Architecture at the Harvard Graduate School of Design.

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Elements of Architecture focuses on the fragments of the rich and complex architectural collage. Window, façade, balcony, corridor, fireplace, stair, escalator, elevator and toilet: the book seeks to excavate the micro-narratives of building detail. The result is no single history, but rather the web of origins, contaminations, similarities, and differences in architectural evolution, including the influence of technological advances, climatic adaptation, political calculation, economic contexts, regulatory requirements, and new digital opportunities. It’s a guide that is long overdue—in Koolhaas’s own words, “Never was a book more relevant—at a moment where architecture as we know it is changing beyond recognition.” Derived, updated, and expanded from Koolhaas’s exhaustive and much-lauded exhibition at the 2014 Venice Architecture Biennale, this is an essential toolkit to understanding the fundamentals that comprise structure around the globe. Designed by Irma Boom and based on research from the Harvard Graduate School of Design, the 2,600-page monograph contains essays from Rem Koolhaas, Stephan Trueby, James Westcott and Stephan Petermann; interviews with Werner Sobek and Tony Fadell (of Nest); and an exclusive photo essay by Wolfgang Tillmans. In addition to comprehensively updated texts and new images, this edition is designed and produced to visually (and physically) embody the immense scope of its subject matter: Custom split-spine binding: our printer modified their industrial binding machine to allow for the flexible, eight-centimeter thick spine Contains a new introductory chapter with forewords, table of contents, and an index, located in the middle of the book (where it naturally opens due to its unique spine) Printed on 50g Opakal paper, allowing for the ideal level of opacity needed to realize Boom’s palimpsest-like design Translucent overlays and personal annotations by Koolhaas and Boom are woven in each chapter to create an alternative, faster route through the book Printed at the originally intended 100% size for full readability

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The first book dedicated to the career of the preeminent American architect, Henry N. Cobb. As a builder, teacher, and mentor, Henry N. Cobb has been one of the most eloquent voices in architecture for well over half a century. A founding partner of Pei Cobb Freed & Partners, where he has worked actively and continuously since its inception in 1955, his practice encompasses a wide variety of building types, with projects across the world that resound in the public imagination. Cobb's sensitivity to place and use generate surprising and unparalleled forms in educational and civic buildings - such as the Portland Museum of Art in Maine, the Anderson School of Management at UCLA, the John Joseph Moakley U.S. Courthouse in Boston, and Palazzo Lombardia in Milan - or in corporate and commercial projects, such as the John Hancock Tower in Boston, Fountain Place Tower in Dallas, Tour EDF at La Défense in Paris, and Four Seasons Hotel and Residences at One Dalton, now under construction in Boston. Henry N. Cobb: Words & Works 1948-2018 is his first book, uniquely combining poetic analyses of his distinguished works with essays and lectures that cover topics about architecture's past, present, and future. His voice is complemented by interviews and discussions with Michael Graves, Robert A.M. Stern, Hal Foster, Charles Gwathmey, Paolo Conrad Bercah, Cynthia Davidson, Peter Eisenman, Mark Pasnik, and John Hejduk. Handsomely designed by OverUnder, this book is packaged in a portable size evocative of the Library of America series. A longtime educator--and chair of the Harvard Graduate School of Design from 1980 to 1985 - Cobb takes up his extensive subject matter in a thoughtful and engaging manner. To anyone interested in the development of American architecture in its transition from modernism to postmodernism and into the era of high-tech starchitecture, there are a number of treasures here to discover. Henry N. Cobb is a landmark survey - in words and works - of one of the great architects of our time.

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A rethinking of the Henri Lefebvre's hypothesis that society has been completely urbanised. "I'll begin with the following hypothesis: society has been completely urbanized." - Henri Lefebvre, La révolution urbaine (1970) In 1970, Henri Lefebvre put forward the radical hypothesis of the complete urbanisation of society, a circumstance that in his view required a radical shift from the analysis of urban form to the investigation of the urbanisation processes. Drawing together classic and contemporary texts on the 'urbanisation question', this book explores various theoretical, epistemological, methodological and political implications of Lefebvre's hypothesis. It assembles a series of analytical and cartographic interventions that supersede inherited spatial ontologies (urban/rural, town/country, city/non-city, society/nature) in order to investigate the uneven implosions and explosions of capitalist urbanisation across places, regions, territories, continents and oceans up to the planetary scale. Neil Brenner is Professor of Urban Theory at the Harvard Graduate School of Design (GSD). His writing and teaching focus on the theoretical, conceptual, methodological and cartographic dimensions of urban questions. His work builds upon, and seeks to extend, the fields of critical urban and regional studies, comparative geopolitical economy and radical sociospatial theory. Major research foci include processes of urban and regional restructuring and uneven spatial development; the generalisation of capitalist urbanisation; the problem of spatial visualisation in urban studies; and processes of state spatial restructuring, with particular reference to the remaking of urban governance configurations under neoliberalising capitalism. In 2014, Brenner was selected as a Thompson Reuters Highly Cited Researcher (www.highlycited.com). Based on Web of Science data, his publications were ranked among the top 1% most cited globally in the general social sciences between 2002 and 2012. http://www.gsd.harvard.edu/person/neil-brenner/

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Just what is the “participatory condition”? It is the situation in which taking part in something with others has become both environmental and normative. The fact that we have always participated does not mean we have always lived under the participatory condition. What is distinctive about the present is the extent to which the everyday social, economic, cultural, and political activities that comprise simply being in the world have been thematized and organized around the priority of participation. Structured along four axes investigating the relations between participation and politics, surveillance, openness, and aesthetics, The Participatory Condition in the Digital Age comprises fifteen essays that explore the promises, possibilities, and failures of contemporary participatory media practices as related to power, Occupy Wall Street, the Arab Spring uprisings, worker-owned cooperatives for the post-Internet age; paradoxes of participation, media activism, open source projects; participatory civic life; commercial surveillance; contemporary art and design; and education. This book represents the most comprehensive and transdisciplinary endeavor to date to examine the nature, place, and value of participation in the digital age. Just as in 1979, when Jean-François Lyotard proposed that “the postmodern condition” was characterized by the questioning of historical grand narratives, The Participatory Condition in the Digital Age investigates how participation has become a central preoccupation of our time. Contributors: Mark Andrejevic, Pomona College; Bart Cammaerts, London School of Economics and Political Science (LSE); Nico Carpentier, Vrije Universiteit Brussel (VUB – Free University of Brussels) and Charles University in Prague; Julie E. Cohen, Georgetown University; Kate Crawford, MIT; Alessandro Delfanti, University of Toronto; Christina Dunbar-Hester, University of Southern California; Rudolf Frieling, California College of Arts and the San Francisco Art Institute; Salvatore Iaconesi, La Sapienza University of Rome and ISIA Design Florence; Jason Edward Lewis, Concordia University; Rafael Lozano-Hemmer; Graham Pullin, University of Dundee; Trebor Scholz, The New School in New York City; Cayley Sorochan, McGill University; Bernard Stiegler, Institute for Research and Innovation in Paris; Krzysztof Wodiczko, Harvard Graduate School of Design; Jillian C. York.

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The rural, remote, and wild territories we call “countryside”, or the 98% of the earth’s surface not occupied by cities, make up the front line where today’s most powerful forces—climate and ecological devastation, migration, tech, demographic lurches—are playing out. Increasingly under a ‘Cartesian’ regime—gridded, mechanized, and optimized for maximal production—these sites are changing beyond recognition. In his latest publication, Rem Koolhaas explores the rapid and often hidden transformations underway across the Earth’s vast non-urban areas.Countryside, A Report gathers travelogue essays exploring territories marked by global forces and experimentation at the edge of our consciousness: a test site near Fukushima, where the robots that will maintain Japan’s infrastructure and agriculture are tested; a greenhouse city in the Netherlands that may be the origin for the cosmology of today’s countryside; the rapidly thawing permafrost of Central Siberia, a region wrestling with the possibility of relocation; refugees populating dying villages in the German countryside and intersecting with climate change activists; habituated mountain gorillas confronting humans on ‘their’ territory in Uganda; the American Midwest, where industrial-scale farming operations are coming to grips with regenerative agriculture; and Chinese villages transformed into all-in-one factory, e-commerce stores, and fulfillment centers. This book is the official companion to the Guggenheim Museum exhibition Countryside, The Future. The exhibition and book mark a new area of investigation for architect and urbanist Rem Koolhaas, who launched his career with two city-centric entities: The Office for Metropolitan Architecture (1975) and Delirious New York (1978). It’s designed by Irma Boom, who drew inspiration for the book’s pocket-sized concept, as well as its innovative typography and layout, from her research in the Vatican library. The book brings together collaborative research by AMO, Koolhaas, and students at the Harvard Graduate School of Design; the Central Academy of Fine Arts, Beijing; Wageningen University in the Netherlands; and the University of Nairobi. Contributors also include Samir Bantal, Janna Bystrykh, Troy Conrad Therrien, Lenora Ditzler, Clemens Driessen, Alexandra Kharitonova, Keigo Kobayashi, Niklas Maak, Etta Madete, Federico Martelli, Ingo Niermann, Dr. Linda Nkatha Gichuyia, Kayoko Ota, Stephan Petermann, and Anne M. Schneider.

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