Search results for ""Goose Lane Editions""

The Stunted Strong is a new edition of the first book published by Fiddlehead Poetry Books, the company that became Goose Lane Editions. Fred Cogswell, its author, was also the company's founder. The Stunted Strong is a sixteen-sonnet chapbook. The first and last poems create a context for the fourteen inner sonnets, each of which is a vivid sketch of an inhabitant of a rural community in the St. John River valley. The sequence portrays country people confined by frustration, obsession, and small victories, and it expresses in their characters the illimitable dreams and thwarting limitations of the human condition. The publication of the second edition of The Stunted Strong marks Goose Lane's 50th anniversary and commemorates Fred Cogswell's lifelong devotion to poetry. The text is introduced by Robert Gibbs, Cogswell's friend, colleague, and fellow poet. Designed and printed by Gaspereau Press, the new edition of The Stunted Strong is a work of art in its own right.

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Douglas Lochhead is one of Canada's finest poets. In celebration of his eightieth birthday, Goose Lane Editions is releasing Weathers: Poems New and Selected, a collection of the best of Lochhead's work from the last fifteen years. Douglas Lochhead's poetic imagination receives its greatest stimulus from what his senses tell him about nature and other people, and his poetry overflows with energy. Sharp observation of detail anchors his passionate sense of place; subtle irony and masterful form barely contain his uncompromising honesty and strong emotions; and his command of the poet's craft guides his attacks on the boundaries of meaning. The contrast he achieves between tightly controlled form and constantly moving, dynamic imagery yields the clean, precise poetry that his readers have valued so highly over his more than 50-year career. Lochhead began his career in the 1940s, publishing his poems in literary journals. His first book, The Heart is on Fire was published in 1959, and in the next two decades he published eight more books of poetry. In 1980, his landmark collection High Marsh Road was nominated for a Governor General's Award. In 1986, Goose Lane Editions published Tiger in the Skull: New and Selected Poems, 1959-1986, Since that time, Douglas Lochhead has published four major collections: Upper Cape Poems, a testament to his fascination with the Tantramar Marsh; Homage to Henry Alline, a tribute to an 18th-century evangelist; Breakfast at Mel's, superbly crafted poems about the magic of place, and the rewards of observation; and Cape Enragé, poems written on the wild shore of the Bay of Fundy. In the award-winning art book Dykelands, his austere nature poems accompany Thaddeus Holownia's large-format photographs. He has also published All Things Do Continue, Yes, Yes, Yes!, and Black Festival, a beautiful memorial to his wife. For Weathers, Douglas Lochhead has collaborated with editor David Creelman, who teaches Atlantic literature at the University of New Brunswick, Saint John. Together, they have gathered the strongest works from Lochhead's books, new poems published in literary journals, and previously unpublished poems to create the quintessential collection of Lochhead's writing.

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Shortlisted, Independent Publishers Book Award, Performing ArtsA book that gets to the heart of the matter! Whether you're a professional musician or an air guitarist, a collector or a true amateur, this book will shake things up! The Top 100 Canadian Singles — brought to you by Bob Mersereau and Goose Lane Editions, the team that assembled the controversial, much discussed, best-selling volume, The Top 100 Canadian Albums. The Top 100 Canadian Singles will undoubtedly stir the souls, ears, and tongues of music lovers everywhere. And answer the question, for better or for worse. Once again, Bob Mersereau has assembled a blue ribbon panel of musicians, broadcasters, reviewers, managers, promoters, record-label executives, retailers, roadies, and more to cast their votes in a major, nationwide poll. John Roberts, Canada's original VJ; Joel Plaskett; Sarah Slean; the late Paul Quarrington; CBC's Stuart McLean; Sam Roberts; Sophie Durocher; and Eric Trudel all contributed lists — along with hundreds more. Whose single will make it to the top 10? The top 40? The top 100? Neil or Leonard? Feist or Alanis? k.d. lang or Stompin' Tom? The Guess Who or Arcade Fire? Gilles Vigneault or k-os? This oversized, full colour book features in-depth interviews with musicians, fascinating facts, musician-penned sidebars, documentary photographs, cover art, and much, much more.

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Tracking Dr. Lonecloud: Showman to Legend Keeper, by Ruth Whitehead, Nova Scotia Museum ethnologist, is a book that includes the memoir of Jerry Lonecloud, a Mi'kmaw hunter, healer, and showman. Co-published by Goose Lane Editions and the Nova Scotia Museum, the book offers to readers, for the first time, the earliest known Mi'kmaw memoir. Jerry Lonecloud was born Germain Laksi, on 4 July 1852 in Belfast, Maine, to Mi'kmaw parents from Nova Scotia. As a youth, he lived in Vermont. Orphaned at the age of fourteen, he set out on a two-year adventure to bring his two brothers and one sister back to Nova Scotia. Trained in the use of herbal medicine by his parents, Laski fell easily into the role of Doctor Lonecloud in the American medicine shows of the 1880s, including Healey and Bigelow's Kickapoo Indian Medicine Company, Buffalo Bill's Wild West Show, and his own company, the Kiowa Medicine Show, for which he made the medicines. During the rest of his remarkable life, he sold tonics in South America, prospected for gold, and guided sportsmen into the woods of Maritime Canada as they searched for moose and caribou. Hunter, healer, and showman, Lonecloud valued, studied, preserved, and passed on many of the traditional ways, stories, and natural medicines of his people. "During Doctor Lonecloud's travels, he gained a great amount of personal knowledge of different cultures, and in return he shared his vast knowledge of the Mi'kmaw people," notes Donald Julien, executive Director of the Confederacy of Mainland Mi'kmaq, in the book's preface. A researcher himself, Julien has found Lonecloud's name on hundreds of government documents in the provincial and national archives. "The story of his many trips from childhood, to when he left this world to join our ancestors, is very intriguing," said Julien. After Lonecloud met Harry Piers, curator of the Provincial Museum of Nova Scotia, in 1910, the two developed a friendship that continued until Lonecloud's death in 1930. Lonecloud's great knowledge of natural and social history is reflected in the specimens and artifacts he brought to the museum, and in Piers's meticulous notes on the information Lonecloud provided about the items. Near the end of his life, Lonecloud told journalist Clara Dennis his own story and a wealth of Mi'kmaw tales, oral histories, jokes and social customs, many previously undocumented. Unpublished until now, this treasure of information, recorded between 1923 and 1929, forms the basis of this book.

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The art of Donald Andrus defies categorization. Although principally known for his abstract paintings, Andrus has, throughout his career, combined his first love — drawing — with a deep engagement with colour, a desire for experimentation, a keen interest in the physical qualities of his materials, and the sensory experience of the viewer. Donald Andrus: The Shape of Desire brings together four major essays, including one by the artist, and more than eighty full-colour reproductions to assess a body of work that extends from abstract paintings to portraits. Roslyn Rosenfeld writes about Andrus’s early abstract work, Ihor Holubizky considers Andrus’s portraits, and Pan Wendt revisits Andrus’s contemporary abstract paintings. Taken together, the essays and images take full measure of the entirety of Andrus’s career and influences — from the landscapes of Greece and the poetry of George Seferis to the cinematic works of Andrei Tarkovsky and the pioneering work of contemporary German artists Gerhard Richter and Anselm Kiefer. Donald Andrus has been painting for over thirty-five years. His work has been exhibited at galleries and museums throughout Canada and may be found in both private and public collections. He has previously worked as a curator at the Beaverbrook Art Gallery, as a lecturer at the University of New Brunswick, and as a professor of art history at Concordia University. Andrus now lives and works in Charlottetown, Prince Edward Island.

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“Few fish have captured the souls and minds of men and women quite like wild Atlantic salmon.” — Bill Taylor, President, Atlantic Salmon FederationCelebrating 75 years of conservation, the Atlantic Salmon Treasury works as a “best of” for the influential Atlantic Salmon Journal. This fascinating volume includes a curated selection of articles and essays by some of North America’s best writers on the art and lore of the wild Atlantic salmon. Beginning in 1948, the Atlantic Salmon Journal began publishing information and conservation material about the “king of fish.” In 1975, it released a Treasury from its first 25 years. This new edition takes up where the earlier volume ended, tracing the rise of salmon angling as a sport and into the era of conservation and the catch-and-release movement. The result is a journey through time with acclaimed writers such as Harry Bruce, Joan Wulff, Wilfred Carter, Thomas McGuane.

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When the pandemic began in March 2020, Calgary emergency physician Heather Patterson was already feeling burnt out. Photography had always been a way of unwinding for her, and as the pandemic gathered speed, Patterson decided to begin chronicling it. Shadows and Light presents a selection of Patterson’s images, taking readers to the frontlines of the COVID-19 pandemic and giving them an illuminating, behind-the-scenes view of the real impact of the virus and the heroic front-line workers who have been fighting it for over two years.Patterson’s expert lens gives incredible insight into the life of healthcare workers — physicians, nurses, and hospital support staff — during the pandemic, and what patients experience when hospitalized with COVID. Yet, amid the isolation of lockdowns and a seemingly never-ending cycle of new restrictions associated with new variants, Patterson finds hope and a renewed sense of purpose in the resilience of the human spirit and the inspiring fortitude of Canada’s often invisible pandemic heroes.

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Over three generations, the Sobey family of Nova Scotia has demonstrated their discerning and enthusiastic commitment to Canadian art. Accompanying a major exhibition at the McMichael Canadian Art Collection and timed to coincide with the 20th anniversary of the prestigious Sobey Art Award, Generations tells the story of a visionary family and their engagement with Canadian and Indigenous art.This sweeping survey encompasses works by the beloved leaders of Canadian 20th-century art — the Group of Seven, Tom Thomson, David Milne, and Emily Carr — as well as offering a rich display of works by Cornelius Krieghoff, the Quebec Impressionists, Automatiste painters Jean Paul Riopelle and Paul-Émile Borduas, and Ukrainian Canadian artist William Kurelek, before moving onward to showcase leading contemporary artists. Among them are international artist Peter Doig, whose works draw on the legacies of Canadian art, and Indigenous artists Brenda Draney, Ursula Johnson, Kent Monkman, and Brian Jungen.Featuring more than 200 full-colour images, Generations includes an introduction by McMichael Chief Curator Sarah Milroy, essays by McMichael Executive Director Ian A.C. Dejardin, art historians Jocelyn Anderson, John Geoghegan, and Michèle Grandbois, and an interview with contemporary artist Kent Monkman.

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A comprehensive hiking guide to Atlantic Canada’s largest urban space, Trails of Halifax Regional Municipality, 3rd Edition, marks the arrival of a new compendium by the East Coast’s most accomplished hiker, Michael Haynes. Featuring 50 new and revamped trails, this updated edition contains Haynes’s latest recommendations for recreation within a city that’s seen significant changes to its landscape through both urban development and climate change.Featuring short, medium, and long trails (including several specifically recommended for winter hiking), Haynes’s latest trail guide holds the secret to a perfect Halifax daytrip for everyone from those looking to break in their first pair of hiking boots to experienced hikers. This family-friendly volume marks the first update to Haynes’s seminal Halifax trail guide series since 2010.

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Winner, New Brunswick Book Award (Non-Fiction)One Sunday afternoon in a tiny postage-stamp garden, James Mullinger made the life-altering decision to give it all up: the London pubs, bustling city streets, and a flourishing comedy career. But where in the world would he and his partner raise a family? The English countryside? Toronto? New York?Hmmm. How about St. John … sorry, Saint John, New Brunswick?Brit Happens chronicles Mullinger’s lifetime of adventures, from his beginnings as a shy and nervous kid collecting comedy records at the neighborhood video store, to rising through the ranks of GQ magazine and meeting his personal idols Jerry Seinfeld and Paul McCartney, to imagining the possibility of another life in Canada. From the highs and lows of London to beginning anew in New Brunswick, Brit Happens tells gut-busting stories of success and failure and the unpredictable grind of stand-up comedy. It also offers a laugh-out-loud look at life in Atlantic Canada from the region’s funniest outsider-turned-local.

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Winner, Evelyn Richardson Non-Fiction AwardFinalist, APMA Best Atlantic-Published Book Award and George Borden Writing for Change AwardAlexa McDonough’s impact on Canadian politics cannot be measured solely by election victories or seat tallies. As the first female leader of a mainstream Canadian political party, she helped transform Nova Scotian and Canadian politics. In the process, she transcended party affiliation and gender to become simply "Alexa" to Canadians across the country. In this authorized biography, veteran author Stephen Kimber chronicles Alexa’s life and political career and with it, weaves a narrative of the changing attitudes towards women in politics, from her early battles as the lone female MLA in a hostile Nova Scotian legislature to her leadership of the federal NDP to her role as senior stateswoman in Jack Layton’s shadow cabinet. Along the way, Kimber delves into McDonough’s personal life to uncover the origins of her political career: her upbringing in a wealthy family committed to progressive politics, her tightknit circles of female friends, her personal metamorphosis from "wife-of" to "leader-of," and her emergence as a political leader whose importance goes beyond partisan politics. The result is an engrossing story of one of Canada’s most beloved politicians, whose common touch and lifelong advocacy of progressive causes made her a significant player in Canadian public life.

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Finalist, Raymond Souster AwardIn this timely and powerful debut, Síle Englert explores what it is to feel othered in a world where everything is connected. Moving through time and memory — from childhood to motherhood, from historical figures and events to the precarious environment of the Anthropocene — Englert’s voice brims with grief while still holding space for whimsy.Juxtaposing unlikely metaphors and inchoate memories, these poems wander a timeline where Amelia Earhart’s bones call out from the past, an abandoned department store mannequin keeps an eye on the future, and spacecraft sing to each other through the dark: "we are only what we remember." Unearthing objects beautiful and bizarre, The Lost Time Accidents challenges the reader’s perceptions, finding empathy for the lost, the broken, and the overlooked.

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Winner, J.M. Abraham Atlantic Poetry AwardIn this experimental long poem sequence, Alyda Faber transforms the portrait poem into runic shapes, ice shelved, sculpted, louvered on a winter shoreline. Twenty years after her mother’s death, Faber untethers herself from the mother she thinks she knows with wild analogies: depicting her mother variously as King Lear’s Kent, a Camperdown elm, a black-capped chickadee, Neil Peart, Pope Innocent X, and a funnel spider. While embodying the passionate relationship between mother and daughter, Faber’s poems also expose the thorn in the flesh — the inability of mother and daughter to give each other what they most want to give. Endlessly discovered, yet ultimately unknowable, the poet’s mother is complex, mystifying, and unwavering: courageous in her decision to leave all that she knew behind; bewildering in her fidelity to a damaging marriage; steadfast in her devotion to a God who is at once adamant and the source of ephemeral beauty.

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Finalist, City of Vancouver Book Award 2019A man returns to Hoi An in his retirement to compose a poem honouring his parents. Two teenagers, ostracized in a private school, forge an unlikely bond. A son discovers the truth about his father's business ventures and his dreams of success. A young bride, isolated on a remote island with her new husband, finds community in a group of abalone divers.Taking the title for his debut collection of short fiction from the walled palace of Vietnam's Nguyen dynasty, Philip Huynh dives headfirst into the Vietnamese diaspora. In these beautifully crafted stories, crystalline in their clarity and immersive in their intensity, he creates a universe inhabited by the deprivations of war, the reinvention of self in a new and unfamiliar settings, and the tensions between old-world parents and new-world children. Rooted in history and tradition yet startlingly contemporary in their approach, Huynh's stories are sensuously evocative, plunging us into worlds so all-encompassing that we can smell the scent of orange blossoms and hear the rumble of bass lines from suburban car stereos.

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Facing the monumental issues of our time.In a 2012 performance piece, Rebecca Belmore transformed an oak tree surrounded by monuments to colonialism in Toronto's Queens Park into a temporary "non-monument" to the Earth.For more than 30 years, she has given voice in her art to social and political issues, making her one of the most important contemporary artists working today. Employing a language that is both poetic and provocative, Belmore's art has tackled subjects such as water and land rights, women's lives and dignity, and state violence against Indigenous people. Writes Wanda Nanibush, "by capturing the universal truths of empathy, hope and transformation, her work positions the viewer as a witness and encourages us all to face what is monumental."Rebecca Belmore: Facing the Monumental presents 28 of her most famous works, including Fountain, her entry to the 2005 Venice Biennale, and At Pelican Falls, her moving tribute to residential school survivors, as well as numerous new and in-progress works. The book also includes an essay by Wanda Nanibush, Curator of Indigenous Art at the AGO, that examines the intersection of art and politics. It will accompany an exhibition at the Art Gallery of Ontario scheduled from 12 July to 21 October 2018.Rebecca Belmore is one of Canada's most distinguished artists. She has won the Hnatyshyn Award (2009), the Governor General's Award in Visual and Media Arts (2013), and the Gershon Iskowitz Prize (2016). A member of Lac Seul First Nation, she was the first Aboriginal woman to represent Canada at the Venice Biennale. She has also participated in more than 60 one-person and group exhibitions around the world.

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In this intimate investigation of the artistic process, Lezli Rubin-Kunda explores the nuanced path of creative work and the way artists make sense of home and place within their art practice and their lives. Rubin-Kunda is a multidisciplinary artist who examines these issues in her own work. But in this book, she expands her horizons, travelling across Canada to talk to more than fifty practicing artists, including Amalie Atkins, Aganetha Dyck, Francois Morelli, Simon Frank, and Sharon Alward, about their work, their creative process, and the place of "home": in their work.What emerges from these thoughtful conversations are fascinating and unexpected orientations to place, ranging from deep connections to a specific childhood home, to more conscious adoptions of place, to somewhat fluid approaches in which the very concept of "home" seems to dissolve.Moving from physical landscapes to the geography of memories and recorded histories, from territories of emotion to social environments that condition and contribute to the idea of home, Rubin-Kunda touches on indigenous approaches to ancestral homelands, the land as physical place and emotional territory, the historic role of women in creating and taking care of "home," ideas of home disconnected from place, and liberating concepts of "homelessness." Woven through these encounters with other artists are Rubin-Kunda’s reflections on her own artistic path.Candid, empathetic, and insightful, At Home explores the creative process and the ways that artists find and create meaning within a fragmented contemporary landscape.

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First published in 1974, Mourir á Scoudouc emerged out of a period of cultural awakening. Chiasson's poems denounced the narrow limitations of the past and traced the lines of a fresh collective vision. The poems were lyrical, referentially modern, and steeped in the rhythms and forms that had emerged from the Americas, Europe, and India. Now, more than 40 years later, Herménégilde Chiasson is considered to be the father of Acadian modernism, and Mourir á Scoudouc is widely regarded as one of the foundational works of modern Acadian literature. Several of the poems, including the oft-anthologized long poem, "Eugénie Melanson," have now achieved iconic status, appearing frequently in books, magazines, and films in French and in English. To Live and Die in Scoudouc is the first English edition of this seminal collection. It replicates Chiasson's design of the 2017 edition and features his own photographs as well as his new introductory essay. Although several of the poems have been previously translated, To Live and Die in Scoudouc features fresh renditions by Jo-Anne Elder, who worked closely with Chiasson on the translations.

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Shortlisted, 2018 Democracy 250 Atlantic Book Award for Historical WritingSuggested Reading by the Hong Kong Veterans Commemorative AssociationNear the end of October 1941, a few hundred soldiers from New Brunswick were among the 1,975 Canadian troops who set sail from Vancouver to reinforce the British Colony of Hong Kong. Within two short months, after a hard-fought but disastrous battle against the Imperial Japanese Army, the island fell to the invaders on Christmas Day, and its defenders were ordered to surrender by the governor of Hong Kong. The survivors were taken captive.Based on the first-hand accounts of the author's father, Andrew "Ando" Flanagan, a rifleman from Jacquet River, NB, The Endless Battle explores the Battle of Hong Kong and its long aftermath, through the eyes of the soldiers. During their captivity, the POWs endured starvation, forced labour, and brutal beatings. They lived in deplorable conditions and many died from illness. But the soldiers stuck together, bound by their cameraderie, loyalty to King and Country, and collective desire to sabotage the Japanese war effort.Writing intimately and sensitively about the lingering effects of the trauma of the soldiers held in captivity, Andy Flanagan shows both the heroism of individual soldiers and the terrible costs of war.The Endless Battle is volume 24 in the New Brunswick Military Heritage Series.

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In 1943, the New Brunswick Rangers were sent to Britain, converted into a heavy weapons support unit, and shipped off to Normandy.Originating as a 19th century militia, the New Brunswick Rangers were placed on active service for the first time during the Second World War, serving first in the Maritimes and Newfoundland. In 1943, the Rangers were sent to Britain, where they were converted to a heavy weapons support unit, armed with machine guns and mortars in preparation for the invasion of Normandy.In this illuminating account, Matthew Douglass uncovers their participation in the war: their arrival in Normandy and their contributions to the battles in Belgium, the Netherlands, and Germany. Present at many of the critical moments of the campaign, the Rangers participated in the Battle of the Falaise Gap, which cleared the way for the advance on Paris and the German border; the Battle of the Scheldt, which secured the vital supply lines of the port of Antwerp; and the Battle of the Reichswald, when German resistance on the west bank of the Rhine was finally broken. Drawing on archival photographs and original source documents, Douglass's account of the Rangers' wartime experiences is a crucial piece in understanding the role of heavy weapons support units on the Western Front.The New Brunswick Rangers in the Second World War is volume 27 of the New Brunswick Military Heritage Series.

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See the beauty that Canada has to offer. Walking and hiking is a big Canadian pastime for people wanting exercise and fresh air.Here, at last, is the essential companion to the eastern part of Canada's national trail. Profiling 30 separate sections, crossing 6 provinces, and traversing more than 900 km of trail, this guide for the adventurous offers a connoisseur's sampling of the finest components of eastern Canada's Trans Canada Trail.Beginning at Cape Spear and ending on the shores of Lake Huron, Michael Haynes follows the Great Trail through the remote interior of Newfoundland, the coastlines of the Maritimes, the Laurentian Mountains of Quebec, and the lakes and farmlands of Southern Ontario, as well as into cities such as Quebec, Montreal, Ottawa, and Toronto. With beautiful colour photographs and comprehensive trail notes for each featured section, as well as GPS coordinates, maps, and informative descriptions of points of interest along with way, The Best of The Great Trail, Volume 1 explores the landscapes of eastern Canada in their variegated glory.

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Stately and majestic, yet scuffed with wear and disillusion, the poems of Smaller Hours mount the sky like columns and fora of some archaic ruin. Through these ancient halls, Kevin Shaw tracks Eros, clearing away the rubble and polishing the marble, along the way exploring queer ways of keeping time. Music and movies, clocks and inventors populate these poems. History casts a shadow over all.Kevin Shaw's debut collection is a tour de force of control and grace; musical lines anchored by powerful rhythms dance into the reader's ear. The speakers of these lyrics encounter Nijinsky in a waiting room, Ovid at the laundromat, or re-enact a devastating flood after a night of drinking. From a mixtape full of quarter-century-old regrets, to the sensuality of a harmonica buzzing against pursed lips, to the violence and hope of Stonewall, Smaller Hours collapses the past with the present and the personal with the public, taking a sideways glance at historical figures — inventors, poets, movie stars — from across a gay bar's crowded dance floor.

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Part mystery, part elegy, This Side of Sad begins with an ending: the violent enigma of a man's death. Was it an accident, or did James commit suicide? In the shattering aftermath, his widow, Maslen, questions her own capacity for love and undertakes a painful self-inquiry, examining the history of her heart and tracing the fault lines of her own fragile identity. What emerges is a mesmerizing tour of a woman's complex past, rendered in the associative logic of memory and desire.A gifted storyteller reminiscent of Alice Munro or Joan Didion, Karen Smythe finds poetic complexity in the seeming trivialities of the ordinary. Meditative, philosophical, and confessional, This Side of Sad is a provocative and piercing novel that explores the disintegration of a marriage; the enduring colloquy between the living and the dead; and the meaning we find within the random architecture of despair and joy.

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Moscow, 1921. Tatiana and Sasha meet in a bookstore the night it is bombed. In the aftermath of the explosion, Sasha grabs Tatiana's hand and together they run to safety. They fall in love.A promising young scientist, Tatiana follows her mentor, Dr. Bekhterev, to the Institut Mozga, established to study the source of genius. She thrives in the state-sponsored research institute, but Sasha, an artist, feels left behind in this new world where his art seems without place or function. A rift between them grows.When Bekhterev suddenly dies, Tatiana is prompted to speculate about the shadowy circumstances of his death. Disconcerted and unable to find answers to her questions, she plunges into doubt about her work as a scientist, her naiveté about the Revolution, her faith in the state, and her relationship with Sasha.Provocative and compelling, Uncertain Weights and Measures takes place in the heady days of post-Revolution Russia, when belief in a higher purpose was everything. Written in beautifully incisive prose, Jocelyn Parr vividly captures the ambiance of 1920s Moscow and the frisson of real-life events while also spinning a captivating tale of a love torn apart by ideology and high-stakes politics.

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The Atlantic salmon, the king of the rivers, is the ultimate prize for the angler. This beautifully illustrated volume brings together exquisite examples of nearly 300 salmon flies, tied by some of the best fly tiers and fishers in North America. Patterns tied by the author, Jacques Héroux, accompany those by renowned tiers Allen Kay, Marc LeBlanc, Marc A. LeBlanc, Paul LeBlanc, Bob MacDonald, Steve Silverio, and Frank Walsh.Conveniently organized into four sections — bombers and dry flies, bugs, streamers, and wet flies — this rich compendium includes colour photographs of flawlessly tied specimens complemented by detailed lists of materials. Biographical notes on each tier and a brief history of the art of fly tying round out the volume.A beautiful tribute to the fly tier's art and an invaluable reference, Atlantic Salmon Flies illustrates the ingenuity and creative impulse behind the flies that hook the king of fish.Le saumon atlantique, le roi des rivières, est la récompense la plus convoitée du pêcheur. Ce livre superbement illustré réunit des exemples de près de 300 mouches à saumon, montées par certains des meilleurs monteurs de mouches et pêcheurs de l'Amériques du Nord. Des modèles montés par l'auteur, Jacques Héroux, côtoient d'autres montés par des mouteurs renommés : Allen Kay, Marc LeBlanc, Marc A. LeBlanc, Paul LeBlanc, Bob MacDonald, Steve Silverio et Frank Walsh.Reparti en quatre sections — bombers et mouches sèches; bugs; streamers; et mouches noyés — ce recueil abonde en photographies-couleur de mouches impeccablement montées, accompagnées de listes détaillées des matériels utilisés. Des notes biographiques des chaque monteur ainsi qu'un bref historique de l'art du montage de mouches complètent le recueil.Livre de référence précieux, Mouches pour le saumon atlantique rend hommage aux artistes de la mouches, reflétant l'ingéniosité et l'élan créateur qui inspirent ces pêcheurs à la recherche du roi des poissons.

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Shortlisted, Democracy 250 Atlantic Book Award for Historical WritingOn a frigid February evening in 1805, Amos Babcock brutally murdered Mercy Hall. Believing that he was being instructed by God, Babcock stabbed and disembowelled his own sister, before dumping her lifeless body in a rural New Brunswick snowbank. The Ballad of Jacob Peck is the tragic and fascinating story of how isolation, duplicity, and religious mania turned impoverished, hard-working people violent, leading to a murder and an execution. Babcock was hanged for the murder of his sister, but in her meticulously researched book, Debra Komar shows that itinerant preacher Jacob Peck should have swung right beside him. The mystery lies not in the whodunit, but rather in a lingering question: should Jacob Peck, whose incendiary sermons directly contributed to the killing, have been charged with the murder of Mercy Hall? In this epic saga, media accounts of what happened in the aftermath of the murder have taken on a life all their own, one built of half-truths, conjecture, and narrative devices designed to titillate, if not inform. A forensic investigation of a crime from the Canadian frontier, the tale of Jacob Peck, Amos Babcock, and Mercy Hall remains as controversial and riveting today as it was more than two hundred years ago.

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"The light in Pratt's paintings seems sentient, a living thing, a pulsation or emission, imbuing the paintings with an erotic and almost mystical desire." — Canadian Art Following a stunningly successful national touring exhibition and a sold-out hardcover edition of the accompanying book, Mary Pratt is available once again in this elegant paperback edition. Says the Globe and Mail, Mary Pratt's "gorgeous, brutal vision of the world is the best revenge against anyone who ever sought to define her." There's something deeply resonant about Pratt's painting for contemporary audiences — particularly for those that are food obsessed. The dark light of a jelly jar, the slippery weight of filleted cod, the dark drippings of a bloody roast, the wet yellow yolk of a cracked egg. Pratt takes these seemingly mundane subjects and fills them with light, giving them a monumental quality, making them seem luminous, signifiant, memorable. For many, they have become seared into memory, iconic in the best sense of the word. Mary Pratt, a career retrospective, features five major essays by columnist and art critic Sarah Milroy, Catharine Mastin of the Art Gallery of Windsor, Mireille Eagan and Caroline Stone of The Rooms Provincial Art Gallery, Sarah Fillmore of the Art Gallery of Nova Scotia, and art critic and curator Ray Cronin as well as 75 colour reproductions of Pratt's most renowned work, including Eggs in an Egg Crate, Salmon on Saran, Eviscerated Chickens, and Cod Fillets on Tin Foil.

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The house is still standing is peopled with charlatans, gingerbread men, children, and savants -- the thousands and the particular. Adrienne Bartlett builds this nimble first collection with a supple craft. The poems deke and swerve, from the wry to the theatrical to the intimate. Whether riffing on the secret identities of public intellectuals and pop icons or penning elegiac verse, Barrett's voice is strong, anchored, inviting. Although she takes her readers through both "substance / and its downfall," in the end, the structure is sound, she is holding up.

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Winner, Best Atlantic Published Book AwardShortlisted, New Brunswick Book Award for Non-FictionWriting early in 1962, Lucy Jarvis said she felt "just at the threshold of beginning." Jarvis had studied at the School of the Museum of Fine Arts in the 1920s, later becoming part of the social realist movement, committed to an art "of the people". In 1941, Jarvis co-founded the UNB Art Centre with Pegi Nicol MacLeod, and together, they turned it into a place of creative effervescence. Passionate and single-minded, Jarvis threw herself into everything that she did and the results were nothing short of astounding. In a few short years, she and MacLeod had transformed their environment. Yet, it wasn't until the early 1960s that the unstoppable Jarvis set out on her own. She left the art centre and headed for Paris. In four extended stays during the 1960s, she immersed herself completely, living in French, attending the open studios, and connecting with other artists. Her retreats to Pembroke Dyke near Yarmouth, Nova Scotia, during the summer months allowed her to digest her experiences, and her art took on new life. The influences of both impressionism and post-impressionism emerged in her work, and her paintings became more boldly colourful, freer — more completely her own. Lucy Jarvis: Even Stones Have Life is the first examination of Jarvis's considerable body of work — what she painted, how she rendered it, and how her art permeated her life and her life permeated her art.

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Winner, New Brunswick Book Award for PoetryA Quill & Quire Best Book of the YearLike the novella in fiction, the long poem is an oft-neglected form. Too long for publication in most literary journals and anthologies, too short to merit book-length publication, the long poem occupies a lonely space in literature. M. Travis Lane is a master of the form, in which her considerable poetic skills reach their apex. There are few that match her brilliance. This volume collects all of her long works — most of them now out of print — from a five-decade commitment to the art. M. Travis Lane has long flown under the radar of Can Lit, crafting luminous poems and sharp literary criticism — much of it published in the Fiddlehead, one of Canada's premier literary journals — but in recent years her work has been drawing the attention it deserves. Evidence of this recognition is her 2015 Governor General's Award nomination for Crossover, a collection the still-vital poet published at the age of 81. Her poetry is modernist, dense, and highly allusive, drawing adeptly on classical and biblical sources, imbued with a feminist and ecocritical perspective. Her musical lines, vivid metaphors, and phenomenological acumen launch her into the company of such poetic luminaries as Don McKay, Jan Zwicky, and Tim Lilburn. In the long poetic form, these qualities reach their highest expression. This volume, an exquisite collection that brings together her long poems for the first time, constitutes an important addition to the canon of Canadian literature and to the canon of feminist literature in North America.

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In 1887, at the tender age of eighteen, Tappan Adney embarked on his first trip to New Brunswick. He had plans to enrol at Columbia University in the fall, primed for a meteoric rise in academia — but fate intervened. He fell under the spell of the New Brunswick wilderness and the local Maliseet people. Nothing escaped his curiosity. Adney embarked on hunting, fishing, and camping trips, recording his wilderness adventures in journals through evocative sketches and memorable prose, including the detail of a caribou hunt decades before their extinction in this area of the country. Years later, Tappan Adney went on to become a celebrated journalist, photographer, and ethnologist. His models of aboriginal canoes, now in many museum collections, helped save the birchbark canoe from oblivion. This new, revised edition of the original volume of The Travel Journals of Tappan Adney is a welcome companion to the recently published second volume of Tappan Adney's journals. This edition features a few corrections, the inclusion of recently discovered photographs, and a more relaxed design to match the second volume for reading ease.

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The work of Stephen Andrews has long mediated the successive crises of the contemporary world, exploring conflict, social change, and identity. For more than a decade, Andrews confronted the AIDS epidemic personally and artistically. Later, his work registered the impact of the attacks of September 11, 2001, the subsequent "War on Terror," the financial crash of 2008, and a new wave of global protests, from those surrounding the 2010 G20 summit in Toronto to those associated with the Occupy movement and the Arab Spring. Embedding, layering, and erasing meaning, Andrews's work creates a triangle, where meaning resides between the process of painting (magical and sensuous), the represented image (a chronicle of fragility and resilence), and the invitation to the viewer (to look carefuly and engage). Published to coincide with a major exhibition opening at the Art Gallery of Ontario, Stephen Andrews POV provides a comprehensive overview of the last fifteen years of Andrews's work, a time when painting has emerged as his primary area of inquiry alongside a multifaceted approach to production that has resulted in drawings, photographs, animations, videos, installations, ceramics, and ephemera.

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Shortlisted, Arthur Ellis Best Non-Fiction Crime Book AwardIn 1869, in the woods just outside of the bustling port city of Saint John, a group of teenaged berry pickers discovered several badly decomposed bodies. The authorities suspected foul play, but the identities of the victims were as mysterious as that of the perpetrator. From the twists and turns of a coroner's inquest, an unlikely suspect emerged to stand trial for murder: John Munroe, a renowned architect, well-heeled family man, and pillar of the community. Munroe was arguably the first in Canada's fledgling judicial system to actively defend himself. His lawyer's strategy was as simple as it was revolutionary: Munroe's wealth, education, and exemplary character made him incapable of murder. The press and Saint John's elite vocally supported Munroe, sparking a debate about character and murder that continues to this day. In re-examining a precedent-setting historical crime with fresh eyes, Komar addresses questions that still echo through the halls of justice more than a century later: is everyone capable of murder, and should character be treated as evidence in homicide trials?

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The Gun That Starts the Race, alternately like a David Lynch film or an episode of The Simpsons, finds the uncanny in the everyday, surprise you, make you laugh and weep (sometimes simultaneously) with recognition at the fleeting spark of our existence. Many of these poems are like archaeological sites between the sturm und drang of people's fleeting dramas, exploring in language playgrounds recently vacated, graves recently inhabited, basements and dark corners where life and death goes on without us.From free-verse lyrics to masterful sonnets, Norman's poems weld form and content together organically. They neither baffle nor condescend. Blending an effortless style to surprising metaphors, and striking images with a restless, roving intellect, they try to get to the bottom of things, while never satisfied there it is no false bottom. Here, Bolsheviks play tennis with Marxist rules; crows, maggots, and spiders go about their business, oblivious to our sufferings; and the Mole Men of Zug break into song.In The Gun that Starts the Race, Peter Norman gives us a world that lives and breathes and endures, and of which we are only a temporary part.

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Shortlisted, Hamilton Literary Award (Non-Fiction)Ypres, the Somme, Vimy, Passchendaele, Amiens — to many, these are the names of battles far away and long ago. To thousands of soldiers, now gone, the battles were hard-fought and costly campaigns fraught with danger, pain, and tears. Today, these combat zones are trod by tourists in search of a connection with the past. Canadians at War follows the route of the Canadian Expeditionary Force from its first encounter with German forces at Neuve Chappelle to the site of the 1915 gas attack at St. Julien, from the Somme to Vimy and Passchendaele. In this informative guide, Susan Evans Shaw provides an historical overview of each battlefield as well as maps, photographs, and information on the memorials and cemeteries. The first book of its kind, Canadians at War fills a gap in heritage travel literature that has existed since the Armistice. Evans Shaw made her first visit to the battlefields of World War I in 2004, where she realized that there was a dearth of material for Canadians. Collaborating with photographer Jean Crankshaw, she created this book as a tribute to her grandfather, who was killed in action in 1918.

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Home is like a leaf on a tree: other people, other homes, are the other leaves. They live beneath the same sky, share the same memories, survive the same storms. But one leaf is a solitude. After twenty-five years on a New Brunswick farm, award-winning Canadian author Beth Powning came to understand the land she calls home. Now, almost twenty years after the initial publication of Home, readers may once again experience the spirit of home in nature in this new edition of her seminal book. Time has made the subtle messages beyond her door become clearer, if not less mysterious: the glorious rawness of winter storms, the effortless dominance of oak trees, the distinctive poetry of night, the universes found within a humble garden. Placing herself in the dual roles of explorer and storyteller, Powning waltzes the unspoken divide between the untamed and the domestic, revelling in the complex bonds that exist between the natural world and those who would seek to navigate its wonders. Originally released in Canada as Seeds of Another Summer, this new edition, which includes a new introduction and gorgeous reproductions of Powning's sumptuous nature photography, will inspire those who seek a simpler life and enchant those who are already there.

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Some days, it doesn't pay to be a lapsed pretend Buddhist... particularly when you're charged with a lengthy list of war crimes. Vida Zanković has done many things to stay alive. A wily young man caught in the insanity of the Balkan wars, Vida has dealt drugs, been forced to join the army, and then deserted when he tried to save a young boy trapped beneath a mountain of corpses. Being accused of genocide, however, forces Vida into a whole new level of surrealism. In Song of Kosovo, Chris Gudgeon exposes the universal human experience like never before, fashioning a satirical world where one earns a following as a levitating holy man while the US Air Force drops "bombs" of condoms, candy, and Ikea pillows to subvert the populace. Weaving strands of Balkan mythology and history, threading them through the life of a man who only wnats to live out his days with the woman he loves, Gudgeon crafts a tanscendent tale at once grotesque and absurd, satiric and tragic, touching and real. As much Catch-22 as De Niro's Game, Song of Kosovo is a unique examination of how ideas may rise above reality to drive world events and how a nation caught in the grip of conflict may ultimately earn a sense of itself.

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Winner, Commonwealth Writers Prize, Canada and the Caribbean, Amazon.ca First Novel Award, and On the Same Page, Manitoba ReadsShortlisted, Eileen McTavish Sykes Award for Best First Book, Margaret Laurence Award for Fiction, and McNally Robinson Book of the YearLonglisted, IMPAC Dublin Literary AwardFor Lily Piper, life on the prairie is spare, austere, and tucked in. She is restless — not the daughter she feels her mother wants. When puberty hits, an abrupt shift in fate has Lily on her way to England to care for her aging grandmother. There, she experiences life in all its ambiguity, until she is called home to face a future she thought she had escaped. Thomas's prose is intimate, elegant and devastatingly funny; her engrossing story of Lily Piper tells us something about how we make sense of the future when the future is something we can hardly imagine. Reading by Lightning, Joan Thomas's long-awaited first novel, took readers by storm. A year after its publication, it had won numerous awards, found a large readership, and been selected by popular vote for On the Same Page, Manitoba's one book reading experience. Goose Lane is pleased to reissue Reading by Lightning in this reader's guide edition, complete with an afterword, an interview with the author, extended biographical notes, and more.

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Showcasing the major career highlights and some of the most recent work of abstract painter Jacques Hurtubise, this lavishly illustrated bilingual volume captures the key works of Hurtubise’s formidable fifty-plus year career, many of which have never been brought together in a major exhibition or publication.This exceptional collection offers new insight into the development of Hurtubise’s paintings — from the early graphic abstract paintings in the 1960s and 1970s to the mask to the brushy and stencil work of his blackout paintings. His latest map-based work, which brings together the passion of his "sun" series and the exotic and hypnotic lines of his "masks" and "splash" paintings, brings his mastery of the medium to the fore.An abstract painter who followed a generation of plasticiens, Hurtubise’s bright, geometric patterning have often prompted comparisons to peers Claude Tousignant, Guido Moinari, and Yves Gaucher.This book includes five major, groundbreaking essays on his work by Québec curator Bernard Lamarche,; artist, writer, and critic Jeffrey Spalding; art critic René Viau; Sarah Fillmore, the editor of the book and curator of the exhibition that accompanies this major publication; and art historian Nathalie Miglioni.Cette monographie abondamment illustrée présente les principaux jalons de plus de cinquante ans de carrière de l’artiste Jacques Hurtubise. On y recense sa production actuelle ainsi que ses œuvres phares, dont un grand nombre n’avaient jamais éunies auparavant.La compilation exceptionnelle permet de mieux comprendre l’évolution d’Hurtubise, depuis ses premiers travaux graphiques des années 1960 et 1970 jusqu’à ses masques, ses tableaux aux traits ardents et le recours au stencil dans sa série Blackout. Ses œuvres plus récentes réalisées à partir de cartes routières — qui allient la passion qui habite ses « soleils » et les lignes exotiques et hypnotiques de ses « masques » et de ses « éclaboussures » — témoignent de sa pleine maîtrise des techniques les plus variées.Les formes géométriques abstraites aux couleurs vives de cet artiste qui a succédé à la génération des plasticiens ont souvent suscité des comparaisons avec Claude Tousignant, Guido Molinari et Yves Gaucher.L’ouvrage Jacques Hurtubise propose des textes des conservateurs d’exposition Sarah Fillmore et Bernard Lamarche, des auteurs et critiques Jeffrey Spalding et René Viau, et de l’historienne de l’art Nathalie Miglioni. Sarah Fillmore est conservatrice en chef du Musée des beaux-arts de la Nouvelle-Écosse.

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Steel Calvary is the story of the transformation of a horse cavalry unit to one of Canada's most famous armoured regiments.Twentieth century warfare is epitomized by the image of Allied tanks growling across the countryside, engaging their Nazi counterparts. One of the most storied of such regiments is the 8th (New Brunswick) Hussars. Founded in 1848 as the first volunteer cavalry regiment in British North America, the Hussars began the Second World War as a Motorcycle Regiment before converting to tanks in 1941. First posted to Italy in late 1943, the regiment was introduced to war near Ortona. They formed part of the great drive beyond Monte Cassino to Rome. But their reputation was forged at the Gothic Line and Coriano Ridge during two weeks that marked their fiercest and bloodiest trial of the war.Steel Cavalry: The 8th (New Brunswick) Hussars and the Second World War is volume 18 in the New Brunswick Military Heritage Series.

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Winner, Canadian Museums Association Outstanding Achievement in Publication and Melva J. Dwyer AwardIain Baxter legally changed his name to IAIN BAXTER& in 2005. He appended an ampersand to his name to underscore that art is about connectivity — about contingency and collaboration with a viewer. He also effected the name change to perpetuate a strategy of self re-definition that is central to his creative project. BAXTER& began making art in the late-1950s under his birth name but quickly realized that the name itself was creative material, to be deployed, manipulated, and shared. In 1965, he formed a collaborative art-making entity which evolved into N.E. Thing Company, a corporate-styled entity whose co-presidents were BAXTER& and his wife Ingrid. Producing a diverse array of projects that encompassed conceptually based photography, pioneering works of appropriation art, and gallery transforming installations, the N.E. Thing Company offered a new model of art making, allowing the artists to remain anonymous and masquerade in the guise of business people. Following the dissolution of N.E. Thing Company in 1978, BAXTER& produced extensive bodies of work with Polaroid film, created numerous installations that blended painting and sculpture, and made pedagogy a focus of his creative enterprise. Consistent themes permeate his work and vector through his thinking. And by assessing these themes — a relentless emphasis on reaching out to the viewer, a core concern with ecology and the environment, and a belief that art must assume plural means and media — one discerns BAXTER&'s creative credo, understanding that "art is all over." This comprehensive book reviews BAXTER&'s remarkable career across all media. It accompanies a major international touring exhibition, which opened at the Museum of Contemporary Art, Chicago in November 2011 and at the Art Gallery of Ontario in April 2012. Featuring more than 160 reproductions of BAXTER&'s work, it also includes essays by the exhibition's curator, David Moos, along with contributions by Michael Darling (James W. Alsdorf Chief Curator, Museum of Contemporary Art, Chicago), Alex Alberro (Associate Professor, University of Florida), and others. The book will also feature a comprehensive bibliography compiled by Adam Lauder (W.P. Scott Chair for Research in E-Librarianship, York University).

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Shortlisted, Best Atlantic Published Book Award and Canadian Regional Design AwardA major publication comprising 240 pages with 75 colour plates and 60 black-and-white photographs provides extensive documentation of the exhibition Masterworks from the Beaverbrook Art Gallery. Along with a complete catalogue of artworks, it features an overview and history of the historic collection, along with curatorial commentary on each work of art by the Beaverbrook Art Gallery's Curator and Deputy Director, and curator of the exhibition, Terry Graff. Further, it includes important essays by five internationally respected art historians, scholars, and curators, Elliot King, James Hamilton, Richard Calvocoressi, Angus Stewart, and Katharine Eustace, that focus on several key works of art.In addition, Bernard Riordon, Director and CEO of the Beaverbrook Art Gallery, provides a foreword and timely essay documenting the recently resolved legal battle with the Beaverbrook Foundation (UK) over ownership of several works. Elliot King, art historian and leading specialist on the work of Salvador Dalí and curator of the recent exhibition Dalí: The Late Work at the High Museum of Art, examines Dalí's monumental painting Santiago El Grande. James Hamilton, curator and art historian, who has written several books, lectured internationally, and curated several important exhibitions on JMW Turner, examines Turner's Fountain of Indolence. Richard Calvocoressi, Director of the Henry Moore Foundation and former Director of the Scottish National Gallery of Modern Art in Edinburgh, provides special insight into Lucien Freud's Hotel Bedroom. Angus Stewart, independent curator known for his many exhibitions at the Olympia London fine art and antiques fair, including the major 2003 project that marked the centenary of artist Graham Sutherland's birth, examines important Sutherland works, such as Helena Rubinstein, Studies for Churchill, and Portrait of Lord Beaverbrook. Katharine Eustace, art historian and curator, whose publications include Continuity and Change: Twentieth Century Sculpture in the Ashmolean Museum, provides a thoughtful essay on Walter Sickert in relation to the Beaverbrook Art Gallery's Sickert paintings, such as H.M. King Edward VIII.

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As Tammy Armstrong rode horseback on a one-month sojourn in Iceland, up rose the ley lines that crosshatched the landscape -- ancient tracks rife with saga, myth, and human history. In this collection, her poems both respond to W.H. Auden's poetic travelogue, Letters from Iceland, and evoke her raw relationship to the native natural world of North America. In language that folds upon itself, chance sightings of wild creatures become a study of humanity before the animal that waits. In re-negotiating a space that includes other species and other life forms, Armstrong unbalances her perceptions, making her own space unfamiliar and finding new ways of conceiving of a less human-centred environment.

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Winner, Design Edge Regional Design AwardShortlisted, Atlantic Independent Booksellers' Choice AwardAuthentic. Original. Inimitable. Mary Majka was one of Canada's great pioneering environmentalists. She was best known as a television host, a conservationist, and a driving force behind the internationally acclaimed Marys Point Western Hemispheric Shorebird Reserve on the Bay of Fundy. Sanctuary gives full expression to the intensely personal story of Mary's life. A daughter of privilege, a survivor of World War II Poland, an architect of dreams, Mary Majka became a passionate environmentalist intent on protecting fragile spaces and species for generations to come. In this amazing story of determination and foresight, Deborah Carr reveals a complex, indomitable, thoroughly human being — flawed yet feisty, inspiring and inspired.

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Winner, Atlantic Independent Booksellers Choice Award, Canadian Authors Association Air Canada Award, Dartmouth Book Award, and Thomas Head Raddall AwardShortlisted, Governor General's Award for FictionShe's depressed, they say. Apathetic. Bridget Murphy, almost eighteen, has had it with her zany family. When she is transferred to the psych ward after giving birth and putting her baby up for adoption, it is a welcome relief -- even with the manic ranting of a teen stripper and come-ons of another delusional inmate. But this oasis of relative calm is short-lived. Christmas is coming, and Uncle Albert arrives to whisk her back to the bedlam of home and the booze-soaked social life that got her into trouble in the first place. Her grandmother raves from her bed, banging the wall with a bedpan through a litany of profanities. Her father curses while her mother tries to keep the lid on developmentally delayed Uncle Rollie. The baby's father wants to sue her, and her friends don't get that she's changed.

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St. Thomas University has nurtured exemplary people for a century -- from its first alighting in Newcastle to its current perch on a Fredericton hilltop. Here, in celebration of St. Thomas's 100th anniversary, is the first-ever collection of fiction, poetry, and prose by the university's most celebrated writers, including David Adams Richards, Sheldon Currie, Leo Ferrari, Sheree Fitch, and Kathy Mac. Philip Lee's thrumming account of a public auction kicks off the collection. Next up: Sheree Fitch's poem, "Cop," which wends through undercover prostitution and a child's abduction. Hard on its heels: Sheldon Currie's pitch-perfect story from a Nova Scotia coal-mining town. Once you begin, you're sure to read until the entire, delectable volume is consumed.

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At 31 years old, Major Cyrus Inches resolved to survive the Great War, and did so without losing his sense of humour, in spite of the tragedies he constantly faced. His letters home were stored and left undisturbed for almost ninety years. Cleverly written with wit and humour, they reveal voluminous details of life during the war. Cyrus Inches also kept a diary and published a booklet called The 1st Canadian Heavy Battery in France -- Farewell Message to NCOs and Men, which chronicled the movements and the battles of his battery. The booklet and letters combine to create a complete history of one Canadian officer's experiences -- from Valcartier and the First Battle of Ypres to Mons, and the months of demobilization after that.Uncle Cy's War is volume 14 in the New Brunswick Military Heritage Series.

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