Search results for ""Fondation Cartier pour l'art contemporain""

A highly acclaimed and extremely prolific artist, Bruce Nauman (b. 1941) has been active since the early 1970s. Working in mediums such as sculpture, video, film, installation, performance, and printmaking, he shies away from developing a single characteristic style. His work toys with text and fragmented images of the human body. Often provocative in nature, he connects physical realities of violence, sex, and death with visceral, spiritual messages, like an early neon sign proclaiming, ‘the true artist helps the world by revealing mystic truths.’ On top of many achievements in his career, Nauman recently represented the United States at the 2009 Venice Biennale and was awarded the Golden Lion prize for best national pavilion. This book accompanies Nauman’s major exhibition at the Fondation Cartier pour l’art contemporain, showing in Paris from 15 March to 14 June 2015. This will be the most significant exhibition of his work in France since the retrospective organized by the Centre Pompidou in 1997. Developed in close collaboration with the artist, the exhibition will bring together eight works hitherto unseen in France, some of which are his latest projects.

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From 19 November 2013 to 6 April 2014, the Fondation Cartier pour l’art contemporain will be showing America Latina 1960-2013, organized in collaboration with the Amparo Museum in Puebla (Mexico). The exhibition offers a new perspective on Latin American photography from 1960 to today, focusing on the relationship between text and the photographic image. Bringing together more than seventy artists from eleven different countries, it shows the great diversity of photographic practices by presenting the work of documentary photographers as well as that of contemporary artists who appropriate the medium in different ways. This catalogue of the exhibition offers a vast panorama of the artistic production of the last fifty years. Including over 400 black-and-white and color reproductions, it explores the wealth of photographic work while shedding light on the historical and artistic context that spawned it. In addition to scholarly texts and artist bios, descriptions of works and a detailed timeline provide a deeper understanding of the visual languages specific to the continent. Chronicling the vital legacy of Latin American artists, the book shows the scope of their influence beyond their cultural and geographical territory.

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An exploration of photography’s longstanding and generative relationship to the automobile. Since its invention, the automobile has reshaped our landscape, extended our geographic horizons and radically altered our conception of space and time, influencing the practice of photographers worldwide. This book shows how the car provided photographers with new subject matter and a new way of exploring the world. It brings together 500 works made by 100 historical and contemporary artists from around the world. Capturing formal qualities such as the geometric design of roadways or reflections in a rear-view mirror, these photographers invite us to look at the world of the automobile in a new way. Auto-Photo also includes other projects such as a series of car models that cast a fresh eye on the history of automobile design, created specifically for the Fondation Cartier show by French artist Alain Bublex, plus a comparative history of automobile design and photography, essays by scholars and quotes by participating artists. Featuring the works of both historical and contemporary figures such as Jacques- Henri Lartigue, Man Ray, Lee Friedlander and Jacqueline Hassink, the exhibition will show how photographers have continuously documented the impact of automobility on our landscape and lifestyle, and how in turn the automobile has reshaped the practice of photographers, providing them with a new subject, a new means of expression and a new way of seeing the world.

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Juergen Teller, born in Erlangen in 1964, studied at the Bayerische Staatslehranstalt für Photographie in Munich. His work has been published in influential magazines such as Vogue, System, i-D, POP and Arena Homme+, and has been the subject of solo exhibitions including those at the Institute of Contemporary Arts in London, the Fondation Cartier pour l'art contemporain in Paris and Martin-Gropius-Bau in Berlin. Teller won the prestigious Citibank Photography Prize in 2003, and from 2014 to 2019 held a professorship at the Akademie der Bildenden Künste Nürnberg. His books with Steidl include Louis XV (2005), Marc Jacobs Advertising, 19982009 (2009), Siegerflieger (2015), Handbags (2019), Leben und Tod (2020), William Eggleston 414 (2020), Auguri (2022), The Master V (2023) and Notes About My Work (2023).

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Unlike many photographers who maintain a strict divide between their commercial and private work, Teller has always combined the two. Indeed this merging is one reason for Teller’s progressive edge. The Keys to the House contains recent photographs of Teller’s life at and around his house in Suffolk: landscapes, portraits of family and friends. But of course Teller’s vision would not be complete without the occasional fashion figure who was entered his personal world – be it Lily Cole floating like Ophelia, or Vivienne Westwood leaning on a red Mercedes Benz. Born in 1964 in Erlangen, Germany, Juergen Teller has lived in London since 1986. His influential fashion photography has been published extensively, and solo exhibitions of his work have been held at the Fondation Cartier pour l’art contemporain in Paris and the Kunsthalle Wien among other institutions. Teller’s books with Steidl include Louis XV (2005), Marc Jacobs Advertising 1998–2009 (2010) and Zimmermann (2010).

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