Search results for ""Feltrinelli""

Esta es la historia de Giangiacomo Feltrinelli, un hombre atormentado por el afán de cambiar el mundo: bien a través de los libros, como fundador de uno de los sellos editoriales de mayor prestigio y compromiso político, bien con sus propias acciones, al unirse a la lucha armada revolucionaria en la que se dejó literalmente la vida. Esta novela gráfica presenta un viaje a través de las luces y las sombras de un personaje genial, polifacético y controvertido que fue testigo y protagonista, con sus ideas y sus acciones, de muchos de los eventos que marcaron decisivamente el rumbo de la segunda mitad del siglo XX.

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The conflict between Soviet Communists and Boris Pasternak over the publication of Doctor Zhivago did not end when he won the Nobel Prize, or even when the author died. Paolo Mancosu tells how Pasternak’s expulsion from the Soviet Writers’ Union left him in financial difficulty. Milan publisher Giangiacomo Feltrinelli and Sergio d’Angelo, who had brought the typescript of Doctor Zhivago to Feltrinelli, were among those who arranged a smuggling operation to help him.After Pasternak’s death, Olga Ivinskaya, his companion, literary assistant, and the inspiration for Zhivago’s Lara, also received some of the Zhivago royalties. After the KGB intercepted Pasternak’s will on her behalf, the Soviets arrested and sentenced her and her daughter, Irina Emelianova, to eight years and three years of labor camp, respectively. The ensuing international outrage inspired a secret campaign in the West to win their freedom.Mancosu’s new book—the first to explore the post-Nobel history of Pasternak and Ivinskaya—provides extraordinary detail on these events, in a thrilling account that involves KGB interceptions, fabricated documents, smugglers, and much more. While a general reader will respond to the dramatic human story, specialists will be rewarded with a rich assemblage of new archival material, especially letters of Pasternak, Ivinskaya, Feltrinelli, and d’Angelo from the Hoover Institution Library and Archives and the Feltrinelli Archives in Milan.

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Valerio Magrelli was born in Rome in 1957. Among many other awards for his poems, he has won the Mondello Prize (1980), the Viareggio (1987), the Montale Prize (2002) and the Feltrinelli Prize (2002) and the Cetona Prize (2007). A lecturer on French literature at the University of Cassino, he has also published critical works on Dadaism, on Paul Valéry and Joseph Joubert, as well as notable translations of Mallarmé, Valéry, Jarry, Char and Ponge. He is also the author of two plays and one collection of short prose pieces, Nel condominio della carne, a poignant, often witty meditation on his own body and the ills it is heir and host to. He is currently working on a critical study of Baudelaire.Jamie McKendrick was born in Liverpool in 1955. He taught at the University of Salerno in Italy and is the author of five collections of poetry: The Sirocco Room (1991); The Kiosk on the Brink (1993); The Marble Fly (1997), winner of the Forward Poetry Prize (Best Poetry Collection of the Year) and a Poetry Book Society Choice; Ink Stone (2003), which was shortlisted for the 2003 T. S. Eliot Prize and the 2003 Whitbread Poetry Award; and Crocodiles & Obelisks, shortlisted for the Forward Prize. A selection of his poems was published as Sky Nails (2000), and he is editor of The Faber Book of 20th-Century Italian Poems (2004).

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Michael Longley (Author) Michael Longley's thirteen collections have received many awards, among them the Whitbread Prize, the T.S. Eliot Prize, the Hawthornden Prize, the Irish Times Poetry Prize and the Griffin International Prize. His Collected Poems was published in 2006, and Sidelines: Selected Prose in 2017. In 2001 he received the Queen's Gold Medal for Poetry, and in 2003 the Wilfred Owen Award. He was appointed CBE in 2010, and from 2007 to 2010 was Ireland Professor of Poetry. In 2017 he received the PEN Pinter Prize, and in 2018 the inaugural Yakamochi Medal. In 2015 he was made a Freeman of the City of Belfast, where he and his wife the critic Edna Longley live and work. In 2022 he was awarded the prestigious Feltrinelli International Poetry Prize for a lifetime's achievement.Paul Muldoon (Foreword By) Paul Muldoon is the Pulitzer Prize-winning author of fourteen full-length collections of poetry, including Howd

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**WINNER OF THE 2022 FELTRINELLI INTERNATIONAL POETRY PRIZE ** 'One of the most perfect poets alive. There is something in his work both ancient and modern. I read him as I might check the sky for stars.' Sebastian BarryMichael Longley's new collection takes its title from Dylan Thomas - 'for the sake of the souls of the slain birds sailing'. The Slain Birds encompasses souls, slayings and many birds, both dead and alive. The first poem laments a tawny owl killed by a car. That owl reappears later in 'Totem', which represents the book itself as 'a star-surrounded totem pole/ With carvings of all the creatures'. 'Slain birds' exemplify our impact on the creatures and the planet. But, in this book's cosmic ecological scheme, birds are predators too, and coronavirus is 'the merlin we cannot see'. Longley's soul-landscape seems increasingly haunted by death, as he revisits the Great War, the Holocaust and Homeric bloodshed, with their implied counterparts today. Yet his microcosmic Carrigskeewaun remains a precarious 'home' for the human family. It engenders 'Otter-sightings, elvers, leverets, poetry'. Among Longley's images for poetry are crafts that conserve or recycle natural materials: carving, silversmithing, woodturning, embroidery. This suggests the versatility with which he remakes his own art. Two granddaughters 'weave a web from coloured strings' and hang it up 'to trap a big idea'. The interlacing lyrics of The Slain Birds are such a web.

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