Search results for ""Ediciones El Viso""

Ricardo Barroso is known for his luxurious residential, commercial and hospitality design projects from around the world involving high-end residences, executive jets, private yachts, restaurants and nightclubs. Ricardo Barroso Interiors gives a personal look into Barroso's artistic ethos with more than 240 colour photographs of his past and present works, inspired from his life experiences and extensive travels. Text in English and Spanish.

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This catalogue accompanies the inaugural exhibition of the Kaluz Museum, Mexico and the Mexicans in the Kaluz Collection, as a faithful display of a collector's passion for their cultural and artistic heritage. With a selection of more than 200 works that span a period of more than 250 years, mostly Mexican figurative painting, this catalogue presents the work of painters who have been captivated by Mexico’s beauty, rarity and majesty. This pictorial exhibition talks about the country’s landscape, people, food, customs and traditions. The talent and the gaze of established artists such as Pelegrín Clavé, José María Velasco, Joaquín Clausell, Gerardo Murillo «Dr. Atl », Ángel Zárraga, Diego Rivera, David Alfaro Siqueiros, José Clemente Orozco and Raúl Anguiano, are among the most prominent firms in the collection of the Kaluz Museum.

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This is the first time that many of these bindings have been shown and photographed Features specialist writers from the UK, France and Spain The exhibition that this book accompanied, took place in April 2012, bringing together two hundred and fifty bound volumes selected from Spain's National Heritage collections, making up an exceptional and unrepeatable exhibition of these astonishing works of art. These are works that were created for the monarch's own use, beginning in the days of Charles V and Philip II, offering us a marvellous insight into the Royal Libraries of the House of Hapsburg and the House of Bourbon. We also come across items from a number of extraordinary complete collections that were treasured by conspicuous patrons and ending up by enriching the King's library, thus endowing the Crown with the enormous intellectual prestige enjoyed by their owners for having gathered together such works. Contents: La encuadernacion, lenguaje artistico - Victor Nieto Alcalde Lo humilde entre lo egregio - Carlos Claveria Claves evolutivas de la encuadernacion heraldica de Patrimonio Nacional Valentin - Moreno Gallego Libros para leer. Encuadernaciones comerciales en pergamino y papel en la epoca de la imprenta manual - Nicholas Pickwoad Diego Hurtado de Mendoza - Anthony Hobson Tres aspectos de la encuadernacion francesa en las colecciones patrimoniales - Isabelle De Conihout and Pascal Ract-Madoux Encuadernaciones bodonianas - Pedro Catedra Eadem sed aliter: uniformidad y singularidad en la encuadernacion de Camara - Maria Luisa Lopez-Vidriero De la industria al arte. Dos cambios de siglo en la encuadernacion de la Real Biblioteca - Dolores Baldo Bibliografia tematica de la encuadernacion en Espana (siglos xix-xxi): historiografia de sus estudios contemporaneos Concha Lois

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The works of art gathered by Spaniards Juan Abello and Anna Gamazon since the 1980s constitute one of the most important private collections in the world. Fascinated by history and art, the couple has built a collection whose marked personality is based on the beauty and quality of its pieces. It is a broad collection, with works created by both Spanish and international artists over a period of five hundred years from the fifteenth to the twentieth centuries. By concentrating particularly on artists underrepresented in Spain's public and private collections, the Abello family has both pioneered the appreciation of foreign artists and contributed to a notable recovery of their own country's artistic heritage. SELLING POINTS: . A careful selection of more than one hundred works from the Abello Collection: excellent paintings and one sculpture, but also, and very significantly, drawings, including a suite of rare drawings by Pablo Picasso. It is a broad collection, with works created by both Spanish and international artists over a period of five hundred years from the fifteenth to the twentieth centuries 115 colour illustrations

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Explores the use and significance of light in Islamic art and science, revealing how light is a unifying motif in Islamic civilisations across the globe.

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In this beautiful book, which features numerous full-page color photographs, Carlos March, a businessmen and nature-lover, relates the story of his garden in Altarejos, located in the foothills of the Sierra Morena, to the north of the Province of Seville. Surrounded by wild mountain pastureland, among rocks and slate slopes replete with rock roses and holm oaks, this spectacular garden in Altarejos is stocked with three hundred varieties of roses and more than four hundred species of trees, bushes and covering plants. After thirty-five years of careful work, this garden represents a prime example of balance and respectful integration with regard to the environment. The history of its creation and its meticulous and ongoing development, together with its achievements, successes and failures, also tells the story of its creator, in his capacity as a nature-lover, gardening enthusiast, hunter and photographer.

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On the occasion of its 15th anniversary this coffee-table book reveals the work of A-tipica, an events agency which is a pioneer in wedding planning in Spain. Thanks to the experience it has amassed over these years A-tipica stands out for its capacity to support and advise couples during their wedding preparations. Its slogan is "we're your accomplice" because they adapt to each client's taste while managing to allocate their budget in a balanced fashion. They design, produce and coordinate magical events with sophistication, taking care of even the tiniest details and giving each wedding a unique style. Everything is planned, from the venue to the flowers, so that the future married couple can enjoy themselves and relax in the most unforgettable moment in their lives. This book offers an overview of A-tipica's legacy, a photographic survey of countless weddings where elegance, sophistication and savoir-faire reign.

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This monograph reveals the wonderful Spanish artistic heritage conserved in the museums of the United States and its enormous quality and interest, from the Middle Ages until contemporary art The United States is probably the country outside of Spain which has valued Spanish art the most. This claim is based on the sheer number of Spanish works purchased in the recent history of this nation, the high quality of these works and their widespread distribution among most of the museums in the country s leading cities. This fascination with Spanish art is reflected in the specialisation of some of these institutions, as well as in the way these works make up the most important core of some collections or are represented on par with those of other schools in more encyclopaedic museums. This monograph reveals the wonderful Spanish artistic heritage conserved in the museums of the United States and its enormous quality and interest, from the Middle Ages until contemporary art. With essays by the conservators of American museums and experts in Spanish art, this volume evaluates the importance of the works of art from Spain in the different museums and tells the story of how they have been collected in the United States of America. 250 colour

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Artists of The Spanish Golden Age such as Murillo, Zurbaran and Velazquez were the key to instigating a truly passionate appreciation of Spanish art among the great collectors at the end of the Modern Age, as well as the public institutions or other institutions that sprang from private initiative after the Industrial Revolution. There are notable sets of works created by Spanish artists in the United Kingdom, from the Osonas to Joan Miro, such as the ones conserved in Apsley House, Pollok House and the Dulwich Picture Gallery. The collections owned by public institutions also include a significant number of masterpieces of Spanish art, including the National Gallery of London and the National Gallery of Scotland in Edinburgh. Other public and private collections, such as the Wallace Collection, the Duke of Stafford Collection, the Fitzwilliam Museum and Bowes Museum, also contain masterpieces.

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. The treasures of the Alba family represent more than five hundred years of patronage and collecting of European art of the highest quality and importance The Meadows Museum at Southern Methodist University is honoured to offer viewers in the United States their first opportunity to contemplate masterpieces from the leading historic private art collection in Spain. The treasures of the Alba family represent more than five hundred years of patronage and collecting of European art of the highest quality and importance. One hundred thirty-eight exemplary objects from these vast holdings will be presented in Dallas and then travel to the Frist Center for the Visual Arts in Nashville. Coinciding with the Meadows Museum s golden anniversary, the exhibition Treasures from the House of Alba: 500 Years of Art and Collecting and this companion publication trace the history of the Alba family from the fifteenth century through the present day through the works they collected. The book explores the family's wealth of paintings, sculptures, furniture, tapestries, and other objects, as well as the Alba archives and library. The stature of the painting collection is clear from the artists represented in the exhibition, among them Fra Angelico, Titian, Rubens, Mengs, Goya, Ingres, Sorolla, and Renoir. The relationship of the Alba legacy to America is highlighted in decorative objects and in a selection of documents from the Alba library related to Columbus and his voyages. The ten essays in this publication shed light on the dynasty's particular interest in collecting tapestries; its patronage of writers such as Garcilaso de la Vega; the influence of Eugenia de Montijo, empress of France, who was directly related to the Alba family; the pivotal roles of the Seventeenth Duke of Alba and his daughter, the Eighteenth Duchess, in the twentieth century, both of them keenly engaged with the art of their time; and the three palaces Liria, Monterrey, and Las Duenas that house much of the collection today. Finally, there is one essay covering the biographical life of the Albas as well as an article that discusses their artistic legacy. As a result, the book provides an in-depth study of the rich life and cultural achievements of this legendary dynasty that still lives strong today.

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Maria Campos Carles de Pena, a leading expert in furniture history, has undertaken an exhaustive project of research into the large and varied production of furniture made in Peru in the seventeenth and eighteenth centuries - the colonial period - for churches, convents, monasteries and private collections. Over eleven chapters she provides a thorough description of this type of furniture, which was inspired by artistic styles ranging from Mannerism to Neoclassicism, with their many variants and creators. Her analysis allows for an appreciation of the way vice-regal furniture in Peru is a valuable witness to its time: an example of a syncretism of varied and different cultures, endowed with symbolism, iconographic meaning and enormous beauty.

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Fifteen years ago, Eduardo Mencos (farmer, landscape designer and photographer) and Charles Quest-Ritson (historian, writer, journalist and editor) conceived the idea of going on a trip around the world, like Jules Verne, but with the olive tree playing the leading role. The outcome of that adventure through 26 countries is this book, which tells the story of humankind through the olive tree and its fruit. In the book, the authors take an in-depth look at a tree that is so familiar to us all and yet still remains so much of a mystery in terms of its many different guises.With over 200 spectacular photographs taken by Eduardo Mencos, accompanied by an erudite text written by Charles Quest-Ritson, the book sweeps through the manifold manifestations of the olive tree and its distinguishing traits. It covers the origin and later domestication of the tree, all of the different roles it has played and the significance it has had at different times throughout history, its importance

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Chus Bures creates miracles. Each piece of jewellery that emerges from his workshop boasts a complex genesis, stemming from an intersection between his genius-level thought processes and his maverick lifestyle. From exploring the versatility of buttons, to accentuating the geometric planes of the human body (Infinity Lines, 1990), and using minerals to emulate and exaggerate human features (seen in the striking 'Mae Nam' Collection of 2000), Bures' work is always perplexing, always stimulating, and always innovative. He refuses to be cowed by convention, and delights in challenging his clients and models. The bodily focus of his work makes every piece a startling, and often uncomfortable, insight into humanity. Bures may be a maestro of metal - the gauzy chainmail-esque veils in his Crochet collection, 2000, attest to that. Yet he has mastered the emotional dimensions of his jewellery as well as its physical properties. The relationship between his pieces and the people who collect and cherish them is essential to his artistic praxis. In Chus Bures, Portraits & Jewellery (2016), this is realised through a series of intense portraits by Antoine d'Agata, Alberto Garcia-Alix, and Andres Serrano. These pictures reveal a transgressive melding of jewel and subject: man becomes metal and metal becomes man. Watch ideas take on physical form, and immerse yourself in Bures' world of wearable art.

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A lo largo de su vida, Joaquín Sorolla llegó a pintar cerca de dos mil óleos sobre cartones o tabillas de muy pequeño tamaño. Sorolla los llamaba generalmente ?apuntes? pero, a veces, se refería a ellos como ?manchas? o ?notas de color?. Estas tablitas le permitían recoger con rapidez ideas o impresiones de cosas vistas, en obras independientes que iban más allá de un simple boceto.00Si en un principio se consideraron obras íntimas, productos inacabados del trabajo del pintor, pronto se apreció en ellas tanto su libertad creativa. Pequeños en tamaño, pero grandes en audacia, contienen ráfagas del Sorolla más brillante.00Exhibition: Museo Sorolla, Madrid, Spain (12.02.-29.09.2019).

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El progresivo interés en el estudio de la Historia de las Artes Decorativas ha llevado a María Campos Carlés de Peña, especialista en Historia del Mueble, a la redacción de este libro. La autora ha realizado una exhaustiva investigación sobre la muy rica producción de muebles en el Perú de los siglos XVII y XVIII -a lo largo del Período Virreinal- en iglesias, conventos, monasterios, colecciones particulares. Expuso en once capítulos una minuciosa descripción de esos muebles -una parte del amplio repertorio de mobiliario de uso eclesiástico y civil que logró individualizar dentro de ese contexto histórico- inspirados en estilos artísticos que pasan del manierismo hasta llegar al neoclasicismo, con las múltiples variantes del momento y sus artífices.A través de su lectura es posible apreciar en el mueble virreinal peruano un invalorable testigo de su tiempo, ejemplo de sincretismo de variadas y distantes culturas, dotado de simbolismo, enorme belleza y sentido iconográfico

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Durante toda su dilatada carrera como cazador de perdiz roja, Luis de Ussía, conde de los Gaitanes, llevó unos detallados diarios de caza en los que resume las características de la jornada y que cierra con su certera valoración sobre cómo esta ha transcurrido. Entre 1976 y 1991, el conde de Barcelona, Juan de Borbón, otro gran tirador de perdiz, participó habitualmenteen las mismas cacerías, de lo que Ussía tomó cumplida nota en sus apuntes.Don Juan de Borbón, Conde de Barcelona. Cacerías de perdices en España, 1976-1991, recoge aquellas páginas de los diarios del conde de los Gaitanes en las que don Juan figura con su escopeta, en compañía de otros grandes cazadores.Es, por lo tanto, no solo un diario de caza de Luis de Ussía sino también del propio Juan de Borbón y una mirada amplia y precisa sobre la caza de la perdiz en España durante los últimos años setenta y la década de los ochenta del siglo pasado, en la que muchos se recordarán, escopeta al hombro, atentos al vuelo bra

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?Barca?, Javier Barcáiztegui, es un genial dibujante y caricaturista, encuadrado en la tradición del costumbrismo. De talento analógico, considera que el retrato interior de sus personajes, ?su psicología?, precede siempre al trazo de su lápiz.Colaborador en numerosas publicaciones ?Sábado Gráfico, ABC, Época, Trofeo- es conocido fundamentalmente por sus ilustraciones para los libros y artículos de su gran amigo Alfonso Ussía.Amante del campo y de la caza, consigue plasmar, con mucho ingenio y grandes dosis de humor, instantes divertidos en sus dibujos cinegéticos y campestres.En el año 2014 le fue concedido el Premio Mingote, maestro de quien es gran admirador.Este libro recoge una amplia selección de los dibujos realizados a lo largo de su vida. Es, en definitiva, un libro divertido, que sin duda despertará sonrisas en cualquiera que se acerque a él.

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Painting in Latin America, 1550–1820: From Conquest to Independence surveys the diverse styles, subjects, and iconography of painting in Latin America between the 16th and 19th centuries. While European art forms were widely disseminated, copied, and adapted throughout Latin America, colonial painting is not a derivative extension of Europe. The ongoing debate over what to call it—mestizo, hybrid, creole, indo-hispanic, tequitqui—testifies to a fundamental yet unresolved question of identity. Comparing and contrasting the Viceroyalties of New Spain, with its center in modern-day Mexico, and Peru, the authors explore the very different ways the two regions responded to the influence of the Europeans and their art. A wide range of art and artists are considered, some for the first time. Rich with new photography and primary research, this book delivers a wealth of new insight into the history of images and the history of art. Published in association with Ediciones El Viso

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