Search results for ""Drawn and Quarterly""

The annual comics anthology of emerging cartoonistsThe Drawn & Quarterly Showcase new talent series stands out among other anthologies on the shelf, as it is the only anthology to have the focused editorial vision of D+Q editor in chief Chris Oliveros, who is responsible for launching the careers of Adrian Tomine, Seth, Julie Doucet, and more. Five years ago, Oliveros was impressed by the talent and vitality of the new generation of cartoonists. Each volume has been lauded for its short stories, and by selecting the best cartoonistsevery year, Oliveros gives each artist more than twenty-five pages in the Showcase to spotlight their storytelling and artistic abilities. The D+Q Showcase is where you find tomorrow''s critically acclaimed graphic novelists today.Book Four features three North American cartoonists: Dan Zettwoch (The Ghost of Dragon Canoe) of St. Louis, Gabrielle Bell (When I''m Old) of Brooklyn, and Mar

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Drawn & Quarterly Shaowcase returns featuring two more of the brightest new talents working in graphic novels today. This edition focuses on new stories by two cartoonists from opposite ends of the globe: Chicago's Jeffrey Brown and, from the other side of the Atlantic, Pentti Otsamo of Finland. Brown's story is a tense murder mystery, involving two abducted girls, while Otsamo writes about a boy's move to a new town and of the nastiness of the kids who shun the new arrival.

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The annual comics anthology of emerging cartoonistsDrawn & Quarterly Showcase is a new-talent anthology and the only annualcollection to have the focused visual acumen of the D+Q editor in chief, Chris Oliveros, who scours the globe for three cartoonists to spotlight and introduce to North American readers. More often than not, it is the first time the cartoonists have had the chance to work in full color with twenty-five pages, and on such a wide-reaching visual platform. The series is hailed for its consistent quality and for the superior editorial vision of its short stories, volume after volume. BookFive features Anneli Furmark (Sweden), Amanda Vähämäki (Finland),and T. Edward Bak (United States), with cover art by Vähämäki. PreviousShowcases have featured Kevin Huizenga, Jeffrey Brown,GenevièveCastrée, Gabrielle Bell, and Nicolas Robel.

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Paintings by two of Canada''s most influential contemporary fine artistsAnimals with Sharpies is a collection of paintings with hand-lettered texts. In each painting, Michael Dumontier and Neil Farber have depicted an animal holding a Sharpie, ostensibly writing a message. These messages are varied in nature: political and religious tracts, confessions, recipes, arithmetic problems, and more. Above all, these paintings are funny, but they are also startlingly poignant and jarring for the humanness of the suffering and longing depicted in these animals'' simple words.Dumontier and Farber, two of the founding members of the highly influential art collective the Royal Art Lodge, have been collaborating on art projects for more than fifteen years. Their collaborative style is unique from that found in their individual works and is respected internationally: they''ve exhibited together in France, Switzerland, Canada, the United States, Belgium, Spain, England, a

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From two of the founding members of the influential collective, the Royal Art LodgeConstructive Abandonment is a series of small paintings featuring surreal vignettes with animals and children weighed down by the pressures of life. With absurdly comedic interactions, the text varies from straightforward to even more abstract and nonsensical than the images that it accompanies. The paintings reference child''s play or literature and some are seemingly without reference, completely untethered.Michael Dumontier and Neil Farber are founding members of the Royal Art Lodge. Since the dissolution of the influential Winnipeg art collective, Dumontier and Farber continue to work and create art together. Constructive Abandonment is a partnership not only of two of today''s great contemporary artists but also of cohesive dissonance. Pages that could be forgettable one-liners become investigations into intellect and our ability to draw correlations between c

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The critically lauded memoir about being a john is now a major motion picture!Paying for It was the most talked-about and controversial graphic novel of 2011, a critical success so innovative and complex that it received two rave reviews in The New York Times. Chester Brown''s eloquent, spare artwork stands out in this new paperback edition, tied to the release of the film adaptation co-written and directed by Sook-Yin Lee, Brown's longtime friend and the director of Year of the Carnivore and Octavio is Dead! Paying for It offers an entirely unvarnished exploration of sex work through Brown's own life story, showing him as a timid john who rides his bike to his escorts, wonders how to tip so as not to offend, and reads Dan Savage for advice. The book demystifies an experience that is so often sensationalized, revealing a world of online reviews, seemingly willing participants, and clean apartments devoid of clichéd st

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Riotous bodies abound in these deeply honest comics that will get you through it (or at least help)When you order CBD gummies for your anxiety but forget to consider your eating disorder.Known for her buzzing colors, delightful patterns, sharp humor, and unflinching vulnerability, Tara Booth does not miss any mark in this exquisitely woven collection of pure and nasty magic. Part advice column and exhibit, exploration of psychic pollution and tranquility, Processing isquite simplyintrepid: in its honesty; its unapologetic grossness; its unrivaled and frank portrayal of life with a body that bleeds.In the grand tradition of underground women cartoonists like Julie Doucet and Aline Kominsky-Crumb, Booth draws a horned up woman laying rose petals on the bed, to distract from the bedbugs before her hookup arrives. She bears witness to the reality of wearing a t-shirt with no brawhen you stretch, your boobs, sometimes, pop right out. This is all just life b

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The third and final installment of the artist''s facsimile sketchbook series.After over fifteen years deferral, delay and dawdling, the ink-and-paper cheerleader F. C. Ware finally succumbs to imaginary public pressure by concluding his tiresome experiment in reader trust with the third and final volume of secret notebooks and sketches spanning over thirty-seven years of bus rides, airport delays and telephone hold music.Exquisitely crafted fine art doodles, hand-selected meanderings and artisanal rewritings of personal conflict are scattered throughout comic strips unconsciously revealing private hostilities and unflattering portraits of public transportation riders, the whole carefully cleansed of any impugnable or litigious tracery. As a professional adult-picture-book drawer and regular contributor to the New Yorker, Le Monde and the Illinois Cook County Assessor's office, Mr. Ware's work in these pages secures his reputation as an reliably unreliable self

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Celebrating the pop culture phenomenon that redefined what it meant to be Asian-American with tributes from Margaret Cho, Randall Park, Jia Tolentino, and more.Los Angeles, 1994. Two Asian-American punk rockers staple together the zine of their dreams featuring Sumo, Hong Kong Cinema and Osamu Tezuka. From the very margins of the DIY press and alternative culture, Giant Robot burst into the mainstream with over 60,000 copies in circulation annually at its peak. Giant Robot even popped right off the page, setting up a restaurant, gallery, and storefronts in LA, as well as galleries and stores in New York and San Francisco. As their influence grew in the 90s and 00s, Giant Robot was eventually invited to the White House by Barack Obama, to speak at Harvard University's Graduate School of Design, and to curate the GR Biennale at the Japanese American National Museum.Home to a host of unapologetically authentic perspectives bridging th

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Harvey Knight s Odyssey is the latest book in Nick s deepening catalog of jocular misery. Solarism is a religion that acknowledges there is a balance of light and dark in the Universe. But while Solarists believe it is possible to achieve a state of Pure Light by exposing themselves to the rays of the sun (or tanning beds on cloudy days), the Forces of Dark conspire against them and send hooded Shadow Men to eliminate the Light. Subsequently, Solarists must kill these Shadow Men. It s the only way. When a thief infiltrates the sacred chambers of the Solarists, Assistant-to-the-Master Harvey Knight must test the strength of his beliefs in order to restore order. Or maybe he s plotting to overthrow the leader and make the religion his own. Either way, it s an odyssey. Nick Maandag has been making bone-dry hilarious comics for years, exploring the ridiculousness of human vanity and beliefs. He approaches each comic with the understanding that we are all desperate to be seen and find the most outrageous ways to make that happen. Few cartoonists elicit belly laughs the way Maandag does.

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Lynda Barry s Ernie Pook s Comeek... made the world look wild, ugly, joyful, and mysterious.' The New Yorker. Maybonne Mullen is 'riding on a bummer' according to her little sister, Marlys. As much as teenage Maybonne prays and tries she just can t connect to the magic of living. How can she when there s so much upheaval at home and school, not to mention the world at large? And yet Marlys always seems able to tap into it. In It s So Magic, the Mullen family dynamics are in flux. Uncle John makes a brief return to town to the delight of the girls. Freddy is finally reunited with his sisters. Marlys falls in love for the first time. And after they finally settle into a routine at their grandmother s, the Mullen siblings find out that their mother might be ready to take them back in. With war in the background and precarious parental support, the siblings long for peace, finding it in the small things like grocery-store turkey-drawing contests and fishing trips. Narrated by Maybonne, Marlys, and Freddy, It s So Magic captures Lynda Barry s unparalleled ability to depict the magic of youth experiencing firsts in a world that contains as much humor as it does hardship.

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A seasoned cartoonist of epic proportions, Brandon-Croft carves out space for Black women s perspectives in her nationally syndicated strip. Few Black cartoonists have entered national syndication, and before Barbara Brandon-Croft, none of them were women. From 1989 to 2005, she brought Black women s perspectives to an international audience with her trailblazing comic strip Where I m Coming From. From diets to day care to debt to dreaded encounters with everyday racism, no issue is off-limits. This remarkable and unapologetically funny career retrospective holds a mirror up to the ways society has changed and all the ways it hasn t. The magic in Where I m Coming From is its ability to present an honest image of Black life without sacrificing Black joy, bolstered by unexpected one-liners eliciting much-needed laughter. As the daughter of the mid-century cartoonist Brumsic Brandon Jr. the creator of Luther, the second nationally syndicated strip to feature a Black lead Brandon-Croft learned from the best. With supplementary writing by the author and her peers alongside throwback ephemera, this long-overdue collection situates Brandon-Croft as an inimitable cartoonist, humorist, and social commentator, securing her place in the comics canon and allowing her work to inspire new readers at a time when it is most needed.

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A five-generation family history told through what is seen and heard, if not said. Let s Not Talk Anymore weaves together five generations of women from Weng Pixin s family, each at age 15. Her lineage is full of breakages her great grandmother Ku?n is sent away from her family in South China, her grandmother Mei is adopted by a neighbor to help with housework, and her mother B?ng is heartbroken by her father s estrangement. Pixin s own story centers on her feelings of isolation and her rebellion from her mother. She extends the line by envisioning a fictional future daughter, Rita, who questions her family s legacy. While spanning 100 years, Pixin moves back and forth in time seamlessly, as each woman experiences loneliness and kinship, hope and longing. As each story develops, generational traumas are revealed and fraught relationships passed on from mother to daughter. Creative impulses are stifled or nurtured. They struggle with poverty and neglect. And at some point each woman begins to separate herself from her situation and understand the woman she will become. Pixin s bold, vibrant paintings fill the aching silences between generations with beauty and emotion. Her paintings conjure complete worlds which these women inhabit. Let s Not Talk Anymore is a family history filled with tender moments as these women find connection with plants, animals, and their own creative pursuits, while struggling to connect with each other.

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Paul at Home is Quebecois superstar Michel Rabagliati s most personal book yet, a riveting, emotional, and frequently amusing take on the losses and loneliness of being closer to retirement than to university. Paul is in his mid-50s, a successful cartoonist with an achy shoulder living in a house he once shared with his wife and daughter. The backyard is unkempt, full of weeds. A swing set sits idle, slowly rusting beside a half-dead tree Paul planted with his then-five-year old daughter. The room that belonged to his now-18-year-old daughter is mostly unused, especially once she decides to move overseas. Left unspoken but lingering in the background is Paul s divorce after a three decade relationship with his high school sweetheart. Amid all of this emotional turmoil, Paul visits his ailing mother in the final months of her life. Like Paul, she divorced in mid-life after a long marriage. She spent most of her remaining years alone or in unfulfilling relationships, which Paul implicitly fears might happen to him. Online dating only seems to make the world worse. Rabagliati doesn t shy away from these intimate issues, approaching them as much with self-deprecating humor as with sorrow or pain. Characterized by both a deep insight and a willingness to poke fun at life s shortcomings, Paul at Home is a playful and poetic rumination on loss and the sometimes unsettling changes that come with middle age.

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At nineteen, the idea that you have your whole life ahead of you with endless possibilities can leave you terrifyingly stiff. Throwing mobility to the wind, you dull yourself with booze. The grownups around you are stunted by their own failures so they act out with alcohol, too, sometimes with violence. What was once the hope of youth quickly spirals into powerlessness and malaise as the days trickle by you. Ancco expertly renders the moment of suspension between the desire to grow up and the fear that accompanies it. Autobiography blends with fiction in these coming-of-age stories about people reckoning with their place in their community and women coming to terms with other women. A boy living with HIV tries to decide how he s going to tell his parents or whether he should tell them at all. A mother puts pressure on her daughter to pass her exams, and the stress of it all drives them both to drink, fueling a toxic relationship with a lot of care just below the ugly surface. Another girl keeps getting bruises, but who s inflicting the damage herself or a loved one? And dogs seemingly the only ones capable of unconditional love offer some reprieve. Ancco delivers a cutting panorama of contemporary Korean society that s much darker than one might expect, while also brimming with life and the vitality of youth.

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Sophie s young and queer and into feminist theory. She decides to study abroad, choosing Paris for no firm reason beyond liking French comics. Feeling a bit lonely and out of place, she s desperate for community and a sense of belonging. She stumbles into what/who she s looking for when she meets Zena. An anarchist student-activist committed to veganism and shoplifting, Zena offers Sophie a whole new political ideology that feels electric. Enamored of Zena, of the idea of living more righteously Sophie finds herself swept up in a whirlwind friendship that blows her even farther from her rural Californian roots as they embark on a disastrous hitchhiking trip to Amsterdam and Berlin full of couch surfing, drug tripping, and radical book fairs. Capturing that time in your life where you re meeting new people and learning about the world when everything feels vital and urgent The Contradictions is Sophie Yanow s fictionalized coming-of-age story. Sophie s attempts at ideological purity are challenged time and again, putting into question the plausibility of a life of dogma in a world filled with contradictions. Keenly observed, frank, and very funny, The Contradictions speaks to a specific reality while also being incredibly relatable, reminding us that we are all imperfect people in an imperfect world.

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Ignatz nominated and MoCCA Arts Festival Award-winning cartoonist Rumi Hara invites you to visit her magical world. Nori (short for Noriko) is a spirited three-year-old girl who lives with her parents and grandmother in the suburbs of Osaka during the 1980s. While both parents work full-time, her grandmother is Nori s caregiver and companion forever following after Nori as the three year old dashes off on fantastical adventures. One day Nori runs off to be met by an army of bats the symbol of happiness. Soon after, she is at school chasing a missing rabbit while performing as a moon in the school play, touching on the myth of the Moon Rabbit. A ditch by the side of the road opens a world of kids, crawfish, and beetles, not to mention the golden frog and albino salamander. That night, her grandma takes to the Bon Odori festival to dance with her ancestors. When Nori wins a trip to Hawaii, she finds herself swimming with a sea turtle, though she doesn t know how to swim. In mesmerizing short stories of black and white artwork with alternating spot color, Hara draws on East Asian folklore and Japanese culture to create an enchanting milieu that Nori tries to make sense of, wrestling between the reality of what she sees and the legends her grandma shares with her.

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Before the critically-acclaimed animated shows, the bestselling graphic novel Coyote Doggirl, or the humor collections Hot Dog Taste Test and My Dirty Dumb Eyes, cartoonist Lisa Hanawalt was a comic book industry sensation with her Ignatz Award-winning minicomic series I Want You. Hanawalt s outlandish humor and ingenious formalism are evident in the comics collected here. Her love of anthropomorphism and scatology are on full display, all lovingly and grotesquely drawn by Hanawalt in obsessive, unnerving detail. The stars here are She-Moose, who we join sex-toy shopping, and He-Horse, who we learn mid-flight suffers from ornithophobia. The true star of I Want You may just be Hanawalt s hilarious command of the graphic listicle. Top Causes of Freeway Accidents is a prescient pre-BoJack display of Hanawalt s love for all things equine. Things We Are Sorry We Did Last Night includes the murder of all Hanawalt s Google doppelgangers. Whether she s discussing the daily commute or masturbation, she packs each comic in I Want You with punchy cultural observations and sharp-witted reflections on typically taboo subjects. A master humorist and cartoonist, Hanawalt strikes the perfect balance of drawing the gorgeous and the repugnant, the fantastical and the lifelike, the bizarre and the hilarious creating a deeply human exp

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This new volume, Walt and Skeezix 1933 1934, opens amid tough times, as the Depression grinds into its fourth year. Against this setting, a con artist sets up a storefront in town for Continental Corncob, a fictitious company established to dupe would-be investors. Somehow Walt Wallet and the Gasoline Alley gang are roped into the scheme, with the promise that they could earn steep returns if they purchase shares in the allegedly thriving company. The lean economic climate motivates young Skeezix and his friends to find inventive ways to earn money, although not always with the intended results. For their first project, they create a local newspaper for the neighbourhood kids but are forced to shut down after the corner printshop burns down. Later, they start an after-school delivery service on roller skates, but the new business folds after a rival undercuts their prices with a cheaper alternative. Frank King was one of the pioneering masters of cartooning, and this ongoing series serves as a fascinating historical document of early- to mid-twentieth-century American life. Edited and designed by Chris Ware (Building Stories, Monograph) and featuring an introduction by the comics historian Jeet Heer (The New Republic), this new volume also includes never-before-seen photographs and rare archival documents from the private collection of the King family.

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The third and final act of Jason Lutes s historical fiction about the Weimar Republic begins with Hitler arriving in Berlin. With the National Socialist party now controlling Parliament, the citizenry becomes even more divided. Lutes steps back from the larger political upheaval, using the intertwining lives of a small group of Germans to zero in on the rise of fascism and how swiftly it can replace democracy. The idle rich, the naive bourgeoisie, and the struggling lower classes: all seek meaning in the warring political factions dividing their nation. He especially focuses on the Brauns?a working-class family torn apart by a political system that doesn t care about them. Lovers couple and uncouple; families and friends share rituals and laughter; most of Berlin s citizens go about their day with little sense of the larger threat to their existence. Meanwhile, the journalist Kurt Severing and the artist Marthe Muller watch in horror as their society begins a dizzying descent into extremism. Lutes Berlin Book Three: City of Light is one of the most anticipated graphic novels of 2018, and the long-awaited conclusion to his beloved trilogy.

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Drawn near the end of her life, surrounded by the nature and calm of Anacortes, Washington, Genevieve Castree drew one final gift for her two-year-old daughter, the stunning board book A Bubble. Leaving behind a last note for a young child is an incomprehensible task; Castree responds with grace and subtlety. Using precise, exquisite drawings of herself and her daughter, Castree depicts changes in their daily routines as a greater story unfolds. Mother and daughter float from page to page, encased in a bubble that protects them from the outside world. A contemplation of love and loss, A Bubble is a lasting declaration, a final memory, a comfort for others experiencing grief, and a beautiful archive of one of the world s most talented cartoonist s final artistic achievements. Known for her hauntingly beautiful music (under the names O PAON and Woelv), engrossingly detailed album illustrations, and delicate, subtle comics, Castree s previous graphic novel, Susceptible, shows her rare ability to handle difficult personal material with intimacy and honesty. A Bubble acts as an extension of her life story and the final chapter of a beautifully full existence. Castree passed away in 2016 after a long battle with pancreatic cancer.

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Anouk Ricard's bold and colourful comics of this quirky, grumpy gang of pals are delightfully weird yet thoroughly reaslistic in their honest and hilarious portrayal of friendship. Anna, Froga, Christopher the worm, Ron the cat, and Babu the dog continue their non-adventures with bickering, needling, cajoling, and honest friendship. No white lie goes unexposed, no small embarrassment goes unrevealed, no secret is kept, everyone's foibles are fodder for jokes. Anna and Froga: Completely Babu collects all five volumes of the acclaimed Anna and Froga series into an accessible paperback. Ricard's virbrant world shines with visual puns and deft animal caricatures, making Anna and Froga enjoyable for kids and their parents alike.

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Poppies of Iraq is Brigitte Findakly s nuanced tender chronicle of her relationship with her homeland Iraq, co-written and drawn by her husband, the acclaimed cartoonist Lewis Trondheim. In spare and elegant detail, they share memories of her middle class childhood touching on cultural practices, the education system, Saddam Hussein s state control, and her family s history as Orthodox Christians in the arab world. Poppies of Iraq is intimate and wide-ranging; the story of how one can become separated from one s homeland and still feel intimately connected yet ultimately estranged. Signs of an oppressive regime permeate a seemingly normal life: magazines arrive edited by customs; the color red is banned after the execution of General Kassim; Baathist militiamen are publicly hanged and school kids are bussed past them to bear witness. As conditions in Mosul worsen over her childhood, Brigitte s father is always hopeful that life in Iraq will return to being secular and prosperous. The family eventually feels compelled to move to Paris, however, where Brigitte finds herself not quite belonging to either culture. Trondheim brings to life Findakly s memories to create a poignant family portrait that covers loss, tragedy, love, and the loneliness of exile.

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Since the character of Monsieur Jean first walked onto the page in 1998, he has endeared himself to readers, maturing with each frantic, surreal, heart-warming episode. Beginning as a young Parisian bachelor, defeatist writer, and urban bon vivant, Jean has reluctantly transitioned into a family man of forty, learning how to live with, and ultimately love those around him unconditionally. Constantly surrounded by a group of childhood class- mates, an unbearably idealistic live-in friend Felix and his adopted son, Eugene, as well as his sweet daughter Julie, Jean questions life and those of others in an honest and endearing way; his unmistakable joie de vivre always undermined by a palpable sense of cynicism. The joy of these award-winning cartoons stems from that fact that Jean s weaknesses are our own; his doubts about life, universal; his relent- less quest for happiness understood. With their unique collaboration, both writing and drawing each Monsieur Jean story, celebrated French cartoonists Du-puy and Berberian prove time and time again just how powerful and seductive a simple, yet elegantly told story can be.

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In the outrageously amusing If Found , Elise Gravel offers readers a sneak peek into her sketchbook, where colourful monsters, imaginary friends, a grumpy things reign supreme. Meet Donald, who sings off-key; Francine, who likes to eat stones; and Mar- vin, the man with lots of stuff in his beard. Mixing the real with the fantastical, Elise s drawings exude curiosity, as microbes and mushrooms share the page with speckled pepper pops, gloppers, and floofs. Filled to the brim with vibrant felt marker illustrations, If Found is not just an exhibition of Gravel s work, but a challenge to young artists to keep a daily sketchbook. She reveals her top tips to becoming a successful illustrator practice! practice! practice! while empowering young artists to face their fears of making ugly drawings. Stop worrying about what makes a drawing good or bad Elise draws anything and everything and you can too!

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German cartoonist Aisha Franz's debut graphic novel de--tails a few short days in the life of two sisters and their single mother. Set in a soulless suburb populated by block after block of identical row houses bordered by empty fields and an industrial no-man's land, Earthling explores the loneliness of everyday life through these women's struggle to come to terms with what the world expects of them. Earthling unveils a narrative rich with surrealist twists and turns, where the peas on the dinner plate and the ads on television can both literally and figuratively speak to the most private strife and deepest hopes in a person's life. As the sisters begin to come to terms with their sexuality, they are confronted by harsh realities and a world that has few escape routes for young women. Drawn in deep grey pencil, the claustrophobia of Franz's crosshatching and smudging matches the tone of the book perfectly. Earthling is an atmospheric and haunting account of the inevitability of losing the dream worlds of childhood.

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Moomin: The Complete Lars Jansson Comic Strip, Volume 9 welcomes readers back to the beloved world of Moominvalley, where pancakes and jam are a perfectly acceptable supper and a damsel in distress can live in a pre-fabricated castle. The ninth volume of Tove and Lars Jansson's classic comic strip features the beloved Fuddler and Married Life story. Together, the four stories in this collection display the poignancy, whimsy, and philosophical bent that constitute the Moomins' enduring appeal. 'Whimsical and charming, Moomin's (mis)adventures suggest an Alice in Wonderland dream world with odd beings, unexplained connections, and events that freewheel out of control.' - Library Journal. 'Moomin is about freedom, tolerance, and optimism amid frustration, loss, and fear.'- Modern Painters

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The critically acclaimed graphic novel about Quebec's contentious history by the founder of D+Qis now in paperback.It started in 1963, when a dozen mailboxes in a wealthy Montreal neighborhood were blown to bits by handmade bombs. By the following year, a guerilla army training camp was set up deep in the woods, with would-be soldiers training for armed revolt. Then, in 1966, two high school students dropped off bombs at factories, causing fatalities. What was behind these concerted, often bungled acts of terrorism and how did they last for nearly eight years?Chris Oliveros sets out to dispel common misconceptions about the birth and early years of a now-defunct movement whose legacy still holds a tight grip on Canadian politics and the hearts and minds of Quebec. The Front de libération du Québec (or in English, the Quebec Liberation Front), began as a socialist movement with a goal of championing workers' rights among the province's French-speaking majority.

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Meet one of Japan''s most popular characters of all time-Kitaro, the One-Eyed Monster BoyThe Birth of Kitaro collects seven of Shigeru Mizuki''s early, and beloved, Kitaro stories, making them available for the first time in English, in an all-new, kid-friendly format. These stories are from the golden era of the late 1960s, when Gegege no Kitaro truly hit its stride as an all-ages supernatural series. Mizuki''s Kitaro stories are both timelessly relevant and undeniably influential, inspiring a decades-long boom in stories about yokai, Japanese ghosts, and monsters.Kitaro''s Birthday reveals the origin story of the yokai boy Kitaro and his tiny eyeball father, Medama Oyaji. Neko Musume versus Nezumi Otoko is the first of Mizuki''s stories to feature the popular recurring character Neko Musume, a little girl who transforms into a cat when she gets angry or hungry. Other stories in The Birth of Kitaro draw heavily from Japanese folklore, with Kitar

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The final showdown for the legendary yokai!In the seventh volume of Shigeru Mizuki's defining series, our beloved hero Kitaro stands accused of exposing the secret yokai world on television. He is put on trial for crimes against yokai. Witnesses are called from both sides, but when Nezumi Otoko takes the stand, all bets are off. Will Nezumi Otoko be for Kitaro or against him? Only the biggest bribe will tell!The Trial of Kitaro features five bizarre and amusing adventures. In every story, Kitaro has his hands full. He faces off against Kasha, a vicious demon cat; tries to quell a magical cooking pot; battes a sea monster; and solves the mystery of a three-eyed bird.This volume features comics from the late 1960s, which was the golden age of GeGeGe no Kitaro. These stories appear in English for the first time in a kid-friendly edition, with translations by the Mizuki scholar and series translator Zack Davisson. The Trial of Kitaro also con

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In the second volume of Tove Jansson's humorous yet melancholic Moomin comic strip, we get four new stories about jealousy, competition, child rearing, and self-reinvention.

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Outtakes Of An American Genius Acclaimed cartoonist Chris Ware reveals the outtakes of his genius in these intimate, imaginative, and whimsical sketches collected from the years during which he completed his award-winning graphic novel Jimmy Corrigan: The Smartest Kid On Earth (Pantheon). This book is as much a companion volume to Jimmy Corrigan - one of the great crossover success stories - as a tremendous art collection from of one of America's most interesting and popular graphic artists. Ware has a passion for drawing that is surprisingly wideranging in style and subject. This book surprises the reader on every page with its sense of spontaneous vision. Architectural drawings from Chicago and interplanetary robot comics collide with cruelly doodled human figures and quietly troubling studies of still life. A must for people with a passion for modern design and old-fashioned style.

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A Filipino-American take on Depression-era noir featuring mistaken identities, speakeasies, and lost love. The year is 1929 and Bobot is just another migrant worker in rural California. Or rather, a migrant worker with a law degree from the Philippines reduced to manual labor in America. Bobot, like so many other young Filipinos, finds himself bunking in the fields, picking fruit by day. When his cousin writes claiming to have spotted his estranged wife in nearby San Francisco, he swipes a co-worker s favorite nightclub suit and heads to the big city to find her. What follows is classic noir with seedy dives, mouthy pool sharks, and obsession. Rina Ayuyang indulges her passion for old Hollywood and elaborate movie musicals while exploring her immigrant roots in a playful and mysterious drama, creating something she never saw but always had hoped for a classic tale about people who looked just like her. The Man in the McIntosh Suit is a gripping, romantic, and psychological exploration of a fledgling community chasing the American dream in an unwelcoming society heightened by racial hostility and the bubbling undercurrent of the coming Great Depression.

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Welcome to the Girl Juice House, home of only the hottest gang in town. Benji Nate s stylish and rambunctious sense of humour lovingly takes digs at the young and tragically hip reserved and introspective Nana, comically hypersexual Bunny, fledgling U-tuber Tula, and Designated Mom Sadie as they navigate life, love, and the pursuit of a good time. Girl Juice flaunts the gloriously messy and hilariously self-indulgent day-to-day hijinks of four young women doing the most. Watch them bicker over making rent and come up with creative solutions for getting there! Cringe as they attend an adult prom! Split your sides as they try their hand at camping! Cower as they confront their mommy issues, and cheer as they battle inner demons that feed off attention-seeking behaviour! Nate s colourful attention to detail and gift balancing for graphic hyperbole with subtle comedy are a deep, much-needed breath of fresh air. With front-facing cameras ever at the ready, Girl Juice is a snappy reminder that the time of your life is always just a text away.

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A couple struggles through their unhappy marriage in this dark science-fiction comedy

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