Search results for ""DoppelHouse Press""
DoppelHouse Press Even When Fall Is Here
A conversation between an artist and a gardener in the California border-landscape about creation, change, and loss. An intertextual, fictionalized narrative weaves together several years of Mexican artist Erick Meyenberg’s observations, research, video recordings, and paintings based on logbooks kept by gardener Chris Shea. Meyenberg’s conversations with Shea about his ephemeral landscape infer the change and loss inherent in human life and propels the deep emotional intelligence of this bilingual book as it reflects on time, creation, and the inspiration of the natural world. Shea’s remarkable, nuanced, and delicate language for color is reflected in Meyenberg’s layered appreciation for the garden Shea tended until the end of his life. Eloisa Haudenschild, Director of inSite, commissioned Meyenberg’s project with Shea for haudenschildGarage in La Jolla, California, and enlisted curator Ruth Estévez, the text’s author. For more information about the project see the haudenschildGarage website or DoppelHouse.com. Note: This book has two parts, one in English, one in Spanish.
£22.49
DoppelHouse Press Remarks on Color
Artist, critic and poet Eve Wood has a ribald sense of humor and for decades has had a distinctive presence in the Southern California art world. This is her first monograph, featuring a collection of off-beat, imaginative color studies populated with birds, animals and irreverent, sometimes naughty personae. Short, laugh-out-loud prose accompanies each of the portraits and vivid scenes. Her dog sleeps on a Ukranian-gold and blue rug; her raven vacuums the house; absurd characters from movies and art stand in for obnoxious or dreamy colors; and the birds – so many birds – sing of freedom.
£21.59
DoppelHouse Press The Lost Architecture of Jean Welz
A deserted Paris house holds the mystery of a brilliant Viennese modernist who worked alongside Le Corbusier and Adolf Loos before vanishing.Wyeth takes readers on a deeply personal and revelatory journey. This research process, which readers experience vicariously, makes Wyeth’s prose exhilarating as tiny details become breakthroughs of grand proportions. […] For late architect and painter Jean Welz, designs should reflect one’s aesthetic and political commitments. This narrative will resonate with anyone interested in the politics of architecture, or the pursuit of knowledge at large.—Hyperallergic "BEST ART BOOKS OF 2022"Welz’s having been “lost” is indeed a travesty of architectural history to which the book serves as a welcome antidote.—Artforum A leading painter still highly regarded in South Africa, Jean Welz's prior architectural career has been virtually unknown until a string of discoveries unfolded for author and filmmaker Peter Wyeth, allowing him to narrate this amazing true tale of genius. Trained in ultra-sophisticated, but conservative Vienna, Welz was sent to Paris for the 1925 Art Deco exhibition by his influential employer, renowned architect Josef Hoffmann. There he met preeminent modern architects Le Corbusier and Adolf Loos. The latter employed him to assist in building a house for the founder of Dada, Tristan Tzara. They all mixed in avant-garde circles at the Dôme Café in Montparnasse along with Welz’s classmate from Vienna, later Chicago-based architect Gabriel Guevrekian; Welz’s future employer Raymond Fischer, whose archive was mostly destroyed by Nazis; and photographer André Kertész. Through Welz’s South African family archive, author Wyeth retrieves stories, letters, portfolios, and photographs generations after Welz’s death that unravel his heroic designs, his stunning built critique of Corbusier’s “Five Points of Architecture,” a gravestone for Marx’s daughter, and the many ways that Welz disappeared amongst his collaborators, intentionally and not. This account of why Jean Welz did not become a famous name in architecture takes us through his brother’s Nazi-art-dealings, illness, betrayal, emigration, and an uncompromising artist’s vision at the same time sifting through significant, literally-concrete evidence of Welz’s built projects and visionary designs.
£26.09
DoppelHouse Press Ed Schad & Liat Yossifor: Letters Apart
A collaboration in abstract painting and poetry.Over the early days of the Covid-19 pandemic, a poet/curator and a painter correspond in their own mediums, developing a conversation across space and time during lockdown. Part monograph, part poetry collection, Letters Apart presents unusual events of language and a progression of abstracted imagery. In this beautiful and intimate book, personal memories, early Expressionism, lightness and darkness, fear and flights of fancy coexist.
£21.99
DoppelHouse Press I Am Oum Ry: A Champion Kickboxer's Story of Surviving the Cambodian Genocide and Discovering Peace
“The story of the legendary martial arts fighter and kickboxer Oum Ry is by turns pulse-pounding, disturbing, and powerful. His is an astonishing life told beautifully by his daughter Zochada Tat and Addi Somekh. The book will grip you from its first pages and not let you go."—Jeff Chang, author of Water Mirror Echo: Bruce Lee and the Making of Asian America and Can’t Stop Won’t Stop: A History of the Hip-Hop GenerationOum Ry (b.1944) is a former international champion kickboxer who first brought the Cambodian martial art Pradal Serey to the United States. When his family of silver engravers couldn't afford his food or schooling, he lived with monks until seeking out Pradal Serey masters, soon becoming national champion at 23 years old and one of the most famous fighters in the region. For 15 years, he toured Southeast Asia, and without ever suffering a knock-out, won more than 250 fights. After a young man’s dream-life of stardom, parties, and girls, his new wife gave birth to a child in 1975, two months before the Khmer Rouge entered Phnom Penh and threw the country into the chaos of civil war, where starvation, disease, and mass executions were common.Oum Ry survived the genocide though much of his family perished. He was saved many times from death in Cambodia due to fame, talent, and his resilience, but suffered a life-threatening attack during Southern California’s epic gang violence of the 1990s. Earlier, as a refugee with his young family in Chicago, Oum Ry learned English while working cleaning hotels. But within a few years, he had an investor in Long Beach, California and opened one of the first kickboxing gyms in the United States.This is Oum Ry's life story, which is propelled by his highly anticipated return to Cambodia in February 2022 to reunite with family and to pass on Pradal Serey traditions to the next generation.
£19.99
DoppelHouse Press A Stranger at My Table: The postcolonial story of a family caught in the half-life of empires
"A touching, contemplative chronicle of loss and self-discovery."– Publishers WeeklyFrom the acclaimed biographer of Norway’s most treasured cultural icons, Henrik Ibsen and Edvard Munch, comes a story of a migrant family in search of roots and for each other. Ivo de Figueiredo’s lyrical and imagistic memoir navigates a difficult search for the origins of his estranged father, which opens a door to a family history spanning four continents, five centuries and the rise and fall of two empires. At the age of 45, Figueiredo traces his father’s family in the diaspora. Having emigrated from the Portuguese colony of Goa on the west coast of India to British East Africa, and later to the West, his father’s ancestors were Indians with European ways and values—trusted servants of the imperial powers. But in postcolonial times they became homeless, redundant, caught between the age of empires and the age of nations. With lush descriptions and forthcoming honesty, A Stranger at My Table tells the story of a family unwittingly tied to two European empires, who paid the price for their downfall, weathering revolution and many forms of prejudice. The author’s trove of often-strange photographs, letters and recordings as well as his eye for the smallest details and double-meanings lead the reader down a mysterious path as his search for his family’s heritage results in a surprising reunification with his father and reconciliation with his past. Praise for Henrik Ibsen. The Man and the Mask, 2019 Ivo de Figueiredo’s work marks the high point in the long line of biographies of Ibsen that have been published since 1888. – Dagbladet This Ibsen-biography shares the quality of its subject: It is unsurpassable. […] Anybody with the slightest interest in literature should indulge in a meeting with the most important Norwegian contribution to world literature: The works of Henrik Ibsen. Outside of the plays themselves, there is no better place to start than Ivo de Figueiredo’s two books, “The Man” (2006) and “The Mask” (2007). – Klassekampen A jubilant outcry … it is this literary composition that makes Ivo de Figueiredo revise our understanding of Ibsen. – Dag Solstad Praise for Sleeping Sinner, The Køber Case. A true story of spiritualism, love and a possible murder, 2010 The book is so well written that I almost forgot that it was a book. It resembles a film or a court case. Figueiredo’s trick is to focus on the unsolved parts of the case […] Figueiredo deserves gratitude and admiration.– Aftenposten Wonderfully fascinating reading. Exciting like a crime novel, but from real life.– Varden Electrifyingly well written. The historian and writer, Ivo de Figueiredo, stylistically just gets better and better […] It is like a thriller you cannot put down.– VG+
£17.74
DoppelHouse Press Mentors: The Making of an Art Historian
A surprising and revealing memoir populated with art historians, art influencers, and the former lover and lifelong friend of Marcel Duchamp, Beatrice Wood. Francis M. Naumann, a distinguished expert on Dada and Marcel Duchamp reflects upon his mentors, including Leo Steinberg, John Rewald, and perhaps his greatest influence: Beatrice Wood, a renowned ceramic artist and one of the most prominent participants in New York Dada. Wood set Naumann upon a course of original research that would define him, but also provided a moral platform for what an art historian could be. Artwork by Kathleen Gilje; French flaps.
£17.99
DoppelHouse Press Hungarian Art: Confrontation and Revival in the Modern Movement
Insightful essays and rarely-seen images tracing, from birth to maturation, several generations of Hungarian modernism, from the avant-garde to neo-avant-garde. This wide-ranging collection by Eva Forgacs, a leading scholar of Modernism, corrects long-standing misconceptions about Hungarian art while examining the social milieu and work of dozens of important Hungarian artists, including Laszlo Moholy-Nagy and Lajos Kassak. This book paints a fascinating image of twentieth-century Budapest as a microcosm of the social and political turmoil raging across twentieth-century Europe. Eva Forgacs is a brilliant guide to the history of modern and contemporary art in Hungary. These essays--whether appraising the achievements of Modern Movement heroes like Laszlo Moholy-Nagy or excavating the overlooked practices of neo-avant-garde artists of the 1970s and 1980s--combine deep understanding of modern art with a critical perspective on the many myths which have been attached to it. Hungarian modernism now seems far more vivid. --David Crowley, Royal College of Art The leading English-speaking expert on Hungarian art from the avant-garde of the pre-World War I years to the present, Forgacs is as astute in confronting Hungarian politics and the nation's cultural development as she is at elucidating the nature of the artworks themselves. A dazzling intellectual performance. -- Marjorie Perloff, author of Wittgenstein's Ladder and The Vienna Paradox Eva Forgacs has a remarkable ability to condense her cosmopolitan breadth of scholarship into admirably coherent, easily comprehensible writing...We come away with the feeling that our time has been well spent indeed. Her publications exemplify art history at its best. --Hattula Moholy-Nagy Forgacs' essays are shafts of light illuminating a complex terrain which is not only located at the center of Europe but, given the seismic political shifts that have occurred there, central to the history that defined the 20th century. --J. Hoberman, author of The Red Atlantis: Communist Culture in the Absence of Communism A pioneering intellectual survey of Hungarian art in the long twentieth century. Populated by extraordinary figures such as Bela Balazs, whose dream of a great new Hungarian culture amounted to the founding of a new "religion of art," this authoritative book repositions cultural giants such as Laszlo Moholy-Nagy, Lajos Kassak, and Gyorgy Lukacs within a series of fascinating interpersonal, philosophical and political fields. Forgacs also entices readers to engage with a host of less well known artists and forgotten initiatives: the European School; the transcendentalist revivers of Malevich; the exponents of the postmodern 'new sensibility' of the 1980s; the post-socialist post-constructivists of the 1990s. She challenges canons and attacks key questions head on, provocatively exploring, among other things, whether or not "democracy grows under pressure." The culmination of decades of sustained research, this erudite publication is an immensely precious resource and a vital contribution to the further exploration of the rich intertextual fabric of European art as a whole. -- Klara Kemp-Welch, Courtauld Institute of Art
£21.59
DoppelHouse Press Alfred Preis Displaced: The Tropical Modernism of the Austrian Emigrant and Architect of the USS Arizona Memorial at Pearl Harbor
The first publication to catalog the complete works of architect and arts advocate Alfred Preis, a Viennese modernist who fled Nazi-occupied Austria and transformed regional Hawaiian architecture, with his best-known project being the USS Arizona Memorial at Pearl Harbor. Architect, planner, and arts advocate Alfred Preis (1911–1994) dedicated his many creative talents to his beloved, adopted home, Hawai‘i. Born to a Jewish family, raised, and educated in Vienna, Preis became an exile after escaping from Nazi-occupied Austria in 1939 and briefly being interned as an “enemy alien” when the United States entered World War II. Preis emerged as one of Hawai‘i’s leading modern architects in the 1950s and 1960s. His celebrated architectural career spanned twenty-three years. In this time, he designed almost one hundred and eighty completed projects ranging from residences, schools, commercial buildings, and public parks. His new, regionalist vision for architecture and planning were specific to the Hawaiian context, its people, its tropical climate, and its stunning landscape. Preis’s crowning achievement was his design for the famed USS Arizona Memorial at Pearl Harbor in 1962. This is the first publication to examine Alfred Preis’s body of work in architecture, which spans from 1939 to 1963, including not only several acclaimed public projects but also illustrating the transition from a European modern language into a regional modernism, unifying both cultures in distinct and pioneering ways. In later years through his legislative work, Alfred Preis became a visionary advocate and leader for the public arts, creating the first 1% law in the United States, which stipulated that 1% of all public building construction be used for the purchase of public art.
£24.99
DoppelHouse Press I Am Oum Ry: A Champion Kickboxer's Story of Surviving the Cambodian Genocide and Discovering Peace
“The story of the legendary martial arts fighter and kickboxer Oum Ry is by turns pulse-pounding, disturbing, and powerful. His is an astonishing life told beautifully by his daughter Zochada Tat and Addi Somekh. The book will grip you from its first pages and not let you go."—Jeff Chang, author of Water Mirror Echo: Bruce Lee and the Making of Asian America and Can’t Stop Won’t Stop: A History of the Hip-Hop GenerationOum Ry (b.1944) is a former international champion kickboxer who first brought the Cambodian martial art Pradal Serey to the United States. When his family of silver engravers couldn't afford his food or schooling, he lived with monks until seeking out Pradal Serey masters, soon becoming national champion at 23 years old and one of the most famous fighters in the region. For 15 years, he toured Southeast Asia, and without ever suffering a knock-out, won more than 250 fights. After a young man’s dream-life of stardom, parties, and girls, his new wife gave birth to a child in 1975, two months before the Khmer Rouge entered Phnom Penh and threw the country into the chaos of civil war, where starvation, disease, and mass executions were common.Oum Ry survived the genocide though much of his family perished. He was saved many times from death in Cambodia due to fame, talent, and his resilience, but suffered a life-threatening attack during Southern California’s epic gang violence of the 1990s. Earlier, as a refugee with his young family in Chicago, Oum Ry learned English while working cleaning hotels. But within a few years, he had an investor in Long Beach, California and opened one of the first kickboxing gyms in the United States.This is Oum Ry's life story, which is propelled by his highly anticipated return to Cambodia in February 2022 to reunite with family and to pass on Pradal Serey traditions to the next generation.
£13.99
DoppelHouse Press The Last Days of Mankind: A Visual Guide to Karl Kraus' Great War Epic
The Great War drama by Viennese satirist Karl Kraus, restaged by Sengl in "stunning display" of taxidermied rat-actors, with commentary. When the age died by its own hand, that hand was Karl Kraus’. – Bertolt Brecht PUBLISHERS WEEKLY – TOP 10 IN ART, ARCHITECTURE & PHOTOGRAPHY, Fall 2018 With critical success over the past four years, artist Deborah Sengl (b. 1974) has exhibited taxidermied rats, drawings and paintings in order to restage Karl Kraus’ nearly-unperformable play The Last Days of Mankind (Die Letzten Tage der Menschheit, 1915–22). Featuring Sengl’s entire installation, the DoppelHouse Press edition also includes essays that examine her ambitious dramaturgy, which condenses Kraus’ ten-to-fifteen hour drama into an abridged reading of its themes: human barbarism, the role of journalism in war, the sway of popular opinion and the absurdities of nationalism. Select translations of Kraus’ original provide a window to see his other “war” — a war on the misuses of language itself. Published in conjunction with the centenary anniversary of the Armistice, which ended The Great War but bred another soon to come, this edition of The Last Days of Mankind offers an agit-prop protest crossing the boundaries of art and spanning the knowledge of the century that has passed since Kraus penned his play. Deborah Sengl offers her stylistic model for envisioning human folly through animal actors, who become more than human, while confronting a violence particular to humankind, laced with selfishness and greed. Contributors include modernist poetry scholar Marjorie Perloff (The Edge of Irony, University of Chicago Press 2015); arts writer Matthias Goldmann; Paul Reitter (editor/contributor to Jonathan Franzen’s The Kraus Project, Harper, 2013); and Associate Professor of German, Anna Souchuk.
£25.19
DoppelHouse Press The Ghetto Swinger: A Berlin Jazz-Legend Remembers
Jazz in Nazi-era and postwar Germany, as lived by a Jewish prodigy who survived the horrors of Theresienstadt and Auschwitz. "Coco, it's not important what you play. It's important how you play it," said Louis Armstrong to jazz and swing guitarist Coco Schumann during a break between sessions. Recalling this episode Schumann reminds readers that even in the midst of real-world nightmares, music is alive and musicians experience this essential freedom and hope, which they can, in turn, give to their audiences. Throughout his remarkable life, Coco Schumann (b. 1924) would accumulate accolades, including the Order of Merit from the Federal Republic of Germany in 1989 and the prestigious Ehrenpreise Lifetime Achievement Award in 2015, and play with jazz greats Toots Thielemans, Dizzy Gillespie, Louis Armstrong, Ella Fitzgerald, and others. But few knew he relied on composing music and performing for live audiences to ease the burden of his wartime memories. After forty years of silence Schumann's memoir opened a rare window into the previously unknown life of one of Germany's most renowned musicians, who was a member of the vibrant and illegal Berlin club scene, a part of the cultural revival of postwar Berlin, and a survivor of Theresienstadt (Terezin) and the horrors of Auschwitz. Shortlisted for the 2017 A.R.S.C. Awards for Excellence in Historical Research in Jazz. Includes over 50 historical documents and rare photographs.
£12.99
DoppelHouse Press Chocolates from Tangier: A Holocaust replacement child’s memoir of art and transformation
A second-generation Holocaust survivor weaves together fragments of her family’s history and witness testimony in narrative and collage, using her art as transformation and remembrance. "Chocolates from Tangier is a bold and innovative ensemble piece that comes straight from the heart. With illustrations by way of words, letters, poems and her own impressive images, artist Jana Zimmer brings her parents’ Holocaust story to life in a moving and meaningful way. Beautiful."—Wendy Holden, author of Born Survivors: Three Young Mothers and Their Extraordinary Story of Courage, Defiance, and Hope“Never, never, never ask Daddy about her.” For fifty years, Jana Zimmer obeyed her mother’s directive, until her mother died, leaving behind a trove of family photos and documents, mostly in Czech, with just a few cryptic notes as explanation, for her only child to knit the family’s past together. Late in her own life, Zimmer became a visual artist. The words and images in this book convey her journey to understand her parents and their experiences in the Holocaust, filtered through her own discoveries decades after returning to her birthplace, Prague, and to Terezín, where her family was first interned. Exhibitions of Zimmer’s artwork in 2007, both in Prague and at the Terezín Ghetto Museum, were mainly inspired by her half-sister, Ritta, who perished in Auschwitz before Zimmer was born, and by her father’s grief over that loss. Ritta’s drawings made in Terezín, now in the Prague Jewish Museum’s collection of children’s artwork from the ghetto, populate Zimmer’s book as well as spare photographs and mementos that reflect Zimmer’s internal world — that of a “Holocaust replacement child.”In 2015, an exhibition in Germany allowed Zimmer to explore her relationship to her mother’s experiences as survivor of Terezín, Auschwitz, and Mauthausen, and as a Jewish slave laborer in a Nazi aircraft factory in Freiberg, Saxony, in 1944. In both exhibits, and now, in putting together the visual story, their life stories, and her text, Zimmer’s task has been the seemingly impossible — to remember where she had never been, for her parents, who had wanted only to forget, and to find her place between them.The world attacks us directly, tears us apart through the experience of the most incredible events, and assembles and reassembles us again. Collage is the most appropriate medium to illustrate this reality. —J. Kolář (Czech, 1914–2002)
£21.99
DoppelHouse Press Sting in the Tale: Art, Hoax, and Provocation
An illustrated survey of artist hoaxes, including impersonations, fabula, cryptoscience, and forgeries, researched and written by an expert “fictive-art” practitioner. In her groundbreaking book, internationally recognized multimedia artist and writer Antoinette LaFarge reflects on the most urgent question of today: where does truth lie, and how is it verified? Encouraging readers to critically question the role art plays in shaping reality, Sting in the Tale: Art, Hoax, and Provocation defines a new genre of art that fabricates evidence to support a central fiction. Interweaving contemporary "fictive art" practice with a lineage of hoaxes and impostures dating from the 17th century, LaFarge offers the first comprehensive survey of this practice. The shift from the early information age to our "infocalypse" era of rampant misinformation has made fictive art an especially radical form as it straddles the lines between fact, fiction, and wild imagination. Artists deploy a wide range of practices to substantiate their fictions, manufacturing artefacts, altering photographs, and posing as experts from many different fields. A fictive-art practitioner herself, LaFarge explores and underscores the myriad ways art can ground or destabilize one's lived reality, forcing us to question our subjective experience and our understanding of what counts as evidence. Many examples of these curious and sometimes notorious fabrications are included - from nonexistent artists and peculiar museums to cryptoscientific objects like fake skeletons and staged archaeological evidence. From the intriguing Cottingley fairy photographs "captured" in 1917 by teenage sisters, to the Museum of Jurassic Technology; from the work of artists like Iris Häussler, Joan Fontcuberta, and Eva and Franco Mattes to the enigmatic encyclopedia known as the Codex Seraphinianus, fictive art continues to reframe assumptions made by its contemporaneous culture. With all the attendant consequences of mistrust, outrage, and rejection, fictive art practitioners both past and present play upon the fragile trust that establishes societies, underlining the crucial roles played by perception and doubt.
£32.39
DoppelHouse Press A Room with a Darker View: Chronicles of My Mother and Schizophrenia
A daughter breaks the family silence about her mother’s schizophrenia, reframing hospitalizations, paranoia, illness, and caregiving through a feminist lens. Claire Phillips’ elegantly written and unflinching memoir about her mother, an Oxford-trained lawyer diagnosed in mid-life with paranoid schizophrenia, challenges current conceptions about mental illness, relapse and recovery, as well as difficulties caring for an aging parent with a chronic disease. Told in fragments, the work also becomes a startling reflection on the evolution of feminism as seen through mother-daughter relationships. Only with her mother’s final relapse at age 73 did the author begin to tell this story, first in Black Clock magazine, an essay for which she received a Pushcart nomination and notable mention in The Best American Essays 2015.
£13.99