Search results for ""Dictum""

This book is described as being 'in a genre all its own'. Truly it is. Simeon the cat has two ambitions. the first is to become famous, which is why he writes this book, and the second is to meet the White Rabbit. While pursuing these goals, he takes time to air his views on Oxford, Mr Bean, the internet, on how the British do not value words, and on a while host of other things. He guides us through Oxford's history, landmarks and legends, and provides an entertaining and original introduction to the city. Over-confident in his ability to reason, he enjoys talking with academics and students. All use their real names in the story - Profs of Physics and Medieval German, and postgraduate students. He creates havoc in Blackwell's, discovers an unpublished poem. by Gerard Manley Hopkins, and lays plans to take the grin off the face of the Cheshire Cat. Does he really meet the White Rabbit? It seems he does! Oxford is unique in so many ways. It is the only city in the world where one is in and out of stories all the time. Morse, Mr Bean, Bridgehead, Dickens, Alice in Wonderland, Harry Potter. There is no book that does the job of this one in linking story to reality. It's laugh-out-loud funny, in a dry, sixth-form-humour way. You'll love it!

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Living in Love and Faith (LLF) is a set of resources produced by the bishops of the Church of England to help Christians discern God's will on the issues of 'identity, sexuality, relationships and marriage.' As those in the Church of England engage with these resources, they need to know the answers to two key questions about them. What do the LLF resources contain? What are we to make of them theologically? This book gives a detailed answer to both questions. It explains the background and content of the LLF material and then goes on to explain why this material fails to provide the teaching that Christians in the Church of England need if they are to live out their calling to be a distinctive people who act as salt and light in the midst of the idolatry of contemporary Western society. The book concludes by outlining how 'biblically grounded Anglicans' should engage with the Next Steps process following on from LLF. Finally, there are FAQs. Foreword by Bishop Michael Nazir-Ali

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This is a charming book, describing, in the words of Chris Wright, 'one of the greatest partnerships in church history.' It is a story which John Stott himself hoped would one day be told. It is widely agreed that Stott could not have been half so effective without Frances Whitehead at his side. He invited her to become his Secretary when she was still a young Christian, at that time working for the BBC. Having done secret war work as a mathematician, she brought a good mind as well as determination. Stott relied on her, and she would shoulder responsibility to work on the infrastructure to establish his ideas. She also typed his 50 books from longhand. They are both described (by one of the succession of young graduate Study Assistants) as 'fast, exacting and determined', with Frances matching Stott's gold standard again and again. 'She was as remarkable in her way as John Stott was in his.' They were good friends, and she was named in his Will as 'My friend and Executor'. Neither married and both were completely dedicated to John's ministry. You can't understand his ministry without knowing of Frances Whitehead. This is a very colourful biography looking at Frances Whitehead's ancestry as well as her own interesting life. It includes walk-on parts from George III, Gainsborough, Prince Albert, Florence Nightingale, the Singer family (of Singer sewing Machine fame) and Jacqueline du Pre. It is no ordinary 'Christian biography'. Her family at one stage owned much of Chelsea, including the land on which Harrods now stands. Frances's life story gives us glimpses into the way they worked together, and their shared values. Both were very modest about their contributions, and lived modestly. John Stott lived in a small two-roomed flat, from which he worked. His Study Assistant had a desk in Stott's small bedroom - the desk had been rescued from a skip. Frances worked in a small office looking out onto a brick wall. The book concludes with a summing-up of John Stott's and Frances Whitehead's joint legacy. This includes the founding and establishing of two global movements. Timeline, Family trees, Appendices, and over 30 photographs.

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Overall, this book is a summary of Paniniâs dictum on Sanskrit grammar. This book is written in both Kannada and English in explaining the ancient Sanskrit grammar rules.

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"Only a wayfarer born under unruly stars would attempt to put into practice in our epoch of proliferating knowledge the Heraclitean dictum that 'men who love wisdom must be inquirers into very many things indeed.'" Thus begins this remarkable interdisciplinary study of time by a master of the subject. And while developing a theory of "time as conflict," J. T. Fraser does offer "many things indeed"--an enormous range of ideas about matter, life, death, evolution, and value.

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Marcus Aurelius (121-180 AD) is one of the great figures of antiquity whose life and words still speak to us today. His Meditations remains one of the most widely read books from the classical world, and his life represents the fulfillment of Plato's famous dictum that mankind will prosper only when philosophers are rulers. Based on all available original sources, Marcus Aurelius is the definitive biography to date of this monumental historical figure.

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'Literary criticism is a distinctive activity of the civilised mind.' With Eliot's dictum in mind, Professor Kermode has selected from the whole range of his critical writings, some of them dating back to before 1918. There are essays of generalisation, appreciations of individual writers, and a section of his social and religious criticism. All the famous and most influential essays are drawn upon, with extracts from many others, and there is an important Introduction by Professor Kermode, with valuable notes.

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A curated collection of Postmodern architecture in all its glorious array of vivid non-conformity This unprecedented book takes its subtitle from Postmodernist icon Robert Venturi's spirited response to Mies van der Rohe's dictum that ‘less is more'. One of the 20th century's most controversial styles, Postmodernism began in the 1970s, reached a fever pitch of eclectic non-conformity in the 1980s and 90s, and after nearly 40 years is now enjoying a newfound popularity. Postmodern Architecture showcases examples of the movement in a rainbow of hues and forms from around the globe.

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Focuses on a perpetual theme in International Relations - the definition and the legality (or the illegality) of the American interventions in nations from the US-Spanish war in 1890 until Syria, one of the biggest humanitarian disasters mankind has ever seen. The work refers to the International law dictum of Just Cause and Preemption which has become a cornerstone of the strategy for the advancement of American national interest along with the homeland security aspect in the US. The book is the first of its kind from an Indian author premised upon a defence of the American war efforts and humanitarian strivings to sustain world security.

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A prodigious body of innovative writing behind him, Robert Kroetsch turns to a starker lyrical mode in Too Bad: Sketches Toward a Self-Portrait. Oscillating between the many moods of a human heart that has lived through so much-from whimsy and scorn through desire, longing, lust, love, and serenity-these sketches mark a candid walk through the tortuous corridors of the poet's remembering, and exemplify the rehearsed dictum of an old teacher: "Every enduring poem was written today." Simply put, "This book is not an autobiography. It is a gesture toward a self-portrait, which I take to be quite a different kettle of fish." -- Robert Kroetsch, from the Introduction

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A post-postmodern crime novel set on the clean streets of Dublin’s leafiest suburb, Sloot has at its heart an accidental detective who’d rather write his own Celtic-screwball-noir than solve the crime, and a narrator who loses the plot. Literally. Sound complicated? Not so. Thanks to a revolutionary structure, The Inquisitive Bullet, it’s simplicity itself. Detours include proof that psychoanalysis is the oldest profession, validation of the dictum `For what is comedy but tragedy with loose trousers’, and a brief aside on the possibility of an Irishman having multiple birth mothers. While the plot bullet speeds, inquisitively, towards its target – the final full stop.

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Raya Dunayevskaya is hailed as the founder of Marxist-Humanism in the United States. In this new collection of her essays co-editors Peter Hudis and Kevin B. Anderson have crafted a work in which the true power and originality of Dunayevskaya's ideas are displayed. This extensive collection of writings on Hegel, Marx, and dialectics captures Dunayevskaya's central dictum that, contrary to the established views of Hegelians and Marxists, Hegel was of signal importance to the theory and practice of Marxism. The Power of Negativity sheds light not only on Marxist-Humanism and the rooting of Dunayevskaya's Marxist-Humanist theories in Hegel, but also on the life of one of America's most penetrating and provocative critical thinkers.

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Flat glass opens up more possibilities for the planner than virtually any other material. Because of the technological complexity of using it, however, no specific structural forms have been developed for glass supporting frameworks as they have been for wood, concrete, and steel. This book is thus the first to present a coherent guide to the planning and design of glass supporting frameworks. The focus is on the pressure-resistant, flat supporting element as a basic building block for broad supporting structures. The spatial and constructive forms of multifunctional, self-supporting glass envelopes are vividly illustrated and systematically explained. The constructions presented exhibit new aesthetic qualities, based not on the dictum of "dematerialization” but on the poetry of gleaming and transparent planes. They ring in a new chapter in the history of glass architecture.

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Tom Wolfe's debut collection of essays - a brilliant, form-bending dive into the future of America as it careened through the 1960s In 1965, Tom Wolfe dropped like a bomb onto the American literary scene with his first book, The Kandy-Kolored Tangerine-Flake Streamline Baby, an incandescent panorama of American counter-culture, its dances, bouffant hairdos, customised cars and rock concerts. Capturing the energy of the age in its portraits of Phil Spector, Cassius Clay, Las Vegas and the Nanny Mafia – as well as asking, why do doormen hate Volkswagens? – Wolfe’s flamboyant essay collection remains one of the great, revolutionary landmarks of modern non-fiction.'Journalism, it is said, is the first draft of history. Nobody exemplifies the dictum better than Wolfe, the cultural observer and social critic par excellence' Daily Telegraph

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Praised widely upon hardcover publication, Alan Ryan’s “masterpiece” (David Ulin, Los Angeles Times) blends history and philosophy to examine three thousand years of political thought. Drawing on three decades of research, Ryan insightfully traces the origins of political philosophy from the ancient Greeks to the present and evokes the lives and minds of our greatest thinkers in a way that makes reading about them a “remarkable experience” (Jeremy Waldron, New York Review of Books). Whether writing about Plato or Augustine, Tocqueville or Jefferson, Ryan illuminates John Dewey’s dictum that the role of philosophy is less to see truth than to enhance life. With this “epic” (John Keane, Financial Times) tour de force, Ryan affirms his place as one of the most influential political philosophers of our time.

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This collection of recent poems is graced with a short introduction by the poet in which he says, "All I ever wanted to do was to paint light on the walls of life." For more than fifty years Ferlinghetti has been doing just thatilluminating both the everyday and the unusual, all the while keeping true to his original dictum of speaking in a way accessible to everyone. He has been, and remains, "One of our ageless radicals and true bards" (Booklist) and his voice is well-known in many places around the world. He was one of the two American poets (the other being John Ashbery) chosen to participate in the 2001 Celebration of UNESCO's World Poetry Day in Delphi, Greece, where he along with his international confreres each poetically addressed the Oracle.

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Flat glass opens up more possibilities for the planner than virtually any other material. Because of the technological complexity of using it, however, no specific structural forms have been developed for glass supporting frameworks as they have been for wood, concrete, and steel. This book is thus the first to present a coherent guide to the planning and design of glass supporting frameworks. The focus is on the pressure-resistant, flat supporting element as a basic building block for broad supporting structures. The spatial and constructive forms of multifunctional, self-supporting glass envelopes are vividly illustrated and systematically explained. The constructions presented exhibit new aesthetic qualities, based not on the dictum of "dematerialization” but on the poetry of gleaming and transparent planes. They ring in a new chapter in the history of glass architecture.

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Alfred D. Chandler (19182007) was the founder of modern business history. He was a critical early influence on strategic management and is famous for the dictum that structure follows strategy'. This two-volume collection, a new title in the Routledge Major Works series, Critical Evaluations in Business and Management, gathers together the key journal articles and other vital research on Chandler to enable students and scholars to explore fully the impact of his ideas.Together with an extensive annotated bibliography and a full index, the collection has a comprehensive introduction, newly written by the editors, which places the collected material in its historical and intellectual context. It is an essential work of reference and will be valued by scholars and students of business and management as a vital one-stop research and pedagogic resource.

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Explains why audiences dislike certain media and what happens when they do The study and discussion of media is replete with talk of fans, loves, stans, likes, and favorites, but what of dislikes, distastes, and alienation? Dislike-Minded draws from over two-hundred qualitative interviews to probe what the media’s failures, wounds, and sore spots tell us about media culture, taste, identity, representation, meaning, textuality, audiences, and citizenship. The book refuses the simplicity of Pierre Bourdieu’s famous dictum that dislike is (only) snobbery. Instead, Jonathan Gray pushes onward to uncover other explanations for what it ultimately means to dislike specific artifacts of television, film, and other media, and why this dislike matters. As we watch and listen through gritted teeth, Dislike-Minded listens to what is being said, and presents a bold case for a new line of audience research within communication, media, and cultural studies.

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In this welcome centenary edition of C. Day Lewis' poems, Jill Balcon has substantially extended her husband's own Penguin selections of 1951 and 1969, including not only his last collection "The Whispering Roots" (1970), but also vers d'occasion written when he was Poet Laureate and a number of the Posthumous Poems. This broad retrospective allows the reader a proper view of the technical variety and range of Day Lewis' work, from the pastoral lyrics of his youth, inspired by Hardy and Yeats, through the political verse of the 1930s, to the reflective and more personal poems of his later years. Day Lewis was fond of quoting Robert Frost's dictum that 'a poem begins in delight and ends in wisdom'. This could equally well describe his own development as a writer: idealistic, sincere and psychologically acute, he bears witness in his poetry to a lifelong commitment to serving literature and its makers.

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A fascinating medical detective story about the unusual reception for a promising new drug by a skeptical medical community reluctant to abandon its age-old Hippocratic Oath of "Do No Harm." Stewart Justman explains how a pill called finasteride, proven to dramatically reduce the incidence of prostate cancer, was found to be also associated with a distinctly higher rate of aggressive cancer. As urologists and oncologists were presented with a strange mix of eurekas and cautionary notes, physicians adhered to their best principles and remained wary of massive application. For now, the drug is deemed too risky: the medical dictum of avoiding harm has inhibited its use on a grand scale, though statistically there is much in its favor. Do No Harm is engrossing reading about medical science and, finally, a reassuring tale of the triumph of tradition over novelty.

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Political theorist, philosopher, and feminist thinker Hannah Arendt's On Violence is an analysis of the nature, causes, and significance of violence in the second half of the twentieth century. The public revulsion against violence and nonviolent philosophies continues to diminish in the twenty-first century. In this classic and still all too resonant work, Hannah Arendt puts her theories about violence into historical perspective, examining the relationships between war and politics, violence and power. Questioning the nature of violent behavior, she reveals the causes of its many manifestations, and ulitmately argues against Mao Zedong's dictum "power grows out of the barrel of a gun," proposing instead that "power and violence are opposites; where one rules absolutely, the other is absent."“Incisive, deeply probing, written with clarity and grace, it provides an ideal framework for understanding the turbulence of our times.”—The Nation

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With her inversion of McLuhan’s famous dictum that the medium be the message, the author attempts to sketch a concept of mediality that is capable of hosting and accommodating the self-referential agility of medialized instrumentality within an element of communicability. Mediality is conceived as virtual dis-positivity, and its core predication is to receive and index the totality of what can be a formally-symbolic, and hence a communicable, object. So conceived, mediality foils purely logical, as well as purely fictional notions of order and is capable of opening up the possibility of a civic architectonics, one capable of articulating its assemblages with polyvalent and discretely variable elements, and in a multitude of competing manners. In this book, the author traces the possibility of such an architectonics from a diagnostic and cultural-historical point of view.

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Is there a crisis in Canadian health care? While the establishment of the Canadian health care system is widely considered a triumph of citizenship, after four decades the national program is in a fragile state marked by declining public confidence. In First Do No Harm, Sullivan and Baranek provide a concise introduction to the fundamentals of health care in Canada and examine various ideas for reforming the system sensibly. Arguing that administrators and policymakers should follow Hippocrates’ dictum “first do no harm” when evaluating and reforming the Canadian health care system, the authors discuss health care financing, popular Canadian health care myths, waiting lists and emergency room overcrowding, and home- and community-based health care. This book is an invaluable invitation to Canadians to think carefully and creatively about the present and future of our health care system.

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Charles Ives Reconsidered reexamines a number of critical assumptions about the life and works of this significant American composer, drawing on many new sources to explore Ives's creative activities within broader historical, social, cultural, and musical perspectives. Gayle Sherwood Magee offers the first large-scale rethinking of Ives's musical development based on the controversial revised chronology of his music. Using as a guide Ives's own dictum that "the fabric of existence weaves itself whole," Charles Ives Reconsidered offers several new paths to understanding all of Ives's music as the integrated and cohesive work of a controversial composer who was very much a product of his time and place. Magee portrays Ives's life, career and posthumous legacy against the backdrop of his musical and social environments from the Gilded Age to the present. The book includes contemporary portraits of the composer, his peers, and his teachers, as seen through archival materials, published reviews, and both historical and modern critical assessments.

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RITO DE PASO designa un conjunto de actividades que simbolizan y marcan la transición de un estado a otro en la vida de una persona (real o imaginaria). El dictum presocrático del llegar a ser quien soy implica, pues, una sucesión de hechos y momentos en el proceso ininterrumpido en que consiste la construcción de una subjetividad. Tras el punto de no retorno que significó en la trayectoria del autor El sueño de Einstein (2015), los poemas de Ritos de paso dan testimonio de un periodo de crisis a través del relato de un viaje de superación donde distintas temporalidades de la experiencia cotidiana del personaje poemático coexisten, en presente de indicativo, en un único espacio donde descubrir que, mientras el mundo siga existiendo, siempre hay un camino por delante que nos invita a continuar, como señala de manera explícita el apartado final, dando sentido al movimiento. Desde esa perspectiva, se trata de una suerte de cuaderno de bitácora, hasta ahora sólo parcialmente dado a conocer

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Explains why audiences dislike certain media and what happens when they do The study and discussion of media is replete with talk of fans, loves, stans, likes, and favorites, but what of dislikes, distastes, and alienation? Dislike-Minded draws from over two-hundred qualitative interviews to probe what the media’s failures, wounds, and sore spots tell us about media culture, taste, identity, representation, meaning, textuality, audiences, and citizenship. The book refuses the simplicity of Pierre Bourdieu’s famous dictum that dislike is (only) snobbery. Instead, Jonathan Gray pushes onward to uncover other explanations for what it ultimately means to dislike specific artifacts of television, film, and other media, and why this dislike matters. As we watch and listen through gritted teeth, Dislike-Minded listens to what is being said, and presents a bold case for a new line of audience research within communication, media, and cultural studies.

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A Spanish collector's selection of photography's most iconic moments This homage to Cartier-Bresson’s famous dictum collects some of the most important images by some of the best photographers of the 20th century. Featured here are Man Ray’s Surrealist portraits of women; Berenice Abbot’s images of a modernizing New York; and Alberto Korda’s iconic portrait of Che Guevara. Presenting the work of 58 photographers from the collection of Julián Castilla, this essential volume of 20th-century photography is accompanied by essays from Spain’s leading authors on photography, exploring the evolution of the medium. Photographers include: Berenice Abbott, José Manuel Ballester, Robert Capa, Henri Cartier-Bresson, Francesc Català-Roca, Christo and Jeanne-Claude, Robert Doisneau, Elliott Erwitt, Philippe Halsman, Horst P. Horst, André Kertész, William Klein, Alberto Korda, Chema Madoz, Vivian Maier, Ramón Masats, Nicolás Muller, Man Ray, Carlos Saura, Alfred Stieglitz, Juan Ugalde and more.

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An oft-repeated dictum every time a company fails to replicate its past successes when introducing a new product or entering a new market is that one size does not fit all. Business gurus advise that every new situation, market and environment calls for a fresh approach and requires 'unlearning' what one might have learnt elsewhere, even if that had met with great success. While this statement may appear to be obvious, it is often quoted out of context. The fact is that certain fundamentals of business-irrespective of line of business, geography or scale-are universally applicable.Some Sizes Fit All is an attempt to explain these fundamental pillars for any kind of business. An authentic and lucid presentation of management concepts and practices-which Akhil Gupta has tried and tested first hand through his illustrious career-this is a must-read for anyone trying to build a robust and financially sound business.

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“This is a must-read for the nervous novice as well as the world-weary veteran. The book guides you through every aspect of exhibit making, from concept to completion. The say the devil is in the details, but so is the divine. This carefully crafted tome helps you to avoid the pitfalls in the process, so you can have fun creating something inspirational. It perfectly supports the dictum—if you don’t have fun making an exhibit, the visitor won’t have fun using it.” —Jeff Hoke, Senior Exhibit Designer at Monterey Bay Aquarium and Author of The Museum of Lost Wonder Structured around the key phases of the exhibition design process, this guide offers complete coverage of the tools and processes required to develop successful exhibitions. Intended to appeal to the broad range of stakeholders in any exhibition design process, the book offers this critical information in the context of a collaborative process intended to drive innovation for exhibition design. It is indispensable reading for students and professionals in exhibit design, graphic design, environmental design, industrial design, interior design, and architecture.

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Ned and Nina are trying to conceive, so when Ned jets off with no notice to the funeral of Douglas, a mysterious friend from his student days, Nina follows him so they can have sex on time. Douglas was the ringleader of a fellowship of chums at NYU and Nina is baffled by the extraordinary hold the group - and Douglas in particular - have on Ned. The novel explores the reconfiguring and reappraisal of the clique following Douglas's tragic death. Subtle Bodies asks why we make the friends we do, why we keep them and how we make sense of our personal histories. It is a wise, funny and keenly observed portrayal of shifting relationships and new truths emerging from old certainties. Like all of Rush's work it embodies the dictum 'fiction is truth told excessively and beautifully'. It is a warm-hearted and pitch-perfect master class in the art of the novel.

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As China flexes its political and economic might, one man at the highest levels in the Chinese government turns Mao’s dictum – Power comes from the barrel of a gun – on its head. After centuries of China’s humiliation, he plots world domination without firing a shot. Putting China on top of the world’s power structure by damaging her competitors, his Triad-linked plan brings a new level of secrecy and ruthless operation to its way of doing business. Communicated to the members of its network though an ancient Chinese dialect, the rogue elements within the Government implementing the plan, face opposition. Despite suffering and death, only a courageous few stand in the way. A Democracy Movement within China along with the security services of the international community outside of the Middle Kingdom become aware of the Golden Horde plot and are committed to its failure. Who will prevail? Can the hordes of the new Khan be stopped before it’s too late?

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With an Introduction by Paul Wright. 'What the imagination seizes as Beauty must be truth' So wrote the Romantic poet John Keats (1795-1821) in 1817. This collection contains all of his poetry: the early work, which is often undervalued even today, the poems on which his reputation rests including the 'Odes' and the two versions of the uncompleted epic 'Hyperion', and work which only came to light after his death including his attempts at drama and comic verse. It all demonstrates the extent to which he tested his own dictum throughout his short creative life. That life spanned one of the most remarkable periods in English history in the aftermath of the French Revolution and this collection, with its detailed introductions and notes, aims to place the poems very much in their context. The collection is ample proof that Keats deservedly achieved his wish to 'be among the English Poets after my death'

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Why we need a materialist spirituality for the secular left, and how to build one. The left commonly rejects religion and spirituality as counter-revolutionary forces, citing Marx's famous dictum that "religion is the opium of the people." Yet forms of spirituality have motivated struggles throughout history, ranging from medieval peasant uprisings and colonial slave revolts, to South American liberation theology and the US civil rights movement. And in a world where religion is growing, and political movements are ridden with conflict, burnout, and failure, what can the left learn from religion? Red Enlightenment argues not only for a deepened understanding of religious matters, but calls for the secular left to develop its own spiritual perspectives. It proposes a materialist spirituality built from socialist and scientific sources, finding points of contact with the global history of philosophy and religion. From cybernetics to liberation theology, from ancient Indian and Chinese philosophy to Marxist dialectical materialism, from traditional religious practices to contemporary art, music, and film, Red Enlightenment sets out a plausible secular spirituality, a new socialist praxis, and a utopian vision.

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A reckoning with the way we choose to see and define ourselves, Self-Portrait in Black and White is the searching story of one American family’s multigenerational transformation from what is called black to what is assumed to be white. Thomas Chatterton Williams, the son of a “black” father from the segregated South and a “white” mother from the West, spent his whole life believing the dictum that a single drop of “black blood” makes a person black. This was so fundamental to his self-conception that he’d never rigorously reflected on its foundations—but the shock of his experience as the black father of two extremely white-looking children led him to question these long-held convictions. It is not that he has come to believe that he is no longer black or that his kids are white, Williams notes. It is that these categories cannot adequately capture either of them—or anyone else, for that matter. Beautifully written and bound to upset received opinions on race, Self-Portrait in Black and White is an urgent work for our time.

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This ambitious book seeks both to revive and revise the idea of 'functional finance'. Followers of this doctrine believe that government budgets should concentrate solely on their macroeconomic impact on the economy, rather than reflecting a concern for sound finance and budgetary discipline.Reinventing Functional Finance examines the origins of this idea and then considers it in a modern context. The authors explore the concept of NAIRU and argue that modern economies can operate at the level of full employment without provoking unmanageable inflation. They also contend that budget deficits do not have the deleterious effects commonly ascribed to them; the belief that they do rests on a misunderstanding of modern money. In this context, they highlight the relevance of Abba Lerner's famous dictum, 'money is a creature of the State'. The authors also debate the merits of various proposals for 'Employer of Last Resort' programs, which combine automatic stabilizers with the buffer stock principle. The book boasts an array of eminent contributors which includes, amongst others, James Duesenberry, Robert Eisner, Robert Heilbroner, Richard Musgrave, Edward Nell and Randall Wray.Financial economists, politicians, policymakers and bankers will welcome this provocative and refreshing book which challenges established economic thinking.

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In a time when the Pauline dictum decreed that women be silent in matters of the Church, Johanna Eleonora Petersen (1644-1724) was a pioneering author of religious books, insisting on her right to speak out as a believer above her male counterparts. Publishing her readings of the Gospels and the Book of Revelation as well as her thoughts on theology in general, Petersen and her writings created controversy, especially in orthodox circles, and she became a voice for the radical Pietists - those most at odds with Lutheran ministers and their teachings. But she defended her lay religious calling and ultimately printed fourteen original works, including her autobiography, the first of its kind written by a woman in Germany - all in an age in which most women were unable to read or write. Collected in The Life of Lady Johanna Eleonora Petersen are Petersen's autobiography and two shorter tracts that would become models of Pietistic devotional writing. A record of the status and contribution of women in the early Protestant church, this collection will be indispensable reading for scholars of seventeenth-century German religious and social history.

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This ambitious book seeks both to revive and revise the idea of 'functional finance'. Followers of this doctrine believe that government budgets should concentrate solely on their macroeconomic impact on the economy, rather than reflecting a concern for sound finance and budgetary discipline.Reinventing Functional Finance examines the origins of this idea and then considers it in a modern context. The authors explore the concept of NAIRU and argue that modern economies can operate at the level of full employment without provoking unmanageable inflation. They also contend that budget deficits do not have the deleterious effects commonly ascribed to them; the belief that they do rests on a misunderstanding of modern money. In this context, they highlight the relevance of Abba Lerner's famous dictum, 'money is a creature of the State'. The authors also debate the merits of various proposals for 'Employer of Last Resort' programs, which combine automatic stabilizers with the buffer stock principle. The book boasts an array of eminent contributors which includes, amongst others, James Duesenberry, Robert Eisner, Robert Heilbroner, Richard Musgrave, Edward Nell and Randall Wray.Financial economists, politicians, policymakers and bankers will welcome this provocative and refreshing book which challenges established economic thinking.

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In Marx's familiar dictum, the more-developed country shows the less developed an image of its own future. Turning this idea upside down, In the Mirror of the Third World looks to the contemporary Third World for a reflection of European history. The resulting view challenges standard accounts of European social, economic, and political development. Sandra Halperin's analysis of the European experience begins where studies of Third World development often start: considering the legacies of colonial domination. Europe also had a colonial past, she reminds us, and the states of Europe, like those of today's Third World, were the product of colonialism and imperialism. From this starting point, Halperin traces features characteristic of Third World development through the history of European capitalism: enclave economies oriented to foreign markets; weak middle classes; alliances among the state, traditional landowning elites, and new industrial classes; unstable and partial democracy; sharp inequalities; and increasing poverty—all as much a part of European society on the eve of World War I as they are of developing countries today. Halperin also emphasizes the emergence of a militant, literal religion in Europe and its critical role in the class struggles of the nineteenth century.

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'Gribbin casts a wide net and displays his breadth of knowledge in packing a lot into each chapter . . . a brief read, but one that may inspire readers to dig deeper.' Giles Sparrow, BBC Sky at Night MagazineA mind-warping excursion into the wildly improbable truths of science.Echoing Sherlock Holmes' famous dictum, John Gribbin tells us: 'Once you have eliminated the impossible, whatever is left, however improbable, is certainly possible, in the light of present scientific knowledge.' With that in mind, in his sequel to the hugely popular Six Impossible Things and Seven Pillars of Science, Gribbin turns his attention to some of the mind-bendingly improbable truths of science. For example:We know that the Universe had a beginning, and when it was - and also that the expansion of the Universe is speeding up. We can detect ripples in space that are one ten-thousandth the width of a proton, made by colliding black holes billions of light years from Earth.And, most importantly from our perspective, all complex life on Earth today is descended from a single cell - but without the stabilising influence of the Moon, life forms like us could never have evolved.

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'Gribbin casts a wide net and displays his breadth of knowledge in packing a lot into each chapter . . . a brief read, but one that may inspire readers to dig deeper.' Giles Sparrow, BBC Sky at Night MagazineA mind-warping excursion into the wildly improbable truths of science.Echoing Sherlock Holmes' famous dictum, John Gribbin tells us: 'Once you have eliminated the impossible, whatever is left, however improbable, is certainly possible, in the light of present scientific knowledge.' With that in mind, in his sequel to the hugely popular Six Impossible Things and Seven Pillars of Science, Gribbin turns his attention to some of the mind-bendingly improbable truths of science. For example:We know that the Universe had a beginning, and when it was - and also that the expansion of the Universe is speeding up. We can detect ripples in space that are one ten-thousandth the width of a proton, made by colliding black holes billions of light years from Earth.And, most importantly from our perspective, all complex life on Earth today is descended from a single cell - but without the stabilising influence of the Moon, life forms like us could never have evolved.

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Behind the great polar explorers of the early twentieth century - Amundsen, Shackleton, Scott in the South and Peary in the North - looms the spirit of Fridtjof Nansen (1861-1930), the mentor of them all. He was the father of modern polar exploration, the last act of territorial discovery before the leap into space began.Nansen was a prime illustration of Carlyle's dictum that 'the history of the world is but the biography of great men'. He was not merely a pioneer in the wildly diverse fields of oceanography and skiing, but one of the founders of neurology. A restless, unquiet Faustian spirit, Nansen was a Renaissance Man born out of his time into the new Norway of Ibsen and Grieg. He was an artist and historian, a diplomat who had dealings with Lenin, Trotsky and Stalin, and played a part in the Versailles Peace Conference, where he helped the Americans in their efforts to contain the Bolsheviks. He also undertook famine relief in Russia. Finally, working for the League of Nations as both High Commissioner for Refugees and High Commissioner for the Repatriation of Prisoners of War, he became the first of the modern media-conscious international civil servants.

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Sensing Others explores the lives of Indigenous Batek people in Peninsular Malaysia amid the strange and the new in the borderland between protected national park and oil palm plantation. As their ancestral forests disappear around them, Batek people nevertheless attempt to live well among the strange Others they now encounter: out-of-place animals and plants, traders, tourists, poachers, and forest guards. How Batek people voice their experiences of the good and the strange in relation to these Others challenges essentialized notions of cultural and species difference and the separateness of ethical worlds. Drawing on meticulous, long-term ethnographic research with Batek people, Alice Rudge argues that as people seek to make habitable a constantly changing landscape, what counts as Otherness is always under negotiation. Anthropology’s traditional dictum to “make the strange familiar, and the familiar strange” creates a binary between the familiar and the Other, often encapsulating Indigenous lives as the archetypal Other to the “modern” worldview. Yet living well amid precarity involves constantly negotiating Otherness’s ambivalences, as people, plants, animals, and places can all become familiar, strange, or both. Sensing Others reveals that when looking from the boundary, what counts as Otherness is impossible to pin down.

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An illuminating look at how the Pre-Raphaelite movement was embraced by a group of vanguard American artists Bringing together insights from a distinguished group of scholars, this beautiful book analyzes the history and historiography of the American Pre-Raphaelites, and how the movement made its way from England to America. Led by Thomas Charles Farrer—an English expatriate and acolyte of the hugely influential English critic John Ruskin—the American Pre-Raphaelite artists followed Ruskin’s dictum to depict nature close up and with great fidelity. Many members of the group (including Farrer, who served in the Union army during the American Civil War) were also abolitionists, and several created works with a rich political subtext. Featuring the work of artists such as Fidelia Bridges, Henry and Thomas Charles Farrer, Charles Herbert Moore, Henry Roderick Newman, and William Trost Richards, this generously illustrated volume is filled with insightful essays that explore the influence of Ruskin on the American artists, the role of watercolor and photography in their work, symbolism and veiled references to the Civil War, and much more.Published in association with the National Gallery of Art, WashingtonExhibition Schedule:National Gallery of Art, Washington (04/14/19–07/21/19)

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