Search results for ""Comma Press""

Under the Israeli occupation of the '70s and '80s, writers in Gaza had to go to considerable lengths to ever have a chance of seeing their work in print. Manuscripts were written out longhand, invariably under pseudonyms, and smuggled out of the Strip to Jerusalem, Cairo or Beirut, where they then had to be typed up. Consequently, fiction grew shorter, novels became novellas, and short stories flourished as the city's form of choice. Indeed, to Palestinians elsewhere, Gaza became known as 'the exporter of oranges and short stories'. This anthology brings together some of the pioneers of the Gazan short story from that era, as well as younger exponents of the form, with ten stories that offer glimpses of life in the Strip that go beyond the global media headlines; stories of anxiety, oppression, and violence, but also of resilience and hope, of what it means to be a Palestinian, and how that identity is continually being reforged; stories of ordinary characters struggling to live with dignity in what many have called 'the largest prison in the world'.

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Seventy years after the adoption of the 1951 Refugee Convention, the UK is guilty of undermining the very principles of asylum, inhumanely detaining those seeking protection and ushering in sweeping changes that threaten to punish refugees at every turn. But the UK’s immigration system is not alone in committing such breaches of human rights. The fourth volume of Refugee Tales explores our present international environment, combining author re-tellings with first-hand accounts of individuals who have been detained across the world. As the coronavirus pandemic defies borders – leaving those who are detained even more vulnerable – this collection shares stories spanning Canada, Greece, Italy, Switzerland and the UK, and calls for international insistence on a future without detention. Featuring a prologue by Baroness Shami Chakrabarti. The fourth volume in the Refugee Tales series, proceeds from the sales of which go to two refugee charities.

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A woman grows increasingly annoyed by her husband's emails, offering advice and reminders even months after his death... A taxidermist dreams of preserving one of his clients after she takes him out for a coffee... A grieving nurse is troubled by her daughter's fascination with The Iron Lady... In Safely Gathered In, Sarah Schofield probes at the heart of what forms us and what we, in turn, form. The stories collected here expose the spaces that words often fail to reach and examine how objects - both manmade and natural - can reflect the darkest manifestations of grief and disconnection. From the child acting out a family betrayal in the comfort of her dolls house, to the sister making wind-up toys from the dead birds she finds on her doorstep, this debut collection ventures into the surreal and delivers a sense of unease that leaves us questioning why we gather the things we do. Sarah Schofield's narrators venture into spaces that language can't reach; we meet characters who create taxidermy pets to stave off loneliness or wind-up birds to deal with loss, and children processing family secrets through their dolls house or imitating Margaret Thatcher after the death of their father. Schofield also pushes the boundaries of literary fiction into science-fiction, with an architect preserving her bactogarden in a time of extreme climate crisis, and one man mistakenly creating an app to fix people's problems while they dream. In this powerful and touching debut collection, Schofield introduces a new and exciting voice to the canon of women's literary fiction.

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The superhero of comic books and blockbuster movies might be a State-side phenomenon, with its conservative notions of 'truth, justice and the American way'. But the cultural DNA of the superhero arguably lies in a much older, more progressive, British tradition: the folk heroes of British protest history. In this unique anthology, ten authors have been charged with resurrecting this tradition: to spawn a new generation of present-day British superheroes to bring the fight back to these shores, and to more progressive causes. From the statue-toppling Bristolian with otherworldly powers, to the Essex resident protecting public spaces and parks, these characters prove that it is possible to create a new breed of superhero in ways that capture essential truths about the society we live in.

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At a time that feels unprecedented in British politics - with unlawful prorogations of parliament, casual race-baiting by senior politicians, and a climate crisis that continues to be ignored - it's easy to think these are uncharted waters for us, as a democracy. But Britain has seen political crises and far-right extremism before, just as it has witnessed regressive, heavy-handed governments. Much worse has been done, or allowed to be done, in the name of the people and eventually, those same people have called it out, stood up, and resisted. In this new collection of fictions and essays spanning two millennia of British protest, authors, historians, and activists re-imagine twenty acts of defiance: campaigns to change unjust laws, protests against unlawful acts, uprisings successful and unsuccessful - from Boudica to Blair Peach, from the Battle of Cable Street to the tragedy of Grenfell Tower. Britain might not be famous for its revolutionary spirit, but its people know when to draw the line, and say very clearly, '!No pasaran!'

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In the wake of the social and political turmoil of Brexit and a climate crisis that continues to be ignored, it's easy to think these are uncharted waters for us, as a democracy. But Britain has seen political crises and far-right extremism before. In this timely collection of fiction and essays celebrating key moments of British protest, writers fight back with well-researched, historically accurate fiction. From Boudica to Blair Peach, from the Battle of Cable Street to the tragedy of Grenfell Tower, these stories demonstrate when people have stood up and resisted in the face of injustice. In our age of fake news and post-truth politics, Britons still know when to draw the line and say '¡No pasarán!'

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A slighted wife escapes her wealthy family for the evening and stumbles into the city's red-light district... The head of security at Barcelona's container port searches for a figure that only he has seen sneak in... An elderly woman brings home a machine that will turn her body into atoms, so she can leave behind a city that is no longer recognisable... Historically, Barcelona is a city of resistance and independence; a focal point for Catalan identity, as well as the capital of Spanish republicanism. Nestled between the Mediterranean coast and mountains, this burgeoning city has also been home to some of the greatest names in modern art and architecture, and attracts visitors and migrants from all over the world. As a result, the city is a melting-pot of cultures, and the stories gathered here offer a miscellany of form and genre, fittingly reminiscent of one of Gaudi's mosaics. From the boy-giant outgrowing his cramped flat on the city's outskirts, to the love affair that begins in a launderette, we meet characters who are reclaiming the independence of their city by challenging common misconceptions and telling its myriad truths.

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Spanning centuries and continents, the stories in this collection amount to a tour de force of literary worldbuilding. From deeply insecure time travellers to medieval mystics and futuristic body modification cults, Norminton’s characters find themselves torn between conflicting impulses – temptation and fortitude, hubris and shame, longing and regret. By turns sad, strange and darkly comic, The Ghost Who Bled reveals a master storyteller of incredible range.

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A student pedals an old Ukrainian bicycle between striking factories delivering bulletins in the tumultuous first days of the Polish Solidarity movement; a shepherd watches, unseen, as a strange figure disembarks from a pirate ship to bury a chest on the beach; a prisoner in a Berber dungeon recounts his life's story--the failed pursuit of the world's very first language--by scrawling in the sand on his cell floor. The characters in this mesmerizing short story collection find themselves, willingly or not, at the heart of epic narratives. Against such backdrops as the Baltic coast, Kashubian folklore, Chinese mysticism, and the 9/11 attacks, this book centers around the vision of the refugee: be it the Chechen woman carrying her newborn child across the Polish border, the survivor of the Gulag reappearing on his friends' doorstep, or the stranger who befriends the sole resident of a ghostly Mennonite village in the final days of World War II. Offering insight into Polish and Jewish sociopolitical history, this collection is written in the style and traditions of Polish literature.

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The twelfth year of the incredibly successful anthology of the BBC National Short Story Award shortlist. This year, no.1 bestselling author Joanna Trollope will be chairing the judging panel, taking the mantle from Radio 4's 'Women's Hour' presenter Jenny Murray. Trollope, known as one of the most insightful chroniclers and social commentators writing today is also a long-time short story writer. Trollope is joined by an esteemed panel of award-winning writers and literary specialists: Baileys Prize winner, Eimear McBride (Baileys Women's Prize for Fiction), Jon McGregor (IMPAC Award, short story writer and academic), Sunjeev Sahota (Encore Award winner), and returning judge Di Speirs, Books Editor at BBC Radio. All the judges are eager to read the best, and most innovative, works of short fiction from new and established writers. Last year's winner was K J Orr with her story 'Disappearances'. As always, this book will be strictly embargoed until the announcement of the shortlist on Radio 4's Front Row at 7:15pm on Friday 15th September. The shortlisted stories will be broadcast between Monday 18th - Friday 22nd September accompanied by interviews with the authors from the 15th September. The winner will be announced in a live broadcast from the Award ceremony on BBC Radio 4's Front Row from 7.15pm on Tuesday 3 October 2017. Previous shortlisted authors include Hilary Mantel, David Constantine, Lionel Shriver and Zadie Smith.

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‘Recently something funny happened. There was no summer, no autumn either.’ With this opener Maike Wetzel begins exploring that moment in life when the breakneck experience of growing up suddenly changes gear and slows down. A young woman sees a dead body for the first time; a sister watches her anorexic sibling transform into different person; a girl pieces together the facts of a custody battle she’s not been let in on. Wetzel’s stories catch people when some part of their lives has been put on pause, leaving them so adrift only acts of obsession or self-destruction provide direction. Wetzel’s stories have great depth of focus. In the background, an over-eager teacher might be explaining the facts of life in unnecessary, lurid detail, but in the foreground students will be taking drastic measures, in secret; a gymnastics class may be limbering up for an impressive display, but in close-up, dietcrazed girls faint in alarming numbers. With pared down but insistent language, Wetzel achieves a poise and clarity and presents lives that are as arresting as they are arrested.

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As part of a unique collaboration, this book pairs a team of award-winning authors with CERN physicists to explore some of the consequences of what the LHC is learning, through fiction.

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"Ma is Scared is the long-overdue debut of Anjali Kajal in English, representing the best of her short fiction, written and published over the last twenty years. From the anxious mother waiting for her daughter to return home safely, to the young student accused of stealing because of her caste, the stories gathered here explore the experience of women in small towns and urban centres across North India. Kajal writes about desire, abuse, silence, love and oppression in nuanced ways; how they are negotiated in the world; through relationships, family, motherhood, school, university, jobs. Her language, imagery and concerns are thoroughly contemporary, capturing the yearnings, restrictions and possibilities of modern life from a feminist and anti-caste perspective. "

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The history of walls – as a way to keep people in or out – is also the history of people managing to get around, over and under them. From the Berlin Wall and the Mexico–US border, to the barbed wire fences of Bangladesh’s refugee camps, the short stories in this anthology explore the barriers that have sought to divide communities and nations, and their traumatic effects on people’s lives and histories. At a time when more walls are being built than are being brought down, All Walls Collapse brings together writing from across national, ethnic and linguistic borders, challenging the political impulse to separate and segregate, and celebrating the role of literature in traversing division.

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Kurdistan + 100 poses a question to twelve contemporary Kurdish writers: might the Kurds have a country to call their own by the year 2046 - exactly a century after the last glimmer of independence (the short-lived Kurdish Republic of Mahabad)? Or might the struggle for independence have taken new turns and new forms? Throughout the 20th century (and so far in the 21st), the Kurds have been betrayed, suppressed, stripped of their basic rights (from citizenship to the freedom to speak their own language) and had their political aspirations crushed at every turn. In this groundbreaking anthology, Kurdish authors (including several former political prisoners, and one currently serving a 183-year sentence for his views) imagine a freer future, one in which it is no longer effectively illegal to be a Kurd. From future eco-activism, to drone warfare, to the resuscitation of victims of past massacres, these stories explore different sides of the present struggle through the metaphor of futurism to dazzling effect. The first anthology of Kurdish science fiction ever collected and published in the UK, we have invited authors from all parts of 'Kurdistan' and the diaspora to write specially commissioned stories set in their own versions of the future.

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The characters in this literary exploration of one of the world’s biggest cities are all on a mission. Whether it is responding to events around them, or following some impulse of their own, they are defined by their determination – a refusal to lose themselves in a city that might otherwise leave them anonymous, disconnected, alone. From the neglected mother whose side-hustle in collecting sellable waste becomes an obsession, to the schoolboy determined to end a long-standing feud between his family and another, the characters in The Book of Shanghai show a defiance that reminds us why Shanghai – despite its hurtling economic growth –remains an epicentre for individual creativity.

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Featuring the winning story by Ingrid Persaud, alongside the other four shortlisted stories. Hung-over and grief-stricken, a man contemplated suicide at the edge of a cliff, until he is unexpectedly distracted by the sight of a woman emerging from the water below... A group of art students protesting the demolition of a housing block decide to turn its destruction into a creative act... Waiting in her car for the rain to pass after her mother's funeral, a woman nurses her child and reflects on a world outside that remains headless of her sorrow... The stories shortlisted for the BBC National Short Story Award with Cambridge University 2018 pivot around the theme of loss, and the different ways that individuals, and communities, respond to it. From the son caring for his estranged father, to the widow going out for her first meal alone, the characters in these stories are trying to find ways to repair themselves, looking ahead to a time when grief will eventually soften and sooth. Above all, these stories explore the importance of human connection, and salutary effect of companionship and friendship when all else seems lost.

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The stories gathered in this anthology reflect the many complex challenges Havana’s citizens have had to endure as a result of their country’s political isolation – from the hardships of the ‘Special Period’, to the pitfalls of Cuba’s schizophrenic currency system, to the indignities of becoming a cheap tourist destination for well-heeled Westerners. Moving through various moments in its recent history, as well as through different neighbourhoods – from the prefab, Soviet-era maze of Alamar, to the bars and nightclubs of the Malecón and Vedado – these stories also demonstrate the defiance of Havana: surviving decades of economic disappointment with a flair for the comic, the surreal and the fantastical that remains as fresh as the first dreams of revolution. Translated from the Spanish by Orsola Casagrande and Séamas Carraher.

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Bringing together fiction from celebrated writers, The Book of Beijing is an anthology of short stories charting the social and and cultural change of Beijing over the last fifty years, creating a literary map of the city.

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Dhaka may be one of the most densely populated cities in the world - noisy, grid-locked, short on public amenities, and blighted with sprawling slums - but, as these stories show, it is also one of the most colourful and chaotically joyful places you could possibly call home. Slum kids and film stars, day-dreaming rich boys, gangsters and former freedom fighters all rub shoulders in these streets, often with Dhaka's famous rickshaws ferrying them to and fro across cultural, economic and ethnic divides. Just like Dhaka itself, these stories thrive on the rich interplay between folk culture and high art; they both cherish and lampoon the city's great tradition of political protest, and they pay tribute to a nation that was borne out of a love of language, one language in particular, Bangla (from which all these stories have been translated).

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Khartoum, according to one theory, takes its name from the Beja word hartooma, meaning ‘meeting place’. Geographically, culturally and historically, the Sudanese capital is certainly that: a meeting place of the Blue and White Niles, a confluence of Arabic and African histories, and a destination point for countless refugees displaced by Sudan’s long, troubled history of forced migration. In the pages of this book – the first major anthology of Sudanese stories to be translated into English – the city also stands as a meeting place for ideas: where the promise and glamour of the big city meets its tough social realities; where traces of a colonial past are still visible in day-to-day life; where the dreams of a young boy, playing in his father’s shop, act out a future that may one day be his. Diverse literary styles also come together here: the political satire of Ahmed al-Malik; the surrealist poetics of Bushra al-Fadil; the social realism of the first postcolonial authors; and the lyrical abstraction of the new ‘Iksir’ generation. As with any great city, it is from these complex tensions that the best stories begin.

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Robotic insects, in-growing cutlery, flesh-serving waiters in a zombie cafe… Welcome to the surreal, misshapen universe of Adam Marek’s debut collection; a bestiary of hybrids from the techno-crazed future and mythical past; a users’ guide to the seemingly obvious (and the world of illogic implicit within it). Whether fantastical or everyday in setting, Marek’s stories lead us down to the engine room just beneath modern consciousness, a place of both atavism and familiarity, where the body is fluid, the spirit mechanised, and beasts often tell us more about our humanity than anything we can teach ourselves.

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Mish Green – a former aid worker in Darfur – re-tells the story of the 2004 civil war from 15 different perspectives, capturing by turns the brutal indifference of the government war machine, the terrible scars inflicted on individuals caught in its path, and the complex melting pot of experiences that constitutes any relief effort.

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The characters in Mirja Unge’s debut collection are all, in their own way, evading something; whether failing to confront the true nature of an encounter, or avoiding responsibilities as a parent, sibling or friend. Abuse, betrayal and neglect lurk beneath a veneer of mutually maintained ‘normality’, waiting for an opportunity to resurface.

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A group of teenage boys take turns assessing each other’s changing bodies before a Friday night disco… A grieving woman strikes up an unlikely friendship with a fellow traveller on a night train to Kiev… An unusually well-informed naturalist is eyed with suspicion by his comrades on a forest exhibition with a higher purpose… The stories shortlisted for the 2021 BBC National Short Story Award with Cambridge University take place in liminal spaces – their characters find themselves in transit, travelling along flight paths, train lines and roads, or in moments where new opportunities or directions suddenly seem possible. From the reflections of a new mother flying home after a funeral, to an ailing son’s reluctance to return to the village of his childhood, these stories celebrate small kindnesses in times of turbulence, and demonstrate a connection between one another that we might sometimes take for granted. The BBC NSSA is one of the most prestigious prizes for a single short story, with the winning author receiving £15,000, and four further shortlisted authors £600 each. James Runcie is joined on the judging panel by a group of acclaimed writers and critics including: Booker Prize shortlisted novelist Fiona Mozley; award winning writer, poet and winner of the Desmond Elliott Prize, Derek Owusu; multi-award winning Irish novelist and short story writer, Donal Ryan; and returning judge, Di Speirs, Books Editor at BBC Radio.

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A city of stories – short, fragmented, amorphous, and at times contradictory – Tehran is an impossible tale to tell. For the capital city of one of the most powerful nations in the Middle East, its literary output is rarely acknowledged in the West. This unique celebration of its writing brings together ten stories exploring the tensions and pressures that make the city what it is: tensions between the public and the private, pressures from without – judgemental neighbours, the expectations of religion and society – and from within – family feuds, thwarted ambitions, destructive relationships. The psychological impact of these pressures manifests in different ways: a man wakes up to find a stranger relaxing in his living room and starts to wonder if this is his house at all; a struggling writer decides only when his girlfriend breaks his heart will his work have depth... In all cases, coping with these pressures leads us, the readers, into an unexpected trove of cultural treasures – like the burglar, in one story, descending into the basement of a mysterious antique collector’s house – treasures of which we, in the West, are almost wholly ignorant.

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The BBC NSSA is one of the most prestigious prizes for a single short story, with the winning author receiving GBP15,000, and four further shortlisted authors GBP600 each.

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Known for both its industrial roots and arboreal abundance, Sheffield has always been a city of two halves. From elegant parks and gardens to brutalist high-rise estates and the hinterland nightclubs of 'Centertainment', it is a city caught between the forges of the past and the melting pot of the present. Bringing together new short stories from some of the city's most celebrated writers, The Book of Sheffield traces the contours of this complex landscape from both sides of the economic dividing line. From the aspirations of young creatives, ultimately driven to leave, to the more immediate demands of refugees, scrap metal collectors, and student radicals, these stories offer ten different look-out points from which to gaze down on the ever-changing face of the 'Steel City'.

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Palestine + 100 poses a question to twelve Palestinian writers: what might your country look like in the year 2048 - a century after the tragedies and trauma of what has come to be called the Nakba? How might this event - which, in 1948, saw the expulsion of over 700,000 Palestinian Arabs from their homes - reach across a century of occupation, oppression, and political isolation, to shape the country and its people? Will a lasting peace finally have been reached, or will future technology only amplify the suffering and mistreatment of Palestinians? Covering a range of approaches - from SF noir, to nightmarish dystopia, to high-tech farce - these stories use the blank canvas of the future to reimagine the Palestinian experience today. Along the way, we encounter drone swarms, digital uprisings, time-bending VR, peace treaties that span parallel universes, and even a Palestinian superhero, in probably the first anthology of science fiction from Palestine ever.

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M. John Harrison is a cartographer of the liminal. His work sits at the boundaries between genres - horror and science fiction, fantasy and travel writing - just as his characters occupy the no man's land between the spatial and the spiritual. Here, in his first collection of short fiction for over 15 years, we see the master of the New Wave present unsettling visions of contemporary urban Britain, as well as supernatural parodies of the wider, political landscape. From gelatinous aliens taking over the world's financial capitals, to the middle-aged man escaping the pressures of fatherhood by going missing in his own house... these are weird stories for weird times.

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Two unaccompanied children travel across the Mediterranean in an overcrowded boat that has been designed to only make it halfway across... A 63-year-old man is woken one morning by border officers 'acting on a tip-off' and, despite having paid taxes for 28 years, is suddenly cast into the detention system with no obvious means of escape... An orphan whose entire life has been spent in slavery - first on a Ghanaian farm, then as a victim of trafficking - writes to the Home Office for help, only to be rewarded with a jail sentence and indefinite detention... These are not fictions. Nor are they testimonies from some distant, brutal past, but the frighteningly common experiences of Europe's new underclass - its refugees. While those with "citizenship" enjoy basic human rights (like the right not to be detained without charge for more than 14 days), people seeking asylum can be suspended for years in Kafka-esque uncertainty. Here, poets and novelists retell the stories of individuals who have direct experience of Britain's policy of indefinite immigration detention. Presenting their accounts anonymously, as modern day counterparts to the pilgrims' stories in Chaucer's Canterbury Tales, this book offers rare, intimate glimpses into otherwise untold suffering.

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The Sea Cloak is a collection of 11 stories by the author, journalist, and campaigner, Nayrouz Qarmout. Drawing from her own experiences growing up in a Syrian refugee camp, as well as her current life in Gaza, these stories stitch together a patchwork of different perspectives into what it means to be a woman in Palestine today. Whether following the daily struggles of orphaned children fighting to survive in the rubble of recent bombardments, or mapping the complex, cultural tensions between different generations of refugees in wider Gazan society, these stories offer rare insights into one of the most talked about, but least understood cities in the Middle East. Taken together, the collection affords us a local perspective on a global story, and it does so thanks to a cast of (predominantly female) characters whose vantage point is rooted, firmly, in that most cherished of things, the home. Translated from the Arabic by Perween Richards.

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Chess-playing people-traffickers, suicidal photographers, absurdist sound sculptors, cat-loving rebel sympathisers, murderous storytellers... The characters in Hassan Blasim’s debut novel are not the inventions of a wild imagination, but real-life refugees and people whose lives have been devastated by war. Interviewed by Hassan Owl, an aspiring Iraq-born writer, they become the subjects of an online art project, a blog that blurs the boundaries between fiction and autobiography, reportage and the novel. Framed by an email correspondence with the mysterious Alia, a translator of the Romanian philosopher Emil Cioran, the project leads us through the bars, brothels and bathhouses of Hassan’s past and present in a journey of trauma, violence, identity and desire. Taking its conceit from the Islamic tradition that says God has 99 names, the novel trains a kaleidoscopic lens on the multiplicity of experiences behind Europe’s so-called ‘migrant crisis’, and asks how those who have been displaced might find themselves again.

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From hostage-video makers in Baghdad, to human trafficking in the forests of Serbia, institutionalised paranoia in the Saddam years, to the nightmares of an exile trying to embrace a new life in Amsterdam... Blasim’s stories present an uncompromising view of the West's relationship with Iraq, spanning over twenty years and taking in everything from the Iran-Iraq War through to the Occupation, as well as offering a haunting critique of the post-war refugee experience. Blending allegory with historical realism, and subverting readers’ expectations in an unflinching comedy of the macabre, these stories manage to be both phantasmagoric and shockingly real, light in touch yet steeped in personal nightmare. For all their despair and darkness, though, what lingers more than the haunting images of war, or the insanity of those who would benefit from it, is the spirit of defiance, the indefatigable courage of those few characters keeping faith with what remains of human intelligence. Together these stories represent the first major literary work about the war from an Iraqi perspective.

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In 1919 Sigmund Freud published an essay that delved deep into the tradition of horror writing and claimed to understand one of its darkest tricks. Like a mad scientist, he performed literary vivisection on a still-breathing body of work, exploring its inner anatomy, and pulling out mysterious organs for classification. His aim: to present to the world a complete theory of 'das unheimliche', the uncanny. In the spirit of this great experiment, 14 leading authors have here been challenged to write fresh fictional interpretations of what the uncanny might mean in the 21st century, to update Freud's famous checklist of what gives us the creeps, and to give the hulking canon of uncanny fiction a shot in the arm, a shock to the neck-bolts...

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Two music producers pack up their studio – along with their dreams of ever making it in the industry – after too many bands fail to pay their bills… A woman takes up an invitation to visit an ex-lover in Arizona, only to find his apartment is no bigger than a motel room… A former drama student runs into an old classmate from ten years before, hardly recognising the timid creature he’s become… Each character in Larissa Boehning’s debut collection experiences a moment where they’re forced to confront how differently things turned out, how quickly ambitions were shelved, or how easily people change. Former colleagues meet up to reminisce about the failed agency they used to work for; brothers-in-law find themselves co-habiting long after the one person they had in common passed away; fellow performers watch as their careers slowly drift in opposite directions. Boehning’s stories offer a rich store of metaphors for this abandonment: the downed tools of a deserted East German factory, lying exactly where they were dropped the day Communism fell; the old, collected cameras of a late father that seem to stare, wide-eyed, at the world he left behind. And yet, underpinning this abandonment, there is also great resilience. Like the cat spotted by a demolition worker in the penultimate story that sits, unflinching, as its home is bulldozed around it, certain spirits abide.

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