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Invisible Adversaries is inspired by the eponymous 1976 feature film by the radical Austrian artist Valie Export. The film presents a woman’s struggle to retain her sense of self against hostile alien forces that appear increasingly ubiquitous, colonizing the minds of all those around her. Motifs from the film--among them, architecture’s influence on identity; feminist critique; and the power of political fantasy--operate as filters through which to consider significant pieces from the Marieluise Hessel Collection. In addition to works by Valie Export, Invisible Adversaries draws primarily from acquisitions of the Marieluise Hessel Collection over the past decade, with works by over 50 artists including Chantal Akerman, Ida Applebroog, Lynda Benglis, Barbara Bloom, Patty Chang, Anne Collier, Reneke Dijkstra, K8 Hardy, Roni Horn, Glenn Ligon, Leigh Ledare, Helen Marten, William Pope.L, Hito Steyerl, Magali Reus, Rachel Rose, Thomas Ruff, Lorna Simpson, Diane Simpson, Jo Spence and Gillian Wearing.

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This slipcased, two-volume set includes:Yale College * Twentieth CenturyA History in Present TimeBeginning in 1900 and concluding with the events of 2001, VOLUME I is a chronological history of Yale College in the twentieth century. Using excerpts drawn primarily from contemporary Yale College publications and from writings and books by Yale College graduates, Volume I portrays the day-to-day life and times at Yale College during the last century. Volume I contains 422 pages and includes over 3,500 photographs and graphic images.Whiffenpoofs * Twentieth CenturyVOLUME II is 154 pages and includes A Musical History by Charles Henry Buck III '69 with Robert Richard Birge '68, an index of Whiffenpoofs from their founding in 1909 to 2004, an index of over 500 Whiffenpoof arrangements, an index of 70 recordings from 1915 to 2004, plus 134 song tracks containing over five hours of music selected from these recordings on four CDs.

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