Search results for ""Circa""

First full-scale examination of the phenomenon of the English Vernacular minuscule, analysing the full corpus and giving an account of its history and development. A new, distinct script, English Vernacular minuscule, emerged in the 990s, used for writing in Old English. It appeared at a time of great political and social upheaval, with Danish incursions and conquest, continuing monastic reform, and an explosion of writing and copying in the vernacular, including the homilies of Ælfric and Wulfstan, two different recensions of the Anglo-Saxon Chronicle, two of the four major surviving manuscripts of Old English poetry (the "Beowulf" and "Junius" books), and many original royal and ecclesiastical diplomas, writs and wills. However, although these important manuscripts and documents have been studied extensively, this has tended to be in isolation or small groups, never before as a complete corpus, a gap which this volume aims to rectify. It opens with the historical context, followed by a thorough reexamination of the evidence for dating and localising examples of thescript. It then offers a full analysis of the complete corpus of surviving writing in English Vernacular minuscule, datable approximately from its inception in the 990s to the death of Cnut in 1035. While solidly grounded in palaeographical methodology, the book introduces more innovative approaches: by examining all of the approximately 500 surviving examples of the script as a whole rather than focussing on selected highlights, it presents a synthesis ofthe handwriting in order to identify local practices, new scribal connections, and chronological and stylistic developments in this important but surprisingly little-studied script. Peter Stokes is Senior Lecturer at King's College London.

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circa Fifties Glass from Europe & America includes the Italian and Scandinavian designer art glass usually referred to as "Fifties glass," plus a more popular modern glassware produced in factories, especially in the United States and Italy. This colorful and highly collectible glass is presented in nearly 500 full color and black and white photographs, plus never-before-published catalog pages, with detailed information on 88 designers and makers, design lists for Barovier & Toso and for Venini, glossary, bibliography, index, and value guide. The book is a must for collectors and researchers of mid-century glassware, by the author of numerous books on decorative arts including Fifties Glass and Popular '50s & '60s Glass: Color Along the River.

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How did intricately detailed sixteenth-century maps reveal the start of the Atlantic World?Beginning around 1500, in the decades following Columbus's voyages, the Atlantic Ocean moved from the periphery to the center on European world maps. This brief but highly significant moment in early modern European history marks not only a paradigm shift in how the world was mapped but also the opening of what historians call the Atlantic World. But how did sixteenth-century chartmakers and mapmakers begin to conceptualize—and present to the public—an interconnected Atlantic World that was open and navigable, in comparison to the mysterious ocean that had blocked off the Western hemisphere before Columbus's exploration?In Mapping an Atlantic World, circa 1500, Alida C. Metcalf argues that the earliest surviving maps from this era, which depict trade, colonization, evangelism, and the movement of peoples, reveal powerful and persuasive arguments about the possibility of an interconnected Atlantic World. Blending scholarship from two fields, historical cartography and Atlantic history, Metcalf explains why Renaissance cosmographers first incorporated sailing charts into their maps and began to reject classical models for mapping the world. Combined with the new placement of the Atlantic, the visual imagery on Atlantic maps—which featured decorative compass roses, animals, landscapes, and native peoples—communicated the accessibility of distant places with valuable commodities. Even though individual maps became outdated quickly, Metcalf reveals, new mapmakers copied their imagery, which then repeated on map after map. Individual maps might fall out of date, be lost, discarded, or forgotten, but their geographic and visual design promoted a new way of seeing the world, with an interconnected Atlantic World at its center.Describing the negotiation that took place between a small cadre of explorers and a wider class of cartographers, chartmakers, cosmographers, and artists, Metcalf shows how exploration informed mapmaking and vice versa. Recognizing early modern cartographers as significant agents in the intellectual history of the Atlantic, Mapping an Atlantic World, circa 1500 includes around 50 beautiful and illuminating historical maps.

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Los Salones de Madrid es la obra de un escritor que se oculta bajo el seudónimo de Monte-Cristo y un fotógrafo, Christian Franzen. Prologada por Emilia Pardo Bazán, se publicó sin fecha (hacia 1898). Fue una edición limitada (casi sólo para suscriptores) difícil de localizar, debido a su escasez. La descripción de cada salón y sus dueños se acompaña con sesenta y siete magníficas fotografías de Franzen que nos permiten ver cada uno de los palacios aristocráticos y embajadas, así como sus habitantes e invitados. Esta nueva edición, preparada y anotada por Germán Rueda 10

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This book has feminist, vintage photography, and American social themes. Photographs herein pre-date the famed vintage bordello photographs of E.J. Bellocq's Storyville discovered and made famous by Lee Friedlander. The book includes essays by notable writers on a variety of topicsAfter becoming captivated by the beauty and originality of a group of nineteenth-century photographs, Robert Flynn Johnson has uncovered more than two hundred vintage images of women who lived and worked at a brothel in Reading, Pennsylvania, circa 1892, and showcases them here for the first time for a wider public. Working Girls details the private, creative archive of commercial photographer William Goldman, whose imagery paints a complete picture of the environments that these women inhabited - from inside the brothel, posing artistically for the camera, to their off-duty routines, such as reading, smoking, and bathing. Taken two decades before the famous E. J. Bellocq photographs of prostitutes in Storyville, New Orleans, circa 1913, Johnson chronicles the aesthetic, historical, and sociological importance of Goldman's artwork in the history of photography, referencing them alongside paintings and photographs by such artists as Degas, Eakins, and Monsieur X. With essays that provide an insightful historical overview of Goldman's work in context of the period in which they were taken, by feminist and cultural luminaries including Dita Von Teese, Ruth Rosen and Dennita Sewell, this extraordinary collection provides a personal visual record of lives of these women while also offering a deeper understanding of the 'working girls' that existed more than 120 years ago.

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The study of Scandinavia has been, and still is, deeply influenced by the interpretation of its earliest history that was developed in the 19th century by political, legal, and literary historians, archaeologists, and anthropologists. Scandinavia figured prominently in discussions of early medieval Europe, not only as the homeland of the Vikings, but also as the region in which Germanic society remained uncontaminated by Christianity and other influences longer than anywhere else. In "Medieval Scandinavia", Birgit and Peter Sawyer question assumptions about early Scandinavian history, including the supposed leading role of free and equal peasants and their position in founding churches. They meticulously trace the development of Scandinavia from the early ninth century through the second and third decades of the 16th century, when rulers of Scandinavia rejected the authority of the Papacy and the attempt to establish a united Scandinavian monarchy finally collapsed. The authors include a discussion of medieval history writing and comment on the use of history in the 16th century and modern attitudes to medieval history which differ in various parts of Scandinavia. They ultimately conclude that historic Scandinavia held greater similarities to other European regions than has been commonly supposed. Birgit Sawyer is one of the founders of the biennial interdisciplinary conferences on women in medieval Scandinavia. Peter Sawyer's previous books include "Kings and Vikings" and "The Age of the Vikings".

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"State of Mind", the lavishly illustrated companion book to the exhibition of the same name, investigates California's vital contributions to Conceptual art - in particular, work that emerged in the late 1960s among scattered groups of young artists. The essays reveal connections between the northern and southern California Conceptual art scenes and argue that Conceptualism's experimental practices and an array of then-new media - performance, site-specific installations, film and video, mail art, and artists' publications - continue to exert an enormous influence on the artists working today.

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The Glasgow style of decorative arts evolved in the 1890s at the Glasgow School of Art, from influences begun by the Art Nouveau and Arts and Crafts movments in Great Britain. It was characterized by the juxtaposition of elongated verticals and sensuous bright, light, feminine designs, such as the rose, butterfly, peacock, singing birds, circles, crescents, and teardrop shapes. The text explains the meanings of each motif. Biographies of 20 influential artists in the Glasgow style include Charles Rennie Mackintosh, Herbert McNair, Margaret Macdonald, and Frances Macdonald, Their broad spectrum of designs, shown here in over 530 beautiful color photographs, covered walls, furniture, metalwork, jewelry, embroidery, textiles, dress, pottery, stained glass, and book illustration. Their goal was to support themselves by creating useful decorative arts that presented their new aesthetic. Today, Glasgow style decorative arts are avidly collected and cherished for their originality and handsome docor.

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These 100 examples, from various Neolithic cultures throughout the region known today as China, are described in this catalogue by the collector himself, focusing on their design and engineering ingenuities and their artistic merits. After a 50-year career in consumer product design, author Ronald W. Longsdorf applies the principles of that discipline to these marvellous pots. This is the only book currently available in the market for collectors who wish to study Neolithic ceramics from China from this exquisite collection. It includes lots of information and comparisons from other pieces in museums. Text in English and Chinese.

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This new book is the first to examine the importance of the year 1958 as a critical tipping point in the evolution of American art. ""Circa 1958: Breaking Ground in American Art"" explores in-depth the moment American artists first departed from Abstract Expressionism to develop new trends that helped define the last half of the twentieth century. The book includes approximately sixty-one works by fifty-six artists drawn from more than fifty public and private collections, including the holdings of many of the artists themselves. Guest-curated by independent scholar and ""Art in America"" corresponding editor Rona Feinstein, ""Circa 1958"" features groundbreaking, challenging, and significant works - some rarely exhibited - by Jasper Johns, Robert Rauschenberg, Claes Oldenburg, Ed Ruscha, Yoko Ono, Andy Warhol, Roy Lichtenstein, Ellsworth Kelly, Lee Bontecou, John Chamberlain, Louise Nevelson, George Segal, Kenneth Noland, Frank Stella, and Agnes Martin, among many others. The accompanying museum exhibit will be at the Ackland Art Museum in Chapel Hill from September 2008 to January 2009. The exhibit and book will be the only places to see many of the included artworks. It will be a must have keepsake for art lovers everywhere.

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How did Islam's sacred scripture, the Arabic Qur'an, emerge from western Arabia at a time when the region was religiously fragmented and lacked a clearly established tradition of writing to render the Arabic language? The studies in this volume, the proceedings of a scholarly conference, address different aspects of this question. They include discussions of the religious concepts found in Arabia in the centuries preceding the rise of Islam, which reflect the presence of polytheism and of several varieties of monotheism including Judaism and Christianity. Also discussed at length are the complexities surrounding the way languages of the Arabian Peninsula were written in the centuries before and after the rise of Islam-including Nabataean and various North Arabian dialects of Semitic-and the gradual emergence of the now-familiar Arabic script from the Nabataean script originally intended to render a dialect of Aramaic. The religious implications of inscriptions from the pre-Islamic and early Islamic centuries receive careful scrutiny. The early coalescence of the Qur'an, the kind of information it contains on Christianity and other religions that formed part of the environment in which it first appeared, the development of several key Qur'anic concepts, and the changing meaning of certain terms used in the Qur'an also form part of this rich volume.

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Coinciding with the fiftieth anniversary of the worldwide mass protest movements of 1968—against war, imperialism, racism, poverty, misogyny, and homophobia—the exciting anthology Architectures of Revolt explores the degree to which the real events of political revolt in the urban landscape in 1968 drove change in the attitudes and practices of filmmakers and architects alike.In and around 1968, as activists and filmmakers took to the streets, commandeering public space, buildings, and media attention, they sought to re-make the urban landscape as an expression of utopian longing or as a dystopian critique of the established order. In Architectures of Revolt, the editor and contributors chronicle city-specific case studies from Paris, Berlin, Milan, and Chicago to New York, Los Angeles, Mexico City, and Tokyo. The films discussed range from avant-garde and agitprop shorts to mainstream narrative feature films. All of them share a focus on the city and, often, particular streets and buildings as places of political contestation and sometimes violence, which the medium of cinema was uniquely equipped to capture.Contributors include: Stephen Barber, Stanley Corkin, Jesse Lerner, Jon Lewis, Gaetana Marrone, Jennifer Stob, Andrew Webber, and the editor.

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Coinciding with the fiftieth anniversary of the worldwide mass protest movements of 1968—against war, imperialism, racism, poverty, misogyny, and homophobia—the exciting anthology Architectures of Revolt explores the degree to which the real events of political revolt in the urban landscape in 1968 drove change in the attitudes and practices of filmmakers and architects alike.In and around 1968, as activists and filmmakers took to the streets, commandeering public space, buildings, and media attention, they sought to re-make the urban landscape as an expression of utopian longing or as a dystopian critique of the established order. In Architectures of Revolt, the editor and contributors chronicle city-specific case studies from Paris, Berlin, Milan, and Chicago to New York, Los Angeles, Mexico City, and Tokyo. The films discussed range from avant-garde and agitprop shorts to mainstream narrative feature films. All of them share a focus on the city and, often, particular streets and buildings as places of political contestation and sometimes violence, which the medium of cinema was uniquely equipped to capture.Contributors include: Stephen Barber, Stanley Corkin, Jesse Lerner, Jon Lewis, Gaetana Marrone, Jennifer Stob, Andrew Webber, and the editor.

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Reliquaries, one of the central art forms of the Middle Ages, have recently been the object of much interest among historians and artists. Until now, however, they have had no treatment in English that considers their history, origins, and place within religious practice, or, above all, their beauty and aesthetic value. In Strange Beauty, Cynthia Hahn treats issues that cut across the class of medieval reliquaries as a whole. She is particularly concerned with portable reliquaries that often contained tiny relic fragments, which purportedly allowed saints to actively exercise power in the world. Above all, Hahn argues, reliquaries are a form of representation. They rarely simply depict what they contain; rather, they prepare the viewer for the appropriate reception of their precious contents and establish the “story” of the relics. They are based on forms originating in the Bible, especially the cross and the Ark of the Covenant, but find ways to renew the vision of such forms. They engage the viewer in many ways that are perhaps best described as persuasive or “rhetorical,” and Hahn uses literary terminology—sign, metaphor, and simile—to discuss their operation. At the same time, they make use of unexpected shapes—the purse, the arm or foot, or disembodied heads—to create striking effects and emphatically suggest the presence of the saint.

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Albert of Saxony was one of the great logicians of the Middle Ages, on a par with William Ockham and John Buridan. The Twenty-Five Disputed Questions on Logic treat of central issues in logic, both then and now, such as the nature of meaning, of universals, of truth, and of tense and modality; and the quality and quantity of propositions, the role of negation, and the relations of contradiction and equivalence between them. Dr. Fitzgerald has studied Albert's work extensively, and previously edited the Twenty-Five Disputed Questions from the original manuscripts. This translation makes available for the first time in English this careful and exemplary examination of logical notions by an outstanding medieval thinker.

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David Cooper's book reappraises the evidence regarding the early battles for Wessex territory. It charts the sequence of battles from the c. AD 500 siege of Badon Hill, in which the Britons defeated the first Saxon attempt to gain a foothold in Wessex territory, to Langport in 710, which consolidated King Ine's position and pushed the Britons westwards. Discussion of the post-Roman British and Germanic factions provides context and background to Badon Hill, which is then covered in detail and disentangled from Arthurian legend. In considering how the opposing commanders are likely to have planned their campaigns, enduring principles of military doctrine and tactics are discussed, using examples from other periods to illustrate how these principles applied in Dark Ages Britain. Going on to follow subsequent campaigns of the West Saxons in southern Britain, a credible assessment is made of how these resulted in the establishment of a viable Wessex kingdom, two centuries after Badon. Grounded in the latest academic and archaeological evidence, David Cooper offers a number of new insights and ideas.

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David Cooper's book reappraises the evidence regarding the early battles for Wessex territory. It charts the sequence of battles from the c. AD 500 siege of Badon Hill, in which the Britons defeated the first Saxon attempt to gain a foothold in Wessex territory, to Langport in 710, which consolidated King Ine's position and pushed the Britons westwards. Discussion of the post-Roman British and Germanic factions provides context and background to Badon Hill, which is then covered in detail and disentangled from Arthurian legend. In considering how the opposing commanders are likely to have planned their campaigns, enduring principles of military doctrine and tactics are discussed, using examples from other periods to illustrate how these principles applied in Dark Ages Britain. Going on to follow subsequent campaigns of the West Saxons in southern Britain, a credible assessment is made of how these resulted in the establishment of a viable Wessex kingdom, two centuries after Badon. Grounded in the latest academic and archaeological evidence, David Cooper offers a number of new insights and ideas.

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Introduces the reader to poltergeist literature in the form of over 1100 references drawn from books, research papers, journals and magazines published between 1882 and 1975.

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Conflict was rife among the Greeks of the Classical period, including some of the most famous wars and battles of the whole ancient period, such as the defeat of the Persians at Marathon, the Spartans' heroic last stand at Thermopylae, the gruelling Pelopponesian War and the epic March of the Ten Thousand. The Greek heavy infantry spearmen, or hoplites, are one of the most recognizable types of ancient warrior and their tighly-packed phalanx formation dominated the battlefield. Covering the period from the Persian Wars to the Macedonian victory at the Battle of Chaeronea, Gabriele Esposito examines not only the hoplites but also the other troops that featured in Greek armies with growing importance as time went on, such as light infantry skirmishers and cavalry. He details their arms, armour and equipment, organization and tactics. His clear, informative text is beautifully illustrated with dozens of colour photographs showing how the equipment was worn and used.

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A legal document dated 1600, for a Star Chamber case titled Clifton versus Robinson, details how boys were abducted from London streets and forcibly held in order to train them as actors for the Blackfriars theatre. No adults were seen on-stage in this theatre, which was stocked solely by acting boys, resulting in a satirical and scurrilous method of play presentation. Were the boys specifically targeted for skills they may have possessed which would have been applicable to this type of play presentation? And, was this method of recruitment typical or atypical of Elizabethan theatre? Analysis of the background of the boy subjects of the legal case indicate that several had received grammar-school tuition and, as a result, would have possessed skills in oration and rhetoric. Indeed, a significant number of the grammar schools in London provided regular public disputations and theatrical performances which would have made these boys an attractive proposition for inclusion in a theatrical company. The styles of play-texts which the boys performed and their manner of presenting characters helps to assess why child acting companies were commercially viable and popular. Their portrayal of all roles in a performance; young and old, male and female, clearly demonstrated their versatility and skill in mimicry and the adoption of other personas. Therefore the taking of grammar-school boys for re-training as actors was not opportunistic; their abductions were planned. The theatre owners undertook this method of recruitment as they felt that they were immune from prosecution due to holding royal commissions which they used to recruit boys. However, the Clifton vs. Robinson case clearly demonstrates that a determined parent whose child had been taken could challenge this and demand reparation.

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A comparative study of the effects of local, regional, and national changes on nine parishes in Britain's Upper Eden Valley during the Victorian period, this book reveals demographic trends among the parishes of Appleby, Brough, and Kirkby Stephen and six surrounding parishes over six censuses.

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Written before the Jacobite rebellions irrevocably changed the face of Highland society, Martin Martin's A Description of the Western Islands of Scotland and A Late Voyage to St Kilda paint a fascinating picture of the Hebrides at a crucial point in their history. Long recognised as some of the most significant pieces of travel writing ever produced about Scotland (Boswell and Johnson found them indispensable on their famous tour of 1773), these texts offer a mine of information on the customs, traditions and way of life in the country's remote island communities. Sir Donald Monro, High Dean of the Isles, wrote his Description of the Western Islands of Scotland in 1549. He presents a fascinating record of a pastoral visit to islands still coping with the turbulent period after the fall of the Lord of the Isles.

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Ancient Dynasties is a unique study of the ruling families of the ancient world known to the Greeks and Romans. The book is in two parts. The first offers analysis and discussion of various features of the ruling dynasties (including the leading families of republican Rome). It examines patterns, similarities and contrasts, categorizes types of dynasty and explores common themes such as how they were founded and maintained, the role of women and the various reasons for their decline. The second part is a catalogue of all the dynasties (over 150 of them) known to have existed between approximately 1000 BC and AD 750 from the Atlantic Ocean to Baktria (roughly modern Afghanistan). It gives genealogical tables and tells where and when they held power. Thoroughly researched and with geanological tables to support the lucid text, the whole forms a valuable study and invaluable reference to the families that wielded power in the Classical world.

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This dictionary is an invaluable reference for anyone with an interest in the earliest form of the English language (i.e. the form of English spoken from around 700 AD until 1100 AD). Includes listings from Old English to Modern English (over 5,500 entries) and from Modern English to Old English (over 3,900 entries), along with a grammar section, a list of place names in Old English, numbers and the calendar, and the likely pronunciation of Old English words.

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Since its original publication in Chinese in the 1930s, this work has been accepted by Chinese scholars as the most important contribution to the study of their country's philosophy. In 1952 the book was published by Princeton University Press in an English translation by the distinguished scholar of Chinese history, Derk Bodde, "the dedicated translator of Fung Yu-lan's huge history of Chinese philosophy" (New York Times Book Review). Available for the first time in paperback, it remains the most complete work on the subject in any language. Volume I covers the period of the philosophers, from the beginnings to around 100 B.C., a philosophical period as remarkable as that of ancient Greece. Volume II discusses a period lesser known in the West--the period of classical learning, from the second century B.C. to the twentieth century.

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The first monograph on an American abstract artist of unparalleled subtlety. James Howell (1935-2014) was an American abstract artist who used infinite variations of the colour grey to explore the fundamentals of light, space, time, and [kinesthetic] perception. He appreciated the colour’s mystery, softness, simplicity, and capaciousness. His precise, systematic methods, developed over many years, yielded accomplished square paintings and works on paper. Their subtle revelations — absent of illusion, narrative, and symbolic references — expand in the viewer’s consciousness. In this comprehensive first monograph, Alistair Rider traces Howell’s artistic evolution, from the beginnings of his career in the early 1970s through the artist’s greatest achievement — the group of abstractions called Series 10, which occupied the last two decades of his life. Rider’s multi-faceted essay also chronicles Howell’s biography, including his early studies and accomplishments in architecture, and offers several interpretive frameworks for Howell’s oeuvre, notably a connection to East Asian philosophies. The beautifully produced book presents dozens of full-colour plates of artworks and exhibitions, and Rider’s essay is thoroughly illustrated with archival images and documents from the James Howell Foundation. This publication makes a critical contribution to the reevaluation of an artist whose studies of light into shadow have for many years been in a dynamic conversation with recognised trends in contemporary art.

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"A little gem of a book chronicling that most gullible of all species, the human being" - Craig Brown, Books of the Year 2019, Mail on Sunday "Dafydd Jones has focused on one of the most dominant elements of the social life of our times - how the smartphone has taken us all over. It is a timely and rather sobering look at this phenomenon, done with his usual eloquence as a photographer." - Martin Parr. Almost everyone uses a smartphone, and most of us are addicted. In this book, photographer Dafydd Jones shows us just how pervasive our screen addiction has become. In almost every social situation, he shows how the smartphone has killed conversation and changed the way we look at the world. 'In the eighties and nineties', says Jones, 'when I photographed young people at parties or balls, I'd find them chatting each other up, or smooching in corners. Now I see them sneaking looks on their iPhones, checking on their Instagram feeds, or whatever it is they're hooked on. They hardly talk to each other, or make eye contact at all. And it's not just a generational thing - it afflicts the oldies too. Who knows what impact it's having in the bedroom. It's probably a race to see what will wipe out humanity first - global climate change or screen-induced sexual indifference.'

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Zadok Ben-David's inspiration derives from nature, science, magic and illusion. From Evolution and Theory (1995), where he explores scientific discoveries, to the psychological installation Blackfield (2007), with thousands of flowers, and the magical The Other Side of Midnight (2013), which incorporates hundreds of insects, one of the characteristics of Ben-David's work is the use of multiplicity as an organising principle. He creates an alternate amplified viewing space where the relationship between viewer (human) and artwork (nature) is both sacred and destabilising. The new ongoing installation People I Saw but Never Met, features thousands of miniatures of people that he has photographed and drawn during his travels, suggesting ways in which we are both isolated yet always close together. Together with outdoor works, completed over a twenty-year period, this new book brings these four installations together for the first time, in all their magical detail.

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It is difficult to imagine the history of modern architecture in Britain being written without reference to the work of Eldred Evans and David Shalev. From 1967, when they won the international competition for Newport High School, Evans and Shalev maintained a distinctive presence as designers. Together they created a body of work that is uniformly innovative, elegant and sensitive to place, and realised with care, skill and intelligence. This new monograph documents their remarkable oeuvre as it developed over six decades. Introduced by Joseph Rykwert, the book includes critical commentaries by David Dunster, Patrick Hodgkinson and others. Contents: Introduction by Joseph Rykwert; Principle works: Newport High School, Children's Reception Home Alexander Road, Truro Crown Courts, Tate St. Ives, The Quincentenary Library, Jesus College, Bede's World Museum; Complete Project Index; Credits.

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Jan Kaplický (1937-2009) was a visionary architect with a passion for drawing. It was his way of discovering, describing and constructing; and through drawing he presented beguiling architectural imagery of the highest order. Many of his sketches, cutaway drawings and photomontages are brought together and celebrated in this book. These drawings date from the early years of his independent practice, Future Systems, in the 1970s, to his final ink drawings, executed in the mid-1990s. Featured projects range from design studies for the International Space Station, undertaken with NASA, to the Media Centre at Lord's Cricket Ground, in London, winner of the 1999 Stirling Prize.

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