Search results for ""California College of Arts""
California College of Arts Joan Jonas Is on Our Mind
The CCA Wattis Institute in San Francisco dedicates year long seasons of discussions and public events to a single artist. In 2014–15, Joan Jonas (born 1936) was “on our mind.” This book brings together essays from writers, curators, art historians and artists that focus on a single work, from Jonas’ earliest films through her installation for the US Pavilion at the 56th Venice Biennale. The book also contains excerpts from readings and public lectures, and images by some of the other artists whose work was evoked in public and private conversation. Contributors include Jacqueline Francis, Renée Green, Quinn Latimer, Sarah Lehrer-Graiwer, Patricia Maloney, Elizabeth Mangini, Judith Rodenbeck and Lynne Tillman.
£16.00
California College of Arts Cecilia Vicuña: Word Weapons
At once poetry, art and activism, Vicuña’s playful multimedia works "open up minds by opening up words" This beautifully designed clothbound book brings together the Palabrarmas series by the Chilean-born artist, poet and activist Cecilia Vicuña (born 1948). Images of these works—each a powerful juxtaposition of color, poetry and politics—appear alongside new essays and historical references chosen with the artist. Palabrarmas, a neologism that translates to "word weapons" or "word arms," imagine new ways of seeing language. Taking the form of collages, silkscreens, drawings, poems, fabric banners, cutouts, mixed-media installations and street actions, Vicuña’s Palabarmas bring together her work in poetry, activism and visual art. Each one unpacks and deconstructs single words to reveal other words hiding within them, allowing new meanings to emerge. The artist began making these visual anagrams while in exile in London and Bogotá after the Pinochet-led coup of 1973 in Chile, and has always seen them as a form of liberation—as a way to "open up minds by opening up words," as she puts it. The Palabarmas have taken on new relevance in today’s political climate, and appeared on the streets during Chile’s 2019 revolution as protest signs. This book presents a range of Palabrarmas in color for the first time, with new essays by Mónica de la Torre, Carla Macchiavello, Cecilia Vicuña and Jeanne Gerrity, and reprinted texts by René Daumal, Robert Randall and Simón Rodríguez.
£32.40
University of Minnesota Press Appropriating Technology: Vernacular Science And Social Power
Contributors: Richard M. Benjamin, Miami U; Hank Bromley, SUNY, Buffalo; Massimiano Bucchi, U of Trento, Italy; Carmen M. Concepcion, U of Puerto Rico; Virginia Eubanks, Rensselaer Polytechnic Institute; Lisa Gitelman, Catholic U; David Albert Mhadi Goldberg, California College of Arts and Crafts; Samuel M. Hampton; Michael K. Heiman, Dickinson College; Linda Price King; Valerie Kuletz; Lisa Jean Moore, College of Staten Island, CUNY; Brian Martin Murphy, Niagra U; Paul Rosen, U of York; Michael Scarce, Peter Taylor, U of Massachusetts, Boston; Turtle Heart.
£22.99
Pomegranate Arts Crafts Block Prints by William S. Rice 2025 Wall Calendar
William Seltzer Rice found endless inspiration in nature, creating a vast number of watercolors, drawings, photographs, etchings, and block prints. He arrived in Northern California in 1900, the early days of the region's Arts and Crafts movement. Rice taught in several schools, including the California College of Arts and Crafts in Oakland-a center for the movement. As a medium, block printing suited the Arts and Crafts ethos of making artwork available to a wide audience at modest cost. Being a skilled craftsman as well as an artist, Rice designed, carved, and printed the blocks all himself. Today his masterful artwork can be found in public and private collections worldwide.
£10.99
Radius Books John McCracken: Works from 1963-2011
John McCracken (1934–2011) occupies a singular position within the recent history of American art, as his work melds the restrained formal qualities of Minimalist sculpture with a distinctly West Coast sensibility expressed through colour, form and finish. He developed his early sculptural work while studying painting at the California College of Arts and Crafts in Oakland in the late 1950s and early 1960s. While experimenting with increasingly three-dimensional canvases, the artist began to produce objects made with industrial materials, including plywood, sprayed lacquer and pigmented resin, creating the highly reflective, smooth surfaces that he was to become known for. This catalogue charts the evolution of McCracken’s diverse oeuvre, encompassing both well-known and lesser-seen examples of the artist’s production from the early 1960s up through his death in 2011, presenting a range of sculptures, paintings and sketches.
£40.50
University of Minnesota Press The Participatory Condition in the Digital Age
Just what is the “participatory condition”? It is the situation in which taking part in something with others has become both environmental and normative. The fact that we have always participated does not mean we have always lived under the participatory condition. What is distinctive about the present is the extent to which the everyday social, economic, cultural, and political activities that comprise simply being in the world have been thematized and organized around the priority of participation. Structured along four axes investigating the relations between participation and politics, surveillance, openness, and aesthetics, The Participatory Condition in the Digital Age comprises fifteen essays that explore the promises, possibilities, and failures of contemporary participatory media practices as related to power, Occupy Wall Street, the Arab Spring uprisings, worker-owned cooperatives for the post-Internet age; paradoxes of participation, media activism, open source projects; participatory civic life; commercial surveillance; contemporary art and design; and education. This book represents the most comprehensive and transdisciplinary endeavor to date to examine the nature, place, and value of participation in the digital age. Just as in 1979, when Jean-François Lyotard proposed that “the postmodern condition” was characterized by the questioning of historical grand narratives, The Participatory Condition in the Digital Age investigates how participation has become a central preoccupation of our time. Contributors: Mark Andrejevic, Pomona College; Bart Cammaerts, London School of Economics and Political Science (LSE); Nico Carpentier, Vrije Universiteit Brussel (VUB – Free University of Brussels) and Charles University in Prague; Julie E. Cohen, Georgetown University; Kate Crawford, MIT; Alessandro Delfanti, University of Toronto; Christina Dunbar-Hester, University of Southern California; Rudolf Frieling, California College of Arts and the San Francisco Art Institute; Salvatore Iaconesi, La Sapienza University of Rome and ISIA Design Florence; Jason Edward Lewis, Concordia University; Rafael Lozano-Hemmer; Graham Pullin, University of Dundee; Trebor Scholz, The New School in New York City; Cayley Sorochan, McGill University; Bernard Stiegler, Institute for Research and Innovation in Paris; Krzysztof Wodiczko, Harvard Graduate School of Design; Jillian C. York.
£22.99
