Search results for ""Cahiers d'art""

Pairing a selection of recent watercolours from 2011 and 2012 by Thomas Schutte with a selection of previously unpublished poems by Robert Walser, written between 1924 and 1933, this book is a deeply personal exploration of our everyday selves, choreographed by one of the greatest living artists. This book is dedicated by the artist to the gallerist Donald Young, who invited the artist to participate in an exhibition dedicated to Walser in Chicago in 2012. Published in original German with new English translations of each poem and with an introduction by Dr. Reto Sorg, director of the Robert Walser Archives.

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Given unprecedented access to Calder’s work and life during the course of their friendship, acclaimed photographer and graphic designer Herbert Matter captured Calder’s sculptures, the artist at work in his studio and at home with his family in Roxbury, Connecticut. Calder by Matter includes original essays by esteemed art critic and Calder biographer Jed Perl, Calder Foundation President and Calder grandson Alexander S. C. Rower (editor of the volume), and Matter student and colleague John T. Hill (designer of the volume). This unique collection of over 300 images, many of which are published here for the first time, offers a new perspective on Calder’s oeuvre, life, and creative process. Calder by Matter has been published in direct collaboration with the Calder Foundation.

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The first in-depth examination of Matisse’s work in the 1930s, a key decade of creative innovation and renewal for this celebrated artist In 1930, as Henri Matisse (1869–1954) embarked on The Dance, a monumental mural commissioned by the American collector Albert C. Barnes, he began experimenting in ways that would permanently change the nature of his work. The use of pre-painted cut papers to lay out his compositions led to a new style of flat tones and bold shapes. He also increasingly used serial imagery to make visible his creative process, aiming to capture the flux of his own perceptions and emotions in the work of art. This volume highlights and explains pivotal transformations in Matisse’s work in the 1930s across a range of media, including mural and easel painting, sculpture, printmaking, drawing, and the illustrated book. The transatlantic contributors also look at the relationship between Matisse and the Parisian art journal Cahiers d’art, which played an outsized role in publicizing Matisse’s work during this period, and consider his exhibitions, his ongoing involvement with decorative painting, his studio as a creative laboratory, and the role of his model and muse Lydia Delectorskaya in his studio practice.Published in association with the Philadelphia Museum of Art and Musées d’Orsay et de l’OrangerieExhibition Schedule:Philadelphia Museum of Art (October 20, 2022–January 29, 2023)Musée de l’Orangerie, Paris (February 28–May 29, 2023)Musée Matisse, Nice (June 23–September 24, 2023)

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