Search results for ""Bridge21 Publications, LLC""

A masterpiece in the study of Wang Yangming's (1472-1529) philosophy, this book adopts a holistic approach, integrating philosophical history, comparative philosophy, cultural research and historical documents. The book provides a comprehensive and in-depth analysis of Wang's philosophy at different stages throughout its maturation so as to sketch the essential character and grand picture of Wang's philosophy. As a systematic study of Wang's philosophy, this monograph boasts a broad perspective, profound discourse and substantial historical data. It is a perfect manifestation of the author's academic accomplishment and presents the readers with a panorama of Wang's studies. Although the book is focused primarily on Wang, its scope and methodology carry great implications for the study of Song and Ming Confucianism and even ancient Chinese philosophy as a whole.

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Professor Xu Xiaoyue, a top-notch scholar specializing in ancient Chinese philosophies and religions, displays essential constituents of Chinese humanism before readers. According to him, key concepts such as Confucian ten virtues, Daoist Way and Buddhist metaphysical voidness play quite a significant role in shaping the Chinese humanism, which not only is historically indispensable to the creation of traditional Chinese culture but it also realistically matters to present-day China’s cultural reconstruction in the world that is being remolded by the roots.

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This publication unveils creative ideas on knowledge transfer from historical references to commercialization of cultural products. It adopts multidisciplinary, cross cultural, and experimental approaches to study the cultural industries, including art, music, popular culture, psychology, entrepreneurship, and economic studies. These scholarly thoughts and ideas were presented in the two conferences held at the Hong Kong Institute of Education in the summer of 2013. The chapters critically evaluate the current situation of the cultural industries and review the underlying relationships between the different sectors in the field. By assessing the development of the cultural industries, the authors hope that market and government intervention can enhance further consolidation and minimize hindrance to the growth of creativity.

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"Chinese Internet Vernacular," a complex of novel language varieties associated with the Chinese internet, is usually thought to consist of an increasing host of linguistic memes currently or once virally spread. Focusing on the vernacular's most prominent character - meaning change, this book attempts to account for the different dimensions and aspects that contribute to the memes' meaning and function variations, based on the quantitative and qualitative data meticulously collected by following and recording the various memes' diffusions on Chinese social media over four years. Through the discussion of four comprehensive case studies, what we experience as noticeable meaning change throughout a viral meme's diffusion may in fact be indexical to, under different circumstances, interpersonal communicative effects, collective identities, and community affiliations, as well as larger sociocultural values and ideologies, all of which can be reflexively performed, enacted, and calibrated in social media interactions. With such efforts, this book hopes to do justice to the complexities and dynamics of the "Chinese Internet Vernacular" as a holistic sociolinguistic phenomenon.

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Xinjiang, named in 1759 by Emperor Qianlong (乾隆 1711-1799) of the Manchu-led Qing dynasty of China, was ruled by the Qing from the final phase of the Dzungar-Qing Wars when the Dzungar Khanate was conquered, and lasted until the fall of the imperial dynasty in 1912. Based on rare ancient maps and historical archives, the book tells stories of Xinjiang during the Qing. It involves Emperor Qianlong, Fragrant concubine (xiangfei 香妃, Uyghur concubine married with Emperor Qianlong), Lady Catherine (the wife of the British consul-general in Kashgar at the end of the 19th century, and lived in Xinjiang for nearly two decades), Swedish missionaries (persisted in spreading Christianity for 38 years among Uyghurs who believed in Islam), Guan Gong temples (the belief in Lord Guan, a religious tradition of the Han and Manchus) and so on.

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Social Stratification in Contemporary China raises and debates major sociological issues of modern and present-day China from a historical perspective. Such topics as "equality and inequality"and "acceptability of defined inequality" have been dealt with in a broad historical context since 1949 when the People's Republic was founded. The work is widely accepted as one of the most important studies trying to clarify the difficult perceptions of policy of reform and opening up that was formulated and implemented in the early 1980s in China. Professor Li Qiang is one of the leading sociologists in China.

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This volume of original essays critically examines the intriguing interplay among major actors and venues of creative practices in contemporary East Asian cities. Its chapters closely investigate manifestations of the political and aesthetic decisions made, or not made, in the construction and representation of creative cities. The contributors give Tokyo, Seoul, Hong Kong, Taipei, and Shanghai special consideration.

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Over their long and colourful history, the Chinese people have produced a variety of fascinating and useful cultural artefacts and performances - from the compass and paper money to tea ceremonies and wedding parties - that have won the admiration of people around the world, and improved living conditions for many who remain unaware of the inventions' Chinese origins. This book's forty concise chapters serve as windows into a wide range of Chinese cultural traditions and innovations. Some aspects of culture featured here include Chinese gardens, homes, and temples; calligraphy, chess, and clothing; paper cutting, seals, and musical instruments; martial arts and Peking Opera; and feng shui (auspicious design). Amply illustrated, with idiomatic phrases parsed throughout, the authors offer a road map to guide both the novice and ""old hand"" alike through the essential traits of Chinese culture.

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Nanjing has a prominent place in Chinese culture and history as having been a capital city for ten times throughout the history. The city of Nanjing is a fine history textbook. If one pores over this city, one will evoke the history of China itself. Every historic site in Nanjing is saturated with the character of human affairs. Whichever ruins one might visit, they are all part of a deep historical dialogue. In terms of scenery, Nanjing has mountains and rivers, enough to match any city. But the city's strength is in its history, and its unique culture. This book is a collection of prose about the unique history, culture and atmosphere of the city as well as the temperament and customs of its people, by the renowned Nanjing-born writer, YE Zhaoyan.Nanjng in the eyes of Matteo Ricci (1552-1610), the Italian Jesuit priest and one of the founding figures of the Jesuit China missions:"THIS METROPLITAN CITY is called Nankin…In the judgement of the Chinese this city surpasses all other cities in the world in beauty and in grandeur… It is literally filled with palaces and temples and towers and bridges, and these are scarcely surpassed by similar structures in Europe… There is a gaiety of spirit among the people, who are well mannered and nicely spoken…in the whole kingdom of China and in all bordering countries, Nankin is rated as the first city.This city was once the capital of the entire realm and the ancient abode of kings through many centuries, and though the kind changed his residence to Pekin, in the north, … Nankin lost none of it splendor or of its reputation…" - Ricci, Matteo, Nicolas Trigault, and Louis J. Gallagher. 1953. China in the Sixteenth Century: The Journals of Matthew Ricci, 1583-1610. New York: Random House. pp. 268-270."An elegant city with the European and American planning models adopted at the macro level, and the traditional Chinese style at the micro level – the most beautiful, clean and well-planned modern city in twentieth-century China." - YE Zhaoyan: remarks on the modern Nanjing city

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This collection of papers from a project of the National Museum of Ethnology in Japan, unites anthropologists in an international collaborative effort to reexamine the dynamics of family, ethnicity, and the nation-state in China and in overseas Chinese society. Using ethnographic fieldwork, this book sheds light on the interactions between state, society, and identity through a variety of channels, such as family, lineage, kinship or quasi-kinship network, national frameworks such as religion association, Minority Autonomous Regions, and ethnic dress. This research demonstrates that even for the same cultural phenomenon, the discourses at the common, the elite, and the institutional levels will be adjusted based on the needs of the social context, market economy, and global networks.

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These original essays debate two ways of theorizing social life. One way is the integrative or holistic model of thought typified in the writings of Confucius. The other, the revolutionary tradition, is suspicious of holism and harmony as principles of social thought because harmony is seen as something that can genuinely occur only when a society has rectified deeply ingrained injustice. This volume evaluates the alternative priorities of order and revolt, harmony and spontaneity, in social life.

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Life itself has long gone unnoticed in Confucian texts since the Qinand Han dynasties, which is similarto the forgetting of Being, per se, inthe Western philosophy after theAxial Period, according to Heidegger. Today, there is a philosophical mission to return life to Confucianism, restoring and reconstructing Confucianism in the perspective of a comparison between Confucianismand Husserl's Phenomenology. The author reduces the features of life to the essence of a thing, butreturns to life as the essence of Being. The author rejects the idea of post-philosophy in order to reconstruct the metaphysicaland the post-metaphysical gradations of Confucianism. These gradations are made along three strata in the life of human beings-no-being of anything (a life comprehension), metaphysical thinghood (the absolute Being), and post-metaphysical things (the relative beings). In this way we have a full understanding of the idea of Confucianism.

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This book describes the entrepreneurial of a Chinese securities firm from the early 1990s, and reviews the 30-year history of China’s capital markets with a panoramic and coherent view of the birth and development of a securities institution. It highlights the distinctive feature of “intellectual entrepreneurship” and demonstrates the historical commitment of the intellectual community in China’s reform and opening up era. The book presents rich details of the development and evolution of the securities industry. Whether it is an analysis of the origin of the term “investment banking” in China, or a live account of international financial events, or the journey of fund practitioners - they all give readers a glimpse into the microcosm of China’s capital markets. This book provides valuable historical information and ideas for the study of the history of China’s capital markets.

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This book is an academic biography of Liu Ching-chih, a renowned musicologist and translation scholar, and a prolific music critic in Hong Kong. Three Library Collections named after him are housed in the University of Hong Kong Libraries, the Hong Kong Central Library, and the Library of the Institute of Chinese Studies of the University of Heidelberg.This volume of life writing is distinguished from average biographies by its reliance on systematic analyses of an extensive array of texts and interview data. The chapters integrate chronologies, narratives, analyses and intertextual connections, with the voice of Liu foregrounded, to present a multifaceted character whose decades-long scholarship spanned across music criticism, the history of new music in China, and translation. Several chapters document Liu’s process of working on his major book projects,. One chapter portrays Liu as a scholar-music critic, and another features his leadership at the Hong Kong Translation Society. A chapter that documents Liu’s immensely rich array of academic and cultural services in Hong Kong is followed by a linguistic and cultural profile of the scholar. The ending chapter, on the biography project itself, traces the evolution of the project, explains the research methodology, and provides a metadiscoursal account of the writing of the book. The book provides a valuable reference for those who want to know about humanities scholars, public intellectuals, music criticism, music research, and civic societies in Hong Kong, for those who are curious about the academic exchange between Hong Kong and mainland China during the 1980s-1990s, and for those who are interested in an interdisciplinary approach in life writing research and the genre of life writing concerning in particular scholars.

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