Search results for ""Between the Lines""

The story begins with a parting of the sands - the construction of the Suez Canal that united the Mediterranean with the Arabian Sea. It opened the door of opportunity for people living insecurely on the fringes of a turbulent Europe.The Middle East is understood today through the lens of unending conflict and violence. Lost in the litany of perpetual strife and struggle are the layers of culture and civilisation that accumulated over centuries, and which give the region its cosmopolitan identity. It was once a region known poetically as the Levant - a reference to the East, where the sun rose. Amid the bewildering mix of races, religions and rivalries, was above all an affinity with the three monotheistic religions: Judaism, Christianity and Islam.Today any mixing of this trinity of faiths is regarded as a recipe for hatred and prejudice. Yet it was not always this way. There was a time, in the last century, when Arabs and Jews rubbed shoulders in bazaars and teasho

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AS SEEN ON BBC BREAKFASTFind out what your handwriting says about you!Handwriting is something of a dying art nowadays, as we tap messages to each other day after day. But handwriting analysis can divulge everything from a person''s timidity to their ambition, from their desire to please to their need to control. In fact, so revealing is your writing that in Japan all CVs are still written by hand.Written by the UK''s leading handwriting expert, Reading Between the Lines will show you how to judge someone''s handwriting as a whole and how to examine it in detail. Because every aspect of penmanship - the height of an ''h'', the curliness of a ''g'', the pressure of the pen on the paper - is a collection of signals that we are giving out without meaning to. The way we write can tell the world a huge amount; sometimes more than the things we write about. Our handwriting exposes how we interact with the world and the people around us

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The car industry and the way in which cars are created have changed beyond all recognition over the last half-century. Automotive styling was once the grudging afterthought when the engineers had finished their work. Now, following a short flirtation with exotic Italian design houses, it has evolved into sophisticated design carried out by multitalented in-house teams honing carefully crafted brand identities. One of the visionary designers at the forefront of that revolution has been Patrick le Quement. Most widely acclaimed for his 22 years in charge of Renault Design, resulting in such standout models as the Twingo, Scenic and Avantime, le Quement has enjoyed a 50-year career that has also taken in Simca, Ford and Volkswagen-Audi. In his foreword to the book, Stephen Bayley calls le Quement `perhaps the very most original designer working in the conservative car business at the turn of the millennium'. Some 60 million cars across the world now bear the unmistakable stamp of le Quement. Design: Between the Lines is not a straightforward autobiography; rather, le Quement charts his journey through five decades of thoughts, actions, failures and successes. He offers fascinating commentaries on design and the creative process, and on some of the extraordinary automotive brands that make up our shared cultural heritage. As Bayley notes, for le Quement, design is `as much a matter of thinking as a matter of drawing'. On a broader, more philosophical level, le Quement also shares his views about life in general and that remarkable contraption called `the automobile', which has so influenced the lives of millions of people the world over from the late 1800s to the present day. Presented as a series of 50 brief essays or `perspectives', le Quement's thoughtful and astute observations from the street, from the design studio and from his seat in the boardroom give the reader a penetrating and often amusing insight into the high-level workings of a global industry, its triumphs and tragedies, and the foibles of the decision-makers responsible for running it. A lively complementary text by the automotive journalist Stephane Geffray accompanies each of le Quement's perspectives, and illustrations are provided by the automobile designer Gernot Bracht. Design: Between the Lines will appeal to all motoring fans and enthusiasts of good design. As Chris Bangle, the former Director of BMW Design, remarks: `Few car designers have had a career so filled with innovative successes that they have inspired a whole industry; fewer still have the skills to share it. Engaging and revealing, Patrick relates his personal experience and deep knowledge of car design in a very enjoyable manner.'

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Romanian-born Saul Steinberg (1914-1999) had one of the most remarkable careers in American art. While renowned for the covers and drawings that appeared in The New Yorker for nearly six decades, he was equally acclaimed for the drawings, paintings, prints, collages, and sculptures he exhibited internationally in galleries and museums. Through these parallel yet integrated careers, he crafted a rich, playful and constantly evolving visual language. Known to the larger public as the creator of the iconic View of the World from 9th Avenue, Steinberg lamented being most famous as “the man who drew that poster.” This beautiful volume goes a long way toward correcting that limited perception. It brings together more than eighty works in a variety of media: collage, drawings, objects, and photographs. It also features Steinberg’s astonishing mural, Art Viewers, a gigantic assemblage that was shown on a single occasion in 1966. This book is structured around three essays that explore the artist’s use of symbols, his fascination with fakery and imitation, his musings on identity through the theme of the mask, and the autobiographical nature of his work.

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Decades after its founding, Between the Lines is still definitely, defiantly, delivering those alternative viewpoints, and much more. Books without Bosses—a graphic history—provides a serio-comic glimpse of the publisher’s forty checkered years (so far).

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This book is designed for teachers and speech & language therapists working in the fields of language and literacy, and concerned with developing inferencing skills in their students. The ability to draw inference is a crucial element in the comprehension of written language, and this resource will be a valuable aid in mainstream classes throughout Key Stage 2. It is especially appropriate for work with children with speech, language and communication needs and those on the autistic spectrum, who are likely to have particular difficulty understanding inference. The book contains a collection of 300 texts which are graded and lead the student gradually from simple tasks with picture support and plentiful clues to more challenging scenarios where true inference is required. The texts can be used with whole classes, groups and individual children.

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This ground-breaking collection of new interviews, critical essays, and commentary explores South Asian identity and culture. Sensitive to the false homogeneity implied by "South Asian," "diaspora," "postcolonial," and "Asian American," the contributors attempt to unpack these terms. By examining the social, economic, and historical particularities of people who live "between the lines"-on and between borders-they reinstate questions of power and privilege, agency and resistance. As South Asians living in the United States and Canada, each to some degree must reflect on the interaction of the personal "I," the collective "we," and the world beyond. The South Asian scholars gathered together in this volume speak from a variety of theoretical perspectives; in the essays and interviews that cross the boundaries of conventional academic disciplines, they engage in intense, sometimes contentious, debate. Contributors: Meena Alexander, Gauri Viswanathan, Gayatri Chakravorty Spivak, Amritjit Singh, M. G. Vassanji, Sohail Inayatullah, Ranita Chatterjee, Benita Mehta, Sanjoy Majumder, Mahasveta Barua, Sukeshi Kamra, Samir Dayal, Pushpa Naidu Parekh, Indrani Mitra, Huma Ibrahim, Amitava Kumar, Shantanu DuttaAhmed, Uma Parameswaran. In the series Asian American History and Culture, edited by Sucheng Chan, David Palumbo-Liu, Michael Omi, K. Scott Wong, and Linda Trinh Vo.

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'The whistle blows and I set off for the one kick I know will stay with me for the rest of my life, maybe even define my life...'Michael Carrick was the heartbeat of Manchester United. For more than a decade he was the player that made them tick. Loved by his managers, lauded by his fellow professionals, worshipped by the Old Trafford faithful, yet regularly misunderstood by the wider public, Carrick was a player like no other.Intelligent, calm, thoughtful - in many ways the opposite of the archetypal English midfielder - Carrick has always been his own man and is typically forthright. In his book he reveals what it's really like to win relentlessly under legendary manager Sir Alex Ferguson, shows us the hidden secrets of the famous Carrington training ground, invites us to experience the camaraderie and clashes inside the United dressing room, and lets us feels what it's like to walk out on the Old Trafford pitch alongside some of the biggest names in the game - from Ronaldo to Scholes to Giggs, Rooney and the rest.A deeply personal book, Between the Lines reveals for the first time Michael's battles with mental health, his struggles with the national side, as well as the redemption he has found with his family and his team.From growing up in the north-east to winning the Champions League and five Premier League titles with Manchester United, via West Ham and Tottenham, Carrick's story reveals him to be his own man: fearless, thoughtful, intelligent and honest.*All of Michael Carrick's proceeds from the sale of the book will be donated to the Michael Carrick Foundation, dedicated to providing financial support to community services that will give underprivileged children living in the North and North East better opportunities so that they feel safe, valued and inspired.*

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'Go to your "books to read" list and place Elisabeth's Lists right at the top' Damian Barr The vivacious and moving true story of a lost era and a lost grandmother, pieced together from an inherited book of handwritten lists Many years after the death of her grandmother, Lulah Ellender inherited a curious object - a book of handwritten lists. On the face of it, Elisabeth's lists seemed rather ordinary - shopping lists, items to be packed for a foreign trip, a tally of the eggs laid by her hens. But from these everyday fragments, Lulah began to weave together the extraordinary life of the grandmother she never knew - a life lived in the most rarefied and glamorous of circles, from Elisabeth's early years as an ambassador's daughter in 1930s China, to her marriage to a British diplomat and postings in Madrid under Franco's regime, post-war Beirut, Rio de Janeiro and Paris. But it was also a life of stark contrasts - between the opulent excess of embassy banquets and the deprivations of wartime rationing in England, between the unfailing charm she displayed in public and the dark depressions that blanketed her in private, between her great appetite for life and her sudden, early death. As Lulah learns that she is losing her own mother, she finds herself turning to her grandmother's life, and to her much-travelled book of lists, in search of meaning and solace. Elisabeth's Lists is both a vivid memoir and a moving study of the familial threads that binds us, even beyond death. 'This is a hauntingly beautiful meditation on life and death' Guardian

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NOMINATED FOR AUTOBIOGRAPHY OF THE YEAR, SPORTS BOOK AWARDSMichael Carrick was the heartbeat of Manchester United. For more than a decade he was the player that made them tick. In his book, he reveals how to win relentlessly while playing under legendary manager Sir Alex Ferguson, invites us to experience the camaraderie and clashes inside the United dressing room, and lets us feels what it's like to walk out on the Old Trafford pitch alongside some of the biggest names in the game - from Ronaldo to Scholes to Giggs, Rooney and the rest.In his seventeen-year professional career, Michael has won twelve major trophies at United, winning the Premier League five times, as well as three League Cups, the FA Cup, the Europa League, the Club World Cup and the Champions League.In Between the Lines, Michael honestly reveals for the first time his battles with mental health, growing up in the north-east, his struggles with the national side, as well as the redemption he has found with his family and his team.*All of Michael Carrick's proceeds from the sale of the book will be donated to the Michael Carrick Foundation, dedicated to providing financial support to community services that will give underprivileged children living in the North and North East better opportunities so that they feel safe, valued and inspired.*

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An exhibition in book form, this showcase of the best of drawing now features one hundred works by almost fifty artists including Susan Hauptman, Paul Noble, Jeff Gabel, Tracey Emin, Jane Harris, Julia Fish, Cornelia Parker and Jerwood Drawing Prize winner Sarah Woodfine. Carefully 'curated' with many new drawings specifically commissioned for the volume, the book also includes an Introduction by the Editors which lays out the themes underpinning this diverse and exciting selection of work. With a revival of interest in drawing in recent years, "Drawing Now" is a timely collection of the work of artists intent on giving a contemporary twist to the most traditional of forms.

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Philosophical esotericism - the practice of communicating one's unorthodox thoughts "between the lines"-was a common practice until the end of the eighteenth century. The famous Encyclopedie of Diderot, for instance, not only discusses this practice in over twenty different articles, but admits to employing it itself. The history of Western thought contains hundreds of such statements by major philosophers testifying to the use of esoteric writing in their own work or that of others. Despite this long and well-documented history, however, esotericism is often dismissed today as a rare occurrence. But by ignoring esotericism, we risk cutting ourselves off from a full understanding of Western philosophical thought. Arthur M. Melzer serves as our deeply knowledgeable guide in this capacious and engaging history of philosophical esotericism. Walking readers through both an ancient (Plato) and a modern (Machiavelli) esoteric work, he explains what esotericism is-and is not. It relies not on secret codes, but simply on a more intensive use of familiar rhetorical techniques like metaphor, irony, and insinuation. Melzer explores the various motives that led thinkers in many different times and places to engage in this strange practice, while also exploring the motives that led more recent thinkers not only to dislike and avoid this practice but to deny its very existence. In the book's final section, "A Beginner's Guide to Esoteric Reading," Melzer turns to how we might once again cultivate the long-forgotten art of reading esoteric works. Philosophy Between the Lines is the first comprehensive, book-length study of the history and theoretical basis of philosophical esotericism, and it provides a crucial guide to how many major writings-philosophical, but also theological, political, and literary-were composed prior to the nineteenth century.

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Philosophical esotericism the practice of communicating one's unorthodox thoughts "between the lines" was a common practice until the end of the eighteenth century. The famous Encyclopedie of Diderot, for instance, not only discusses this practice in over twenty different articles, but admits to employing it itself. The history of Western thought contains hundreds of such statements by major philosophers testifying to the use of esoteric writing in their own work or others'. Despite this long and well-documented history, however, esotericism is often dismissed today as a rare occurrence. But by ignoring esotericism, we risk cutting ourselves off from a full understanding of Western philosophical thought. Arthur M. Melzer serves as our deeply knowledgeable guide in this capacious and engaging history of philosophical esotericism. Walking readers through both an ancient (Plato) and a modern (Machiavelli) esoteric work, he explains what esotericism is and is not. It relies not on secret codes, but simply on a more intensive use of familiar rhetorical techniques like metaphor, irony, and insinuation. Melzer explores the various motives that led thinkers in different times and places to engage in this strange practice, while also exploring the motives that lead more recent thinkers not only to dislike and avoid this practice but to deny its very existence. In the book's final section, "A Beginner's Guide to Esoteric Reading," Melzer turns to how we might once again cultivate the long-forgotten art of reading esoteric works. Philosophy Between the Lines is the first comprehensive, book-length study of the history and theoretical basis of philosophical esotericism, and it provides a crucial guide to how many major writings philosophical, but also theological, political, and literary were composed prior to the nineteenth century.

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Handwriting is something of a dying art nowadays, as we tap messages to each other day after day. But handwriting analysis can divulge everything from a person's timidity to their ambition, from their desire to please to their need to control. In fact, so revealing is your writing that in Japan all CVs are still written by hand.Written by the UK's leading handwriting expert, Reading Between the Lines will show you how to judge someone's handwriting as a whole and how to examine it in detail. Because every aspect of penmanship - the height of an 'h', the curliness of a 'g', the pressure of the pen on the paper - is a collection of signals that we are giving out without meaning to. The way we write can tell the world a huge amount; sometimes more than the things we write about. Our handwriting exposes how we interact with the world and the people around us, and also how we cope with stress and express emotions. It can help us make choices for our future, showing us what our desires are, and even what jobs and partners may suit us best.Using real-life examples, including celebrity samples, you will be challenged to put your new-found knowledge to the test. By the end of the book you will have amassed a wealth of knowledge that will help you understand human nature - including your own - in all its colours.

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'An excellent debut novel, I couldn't put this down! A definite must read' 5* reader reviewThe closer you are, the less you see . . .When Kev's girlfriend is killed in a hit-and-run, he thinks he's suffered the worst. Haunted by his past, Kev attempts to put his life back together, throwing himself into his new relationship with Stella and his job as a literary agent. Then a book lands on his desk that changes everything. And he quickly realises his nightmare has only just begun.Between the Lines is a darkly gripping psychological thriller, perfect for fans of Teresa Driscoll, K.L Slater and Shalini Bolland.Readers LOVE S. J. Butler's BETWEEN THE LINES:'This story gets hold of you and makes you shudder. Five stars' 5* reader review 'An extraordinarily fantastic literary thriller. A huge five star read for me' 5* reader review'Plenty of twists to keep you guessing! Just brilliant' 5* reader review 'Gritty, well written, a real page turner' 5* reader review 'Makes the reader think more deeply about the themes of identity, loss, perception and self-perception. Highly recommended' 5* reader review 'Gem of a debut' 5* reader review 'Great twists and turns . . . Can't wait to read more of S. J Butlers books!!' 5* reader review

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In Lives Between the Lines, Michael Vatikiotis traces the journey of his Greek and Italian forebears from Tuscany, Crete, Hydra and Rhodes, as they made their way to Egypt and the coast of Palestine in search of opportunity. In the process, he reveals a period where the Middle East was a place of ethnic and cultural harmony - where Arabs and Jews rubbed shoulders in bazaars and teashops, intermarried and shared family history.While lines were eventually drawn and people, including Vatikiotis's family, found themselves caught between clashing faiths, contested identities and violent conflict, this intimate and sweeping memoir is a paean to tolerance, offering a nuanced understanding of the lost Levant.

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In Fidel between the Lines Laura-Zoë Humphreys traces the changing dynamics of criticism and censorship in late socialist Cuba through a focus on cinema. Following the collapse of the Soviet Union, the Cuban state strategically relaxed censorship, attempting to contain dissent by giving it an outlet in the arts. Along with this shift, foreign funding and digital technologies gave filmmakers more freedom to criticize the state than ever before, yet these openings also exacerbated the political paranoia that has long shaped the Cuban public sphere. Drawing on ethnographic fieldwork, textual analysis, and archival research, Humphreys shows how Cuban filmmakers have historically turned to allegory to communicate an ambivalent relationship to the Revolution, and how such efforts came up against new forms of suspicion in the 1990s and the twenty-first century. Offering insights that extend beyond Cuba, Humphreys reveals what happens to public debate when freedom of expression can no longer be distinguished from complicity while demonstrating the ways in which combining anthropology with film studies can shed light on cinema's broader social and political import.

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In Fidel between the Lines Laura-Zoë Humphreys traces the changing dynamics of criticism and censorship in late socialist Cuba through a focus on cinema. Following the collapse of the Soviet Union, the Cuban state strategically relaxed censorship, attempting to contain dissent by giving it an outlet in the arts. Along with this shift, foreign funding and digital technologies gave filmmakers more freedom to criticize the state than ever before, yet these openings also exacerbated the political paranoia that has long shaped the Cuban public sphere. Drawing on ethnographic fieldwork, textual analysis, and archival research, Humphreys shows how Cuban filmmakers have historically turned to allegory to communicate an ambivalent relationship to the Revolution, and how such efforts came up against new forms of suspicion in the 1990s and the twenty-first century. Offering insights that extend beyond Cuba, Humphreys reveals what happens to public debate when freedom of expression can no longer be distinguished from complicity while demonstrating the ways in which combining anthropology with film studies can shed light on cinema's broader social and political import.

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In the Ming and Qing periods, the Chinese read fiction in editions with extensive commentary printed on the same page as the fiction itself. This commentary was concerned less with helping the reader understand the “letter” of the text than with drawing the reader’s attention to its more notable aspects through emphatic punctuation (similar to our underlining, italics, or highlighting) and evaluative comments. Authors developed four different approaches to the challenges this type of commentary presented: they wrote their own commentary, they modeled aspects of their narrators on fiction commentators, they left space in their texts for readers to compose their own commentaries, or they combined these approaches. This book is the first concerted effort to see how the existence of the commentary tradition affected the development of Chinese fiction. It aims to answer several questions, including: How prevalent were commentary editions of fiction? How important was the commentary in them? Were the comments actually read? What effect did they have on readers and future writers?

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Clement Greenberg (1909-94), champion of abstract expressionism and modernism - of Pollock, Miro, and Matisse - has been esteemed by many as the greatest art critic of the second half of the twentieth century, and possibly the greatest art critic of all time. This volume, a lively reassessment of Greenberg's writings, features three approaches to the man and his work: Greenberg as critic, doctrinaire, and theorist. The book also features a transcription of a debate between de Duve and Greenberg that took place at the University of Ottawa in 1987. "Clement Greenberg: Between the Lines" will be an indispensable resource for students, scholars, and enthusiasts of modern art.

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An original investigation into the reading strategies and uses of books by Jews in the Soviet era. In The Soviet Jewish Bookshelf, Marat Grinberg argues that in an environment where Judaism had been all but destroyed, and a public Jewish presence routinely delegitimized, reading uniquely provided many Soviet Jews with an entry to communal memory and identity. The bookshelf was both a depository of selective Jewish knowledge and often the only conspicuously Jewish presence in their homes. The typical Soviet Jewish bookshelf consisted of a few translated works from Hebrew and numerous translations from Yiddish and German as well as Russian books with both noticeable and subterranean Jewish content. Such volumes, officially published, and not intended solely for a Jewish audience, afforded an opportunity for Soviet Jews to indulge insubordinate feelings in a largely safe manner. Grinberg is interested in pinpointing and decoding the complex reading strategies and the specifically Jewish uses to which the books on the Soviet Jewish bookshelf were put. He reveals that not only Jews read them, but Jews read them in a specific way.

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Have you ever wondered what it is like to be a Palm Reader? Can they really see the future by looking at your hands? Or do they just make it up? Can they really look deep inside someone and know everything about that person? Kind of gives you the shivers, doesn't it? Reading Between the Lines is a true story about real people, who have decided to change their lives. Their journey begins with the Palm Reader. Not a fortune teller, but a gifted, trustworthy person, who, through her intuition, holds the key to uncover each person's truth. How do I find my Soulmate? Do I have a Guardian Angel? Will I be rich? Will I be happy? What is my Soul Purpose? The answers to these questions (and more) are found within the pages of this book. Reading Between the Lines is your passport into the secret lives of real people, where you will see yourself reflected in the pages as you laugh, cry, and share in this magical journey towards fulfilling your dreams.

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This is the story of ‘Cockney’ Cliff Lines and his memories of 70 years spent in horseracing. Knowing nothing about racing or even how to ride, Cliff started as a 14-year-old apprentice to Noel Murless, and the book details his life, from riding a winner for the Queen, trying to make it as a jockey, through being a work rider/head lad to Michael Stoute, pre-training and eventually training himself. It covers the trials and tribulations he endured: apprentice accommodation, bullying, doping scandals, the stable lads’ strike and his own health issues including a brain tumour. The stories of famous horses he worked with, such as JO TOBIN, SHERGAR and SONIC LADY, and those he nurtured in their early years, including PILSUDSKI and FUJIYAMA CREST, the last runner in Frankie Dettori’s Magnificent Seven, are all covered, as are his travels with horses around the world by boat and plane from 1954 to the present day. And despite all the ups and downs, Cliff genuinely has no regrets about his lifetime in the Thoroughbred racing industry.

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Every major socio-political change starts with some discarding. Suffice it to think about the heaps of rubbish consisting of old furniture, cars, busts of famous communist leaders, badges, and books on the streets of Eastern Europe in the fall/winter of 1989/1990. Among the institutions which have the greatest amount of experience with discarding are libraries: Counterintuitive as it may seem, libraries (but also museums and archives) regularly discard books as part of their job. In the wake of the collapse of communism in Europe, stock revision was needed in libraries, but did it unfold in a business as usual fashion or was it a bibliocide (as it was labelled by some media in Croatia) or even the biggest destruction of books in the post-war period (as it was characterized by a German journalist)? When does a standard library practice start attracting public attention? What happened in Croatia that there is even a Wikipedia page about bookicide in the 1990s? This book approaches the issue on at least three levels (phenomenological, discursive, and theoretical) and from three angles (from the point of view of librarians, non-professionals, and, metaphorically, discarded books themselves). The aim is to offer an innovative and original interpretation of post-socialist transition and post-Yugoslav memory while at the same time providing an empirically founded case study of the inconsistencies and lack of implementation of regulations in the field of librarianship in Croatia as opposed to a seemingly more synchronized environment in Slovenia.

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Gene Epstein knows a thing or two about economic data. Before becoming the Economics Editor for Barron's in 1993, he was a senior economist at the New York Stock Exchange. Now in Econospinning, Epstein supplies readers with a book that attempts to cut through the veil of economic misinformation commonly reported in today's media. Assuming no prior knowledge on the readers part, each chapter of Econospinning is structured around fairly simple propositions about the economy or about specific economic data—from tracking employment numbers to measuring corporate profitability—that are then contrasted with the distortions of today's media coverage. Along the way, Epstein exposes bad reporting by the elite media, including The Wall Street Journal, The Financial Times, The New York Review of Books, The New Yorker, The Economist—and especially by The New York Times and its economics columnist Paul Krugman, Epstein also deconstructs CNN newscaster Lou Dobbs’ coverage of outsourcing and globalization; the illusory connection between abortion and lower crime rates, and bad theories about the role of real estate brokers, featured in the bestseller Freakonomics; the treatment of the working class portrayed in Barbara Ehrenreich’s Nickel and Dimed; and the sensationalized coverage of the employment report by CNBC’s "Squawk Box." From the disputes over Social Security to misinterpretations of the unemployment rate, Econospinning points out the unfortunate lack of integrity that pervades mainstream economic reporting. Gene Epstein (New York, NY) has been Barron's Economics Editor since 1993 and writes the column, "Economic Beat." A frequent speaker on the conference circuit, Epstein has been interviewed on CNBC, CNN, NJN Public TV, and BBC TV. He holds an MA in economics from the New School and a BA from Brandeis University.

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Caught between the Lines examines how the figure of the captive and the notion of borders have been used in Argentine literature and painting to reflect competing notions of national identity from the nineteenth to the twenty-first centuries. Challenging the conventional approach to the nineteenth-century trope of “civilization versus barbary,” which was intended to criticize the social and ethnic divisions within Argentina in order to create a homogenous society, Carlos Riobó traces the various versions of colonial captivity legends. He argues convincingly that the historical conditions of the colonial period created an ethnic hybridity—a mestizo or culturally mixed identity—that went against the state compulsion for a racially pure identity. This mestizaje was signified not only in Argentina’s literature but also in its art, and Riobó thus analyzes colonial paintings as well as texts.Caught between the Lines focuses on borders and mestizaje (both biological and cultural) as they relate to captives: specifically, how captives have been used to create a national image of Argentina that relies on a logic of separation to justify concepts of national purity and to deny transculturation.

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