Search results for ""Author Ziauddin Sardar""

Samia Rahman argues there is more to the Muslim world than extremism, Anne Alexander wonders at the rise and rise of ISIS, John Sweeney suggests we are living in an age of extremes, Raza Ali struggles with reactionary love for the Prophet, Andrew Brown takes a sledge hammer to the New Atheists, Elma Bahira learns to talk to idolatrous statues, Deena Dajani examines the ironies of a rational defence of satire, Sunny Hundal exposes the fanatics hijacking Sikhism, Benedikt Koehler thinks early Islam gave birth to capitalism that spawned wealth inequality, Farouk Peru asks Muslims to confront the enemy within, Samir Younes is appalled at the ubiquity of mean thought in the arts, Rahul Jayaram relates the story of the man who hid in an aeroplane bathroom, and Naufal Mukumi recounts his journey from unaccompanied refugee to renowned pianist.

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History is not just a subject taught in school. It is the lived reality of tradition that informs and, at times, colonises our present. So, any project that wishes to see us smoothly into the future must begin with a thorough analysis of the past. History is also not as simple as we once thought: the reality of inequalities and bias that plague the present condition also run backward into our past, white-washing and leaving out certain details, even telling blatant lies. Revisionism and postmodernism further complicate the matter. In this issue, the rich and contentious history of Islam will be critically analysed; along the way, insight will be provided into the larger human story. As various articles debunk old narratives and illuminate lost perspectives, the hope is that lessons from the past can be properly considered, so that the same blunders that have toppled civilisations are not doomed to repeat themselves. About 'Critical Muslim': A quarterly publication of ideas and issues showcasing groundbreaking thinking on Islam and what it means to be a Muslim in a rapidly changing, interconnected world. Each edition centres on a discrete theme, and contributions include reportage, academic analysis, cultural commentary, photography, poetry, and book reviews.

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Postmodernism has often been presented as a new theory of liberation that promotes pluralism and gives representation to the marginalised peoples of the non-west and ‘other’ cultures. In this major assessment of postmodernism from a non-western perspective, Ziauddin Sardar offers a radical critique of this view. Covering the salient spheres of postmodernism – from architecture, film, television and pop music, to philosophy, consumer lifestyles and new age religions – Sardar reveals that postmodernism in fact operates to further marginalise the reality of the non-west and confound its aspirations. By tracing postmodernism’s roots in colonialism and modernity, Sardar demonstrates that the dominant contemporary intellectual fashion, peddling an insidiously oppressive and subtle revisionism, is the most comprehensive onslaught on the non-west ever experienced. In stern retort, the author offers ways in which the peoples of the non-west can counter the postmodern assault and survive with their identities, histories and cultures intact.

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En Filosofía de la Ciencia. Una guía ilustrada, se realiza un interesante recorrido por las grandes de cuestiones en que se basa o fundamenta la Ciencia: Qué hacen los científicos realmente? Está la ciencia exenta de valores? Pueden equivocarse los científicos?, Las mujeres en la ciencia, Hacia dónde nos lleva la ciencia? Qué evolución y desarrollo ha tenido la Ciencia a través de la historia?, etc.

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Jeremy Henzell-Thomas goes for a long walk in the woods; Hester Koning argues that it is time we cherished nature; J. E. Montgomery reads Al-Jahiz's Book of Animals; Laura Hassan examines the concept of nature in Muslim philosophy; Mohammed Hashas explores the geopoetics of nature; Munjed M. Murad investigates Ibn Arabi's thoughts on nature; Michael Wolfe visits St Francis of Assisi; Charles Upton looks at nature as symbol; Robert Crane suggests natural law is the way of Allah; Naomi Foyle discovers nature in Palestine; Shanon Shah is excited by nature and sexuality; Emma Clark is delighted with Islamic Gardens; and Zeshan Akhtar protects Scottish National Heritage. Also in this issue: Scott Jordon on The Revenant; short stories by Tam Hussain and Linda Christanty; poems by Fadwa Soleiman, Tommy Evans, and Paul (Abdul Wadud) Sutherland; and Ziauddin Sardar's top ten modern plagues.About Critical Muslim: A quarterly publication of ideas and issues showcasing groundbreaking thinking on Islam and what it means to be a Muslim in a rapidly changing, interconnected world. Each edition centers on a discrete theme, and contributions include reportage, academic analysis, cultural commentary, photography, poetry, and book reviews.

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Sardar travels to Asian communities throughout the UK to tell the history of Asians in Britain - from the arrival of the first Indian in 1614, to the young extremists in Walthamstow mosque in 2006. He interweaves throughout an illuminating account of his own life, describing his carefree childhood in Pakistan, his family's emigration to racist 1950s Britain, and his adulthood straddling two cultures. Along the way he asks: are arranged marriages a good thing? Does the term 'Asian' obscure more than it conveys? Do vindaloo and balti actually exist? And is multiculturalism an impossible dream?

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We pay a great deal of attention to pursuit of knowledge, but overlook its constant companion: ignorance. Where our world is inundated with information, from 24-hour news and social media and the internet of things, what we do not know can be just as important as what we do. Agnotology—the study of ignorance—is a rising field of inquiry, and set to become increasingly important as reforms to education and knowledge creation rattle the foundations of traditional disciplines. Ignorance has rapidly proliferated in the early twenty-first century. Since US Defense Secretary Donald Rumsfeld penned his famous memo on known knowns, unknown knowns, known unknowns, and unknown unknowns, it has become a key, yet unseen, factor in global decision-making—in politics, business, and various complex networks exemplified by Covid-19. In this issue, ignorance is given its long overdue analysis, and its role in our chaotic times examined. About 'Critical Muslim': A quarterly publication of ideas and issues showcasing groundbreaking thinking on Islam and what it means to be a Muslim in a rapidly changing, interconnected world. Each edition centres on a discrete theme, and contributions include reportage, academic analysis, cultural commentary, photography, poetry, and book reviews.

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The coronavirus has upended the post-World War II narrative in global affairs, as the United States and the European Union struggle to contain what may well become the deadliest pandemic in a century. Countries with some of the world's most advanced biomedical research systems were slow to lock down, slow to set up testing and contact-tracing, slow to equip their health workers with personal protective equipment, and slow to mandate mask-wearing in their populations. This has been in contrast with other countries--especially in Asia--which are further on the road to eliminating the virus completely. In much of Africa, too, where HIV and Ebola have helped to prepare public health systems for epidemics, the policy response has been of a higher quality than that in much richer nations. In this issue of Critical Muslim, we explore the impact of the virus on the world, examining how different countries have responded to the pandemic; why the science and health policies of richer nations were found wanting; and the implications for a post-pandemic future. About Critical Muslim: A quarterly publication of ideas and issues showcasing groundbreaking thinking on Islam and what it means to be a Muslim in a rapidly changing, interconnected world. Each edition centers on a discrete theme, and contributions include reportage, academic analysis, cultural commentary, photography, poetry, and book reviews.

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The sacred and the revered, the divine and the musealised, relics have long been integral to Islamic practice. Wahhabisation has cast a modernist spectre over celebrated traditions such as the visiting of shrines and pilgrimages to the birthplaces of beloved religious figures, yet these rituals continue to thrive. In this issue of Critical Muslim, we look at footprints ascribed to the Prophet Muhammad, to Adam and to Jesus. We pay our respects to Sufi saints, who may or may not be Islamicised versions of the Buddha, and we ask whether tradition is nothing more than a relic of times gone by. About Critical Muslim: A quarterly publication of ideas and issues showcasing groundbreaking thinking on Islam and what it means to be a Muslim in a rapidly changing, interconnected world. Each edition centers on a discrete theme, and contributions include reportage, academic analysis, cultural commentary, photography, poetry, and book reviews.

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How does one navigate the rich cultural and political geography of West Africa? Mapping the diverse manifestations of Islamic influence, this issue of Critical Muslim brings together the resplendent but manifold articulations of Muslim and African identity. From the forest Kingdom of precolonial Ashanti to the cultural theatres of free and independent Senegal, Islam astounds nobility and flirts with creativity. A human story of struggle, living, belonging, and daring unfolds. About Critical Muslim: A quarterly publication of ideas and issues showcasing groundbreaking thinking on Islam and what it means to be a Muslim in a rapidly changing, interconnected world. Each edition centers on a discrete theme, and contributions include reportage, academic analysis, cultural commentary, photography, poetry, and book reviews.

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It’s not just intelligence that’s going artificial! Numerous elements of our everyday life reek of inauthenticity. Even the grass we walk on and the plants we decorate our homes with demonstrate how the artificial has permeated our lives in ways we do not often give a thought to. In this issue of Critical Muslim, we explore how the artificial controls our lives—from the cities we live in to the online lives in which we immerse ourselves at every free moment. Challenges will be explored: AI has irrevocably changed the way we work and increased the ease with which we spend money. Notions of desire and freedom dissolve or fall by the wayside. Fake news and the lies we continue to tell ourselves give the phoney impression that everything is situation normal—yet the truth is anything but. About Critical Muslim: A quarterly publication of ideas and issues showcasing groundbreaking thinking on Islam and what it means to be a Muslim in a rapidly changing, interconnected world. Each edition centers on a discrete theme, and contributions include reportage, academic analysis, cultural commentary, photography, poetry, and book reviews.

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What does it mean to be a Pakistani? Can it mean more than one thing? And what do others think it means? Ziauddin Sardar explores what makes a Pakistani, and whether it's something one wants or ought to be. Reflecting on his culture and heritage through tales of the Pakistanis in his life, A Person of Pakistani Origins is a whirlwind tour of duelling poets, Bollywood films, a bookish auntie who harbours feminist urges, and a vanishing uncle who reappears miles away. Thoughtful and generously laced with humour, this book delves deep into Pakistan's eclectic culture, and the humble insanity of everyday life for a person of Pakistani origins. Sardar richly celebrates the importance of where we come from, and of who we become.

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As 2023 marks the 300th birthday of Adam Smith, ‘Father of Capitalism’, capital apparently makes the world go round—but, as this issue explores, it is not the only structure we can use to orchestrate interactions, transactions and the business of conducting our lives. As permacrisis engulfs the planet, capitalism seems unfit for purpose, moving between hero and villain in our increasingly complex world. This issue considers capital as acquisition, mentality, a place to live, and a severely unjust basis upon which we seem to exist. Can the system hold? What might lie beyond a capital state of mind?

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Hannah Arendt spoke of the banality of evil--the normalisation of the unutterable, simply because that was how things were in any given place and time. Is evil really so disappointing? We expect evil to be dramatic, unfathomable and remarkable; the workings of a twisted genius, a fallen angel, Iblis. But what if the mediocre perpetuate it, the followers, the weak, the masses? What defines evil? What is the devil's greatest trick in our contemporary world? Some even claim evil no longer exists--if it ever did. The greying morality of postmodernism begs the question of whether one can even be good.

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In our turbulent times, all varieties of bodies face serious dangers. Bodies of water are disappearing before our eyes; bodies politic risk suppression, lying on the razor's edge of the democratic struggle; human bodies fear annihilation at the hands of hate and xenophobic fascism. The biological body is no longer a husk for the intellect, but itself a vital piece of identity. The black body and female body, tethered to historical narratives, have become a cause worth fighting for in the BLM and #MeToo movements. More broadly, posthumanism and changing sexuality and identity politics are challenging our conceptions and limitations with regards to bodies. And the monolithic human body, once seen as divine perfection--a gift from above--is today quickly cast aside for the next, more advanced model. In this issue, we explore the bodily familiar, the celestial bodies, the invisible bodies of metaphors, and those under the microscope--all with the power to start and stop our fragile little world on a whim. As we walk into the future, this issue challenges readers to prepare for a new type of body, fit for a world beyond our present predicaments. About Critical Muslim: A quarterly publication of ideas and issues showcasing groundbreaking thinking on Islam and what it means to be a Muslim in a rapidly changing, interconnected world. Each edition centres on a discrete theme, and contributions include reportage, academic analysis, cultural commentary, photography, poetry, and book reviews.

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This issue of Critical Muslim explores the idea of a 'Muslim Atlantic' by looking at transatlantic connections between Muslim communities in the US and the UK. Based on and inspired by Paul Gilroy's work on the Black Atlantic, we hope to reframe his theory in terms of faith as well as race. Through essays and reportage, we will consider issues such as gender, race, leadership and popular culture, as we ask in what ways Muslim communities on both sides of the pond have shared experiences, and where their trajectories sharply contrast. About Critical Muslim: A quarterly publication of ideas and issues showcasing groundbreaking thinking on Islam and what it means to be a Muslim in a rapidly changing, interconnected world. Each edition centers on a discrete theme, and contributions include reportage, academic analysis, cultural commentary, photography, poetry, and book reviews.

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Mecca is the heart of Islam. It is the birthplace of Muhammad, the direction towards which Muslims turn when they pray and the site of pilgrimage which annually draws some three million Muslims from all corners of the world. Yet Mecca’s importance goes beyond religion. What happens in Mecca and how Muslims think about the political and cultural history of Mecca has had and continues to have a profound influence on world events to this day. In this captivating book, Ziauddin Sardar unravels the significance of Mecca. Tracing its history, from its origins as a ‘barren valley’ in the desert to its evolution as a trading town and sudden emergence as the religious centre of a world empire, Sardar examines the religious struggles and rebellions in Mecca that have powerfully shaped Muslim culture. Interweaving stories of his own pilgrimages to Mecca with those of others, Sardar offers a unique insight into not just the spiritual aspects of Mecca – the passion, ecstasy and longing it evokes – but also the conflict between heritage and modernity that has characterised its history. He unpeels the physical, social and cultural dimensions that have helped transform the city and also, though accounts of such Orientalist travellers as Richard Burton and Charles Doughty, the strange fascination that Mecca has long inspired in the Western imagination. And, ultimately, he explores what this tension could mean for Mecca’s future. An illuminative, lyrical and witty blend of history, reportage and memoir, this outstanding book reflects all that is profound, enlightening and curious about one of the most important religious sites in the world.

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It is a tragedy that we only appreciate what has already been lost—this is where the concept of a ‘world order’ first arises in historical memory. The ordering of the world has been a notion observed by historians and thinkers throughout the ages and around the globe. Rises and falls have provided incentives for the categorisation of civilisations, and other forms of global ordering. The West’s control of history, its power over the present, and its attempts to colonise the future are coming to an end, and a new narrative is about to emerge. Amidst environmental apocalypse, the end of Western dominance and unbridled technological advancement, this issue of Critical Muslim analyses the terms of world order, exposing its problems and limitations, and asks what will define it next, as the world begs for something truly new. About Critical Muslim: A quarterly publication of ideas and issues showcasing groundbreaking thinking on Islam and what it means to be a Muslim in a rapidly changing, interconnected world. Each edition centers on a discrete theme, and contributions include reportage, academic analysis, cultural commentary, photography, poetry, and book reviews.

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Shanon Shah investigates the connections between geography and identity; Jasper M. Trautsch explains the invention of the West; Nazry Bahrawi asks if the collapse of Western civilisation is imminent; Gordon Blaine Steffey explores what a post- Western world might look like; Natasha Ezrow analyses US imperialism in Latin America; Elma Berisha compares Europe with Southeast Asia; Jalal Afhim explores the emergence of China; Shiv Visvanathan problematises the rise of India; Julia Sveshnikova critiques Russia's supposed comeback; Michael Perez is proud to be American, Muslim, male and feminist; Sughra Ahmed argues that young British Muslims carve their identities out of Britain's tradition of dissent; Amir Hussain suggests that Islam is a Western religion after all; Julian Bond and Fatimah Ashrif celebrate Christian-Muslim friendship; and Samia Rahman relates the remarkable story of an Uzbek pianist in London. About Critical Muslim: A quarterly publication of ideas and issues showcasing groundbreaking thinking on Islam and what it means to be a Muslim in a rapidly changing, interconnected world. Each edition centers on a discrete theme, and contributions include reportage, academic analysis, cultural commentary, photography, poetry, and book reviews.

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Hassan Mahamdallie walks the streets of Detroit - the city America allowed to die, Ziauddin Sardar visits the 'first city' at the crossroads of Asia, Boyd Tonkin is shocked at the new gleaming cultural capitals of Dubai and Abu Dhabi, Robert Irwin unearths Basra during the Abbasid period, Kevin Ovenden looks at modern-day Athens in turmoil, Judy Cox sees London through the visions of William Blake and Nazry Bahrawi takes in the nostalgia and popular culture of Singapore. Also in this issue past and present explorations of Lahore, Melbourne, Istanbul, a photo essay on the dreams of the migrant workers of the Gulf and the last word column by Myriam Francois-Cerrah.

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Saliha, translated, means 'virtuous'. A question becomes timeless not because it lacks an answer, but also because it requires revisiting as contexts change. So, in our ever- changing, post-normal world, the time is ripe to ask: What does it mean to be a good person or to bring out the good in others or society? Whereas 'virtues discourse' largely revolves around ethics dominated by Ancient Greek and modern or contemporary Western thought, this issue seeks a more critical analysis of Islamic and other non-Western virtues. We will explore other, less-often-heard, harder-to- name virtues, fit for the present era.

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Is our existence in the world a set of separate moving parts to which we must continuously adapt? Or is life a series of transitions as we evolve our understanding of what goes on around and within ourselves in order to realise an authentic self? Transitions can be sought or imposed, external and internal; deemed either a threat to social cohesion or a sign of progress. All around us is continual change—in the climate, the seasons, our bodies as we age, and from era to era since time began. Are transitional phases important moments in themselves, merely marking the end of one set of conditions as another takes over? Much has been made of Islam and Muslims being in a state of transition, whether assessing Islam’s compatibility with modernity or with modernisation. This issue examines what it means to transition, what we can expect when we are in transition, and whether transitions are inevitable, for better or worse.

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What is the ultimate destination? Is it a place, a state of mind, or a vision of how we would like things to be? Slick airline adverts tell us it’s the journey, not the destination, that matters--but the selfie generation is all about capturing, filtering and digitally preserving the destination, in all its Instagrammable glory. How has ‘the destination’ evolved in our rapidly changing times? Whether it is a physical reality that we yearn for, a spiritual reckoning or an introspective quest to find one's self, this issue of Critical Muslim explores what it means to want to get there, and maybe even how our original goals--even the destination--may change, wherever or whenever they may be. About Critical Muslim: A quarterly publication of ideas and issues showcasing groundbreaking thinking on Islam and what it means to be a Muslim in a rapidly changing, interconnected world. Each edition centers on a discrete theme, and contributions include reportage, academic analysis, cultural commentary, photography, poetry, and book reviews.

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What is halal? Does Islam have a particular flavour? Is culture transferred through gastronomy? In this issue we resist intoxication by wine and soberly sample the culinary delights of the Muslim world—then and now. By exploring the more obscure delicacies of international cuisine, we confront the underbelly of gluttony and ask why the Muslim world is so indulgently carnivorous. We go back to nature on an organic farm and consider whether going organic will save the world and promote the true spirit of Islam.

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The rise of populism in the US and Europe is the focus of this issue of Critical Muslim. It will explore issues and trends that led to Brexit and the emergence of President Trump. There will be essays on American populism, the emergence of far right movements in France, the Netherlands and Scandinavia, the impact of rising Islamophobia on Muslim communities in the US and Europe, the characteristics of charismatic leaders, the skills of demagoguery, fake and not-so-fake news, populist Muslim preachers, and the representation of 'white trash' in films. Plus reviews, fiction, poetry and our list of top ten demagogues.

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We are often led to believe that liberty is synonymous with freedom--but is that really so? And what does it entail? In this issue of Critical Muslim, we explore who defines the liberty we are told we enjoy, and how our worldviews impact the ways we assert our liberty. How can we achieve a balance between individual liberty and social responsibility? How do we establish the public good, and which groups among us are asked to curtail their liberty for collective benefit? Just what is the connection between freedom of speech, rights of minorities, and state security? Has the notion of liberty been rendered meaningless? If liberty involves freedom for all to do as they wish, what dangers does it raise for the society as a whole? Should faith communities expect to confine their liberty to the law of the land in which they reside, even if this is contrary to their religious values? Our writers explore these and other questions to understand how we construct our understanding around the idealised notion of liberty. About Critical Muslim: A quarterly publication of ideas and issues showcasing groundbreaking thinking on Islam and what it means to be a Muslim in a rapidly changing, interconnected world. Each edition centres on a discrete theme, and contributions include reportage, academic analysis, cultural commentary, photography, poetry, and book reviews.

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Ziauddin Sardar, one of the foremost Muslim intellectuals in Britain, learned the Koran at his mother's knee in Pakistan. As a young student in London he set out to grasp the meaning of his religion, and, hopefully, to find 'paradise', his quest leading him throughout the Muslim world, from Iran to China to Turkey. Along the way he accepts that he may never reach paradise - but it's the journey that's important. At a time when the view of Islam in the West is so often distorted and simplistic, Desperately Seeking Paradise - self-mocking, frank and passionate - is essential reading.

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Ziauddin Sardar argues that free thinkers are essential for any culture to survive and thrive; Aziz al-Azmeh outlines how Abbasid Culture established freethinking humanism; Oliver Leaman highlights the significance of the twelfth century Andalusian philosopher ibn Rushd; Ebrahim Moosa seeks meaning in the ethics of the tenth century blind poet and atheist, Al-Maarri; Robert Irwin examines the thought of the controversial Sufi Al-Hallaj; Abdelwahab El-Effendi explores the 'Second Islam' of the executed Sudanese thinker, Mohamed Taha; Aamer Hussein suggests that we need to embrace the ideas of the poet and philosopher Muhammad Iqbal; Eva Hoffman looks at the notion of free thought in the work of the Noble Laureate Czeslaw Milosz; Nazry Bahrawi is impressed by the 'heretical' interpretations of the Egyptian scholar Nasir Hamid Abu Zaid; Alev Adil vexes lyrical about Aisha, the youngest wife of the Prophet; and Johan Siebers is convinced that we need to free ourselves from all ideologies.

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The media is ubiquitous. Every day we watch hours of TV, listen to the radio, read newspapers and magazines, go to the cinema, sit in front of videos or surf the Web. These information commodities exercise enormous influence and power over all of us. Introducing Media Studies explores the complex relationship between the media, ideology, knowledge and power. It provides a scintillating tour of media history and presents a coherent view of the media industry, media theory and methods in media research. It explains how 'the audience' is constructed and how it in turn interprets the content and meaning of media representation. We also learn how to analyse film, deconstruct advertising and appreciate how TV and the press shape public opinion. The media is a condition of our existence and, in an unprecedented way, the pervading shape of our history. No one can afford to neglect a critical understanding of its omnipresence. Here is an entertaining and informative book, accessible to students and general readers concerned with the increasing power, influence and proliferation of the media.

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What do scientists actually do? Is science "value-free"? How has science evolved through history? Where is science leading us? "Introducing Philosophy of Science" is a clear and incisively illustrated map of the big questions underpinning science. It is essential reading for students, the general public, and even scientists themselves.

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What are values and how do we define them? Are there specific Islamic values? Do universal core values exist? How do we pass on appropriate values to future generations? This issue of Critical Muslim tackles these questions, with contributions from Rowan Williams, Kabir Helminski, Jeremy Henzell-Thomas, Charles Butterworth, Boyd Tonkin, Alex Moore, Mohammed Hashas and others.

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This issue of Critical Muslim focuses on Bangladesh, with articles exploring its history, culture, politics and future trajectories. There will be essays on female victims of the War of Independence, progressive Bangladeshi Muslim intellectuals, women in politics, the rise of extremist groups, the impact of climate change on the country, stories of those who struggle on the margins, the role of artists in times of panic, and the joys of singing and dancing in Bengali. Plus the best of contemporary Bangladeshi short fiction and poetry.

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Hassan Mahamdallie gets spiritual in a commune; Marco Lauri visits Ibn Tufayl's twelfth-century island utopia Hayy Ibn Yaqdan; Malise Ruthven interrogates modernity and Islamic utopias, Nazry Bahrawi is sceptical about secular utopias; and Sadek Hamid traces the rise and fall of the utopian vision of Hizb-ut-Tahrir. Also in this issue: orientalist utopias in Andalusia, feminist futures, and was the Prophet's Medina a utopia? Not forgetting poems, short stories, the Last Word and the List.About Critical Muslim: A quarterly publication of ideas and issues showcasing groundbreaking thinking on Islam and what it means to be a Muslim in a rapidly changing, interconnected world. Each edition centers on a discrete theme, and contributions include reportage, academic analysis, cultural commentary, photography, poetry, and book reviews.

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Jeremy Henzel-Thomas argues that educational reform is the biggest challenge facing Muslim societies, Richard Pringle highlights the purpose of education, Abdelwahab El-Affendi suggests how Muslim education should be reconfigured, Abdulkader Tayob argues that issues of identity are intrinsically linked with Islamic education reform, Farid Panjwani is convinced that conventional approaches to education in Islam are deeply flawed, Ebrahim Moosa rethinks the whole idea of the madrassas, Ali Asani experiments with new methods of teaching Islam, Keri Facer explores the future of public knowledge building, Moneef R. Zou'bi suggests how science education can be improved in the Muslim World, Sindre Bangstad highlights the problems in researching Islamophobia, Paul Ashwin wants to improve student engagement, Nejatullah Siddiqi thinks Islamic economics is passed its 'sell by' date, and Ziauddin Sardar takes us from 'Islamisation of Knowledge' to 'Integration of Knowledge'.Also in this issue: the art of Ahmed Moustafa, a short story by Sadaf Halai, poems by Ilona Yusuf, and the 'Last Word' on university rankings

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Tahir Abbas explores the enigma of modern Islamist Turkey, Ahmet Kuru discovers Turkey's political history, Nagihan Halilolu gets tangled in Turkish heritage wars, Zeynep Okten has reservations about the country's Islamic finance industry, Gokhan Bacik wonders why Turkey fails to have a social contract, Iftikhar H Malik is enchaned by the whirling darvishes, John Crofoot revisits the Seljuk era, Charles Allen Scarboro listens to local stories, Onur Suzan Nobrega fights for the oppressed Zaza Alawis, Semiha Topal is appalled by violence against women, Rebecca Soble spends a day in Dogubayazit, and Mohammed Bakari remembers Istanbul. Also in this issue: Suzanne Mordue on Turkish coffee, street beggars in Istanbul, and our usual short stories, poems, list and the 'Last Word'"

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As Critical Muslim celebrates ten years of insight and thought, the theme of biography fittingly challenges its readers: to reflect on our past, our memories and our stories, and to look ahead towards what we may leave behind for the stories yet to be told. Stories have always been an essential aspect of human society– from the cave paintings in Sulawesi, dating back over 43,000 years, and oral tales conveyed from bard to audience, to the written word, and now the projected image, on screens large and small. As memory and history become increasingly important for a deeper understanding of the present and our emerging futures, this issue explores how biography allows for something more personal–for the myths and fables of childhood to come to life–and offers snapshots of history to be opened up. We explore a rich historical tradition of biography in Islamic societies, and explore the ways biographies have influenced Muslim thought and culture. Through biography, we can learn much about ourselves, by stepping out of our own worlds and taking on the lives of others.

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Hassan Mahamdallie remembers the comedy and comedians of his youth, Hussein Abdulsater explores the Islamic approach to humour, Bruce B Lawrence is enthralled by Sufi satire, Gilbert Ramsey and Moutaz Alkheder dissect Jihadi jokes, Boyd Tonkin relishes the wordplay in Ahmad Faris al-Shidyaq's Leg Over Leg, Robert Irwin enjoys old Arab gags, Eric Wagner explores Muslim comedy in America, Leyla Jagiella dissects the old theory of biological and psychological humours, Scott Jordan is astonished that comedy and news have merged into a single entity, Hussein Kesvani half-regrets his viral tweet, Shazia Mirza has a good laugh, Mevlut Ceylan retells Nasreddin Hodja tales, Shanon Shah is impressed by Arab political humour, Samia Rahman takes a sip from the famous drink of Abu Nawas, Ziauddin Sardar defends the integrity of put-upon pigeons, and Rachel Dwyer hands out Bollywood Comedy Awards. Also in this issue: Deena Mohamed's superhero Qahera, Giles Goddard on Christian-Muslim relations, Hoda Yusuf watches the first feature film from Djibouti, and a short story by Medina Tenour Whiteman. About Critical Muslim: A quarterly publication of ideas and issues showcasing groundbreaking thinking on Islam and what it means to be a Muslim in a rapidly changing, interconnected world. Each edition centers on a discrete theme, and contributions include reportage, academic analysis, cultural commentary, photography, poetry, and book reviews.

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Music is haram, goes the old adage. This issue of Critical Muslim begs to differ, as Jeremy Henzell-Thomas urges the ummah to move forward from its anxieties that music is a licentious influence. Celebrating the rich tradition of musical arts throughout the Muslim world, we are invited to private audiences with performers from Bollywood to Central Asia and are offered an insight into the life of a Muslim punk in 1970s Britain. Putting the Muslim into classical music and the Islam into heavy metal, every genre is brought in from the theological cold. Critical Muslim is a quarterly magazine of ideas and issues showcasing ground breaking thinking on Islam and what it means to be a Muslim in a rapidly changing, interconnected world.

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As we teeter on the brink of climate collapse, this issue of Critical Muslim asks how we got here and whether environmental catastrophe can be averted. From the arid plains of Andalusia to landlocked Jordan, we see how communities are navigating extreme conditions and making the most of scarce resources. With the Muslim South disproportionately impacted by climate change, contributors will explore the consequences of water wars, worsening refugee crises and the innovation required to face a brave new world. Critical Muslim is a quarterly magazine of ideas and issues showcasing ground breaking thinking on Islam and what it means to be a Muslim in a rapidly changing, interconnected world.

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How is the future changing? Is there a single determinant future or a plethora of alternative futures? How do we actually study futures and can we trust anything anyone says about 'the future'? Are Muslim societies prepared for the coming tsunami of change? This issue of Critical Muslim takes a searching look at all things 'futures', from trends to scenarios, from Sofia the Robot to weaponised code, and from Afrofuturism to climate change. It explores what images and metaphors of the future say about the present. With contributions from a string of noted futurists including Sohail Inayatullah, Wendy Schultz, Christopher Jones, Jordi Serra and others. About Critical Muslim: A quarterly publication of ideas and issues showcasing groundbreaking thinking on Islam and what it means to be a Muslim in a rapidly changing, interconnected world. Each edition centers on a discrete theme, and contributions include reportage, academic analysis, cultural commentary, photography, poetry, and book reviews.

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How do we communicate meaning in the age of fake news? What is the difference between narrative and information; between ideology and political narrative; between ‘narrative fiction’ and a story? Will the narration continue forever? What is history and what is propaganda? What shall we do tonight? What might we believe tomorrow? We look at the past, present and future of narratives and tell a few tall tales ourselves.

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How do we identify and judge beauty? Does it distract us from more pressing questions and issues? Is beauty the handmaiden of privilege? Or can it be found in everyday, ordinary things? Whatever happened to beauty in contemporary Islam? Do Muslims have a inkling of what beauty is and why is it significant? This issue of Critical Muslim looks at beauty from a number of perspectives -- from beauty in the Qur’an and the Beautiful Divine Names to racism and the beauty industry, politics of fashion, calligraphy, plastic surgery, female wrestling, Muslim beauty contests and the male and female gaze.

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Few books have had a more profound impact on human history than the Qur'an. It shapes the beliefs, lives and behaviour of over 1.5 billion Muslims, who regard it as the Word of God, revealed to the Prophet Muhammad. Speaking directly to Muslims, it has been the basic source of law, morality and politics for over 1,400 years. Almost everything that happens in a Muslim society is a direct or indirect product of what the Qur'an says. But what does the Qur'an really say? How should it be read and interpreted? What is the significance of its teachings, if any, for the 21st century? In this enlightening and highly readable book, Ziauddin Sardar, one of the foremost Muslim intellectuals of our time, offers a refreshingly new interpretation of the Qur'an. Emphasising plurality and inclusiveness, Sardar demonstrates the importance of reading the verses of the Qur'an in the context in which they were revealed, and highlights the relevance of its teachings for today. Sardar reads the Qur'an from several perspectives.He begins with the traditional, verse-by-verse interpretations and subsequently shows how the multilayered verses and stories of the Sacred Text are open to a number of different and more enlightening interpretations. He also reads the Quran thematically, exploring its basic concepts and themes, painting a dynamic picture of the kind of society that the Qur'an aims to create. Also scrutinised is what the Qur'an says about such contemporary topics as power and politics, the rights of women, suicide, domestic violence, sex, homosexuality, the veil, freedom of expression and evolution. Throughout, Sardar uses several different methods, from traditional exegesis to hermeneutics, critical theory and cultural analysis to draw fresh and contemporary lessons from the Sacred Text. He shows what the Qur'an means to individuals like himself, why its interpretation has been so controversial throughout history, and how translations can be used to promote misunderstanding as well as enlightenment. Argumentative and lively, Reading the Qur'an is an insightful guide to understanding the Sacred Text of Muslims in these conflict-ridden and distressing times.Whatever one believes or does not believe, the central importance of the Qur'an in today's globalised world cannot be ignored.

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This book explores the global culture of science fiction cinema, and in particular its presentation of contemporary images of the Other. Taking as a starting point the popularity of international forms such as Japanese anime and Hong Kong sci-fi, in addition to the success of films such as The Matrix and television series such as Deep Space Nine, the contributors examine the science fiction genre as an international, populist form of social analysis. In doing so, they discuss issues such as Orientalism, technology, apocalyptic futures, xenophobia, militarism and the role of women. Most contemporary studies look at the generic characteristics of science fiction, with its allegorical rendering of contemporary life, usually in relation to America. Case studies include Independence Day, Star Trek: First Contact and Until the End of the World, in addition to chapters on Eco-Apocalypse and new French sci-fi and New Manchester Ecstasy sci-fi.

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If a butterfly flaps its wings in Brazil, does it cause a tornado in Texas? Chaos theory attempts to answer such baffling questions. The discovery of randomness in apparently predictable physical systems has evolved into a science that declares the universe to be far more unpredictable than we have ever imagined. Introducing Chaos explains how chaos makes its presence felt in events from the fluctuation of animal populations to the ups and downs of the stock market. It also examines the roots of chaos in modern maths and physics, and explores the relationship between chaos and complexity, the unifying theory which suggests that all complex systems evolve from a few simple rules. This is an accessible introduction to an astonishing and controversial theory.

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Islam is one of the world's great monotheistic religions. Islamic culture, spanning 1,500 years, has produced some of the finest achievements of humanity. Yet the religion followed by a fifth of humankind is too often seen in the West in terms of fundamentalism, bigotry and violence- a perception that couldn't be more wrong. Introducing Islam recounts the history of Islam from the birth of Prophet Muhammad in the 6th century to its status as a global culture and political force today. Charting the achievements of Muslim civilisation, it explains the nature and message of the Qur'an, outlines the basic features of Islamic law, and assesses the impact of colonialism on Muslim societies. Ziauddin Sardar and Zafar Abbas Malik show how Muslims everywhere are trying to live their faith and are shaping new Islamic ideas and ideals for a globalised world.

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Critical Muslim's Syria issue approaches the diversity of this rich culture as it is reborn through revolution, tortured by repression, and traumatised by war. Thomas Pierret illuminates the varying positions of Syria's Muslims and Islamists; Rasha Omran writes about being an Alawi revolutionary; Robin Yassin-Kassab investigates the revolution's artistic and cultural shifts; Firas Massouh appraises the role of workers and the left inside Syria; Louis Proyect castigates leftists in the West; Nader Attasi examines the successes of the revolutionary committees and the failures of opposition political elites; Hassan Hassan recounts the rise, fall and rise again of the Muslim Brotherhood's Syria branch; Razan Ghazzawi questions her atheism under fire; Omar Hossino presents the town of Selemmiyeh as a non-sectarian model; Ross Burns asks what's become of Syria's unparalleled archeological heritage. Plus poetry from Golan Hajji, prose from Zakkariya Tamer and Lina Sergie Attar, an appreciation of Adonis's verse, satire from Karl Sharro, and 'the story of the bra'.

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Ziauddin Sardar questions the question mark that is always placed in front of Pakistan, Robin Yassin-Kassab asks why Pakistan has not imploded, Taimur Khan breaks bread with the gangsters and bookies of Karachi, Muhammad Idrees Ahmad revisits Peshawar, Mahvish Ahmad tracks down the separatist in Quetta, Ehsan Masood watches Pakistani television, Merryl Wyn Davies deconstructs 'imaginariums' of Pakistan, Aamer Hussein discusses Pakistani modern classic fiction, Bina Shah asks if there is boom in Pakistani literature, Bilal Tanweer listens to 'Coke Studio', Muneeza Shamsie discovers the literary secrets of her family, Taymiya R. Zaman overcomes her fear of talking about Pakistan, Ali Maraj assesses Imran Khan, Shazia Mirza tells rude jokes in Lahore, and a fake novel by Ibn-e-Safi is spotted in Bahwalnagar. Plus a new translation of an old short story by A R Khatoon, a new story by Yasir Shah, poems by Ghalib, John Siddique and Zehra Nigah, Atia Jilani's Quranic art, photographs by Ayesha Malik, and 'Ten Things We Love About Pakistan'. About Critical Muslim: A quarterly publication of ideas and issues showcasing groundbreaking thinking on Islam and what it means to be a Muslim in a rapidly changing, interconnected world. Each edition centers on a discrete theme, and contributions include reportage, academic analysis, cultural commentary, photography, poetry, and book reviews.

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