Search results for ""Author Winsome Pinnock""

'I am the slave ship. Wrecked. Empty. I am a shark, livid with the desire for blood. I am the sea, boiling with fury.' On the set of a new film about Victorian artist J.M.W. Turner, young actress Lou is haunted by an unresolved history. Meanwhile, in 1840, Londoners Lucy and Thomas try to come to terms with the meaning of freedom. Moving between London past and present, Winsome Pinnock's astonishing play retells British history through the prism of the slave trade. Fusing fact with fiction, and the powerfully personal with the fiercely political, Rockets and Blue Lights asks who owns our past – and who has the right to tell its stories? Winner of the 2018 Alfred Fagon Award, the play opened at the Royal Exchange Theatre, Manchester, in 2020, directed by Miranda Cromwell. It transferred to the National Theatre, London, in 2021. 'Rockets and Blue Lights places at its center one of the nineteenth century's most famous paintings: J. M. W. Turner's "The Slave Ship". Moving between several sets of characters and ranging from the 1800s to the present, this intricately plotted drama compels us to confront the horrors of our shared past. It does so with compassion and wit, never once compromising Pinnock's vision of theater as the communal creation of new, stranger, and perhaps truer histories' Windham-Campbell Prize committee, on awarding Winsome Pinnock a Windham-Campbell Prize for Drama in 2022

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‘What doctor know about our illness? Just give you pills to sick you stomach and a doctor certificate. What they know about a black woman soul?’ In North London, Del and Viv are soul-sick. Del doesn’t want to be at home; staying out late – 3 p.m.-the-next-day late – is more her thing. Viv scours her schoolbooks trying to find a trace of herself between their lines. When Enid takes her daughters to the local obeah woman for some traditional Caribbean soul-healing, secrets are spilled. There’s no turning back for Del, Viv and Enid as they negotiate the frictions between their countries and cultures. Two generations. Three incredible women. Winsome Pinnock's play Leave Taking is an epic story of what we leave behind in order to find home. It premiered in 1987, and was revived at the Bush Theatre, London, in 2018, in a production directed by the Bush’s Artistic Director, Madani Younis. Winsome Pinnock has written numerous plays, including Talking in Tongues, for which she won the George Devine and Pearson Best New Play Awards. ‘The godmother of Black British playwrights’ Guardian

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Six plays by some of the most exciting and distinctive female voices in British theatre, exploring the heartbreaking truth about the lives of women in the criminal justice system. The plays were commissioned and premiered by Clean Break, a theatre and education company working with women whose lives have been affected by the criminal justice system. Included in this volume: Fatal Light by Chloë Moss, about a young mother's inability to cope with separation from her daughter. Taken by Winsome Pinnock, about a mother confronted by the child she had to give up. Dream Pill by Rebecca Prichard, about two children forced into prostitution. Doris Day by E V Crowe, about two police officers and their different expectations of the job. Dancing Bears by Sam Holcroft, about the twisted loyalties and violence in teenage gangs. That Almost Unnameable Lust by Rebecca Lenkiewicz, about a writer holding workshops with older women in a prison. The plays were first performed at Soho Theatre, London, in November 2010.

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