Search results for ""Author William Wycherley""

Drama Classics: The World's Great Plays at a Great Little Price A classically bawdy Restoration Comedy, widely regarded as one of the filthiest and funniest plays ever written. The City of London in the seventeenth century. Harry Horner wants to seduce as many women as possible, but he needs to convince their husbands that he’s physically incapable of any such thing. Cannily, his faux impotence also allows him to sniff out and unmask those respectably virtuous ladies who secretly ache for him. William Wycherley's The Country Wife was first performed in January 1675, by the King's Company, at the Theatre Royal, Drury Lane.

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Wycherley's four comedies are admired for their satirical wit, farcical humour, vivid characterization, and social criticism.Love in a Wood, a lively comedy of intrigue, established him as a brilliant new dramatist.The Gentleman Dancing-Master, in contrast, disappointed contemporary audiences, but the central relationship between Hippolyta and Gerrard features an original and sympathetic study of a young woman's attitudes and feelings. The Country Wife is a sharp but also highly amusing attack on social and sexual hypocrisy. The Plain Dealer, a powerful dramatic satire loosely based on Moliere's Le Misanthrope, continues and enlarges Wycherley's assault on greed and corruption. Under the General Editorship of Michael Cordner of the University of York, the texts of the plays have been newly edited and are presented with modernized spelling and punctuation. In addition, there is a scholarly introduction, a note on staging, and detailed annotation. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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The resourceful hero of The Country Wife is Horner, the scourge of stupid husbands and the hope of unhappy wives. Through a single simple ruse Horner helps one woman after another settle accounts with a foolish spouse. Margery, the country wife, upsets his plans when she learns the manners of the city and begins to apply them herself.The Regents Restoration Drama text is based on the first edition of 1675, the last edition to enjoy Wycherley’s attention. By the time the second edition appeared he was in prison for debt, having enjoyed too much of his success at the royal court.

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‘One no more owes one’s beauty to a lover, than one’s wit to an echo.’ With the Restoration of the monarchy in 1660, the republican ban on organised theatre was lifted – and plays exploded back onto the public stage with newfound relish. The arrival of actresses for the first time encouraged a great sense of release, which expressed itself in the form of sophisticated comedies exploring the sexual behaviour and moralities of society. This volume features three of the most popular Restoration Comedies: The Country Wife by William Wycherley - a supremely bawdy comedy in which the aptly named Horner pretends to be a eunuch in order to seduce women under the noses of their husbands. The Way of the World by William Congreve - a brilliant comedy of manners, complete with dashing suitor, rich heiress and vengeful aunt. The Rover by Aphra Behn - the classic Restoration comedy by one of the earliest and most celebrated female playwrights. There is also a full introduction about the plays, playwrights and the period, and a glossary of unfamiliar words. The Drama Classic Collections bring together the most popular plays from a single author or a particular period. They offer students, actors and theatregoers a series of uncluttered, accessible editions, accompanied by comprehensive introductions.

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After the restoration of King Charles II to the British throne in 1660, dramatists experienced new freedom in an age that broke from the strict morality of puritan rule and in which elegance and wit became the chief virtues. Irreverent, licentious and cynical, the three plays collected here hold up a mirror to this dazzling era and satirize the gulf between appearances and reality. In Etherege's The Man of Mode (1676), the womanizing Dorimant meets his match when he falls in love with the unpretentious Harriet, while Wycherley's The Country Wife (c. 1675) depicts the rakish Horner who fakes impotence to fool trusting husbands into giving him easy access to their wives. And in Congreve's Love for Love (1695), the extravagant Valentine can only win his beloved Angelica if he loses his inheritance.

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‘He’s a fool that marries, but he’s a greater fool that does not marry a fool.’ This bawdy, hilarious, subversive and wickedly satirical drama pokes fun at the humourless, the jealous, and the adulterous alike. It features a country wife, Margery, whose husband believes she is too naïve to cuckold him; and an anti-hero, Horner, who pretends to be impotent in order to have unrestrained access to the women keen on ‘the sport’. A number of licentious and hypocritical women request Horner’s services – the country wife among them. The Country Wife has provoked powerfully mixed reactions over the years. The seventeenth century libertine king Charles II saw it twice, and is said to have joined the ‘dance of the cuckolds’ at the end of one performance; the eighteenth century actor-playwright David Garrick declared it ‘the most licentious play in the English language’; the Victorian Macaulay compared it to a skunk, because it was ‘too filthy to handle and too noisome even to approach’. Twentieth century productions heralded it a Restoration masterpiece. Sexually frank, and as ready to criticise marriage as infidelity, the virtuosity, linguistic energy, brilliant wit, naughtiness and complexity of this ribald play have made it a staple of the modern stage. This student edition contains a lengthy, entirely new introduction, by leading scholar, Tiffany Stern, with a background on the author, structure, characters, genre, themes, original staging and performance history, as well as an updated bibliography and a fully annotated version of the playtext.

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