Search results for ""Author William Weaver""

This extraordinary collection, a trove of enchanting designs, appealing colors, and forgotten motifs that stir the imagination, features an unprecedented assortment of ephemera, or paper collectibles, related to food. It includes images of postcards, match covers, menus, labels, posters, brochures, valentines, packaging, advertisements, and other materials from nineteenth- and twentieth-century America. Internationally acclaimed food historian William Woys Weaver takes us on a lively tour through this dazzling collection in which each piece tells a new story about food and the past. Packed with fascinating history, the volume is the first serious attempt to organize culinary ephemera into categories, making it useful for food lovers, collectors, designers, and curators alike. Much more than a catalog, "Culinary Ephemera" follows this paper trail to broader themes in American social history such as diet and health, alcoholic beverages, and Americans abroad. It is a collection that, as Weaver notes, will 'transport us into the vicarious worlds of dinners past, brushing elbows with the reality of another time, another place, another human condition'.

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“A Turandot filtered through a modern brain”, wrote Puccini, describing his plans to rework the eighteenth-century fable by Carlo Gozzi. According to Mosco Carner, Puccini’s last and supreme work is an advanced score which, with an orchestration that reflects contemporaries such as Richard Strauss and Stravinsky as well as genuine Chinese rhythms and harmonies, remains true to the Italian vocal tradition. The musicologist Jürgen Maehder analyses of the ending, which Franco Alfano composed from Puccini’s sketches. In addition, the great British soprano Dame Eva Turner recalls her experiences of singing the title role, of which she was a legendary interpreter. Contents: The Genesis of the Opera, Mosco Carner; The Score, Mosco Carner; Puccini’s ‘Turandot’: A Fragment, Jürgen Maehder; Carlo Gozzi’s ‘Turandot’ and Its Transformation into Puccini’s Libretto, John Black; Memories of Performing ‘Turandot’, Eva Turner; Turandot: Libretto by Giuseppe Adami and Renato Simoni; Turandot: English literal translation by William Weaver

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A spectacular display of this key European writer's early workThis dazzling collection of stories follows the individual adventures of a varied cast of characters and masterfully illustrates Calvino's unique perspective and narrative gifts. As well as the thirteen tales from his Difficult Loves collection this volume also includes 'Smog', 'A Plunge into Real Estate' and 'The Argentine Ant'.'The quirkiness and grace of the writing, the originality of the imagination at work, the occasional incandescence of vision, and a certain loveable nuttiness make this collection well worth reading' Margaret Atwood'If this is not a masterpiece of twentieth-century prose writing, I cannot think of anything better' Gore Vidal on 'The Argentine Ant'

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Primo Levi was among the greatest witnesses to twentieth-century atrocity. In this gripping novel, based on a true story, he reveals the extraordinary lives of the Russian, Polish and Jewish partisans trapped behind enemy lines during the Second World War. Wracked by fear, hunger and fierce rivalries, they link up, fall apart, struggle to stay alive and to sabotage the efforts of the all-powerful German army. A compelling tale of action, resistance and epic adventure, it also reveals Levi's characteristic compassion and deep insight into the moral dilemmas of total war. It ranks alongside THE PERIOD TABLE and IF THIS IS A MAN as one of the rare authentic masterpieces of our times.

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Best-selling author Umberto Eco's latest work unlocks the riddles of history in an exploration of the "linguistics of the lunatic," stories told by scholars, scientists, poets, fanatics, and ordinary people in order to make sense of the world. Exploring the "Force of the False," Eco uncovers layers of mistakes that have shaped human history, such as Columbus's assumption that the world was much smaller than it is, leading him to seek out a quick route to the East via the West and thus fortuitously "discovering" America. The fictions that grew up around the cults of the Rosicrucians and Knights Templar were the result of a letter from a mysterious "Prester John"-undoubtedly a hoax-that provided fertile ground for a series of delusions and conspiracy theories based on religious, ethnic, and racial prejudices. While some false tales produce new knowledge (like Columbus's discovery of America) and others create nothing but horror and shame (the Rosicrucian story wound up fueling European anti-Semitism) they are all powerfully persuasive. In a careful unraveling of the fabulous and the false, Eco shows us how serendipities-unanticipated truths-often spring from mistaken ideas. From Leibniz's belief that the I Ching illustrated the principles of calculus to Marco Polo's mistaking a rhinoceros for a unicorn, Eco tours the labyrinth of intellectual history, illuminating the ways in which we project the familiar onto the strange. Eco uncovers a rich history of linguistic endeavor-much of it ill-conceived-that sought to "heal the wound of Babel." Through the Middle Ages and the Renaissance, Greek, Hebrew, Chinese, and Egyptian were alternately proclaimed as the first language that God gave to Adam, while-in keeping with the colonial climate of the time-the complex language of the Amerindians in Mexico was viewed as crude and diabolical. In closing, Eco considers the erroneous notion of linguistic perfection and shrewdly observes that the dangers we face lie not in the rules we use to interpret other cultures but in our insistence on making these rules absolute. With the startling combination of erudition and wit, bewildering anecdotes and scholarly rigor that are Eco's hallmarks, Serendipities is sure to entertain and enlighten any reader with a passion for the curious history of languages and ideas.

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The year is 1643. Roberto, a young nobleman, survives war, the Bastille, exile and shipwreck as he voyages to a Pacific island straddling the date meridian. There he waits now, alone on the mysteriously deserted Daphne, separated by treacherous reefs from the island beyond: the island of the day before. If he could reach it, time - and his misfortunes - might be reversed. But first he must learn to swim...

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Fifty-five fictional cities, each described in beautiful detail - each with a woman's name... In Invisible Cities Marco Polo conjures up cities of magical times for his host, the Chinese ruler Kublai Khan, but gradually it becomes clear that he is actually describing one city: Venice. As Gore Vidal wrote 'Of all tasks, describing the contents of a book is the most difficult and in the case of a marvellous invention like Invisible Cities, perfectly irrelevant.'This is a captivating meditation on culture, language, time, memory and the nature of human experience.'Invisible Cities changed the way we read and what is possible in the balance between poetry and prose... The book I would choose as pillow and plate, alone on a desert island' Jeanette Winterson'Touches inexhaustibly on the essence of the human urge to create cities, be in cities, speak of cities' Guardian'A subtle and beautiful meditation' Sunday Times

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Mr Palomar is a delightful eccentric whose chief activity is looking at things. He is seeking knowledge; 'it is only after you have come to know the surface of things that you can venture to seek what is underneath'. Whether contemplating a fine cheese, a hungry gecko, a woman sunbathing topless or a flight of migrant starlings, Mr Palomar's observations render the world afresh.'Beautifully nimble, solitary feats of imagination' Seamus Heaney'Beguiling' Time

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Three book editors, jaded by reading far too many crackpot manuscripts on the mystic and the occult, are inspired by an extraordinary conspiracy story told to them by a strange colonel to have some fun. They start feeding random bits of information into a powerful computer capable of inventing connections between the entries, thinking they are creating nothing more than an amusing game, but then their game starts to take over, the deaths start mounting, and they are forced into a frantic search for the truth

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The modern Italian classic discovered and championed by James Joyce, ZENO'S CONSCIENCE is a marvel of psychological insight, published here in a fine new translation by William Weaver - the first in more than seventy years.Italo Svevo's masterpiece tells the story of a hapless, doubting, guilt-ridden man paralyzed by fits of ecstasy and despair and tickled by his own cleverness. His doctor advises him, as a form of therapy, to write his memoirs; in doing so, Zeno reconstructs and ultimately reshapes the events of his life into a palatable reality for himself - a reality, however, founded on compromise, delusion, and rationalization.With cigarette in hand, Zeno sets out in search of health and happiness, hoping along the way to free himself from countless vices, not least of which is his accursed "last cigarette!" (Zeno's famously ineffectual refrain is inevitably followed by a lapse in resolve.) His amorous wanderings win him the shrill affections of an aspiring coloratura, and his confidence in his financial savoir-faire involves him in a hopeless speculative enterprise. Meanwhile, his trusting wife reliably awaits his return at appointed mealtimes. Zeno's adventures rise to antic heights in this pioneering psychoanalytic novel, as his restlessly self-preserving commentary inevitably embroiders the truth. Absorbing and devilishly entertaining, ZENO'S CONSCIENCE is at once a comedy of errors, a sly testimonial to he joys of procrastination, and a surpassingly lucid vision of human nature by one of the most important Italian literary figures of the twentieth century.

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A beautiful hardback edition of Calvino's genre-switching masterwork. A book of surprise and adventure but you, the reader, are the hero. You go into a bookshop and buy If on a Winter's Night a Traveller by Italo Calvino. You like it. But alas there is a printer's error in your copy. You take it back to the shop and get a replacement. But the replacement seems to be a totally different story. You try to track down the original book you were reading but end up with a different narrative again. This remarkable novel leads you through many different books including a detective adventure, a romance, a satire, an erotic story, a diary and a quest. But the real hero is you, the reader.'Breathtakingly inventive' David Mitchell'A writer of dizzying ambition and variety, each of his stories is a fresh adventure into the possibilities of fiction' GuardianVINTAGE QUARTERBOUND CLASSICS: Bound to be beautiful

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A masterwork by the incomparable, genre-defying, wondrous Italo Calvino. You go into a bookshop and buy If on a Winter's Night a Traveller by Italo Calvino. You like it. But there is a printer's error in your copy. You take it back to the shop and get a replacement. But the replacement seems to be a totally different story. You try to track down the original book you were reading but end up with a different narrative again. This remarkable novel leads you through many different books including a detective adventure, a romance, a satire, an erotic story, a diary and a quest. But the real hero of them all is you, the reader.'Breathtakingly inventive' David Mitchell'A writer of dizzying ambition and variety, each of his stories is a fresh adventure into the possibilities of fiction' Guardian

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Holography, wax museums, the secret meaning of spectator sports, Superman and the intellectual effects of over-tight jeans are just a few of the subjects covered in this collection of witty, entertaining and thought-provoking delights from Umberto Eco, celebrated author of The Name of the Rose.

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A marvel of psychological insight from one of the most important Italian literary figures of the twentieth centuryWhen vain, obsessive and guilt-ridden Zeno Cosini seeks help for his neuroses, his psychoanalyst suggests he writes his memoirs as a form of therapy. Zeno's account is an alternative reality, a series of elliptical episodes dealing with the death of his father, his career, his marriage and affairs, and, above all, his passion for smoking and his spectacular failure to resist the promise of that last cigarette. A hymn to self-delusion and procrastination, Svevo's devilishly funny portrayal of a man's attempt to give up smoking and make sense of his life has become a cult classic.

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Marcovaldo is an enchanting collection of twenty stories that are both melancholy and funny, farce and fantasy. Calvino charts the struggles of an Italian peasant to reconcile country habits with urban life, combining comical disasters with a surrealistic view of city life through the eyes of an outsider. As always with Calvino, nothing is quite as it seems.'Delightful and rewarding as always' Observer'The most magically ingenious of the contemporary Italian novelists' The Times

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Homer in Wittenberg draws on manuscript and printed materials to demonstrate Homer's foundational significance for educational and theological reform during the Reformation in Wittenberg. In the first study of Melanchthon's Homer annotations from three different periods spanning his career, and the first book-length study of his reading of a classical author, William Weaver offers a new perspective on the liberal arts and textual authority in the Renaissance and Reformation. Melanchthon's significance in the teaching of the liberal arts has long been recognized, but Homer's prominent place in his educational reforms is not widely known. Homer was instrumental in Melanchthon's attempt to transform the university curriculum, and his reforms of the liberal arts are clarified by his engagements with Homeric speech, a subject of interest in recent Homer scholarship. Beginning with his Greek grammar published just as he arrived in Wittenberg in 1518, and proceeding through his 1547 work on dialectic, Homer in Wittenberg shows that teaching Homer decisively shaped Melanchthon's redesign of grammar, logic, and rhetoric. Melanchthon embarked on reforming the liberal arts with the ultimate objective of reforming theological education. His teaching of Homer illustrates the philosophical principles behind his use of well-known theological terms including sola scriptura, law and gospel, and loci communes. Homer's significance extended even to a practical theology of prayer, and Wittenberg scholia on Homer from the 1550s illustrate how the Homeric poem could be used to exercise faith as well as literary judgment and eloquence.

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