Search results for ""Author William Morris""

"If a chap can't compose an epic poem while he's weaving tapestry he had better shut up", says William Morris (1834-1896). He was a brilliant designer, a political thinker and one of the most popular poets of his day. While his designs are still prized, his poetry fell for decades into neglect. Crafted and robust, his verse is something to be enjoyed, like other well-made objects. It is at the heart of his creative vision. This selection contains the best of his short poems, ranging from dramatic narratives with medieval settings to romantic lyrics, to "Chants for Socialists". His most popular poems, such as "The Defence of Guenevere" and "King Arthur's Tomb", appear here, as do extracts from "The Life and Death of Jason" and "Love is Enough". Extensive selections from poems of the "Earthly Paradise" time and "Poems by the Way" are also included.

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Visionary English Socialist and pioneer of the Arts and Crafts movement, William Morris argued that all work should be a source of pride and satisfaction, and that everyone should be entitled to beautiful surroundings – no matter what their class. Throughout history, some books have changed the world. They have transformed the way we see ourselves – and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives – and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are.

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William Morris is well known for his unmistakable tapestries, furniture, fabrics, wall paper and even stained glass. His work has now been used for over 150 years on many more decorative as well as functional products. The William Morris Playing Card Set features two standard size decks of playing cards in the famous Celandine and Seaweed designs. Each deck is in its own colorful box for safe keeping and the 2 sets are packaged in a keepsake drawer box. - Size: 4.25 x 5.75" - Includes: 2 Decks of 52 cards

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A leader in the styles and politics of his time, William Morris viewed his patterns as both an art form and a means of social commentary. In response to the industrial designs and manufacturing of the Machine Age, he and his counterparts at Morris & Co.-some of whose designs are also featured in this calendar-created wallpapers and fabrics that boasted natural floral motifs and handmade craftmanship. Their work and ideology inspired many of the artists around them, ushering in the Arts and Crafts movement. The intricate botanical patterns of their designs, 12 of which are detailed here, invite you to enjoy a moment of quiet contemplation in an otherwise busy day.

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These volumes bring to a close the only comprehensive edition of the surviving correspondence of William Morris (1834-1896), a protean figure who exerted a major influence as poet, craftsman, master printer, and designer. Volumes III and IV, taken together, give in detail the comments and observations that articulate his problematic political and artistic stands and equally problematic position within the aesthetic movement as it developed in the 1890s. Most eloquently voiced also are the complexities of his troubled marriage and his devotion to his epileptic daughter, Jenny, and his other daughter, May. But dominating all these themes, organizing and structuring them, are the Kelmscott Press and the building of Morris's important library of medieval manuscripts and early printed books. The letters record the way in which the Press becomes not only the center of Morris's aesthetic ambitions and achievements but also the site for his closest human relations and for much of his connecting with the makers of early modernism. The letters in Volumes III and IV are thoroughly annotated, and through texts and notes provide a new assessment of Morris's career. Included also, as appendices to Volume IV, are two important documents: the first, never before published, is F. S. Ellis's Valuation List of Morris's library, made after Morris's death, and the second, never before reprinted, is the text of what was to be Morris's final essay on socialism, published in April 1896. Originally published in 1996. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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These volumes continue the only complete edition of the surviving correspondence of William Morris (1834- 1896), a protean figure who exerted a major influence as poet, craftsman, master printer, and designer. Covering the years 1881 through 1888, they treat the most dramatic period in another facet of Morris's career: his work as a political activist. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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William Morris is famous as a designer, poet and artist, but his work as a political thinker and activist is less well known. This collection, the first of his political writings published for nearly 50 years, shows Morris as one of the most original and inspiring socialist intellectuals of his generation.Covering essays and lectures ranging through the relation between art and politics, to his visions for a socialist society and his strident anti-imperialism, this is an essential volume which shows Morris as the engaged and committed socialist that he was.

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'The only English utopia since More's that deserves to be remembered as literature.' News from Nowhere (1890) is the best-known prose work of William Morris. The novel describes the encounter between a visitor from the nineteenth century, William Guest, and a decentralized and humane socialist future. Set over a century after a revolutionary upheaval in 1952, these 'Chapters from a Utopian Romance' recount his journey across London and up the Thames to Kelmscott Manor, Morris's own country house in Oxfordshire. Drawing on the work of John Ruskin and Karl Marx, Morris's book is not only an evocative statement of his egalitarian convictions but also a distinctive contribution to the utopian tradition. Morris's rejection of state socialism and his ambition to transform the relationship between humankind and the natural world, giveNews from Nowhere a particular resonance for modern readers. The text is based on that of 1891, incorporating the extensive revisions made by Morris to the first edition. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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William Morris is perhaps best known today for the beautiful textile designs he created under the banner of Morris & Co, which continue to decorate homes around the globe. As one of the leading lights of British socialism, however, he is less well known, and this series of Morris's Manifestos seeks to highlight his extraordinary contribution to the literary canon on subjects socialist and artistic. Based on a lecture given at the Manchester Royal Institution in 1883, Art, Wealth and Riches is a thought-provoking essay that considers art as having educative and aesthetic value that should be shared with the many, rather than financial value that should be hoarded by the few. Morris asks: 'Is art to be limited to a narrow class who only care for it in a very languid way, or is it to be the solace and pleasure of the whole people?'

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The second in the Morris's Manifestos series, The Decorative Arts is a passionate argument against the homogenisation of production, and a cry for art to make itself seen in design art will make our streets as beautiful as the woods, as elevating as the mountainsides.'

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Pick up your pencils and make each of these famed William Morris patterns your own. Taking nature as his inspiration, William Morris created over a hundred intricate and iconic wallpaper, textile and embroidery designs. As much a poet and activist as a designer, today he is considered one of the most outstanding and influential designers of the Arts and Crafts movement of the late nineteenth century. His patterns continue to be made and sold today and can be found all over the country, including at the William Morris Gallery in Walthamstow, London. Relax and unwind with these beautiful, decorative patterns - and marvel at their timeless appeal.

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An accessible and exciting approach to William Morris, a true art and design hero. The beautifully designed book will look at William Morris as an artist and culture shaper and include his most famous work.

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These volumes bring to a close the only comprehensive edition of the surviving correspondence of William Morris (1834-1896), a protean figure who exerted a major influence as poet, craftsman, master printer, and designer. Volumes III and IV, taken together, give in detail the comments and observations that articulate his problematic political and artistic stands and equally problematic position within the aesthetic movement as it developed in the 1890s. Most eloquently voiced also are the complexities of his troubled marriage and his devotion to his epileptic daughter, Jenny, and his other daughter, May. But dominating all these themes, organizing and structuring them, are the Kelmscott Press and the building of Morris's important library of medieval manuscripts and early printed books. The letters record the way in which the Press becomes not only the center of Morris's aesthetic ambitions and achievements but also the site for his closest human relations and for much of his connecting with the makers of early modernism. The letters in Volumes III and IV are thoroughly annotated, and through texts and notes provide a new assessment of Morris's career. Included also, as appendices to Volume IV, are two important documents: the first, never before published, is F. S. Ellis's Valuation List of Morris's library, made after Morris's death, and the second, never before reprinted, is the text of what was to be Morris's final essay on socialism, published in April 1896. Originally published in 1995. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Keep favourite recipes at hand yet neatly filed in a decorative Galison recipe file box. Eight glossy tabbed dividers organize recipes into Fruits and Vegetables, Breads and Pasta, Eggs and Dairy, Soups and Salads, Meats and Poultry, Fish and Seafood, Desserts, and Beverages. Fifty 4 x 6" fill-in recipe cards are included, and printable blank recipe card templates are available online. The hinged box measures 6-1/4 x 3-1/4 x 8".

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Sixteen lovely illustrations: Adam Naming the Beasts, Sleeping Apostles, Angel and Woman, adaptations of wallpaper and textile designs, and much more. colour and place near a source of bright light for stained glass effects.

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Presents the first extended collection of new William Morris essays in several decade The first collection of new Morris essays in several decades, gathered from manuscripts, newspapers and long out-of-print contemporary sources Follows Morris's development from a youthful art reformer and anti-imperialist through his years as a skilled political theorist and widely influential pan-socialist presence Adds to our understanding of Morris's views on competition, war, violence, social justice and the need to protect our natural environment William Morris's socialist essays remain uncannily relevant for our time, as he addresses issues of inequality, precarity, and the need for pleasure and creative fulfilment in work and life. This scholarly edition traces Morris's opinions from his early insistence that all must have access to art in its broadest sense, through his years as a leader and theorist of the nascent British socialist movement. Finally, as Morris became the elder statesman of the socialist/labour cause, these writings demonstrate his efforts to reconcile competing factions in the service of common aims.

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The life of William Morris (1834-1896) is revealed in significant new detail by his complete surviving correspondence, brought together here for the first time and including many previously unpublished letters. This collection not only bears witness to Morris's day-to-day activities and friendships, but also reflects his keen response to landscape and architecture, his sense of social responsibility, and his interest in the techniques of the applied arts. Volume I covers Morris's student days at Oxford and marriage to Jane Burden; the first twenty years of Morris and Co.; his success as a poet with the publication of The Earthly Paradise; his two trips to Iceland; the moves to Kelmscott Manor and Kelmscott House; and the start of his socialist career. Originally published in 1984. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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These volumes continue the only complete edition of the surviving correspondence of William Morris (1834- 1896), a protean figure who exerted a major influence as poet, craftsman, master printer, and designer. Covering the years 1881 through 1888, they treat the most dramatic period in another facet of Morris's career: his work as a political activist. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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'One of the very few necessary and inevitable utterances of the century.' William Morris, in the Preface. The Nature of Gothic started life as a chapter in Ruskin's masterwork, The Stones of Venice. Ruskin came to lament the 'Frankenstein monsters' of Victorian buildings with added Gothic which 'The Stones' inspired; but despite his misgivings the original moral purpose of his writing had not fallen on stony ground. The Nature of Gothic, the last chapter of the second volume, had marked his progression from art critic to social critic; in it he found the true seam of his thought, and it was quickly recognised for the revolutionary writing it was. As Morris himself put it, The Nature of Gothic 'pointed out a new road on which the world should travel'; and in its indictment of meaningless modern labour and its celebration of medieval architecture it could be called the foundation stone of Morris's aesthetic and purpose in life. 40 years after he first read it, Morris chose Ruskin's text for one of the first books to be published at his Kelmscott Press, using his own Golden type. It is one of the summits of his career, and one of the most beautiful books ever published. Few books can so completely sum up an era. The Kelmscott Nature of Gothic encapsulates the meeting of two remarkable minds and embodies their influence in word, image and design. But more than that, Ruskin's words are increasingly relevant for our times. In this facsimile edition, the first ever made of this rare book, the reader can fully appreciate their importance and their legacy, as understood by one of the most potent visual imaginations to have worked in Britain. In this enlarged edition, essays by leading scholars, Robert Hewison (who was one of Ruskin's successors as Slade Professor of Fine Art at Oxford University), Tony Pinkney (Senior Lecturer at Lancaster University) and Robert Brownell (lecturer, stained glass maker and author of Marriage of Inconvenience) explain the importance of this book for Ruskin, for Morris and for us today.

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Learn first numbers with William Morris' iconic designs in this beautifully illustrated board book. Starting with one tree and ending with ten butterflies, this is a stylish introduction to counting for very young children - the perfect gift for art and design-loving parents. Published in association with the V&A Museum, your purchase helps the V&A to enrich people's lives as the world's leading museum of art and design.

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Poet, pattern-designer, environmentalist and maker of fine books, William Morris (1834-96) was also a committed socialist and visionary writer, obsessively concerned with the struggle to achieve a perfect society on earth. News From Nowhere, one of the most significant English works on the theme of utopia, is the tale of William Guest, a Victorian who wakes one morning to find himself in the year 2102 and discovers a society that has changed beyond recognition into a pastoral paradise, in which all people live in blissful equality and contentment. A socialist masterpiece, News From Nowhere is a vision of a future free from capitalism, isolation and industrialisation. This volume also contains a wide selection of Morris's writings, lectures, journalism and letters, which expand upon the key themes of News From Nowhere.

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William Morris had a lifelong fascination with illuminated books. He collected thirteenth- and fourteenth-century manuscripts and became one of the foremost experts on the art of bookmaking and calligraphy. Aiming to resurrect a tradition that had fallen into abeyance with the invention of printing, he made eighteen illuminated books, using a variety of texts, during the course of his life. One of these, now held in the Bodleian Library, is a handmade edition of the Odes of Horace. The pages of this book, reproduced here in high-quality facsimile, are among the most intricate and ambitious that Morris ever created. Using a Renaissance italic style of calligraphy, he illuminated letters with delicate shades of gold and silver, and adorned them with floral decoration and miniature faces and figures. The openings to each of the four books of the Odes are stunning display pages on which Morris collaborated with the artists Edward Burne-Jones and Charles Fairfax Murray. The Roman poet Horace (65–8 BCE) wrote four books of lyric poetry in Latin which have subsequently been translated many times and have had an ongoing influence on Western literature. He combined descriptions of the everyday with the poetry of politics, patriotism, love and friendship, producing lines of beauty and wisdom which were very popular in Morris’s day and continue to appeal in the twenty-first century. This facsimile edition is presented in a blind embossed slipcase featuring a detail from one of Burne-Jones' paintings in the book with a companion volume containing an introduction to William Morris’s manuscript and an English translation of the Odes.

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