Search results for ""Author William L. Fox""

The most comprehensive account available of Michael Heizer's art by a writer and curator who has critical experience with the artist and his work. Michael Heizer is among the greatest, and often least accessible, American artists. As one of the last living figures who launched the Land Art movement, his legacy of works that are literally and metaphorically monumental has an incalculable influence on the world of sculpture and environmental art. But his seclusion in the remote Nevada desert, as well as his notorious obduracy, have resulted in significant gaps in our critical understanding. Michael Heizer: The Once and Future Monuments spans the breadth of Heizer's career, uniquely combining fieldwork, personal narrative, and biographical research to create the first major assessment in years of this titan of American art. Author William L. Fox, founding director of the Center for Art + Environment at the Nevada Museum of Art, has alternately been a sponsor, advocate, and critic of Heizer's work for decades. Fox's understanding of the artist's history and connection to landscape, his time spent with Heizer at the remote ranch where Heizer is finishing his magnum opus - the mile-long sculpture City - and his access to some of Heizer's key associates give him a unique position from which to discuss the artist's work. Fox has also made numerous site visits to Heizer's work - including early pieces in the Nevada desert now largely lost to the elements - to correct the often inconsistent accounts of their locations. Last, Fox imparts a crucial new understanding of Heizer's work by elaborating on the artist's bond with his father, the famed archaeologist and cultural ecologist Robert Heizer, who enlisted his son on important digs in Mexico and Peru, providing the young man with an appreciation of site, landscape, and geology that would thoroughly inform his work. Michael Heizer: The Once and Future Monuments is a long overdue addition to the critical and biographical literature of this major figure in American art.

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The first career-spanning catalog of the work of Gianfranco Gorgoni, whose iconic photographs established Land Art as one of the major art movements of the twentieth century. For five decades, photographer Gianfranco Gorgoni (1941-2019) built his reputation as the premier documentarian of Land Art in the US and beyond. After leaving Italy, Gorgoni started making portraits of the major artists of the New York scene, including Michael Heizer, Robert Smithson, Nancy Holt, Walter De Maria, Carl Andre, and Richard Serra. It was not long before he was traveling with Heizer, Smithson, and De Maria to the American West in the late 1960s to plot the works that would famously break art practice out of the confines of the gallery world. In Nevada, New Mexico, and Utah, these artists embarked on major Land Art installations that would redefine contemporary art practice of the era. In many cases, Gorgoni was the only photographer on the ground to document their projects, and his images often serve as the definitive photographic record of the planning and creation of these groundbreaking works. Published to coincide with the first major exhibition of Gorgoni's photographic Land Art images at the Nevada Museum of Art, featuring over fifty of his large-scale photographs, Gianfranco Gorgoni: Land Art Photographs includes an introduction by Ann M. Wolfe, Andrea and John C. Deane Family senior curator and deputy director at the Nevada Museum of Art, an essay by the late art historian and critic Germano Celant, whose contribution here is among the last he wrote before his death in 2020, and William L. Fox, the Peter E. Pool Director of the Center for Art + Environment. A landmark collection of photographs of legendary and lesser-known works by Michael Heizer, Walter De Maria, Christo and Jeanne-Claude, Richard Serra, Robert Smithson, Ugo Rondinone, and Charles Ross, Gianfranco Gorgoni: Land Art Photographs is a major new assessment of one of the world's great art movements.

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Late Harvest juxtaposes contemporary art made with taxidermy with historically significant wildlife paintin gs, resulting in intriguing parallels and startling aesthetic aesthetic contrasts. The publication seeks to simultaneously confirm — through historically - significant wildlife paintings — and subvert — through contemporary art and photography — viewers’ preconcepti ons of the place of animals in culture. The richly illustrated catalogue will feature artists as: Richard Ansdell, David Brooks, George Browne, Berlinde De Bruyckere, Petah Coyne, Raymond Ching, Kate Clark, Wim Delvoye, Mark Dion, Elmgreen & Dragset, Carle e Fernandez, Richard Friese, François Furet, Nicholas Galanin, George Bouverie Goddard, Damien Hirst, William Hollywood, Idiots (Afke Golsteijn and Floris Bakker), Alfred Kowalski, Robert Kuhn , Wilhelm Kuhnert, Bruno Liljefors, Polly Morgan, John Newsom, T im Noble and Sue Webster, Walter Robinson, George Rotig, Carl Rungius, Yinka Shonibare MBE, David Shrigley, Snæbjörnsdóttir/Wilson, Amy Stein, Archibald Thorburn, Mary Tsiongas, Joseph Wolf, Brigitte Zieger, Andrew Zuckerman The exhibition Late Harvest is organized by the Nevada Museum of Art in consultation with the National Museum of Wildlife Art. It is curated by JoAnne Northrup, Director of Contemporary Art Initiatives, together with consulting curator Adam Duncan Harris, Ph.D., Petersen Curator of Art & Research, National Museum of Wildlife Art.

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