Search results for ""Author William Kloefkorn""

The first volume in William Kloefkorn's four-part memoir which, when completed, will cover the four elements: water, fire, earth, and air. This Death by Drowning is a memoir with a difference—an artfully assembled collection of reminiscences, each having something to do with water. The book's epigraph, from Norman Maclean's A River Runs Through It, proclaims, "I am haunted by waters." So—and in most rewarding ways—is William Kloefkorn. The first chapter recalls the time when, at age six, the author "came within one gulp of drowning" in a Kansas cow-pasture pond, only to be saved by his father. A later chapter recounts Kloefkorn's younger brother's near death by drowning a few years later; still another envisions the cycle of drought and torrential rains on his grandparents' Kansas farm. There are fanciful memories of the Loup and other Nebraska rivers, interlaced with Mark Twain's renderings of the Mississippi and John Neihardt's poetic descriptions of the Missouri. And there are stories of more recent times—a winter spent in a cabin on the Platte River, and an often amusing Caribbean cruise that Kloefkorn took with his wife. Throughout, Kloefkorn takes his memories for a walk, following each recollection into unexpected, fruitful byways. Along the way he pauses at larger themes—of nature, death, family, and renewal—that gradually gather irresistible force and authority.

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Negotiating the no man’s land between ages nine and thirteen, this memoir of a small-town boy’s life in 1940s Kansas continues the story William Kloefkorn began in his much-loved volume This Death by Drowning. With characteristic humor and in prose as lyrical as his best poetry, Kloefkorn describes the unsentimental education he received at the hands of the denizens of Urie’s Barber Shop and the Rexall Drugstore and at the knees of the true characters who made up his family. From the “firefly” stunt that nearly burns down his home to the distant firestorms of World War II, fire holds an endless range of subtle and surprising lessons for the boy, whose impressions Kloefkorn conveys with the immediacy, naiveté, and poignancy of youth—and reconsiders with the wisdom and distance of age. By turns charming and resolute, funny and moving, Restoring the Burnt Child powerfully brings to life the lost, unforgettable world of a boy, and a poet, coming of age in midcentury middle America.

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A collection featuring the works of two renowned poet laureates, William Kloefkorn and David Lee, this volume offers an intelligent introspection to rural life. Truly western writers in love with the land, both poets bring their highly literate acumen to bear upon both the mundane and the magnificent. Reflective, irreverent, and funny, this compilation also plays with the idea of balance—past and future, lyric and narrative, life and death.

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This volume, the first to span the forty-year career of Nebraska state poet William Kloefkorn, brings together the best-known and most beloved poems by one of the most important Midwestern poets of the last half century. Collecting work from limited editions and hard-to-find books, along with Kloefkorn’s most anthologized poems, Swallowing the Soap is an indispensable one-volume compendium of the work of a major American poet. “These poems aim for nothing less than the impossible: to understand what it means to be alive and human on this moveable earth,” writes the editor, Ted Genoways. Swallowing the Soap is filled with the panoramic landscapes of Kansas and Nebraska, the stories of the rough and tender people who live there, and the moments of heartache, brutality, loss, and redeeming joy that shape their lives. It offers a vision, at once intimate and expansive, of the world of the Great Plains as seen by one of its most eloquent poets.

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