Search results for ""Author William Hauptman""

Jean-Auguste-Dominique Ingres (1780-1867), one of the most important followers of Jean-Louis David, was a pivotal figure in nineteenth-century painting and played a key role in the development of French art. After starting his career as a faithful admirer of the neoclassical style of David, Ingres turned into an extraordinarily eclectic artist, painting in a variety of styles reflecting diverse aesthetic positions during the course of a career lasting over fifty years. His inventive painting, which often flirted with linear abstraction, and the visual harmony he was able to give the most various subjects, often fell foul of the critics and the general public, as they deliberately ran counter to the fashion of the period. This monograph includes a detailed biography of the life he led in the artistic circles of Paris and Rome. It places his oeuvre within the context of the artistic movements of the nineteenth century, from his youth during Napoleon's rule right up until the Third Republic. The commentary follows the way his paintings managed to bridge the gap between the expectations of the public and his own aims as a painter. His drawings, portraits, and particularly his nudes are shown to be extraordinarily modern in their approach.

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Probably no artist was more prolific among 18th-century topographers than Grimm in recording the landscapes and historic buildings of Great Britain, and none played a more important role. Born near Bern in Switzerland, Samuel Hieronymus Grimm studied under various teachers before deciding to move to London in 1768, where he remained for the rest of his life. A talented watercolour artist, he earned an impressive reputation among his clients as a quick, accurate painter. The most important of his patrons was Sir Richard Kaye, who retained Grimm's services for nearly two decades and during this period accumulated over 2,600 drawings and watercolours. Grimm was a tireless traveller, ranging far and wide over Britain and creating works of various kinds, from simple landscapes to highly detailed and now invaluable scenes of daily rural life. While in London, Grimm also revealed an unexpectedly sharp, witty side to his talent, publishing a series of political caricatures and drawings satirising the society of the time and its fashions. Some of Grimm's most conspicuous commissions came from the Society of Antiquaries, which was keen to build a visual record of historical monuments at risk of being destroyed. In spite of the considerable success he enjoyed during his lifetime, his reputation quickly faded thereafter and the exhibition held in the Kunstmuseum in Bern in 2014 was the first show devoted entirely to his work. The accompanying monograph by Dr. William Hauptman restores Grimm to his rightful place in the history of British painting.

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