Search results for ""Author William Congreve""

‘One no more owes one’s beauty to a lover, than one’s wit to an echo.’ With the Restoration of the monarchy in 1660, the republican ban on organised theatre was lifted – and plays exploded back onto the public stage with newfound relish. The arrival of actresses for the first time encouraged a great sense of release, which expressed itself in the form of sophisticated comedies exploring the sexual behaviour and moralities of society. This volume features three of the most popular Restoration Comedies: The Country Wife by William Wycherley - a supremely bawdy comedy in which the aptly named Horner pretends to be a eunuch in order to seduce women under the noses of their husbands. The Way of the World by William Congreve - a brilliant comedy of manners, complete with dashing suitor, rich heiress and vengeful aunt. The Rover by Aphra Behn - the classic Restoration comedy by one of the earliest and most celebrated female playwrights. There is also a full introduction about the plays, playwrights and the period, and a glossary of unfamiliar words. The Drama Classic Collections bring together the most popular plays from a single author or a particular period. They offer students, actors and theatregoers a series of uncluttered, accessible editions, accompanied by comprehensive introductions.

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Hero longing for heiress. Obstacles in the way. Marriage eventually secured. It sounds simple. But the lasting appeal of this, one of the most performed and discussed of all Restoration plays, lies in Congreve’s sophisticated grasp of plot, back-story, characterization and language. Set in high-society London, his comic masterpiece features scenes of uproarious comedy, Machiavellian scheming and devastating wit. Its sparring between sexes is enchanting but shadowed by melancholy and the ethical uncertainty latent in the title. If this is the way of the world, are we supposed to cheer, despair, or shrug our shoulders? In this new edition of William Congreve’s The Way of the World, David Roberts peels back the layers of the plot to tell the story of the play’s stage and critical history from 1700 to the present day, bringing voices from universities and theatres into debate about this enigmatic landmark in English comedy. Supplemented by a plot summary and annotated bibliography, it is ideal for students of Congreve, comedy and early modern drama.

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"A woman who is not a fool can have but one reason for associating with a man that is," says Mirabell, the amorous hero of The Way of the World. His cleverness must overcome his own foolishness as he tries to extricate himself from one affair in order to pursue another. His new passion is inspired by Mrs. Millimant, who confides, “I love to give pain.”First performed in 1700, The Way of the World has since earned a reputation as a play for connoisseurs, a satire whose every word pricks or scratches. Its portrayal of the petty intrigues and duplicity of genteel society spares neither coquette nor rascal.

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After the restoration of King Charles II to the British throne in 1660, dramatists experienced new freedom in an age that broke from the strict morality of puritan rule and in which elegance and wit became the chief virtues. Irreverent, licentious and cynical, the three plays collected here hold up a mirror to this dazzling era and satirize the gulf between appearances and reality. In Etherege's The Man of Mode (1676), the womanizing Dorimant meets his match when he falls in love with the unpretentious Harriet, while Wycherley's The Country Wife (c. 1675) depicts the rakish Horner who fakes impotence to fool trusting husbands into giving him easy access to their wives. And in Congreve's Love for Love (1695), the extravagant Valentine can only win his beloved Angelica if he loses his inheritance.

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