Search results for ""Author Willa Cather""

The novels O Pioneers!, The Song of the Lark, and My Ántonia made Willa Cather's reputation and, though published separately, are nowstudied together as Willa Cather's Great Plains Trilogy. These three novels, set in Nebraska and Colorado, cemented Cather's reputation in the early 1920s as a writer who exalted the lives of ordinary people. Together, these novels portray the magnificent prairie landscape and the indomitable spirit of the men and women who inhabited, and adapted, to its harsh beauty: My Á?ntonia: The intertwined stories of Jim Burden, an orphan from Virginia, and the elder daughter in a family of Czech immigrants, Ántonia Shimerda, who are each brought to Nebraska as children. O Pioneers!: The Bergsons move from Sweden and struggle to carve out a living on their Nebraska homestead. The eldest daughter, Alexandra, inherits the farm when her father dies, and devotes her life to its success even as other immigrant families leave the prairie, defeated. The Song of the Lark:

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A portrait of an enduring friendship, from one of America’s most celebrated novelists.‘Quite simply a masterpiece’ Daily Telegraph Two priests are despatched from Rome to New Mexico to reinvigorate Catholicism among the locals, knowing little of the challenges that await them. Over almost four decades they encounter a rich variety of people, from rebellious Mexican priests to steadfast Native Americans uninterested in changing their longstanding customs. ‘Its whole effect works slowly and mysteriously ... a major, and rare, artistic achievement’ AS Byatt

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'Quite simply a masterpiece ... I am completely bowled over by it; by the power of its writing, by the vividness of its scene painting and by the stories it tells' A. N. Wilson'Where there is great love there are always miracles'Two French priests have been sent to New Mexico to reawaken the faith. There, they must contend with unforgiving landscapes, danger, rebellion and loneliness. But through their many years together they are sustained by faith, friendship and the awe-inspiring majesty that surrounds them. A work of great simplicity and sublime beauty, Willa Cather's acclaimed novel asks, what is a life well lived?Death Comes for the Archbishop is a masterpiece by the author of O Pioneers! and the great novelist of American frontier life.'Its whole effect works slowly and mysteriously ... a major, and rare, artistic achievement' A. S. Byatt

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Hailed by reviewers and readers for its originality, vitality, and truth, this novel secured Willa Cather a place in the first rank of American writers. Cather called My Ántonia “the best thing I’ve done.” For Oliver Wendell Holmes, My Ántonia had “unfailing charm, perhaps not to be defined; a beautiful tenderness, a vivifying imagination that transforms but does not distort or exaggerate.” H. L. Mencken declared it “one of the best [novels] any American has ever done.”Cather drew deeply on her childhood days in frontier Nebraska for this, her fourth novel, published in 1918. Old immigrant neighbors inspired many of the characters, particularly the heroine. Ántonia Shimerda is memorable as the warmhearted daughter of Bohemians who must adapt to a hard life on the desolate prairie. She survives and matures, a pioneer woman made radiant by spirit.W. T. Benda’s illustrations further illuminate the fiction of a writer who drew so extensively on actual experience.

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Willa Cather’s third novel, The Song of the Lark, depicts the growth of an artist, singer Thea Kronborg, a character inspired by the Swedish-born immigrant and renowned Wagnerian soprano Olive Fremstad. Thea’s early life, however, has much in common with Cather’s own. Set from 1885 to 1909, the novel traces Thea’s long journey from her fictional hometown of Moonstone, Colorado, to her source of inspiration in the Southwest, and to New York and the Metropolitan Opera House. As she makes her way in the world from an unlikely background, Thea distills all her experiences and relationships into the power and passion of her singing, despite the cost. The Song of the Lark presents Cather’s vision of a true artist.

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The first novel in the Great Plains trilogy, this is an ode to the American Midwest and the immigrants who transformed itTo the anger of her brothers, it is Alexandra who is entrusted to manage their family farm in the tough, hostile prairie of Hanover, Nebraska following the death of their father. As the years pass, Alexandra rises heroically to the challenge, finding strength in the savage beauty of the land even as loneliness and personal tragedies crowd in. A rapturous work of understated lyricism, Willa Cather's 1913 tale of a pioneer woman who tames the wild, hostile lands of the Nebraskan prairie is also the story of what it means to be American.

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'He drew a long sigh of rich content. The old life, with all its bitterness and useless antagonism and flimsy sophistries, its brief delights that were always tinged with fear and distrust and unfaith, that whole miserable, futile, swindled world of Bohemia seemed immeasurably distant and far away, like a dream that is over and done.' First published in 1896, The Burglar’s Christmas is a short story by the great American writer Willa Cather. Set in Chicago on a cold Christmas Eve, the down-and-out Crawford learns the value of forgiveness. (Part of Renard’s Christmas Card Classics series, 25% of the RRP of each book sold goes to Three Peas, a small refugee charity. This year, instead of a Christmas card, why not send a book?)

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'She is undoubtedly one of the twentieth century's greatest American writers' OBSERVER'Her finest novel . . . A masterpiece' IRISH TIMES'The vivacious Marian Forrester stands as a romantic paean to the pioneer's reckless abandon, counterpointed by the narrator's prim decency' THE TIMESMarian Forrester brings delight to her husband, an elderly railroad pioneer; to the small town of Sweet Water where they live; and to Niel Herbert, the young narrator of her story who falls in love with her as a boy and later becomes her confidant. He witnesses this vibrant woman in all her contradictory facets: by turns faithless and steadfast, dazzling and pathetic, invincibly charming yet dangerously vulnerable to the men she charms. All are bewitched by her charisma and grace - and all are ultimately betrayed.Willa Cather's most perfect novel is not only a portrait of a troubling beauty, but also a haunting evocation of a noble age slipping irrevocably into the past.

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In 1851 Father Jean Marie Latour comes to serve as the Apostolic Vicar to New Mexico. What he finds is a vast territory of red hills and tortuous arroyos, American by law but Mexican and Indian in custom and belief. In the almost forty years that follow, Latour spreads his faith in the only way he knows—gently, all the while contending with an unforgiving landscape, derelict and sometimes openly rebellious priests, and his own loneliness. Out of these events, Cather gives us an indelible vision of life unfolding in a place where time itself seems suspended.

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The final novel in the Great Plains trilogy, this is a celebration of the American midwest with Cather's strongest heroine at its heartJim and Ántonia meets as children in the wide open plains of Nebraska at the end of the nineteenth century. Jim leaves for college and a career in the east, while Ántonia stays at home, dedicating herself to her farm and family. As the years roll by, Jim will come to view Ántonia as the embodiment of the prairie itself - tough, spirited and enduring, despite the hardness and loneliness of pioneer life. Willa Cather's beautiful novel is a celebration of the Nebraskan prairie she loved she much, and a powerful depiction of a pivotal era in the making of America.

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The spirited daughter of Bohemian immigrants, Ántonia must adapt to a hard existence on the desolate prairies of the Midwest. Enduring childhood poverty, teenage seduction, and family tragedy, she eventually becomes a wife and mother on a Nebraska farm. A fictional record of how women helped forge the communities that formed a nation, My Ántonia is also a hauntingly eloquent celebration of the strength, courage, and spirit of America’s early pioneers.

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Set in rural Nebraska, Willa Cather’s My Ántonia is both the intricate story of a powerful friendship and a brilliant portrayal of the lives of rural pioneers in the late-nineteenth century. Part of the Macmillan Collector’s Library, a series of stunning, clothbound, pocket-sized classics with gold-foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition has an afterword by Bridget Bennett and original illustrations by W. T. Benda.Ántonia and her family are from Bohemia and they must endure real hardship and loss to establish a new home in America. But Ántonia is never broken by adversity, and her strength and love of life stays with her childhood friend Jim for years to come, even as he leaves home to study and pursue his career. Told through Jim’s eyes, My Ántonia is a rich and beautiful novel about childhood and growing up, different cultures and the lu

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Willa Cather's first Great Plains novel, is at once a love letter to Nebraska and the tale of a remarkable heroine who remains resilient in the face of tragedy. ‘She is undoubtedly one of the greatest American writers’ Observer Alexandra Bergson inherits the family farm when her father dies early. In spite of her brothers’ doubts, her ambitious vision for the land comes to fruition, but the price of success appears to be a small, quiet life. Then the equilibrium of country life is jeopardised by the return of Alexandra’s brother Emil and her childhood confidant, Carl Linstrum.

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The second novel in the Great Plains trilogy, this is a passionate portrait of the artist as a young womanThea Kronberg, a young girl from a small town in Colorado has a great gift - her beautiful singing voice. Her talent takes her to the great opera houses of Europe, and through ambition and hard work, she forges a life as an artist. But if she can never go home again, nor can she leave behind her past. At last, in a desert canyon in Arizona, Thea has a revelation that will allow her to attain a new state of spirituality and become a truly great artist.'Willa Cather makes a world which is burningly alive, sometimes lovely, often tragic' Helen Dunmore'The Song of the Lark illuminates all her work' A. S. Byatt'Lingers long in the memory' Joyce Carol Oates

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Willa Cather’s best-loved novel, and the final book in the Great Plains trilogy, is a beautiful portrayal of friendship, longing and growing up in frontier Nebraska. When young orphan Jim Burden is sent to live with his grandparents in Nebraska, he finds himself growing up alongside Bohemian immigrant Ántonia Shimerda. Their childhoods are full of shared adventures but as they grow their paths diverge, spurred on by the dire poverty of the Shimerda family. Yet Jim will never forget Ántonia, spellbound by her strength and remarkable free spirit. WITH A NEW INTRODUCTION BY TRAVEL WRITER SARA WHEELER

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For Willa Cather, "the world broke in two in 1922 or thereabouts." The whole legacy of Western civilization stood on the far side of World War I, and in the spiritually impoverished present she looked back to that. To that she directed readers of these essays, declaring that anyone under forty years old would not be interested in them. But she was wrong: since its first publication in 1936, Not Under Forty has appealed to readers of all ages who share Cather's concern for excellence, for what endures, in literature and in life.

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Willa Cather’s third novel, The Song of the Lark, depicts the growth of an artist, singer Thea Kronborg, a character inspired by the Swedish-born immigrant and renowned Wagnerian soprano Olive Fremstad. Thea’s early life, however, has much in common with Cather’s own. Set from 1885 to 1909, the novel traces Thea’s long journey from her fictional hometown of Moonstone, Colorado, to her source of inspiration in the Southwest, and to New York and the Metropolitan Opera House. As she makes her way in the world from an unlikely background, Thea distills all her experiences and relationships into the power and passion of her singing, despite the cost. The Song of the Lark presents Cather’s vision of a true artist.

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In 1920 Willa Cather collected eight of the stories she had written over the past twenty years into Youth and the Bright Medusa, stories of the perilous pursuit of the bright medusa of art in a hostile, materialistic world. These include some of her best tales: “Coming, Aphrodite!” focuses on a dedicated painter and his affair with a singer in pursuit of celebrity; “Paul’s Case” and “A Wagner Matinée” tell of a young man and an old woman with artistic longings crushed by their environments; “The Sculptor’s Funeral” and “The Diamond Mine” show the high costs of success.The historical essay and explanatory notes trace the composition of the stories and their roots in the people, events, and places Cather knew, from her family to world-famous sopranos, from Nebraska and Wyoming to New York and Pittsburgh, with new information on the sources for “Paul’s Case.” Historical photographs, including a hitherto unknown portrait of the prototype for Paul, show people and places as Cather knew them. The textual essay and apparatus explore the versions that appeared in her lifetime, from first magazine publication to the final collected edition of her works—and describe how the magazine version of “Coming, Aphrodite!” was censored by the editors, even to the title.

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`For the first time, perhaps, since that land emerged from the waters of geologic ages, a human face was set toward it with love and yearning. It seemed beautiful to her, rich and strong and glorious.' Willa Cather's second novel, O Pioneers! (1913) tells the story of Alexandra Bergson and her determination to save her immigrant family's Nebraska farm. Clear-headed and fiercely independent, Alexandra's passionate faith in the prairie makes her a wealthy landowner. By placing a strong, self-reliant woman at the centre of her tale, Cather gives the quintessentially American novel of the soil a radical cast. Yet, although influenced by the democratic utopianism of Walt Whitman and the serene regionalism of Sarah Orne Jewett, O Pioneers! is more than merely an elegy for the lost glories of America's pioneer past. In its rage for order and efficiency, the novel testifies to the cultural politics of the Progressive Era, the period of massive social and economic transformations that helped to modernize the United States in the years between the Civil War and World War. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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'As I looked about me I felt that the grass was the country, as the water is the sea. The red of the grass made all the great prairie the colour of wine-stains...And there was so much motion in it; the whole country seemed, somehow, to be running.' My Antonia (1918) depicts the pioneering period of European settlement on the tall-grass prairie of the American midwest, with its beautiful yet terrifying landscape, rich ethnic mix of immigrants and native-born Americans, and communities who share life's joys and sorrows. Jim Burden recounts his memories of Antonia Shimerda, whose family settle in Nebraska from Bohemia. Together they share childhoods spent in a new world. Jim leaves the prairie for college and a career in the east, while Antonia devotes herself to her large family and productive farm. Her story is that of the land itself, a moving portrait of endurance and strength. Described on publication as 'one of the best [novels] that any American has ever done', My Antonia paradoxically took Cather out of the rank of provincial novelists as the same time that it celebrated the provinces, and mythologized a period of American history that had to be lost before its value could be understood. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Although the land on which the Nebraska farm boy Claude Wheeler lives is settled, he himself has inherited the pioneer spirit of adventure, the frontiersman's purpose, and the settler's sense of idealism. In One of Ours, Willa Cather explores the dissonance between Claude’s attitudes and his physical reality and studies how this conflict affects him. Drawing on her own family’s experience of the war through her cousin G. P. Cather, who fought in World War I, Cather observes how an otherwise misdirected young man could find purpose and meaning in war and how his death would affect his family’s memories of him. Winner of the Pulitzer Prize in 1922, One of Ours paints Claude as a young man who seeks an escape from a conventional and unfulfilling life through the realization of “something splendid” in his military experience in Europe. This Willa Cather Scholarly Edition puts One of Ours in a new and revealing context. The novel is edited according to standards set by the Committee for Scholarly Editions of the Modern Language Association and presents the full range of biographical, historical, and textual information on the novel.

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An infamous clause in Willa Cather's will, forbidding publication of her letters and other papers, has long caused consternation among Cather scholars. For Cather, a complex and private person who seldom made revelatory public pronouncements, personal letters provide-or would provide-an especially valuable key to understanding. But because of the terms of her will, that key is not readily available. Cather's letters will not come into public domain until the year 2017. Until then, even quotation, let alone publication in full, is prohibited. Janis P. Stout has gathered over eighteen hundred of Cather's letters--all the letters currently known to be available--and provides a brief summary of each, as well as a biographical directory identifying correspondents and a multisection index of the widely scattered letters organized by location, by correspondent, and by names and titles mentioned. This book will be an essential resource for Cather scholars.

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Shadows on the Rock, written after Willa Cather discovered Quebec City during an unplanned stay in 1928, is the second of her "Catholic" historical novels and reflects her fascination with finding a little piece of France in eastern Canada. Set in the late seventeenth century, the novel centers on the activities of the widowed apothecary Euclide Auclair and his young daughter, Cecile. To Auclair's house and shop come trappers, missionaries, craftsmen, the indigent—those seeking cures, a taste of France, or liberation from the corruptions caused there by the excesses of the French court. Set against these fictional characters, historical personages such as Bishop Laval, Count Frontenac, and others contend in the political life of the vast colony. This edition, which is approved by the Modern Language Association, will be of special importance to Cather scholars. Not only is Cather's mining of historical sources explored in extensive explanatory notes, but a recently discovered reworked draft of the novel has been incorporated into the textual analysis. There is also a generous illustration section with maps of the setting.

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This Norton Critical Edition brings to life—through Cather's words, and through the words and images of others—the uniquely American frontier experience. In inscribing a copy of O Pioneers! for a childhood friend, Cather wrote, "In this one I hit the home pasture…" "Contexts and Backgrounds" includes a rich selection of autobiographical and biographical remembrances (including three interviews with Cather), literary contexts (by Cather and her contemporaries, Henry James and Sarah Orne Jewett), and writings on the American West (including selected letters that paint a picture of one family's life on the Nebraska prairie). "Criticism" provides seven contemporary reviews and eight modern critical interpretations by David Stouck, John J. Murphy, C. Susan Wiesenthal, Marilee Lindemann, Melissa Ryan, Guy Reynolds, and Sharon O'Brien.

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At the turn of the twentieth century. When their father dies young, exhausted by the failure of his attempts at agriculture, it is left to the visionary Alexandra to guide the family to prosperity and safeguard the fortune of her brothers. Strong-willed and fiercely independent, she succeeds against all odds, but only at the cost of her own fulfilment as a woman. Central to the novel's action is the Nebraskan landscape it describes, by turns unyielding and fruitful, bitter and ecstatic.O Pioneers! joins Cather's My Antonia in Everyman's Library.

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