Search results for ""Author Wayne Holloway""

The year 2036; in a broken down and dysfunctional post-Federal America, Ex-Marine Frank Dubois journeys from LA to Detroit on a mission to find redemption from his past actions in the 20 year Syrian war. In present day Hollywood, a British film director hustles to get his movie made in a cut throat and sycophantic business. Somehow, these two worlds collide. Bindlestiff begins with a simple image of a man mending the hole in his shoe with some glue and a cut off piece of rubber. And from there explodes into a broiling satire on race, identity, family, friendship, war, peace, sex, drugs but precious little rock and roll. Part screenplay, part novel, Bindlestiff is about the power of storytelling and how we use narratives to make sense of the world. "If it's broke, fix it."

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Paul, ex-tube driver and drinking partner of legendary Union leader Bob Crowe turns up at Essex University in the early 1980s haunted by the death of his colleague on the tracks. Thrown into the radical mix of Student Union life and the academic intoxication of post-modern theory taught by the likes of Ernesto Laclau, Jaques Derrida and a very young Slavoj Zizek, Paul befriends the novel’s unnamed narrator. What follows is a riotous attempt to put the 20th Century to bed, as seen through the eyes of the foot soldiers of British history. From Miners strikes to IRA collection buckets, ANC demonstrations and some very dodgy handling of Soviet money, Our Struggle climaxes with a devastating denouement in modern day Kurdistan. Holloway’s epic tale asks the big questions, does what we think, what we say and what we do ever match up or are we destined to fall short of the ideals we think we cherish?

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In Lobsters, Wayne Holloway-Smith turns his innovative poetics towards an exhilarating new work that is part songbook, part elastic melodrama. Here his unique voice undoes and remakes a self, moving into and out of tender proximity to other humans and objects of desire. Somewhere, in between the expansive and claustrophobic, the reader is offered a new space, crammed full with the music of what life gives and withholds.

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Wayne Holloway-Smith's second collection Love Minus Love is an internal universe, fragmented and glued back together with uncanny logic. A strange layering of time, in which multiple things happen at once, in a looping track of intrusive thoughts – shot through with dead cows, pop songs, dead dads, the white noise of televisions – rotten teeth are raining everywhere. Somewhere at the core of all this, the seemingly fixed boundaries of masculinity, family, trauma and mental health are blurred towards a new type of vinegary identity, in a pitch of emotional intensity that punches you right in the gut. Wayne Holloway-Smith's debut collection Alarum was shortlisted for the Seamus Heaney Centre for Poetry Prize and the Roehampton Poetry Prize as well as being a Poetry Book Society Wild Card Choice. His poem 'the posh mums are dancing in the square' – included in Love Minus Love – won first prize in the Poetry Society's 2018 National Poetry Competition. Love Minus Love is shortlisted for the 2020 T.S. Eliot Prize and is also a Poetry Book Society Wild Card Choice.

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In Lasagne, acclaimed poet Wayne Holloway-Smith moves between internal and external landscapes with pace, panache and vulnerability. This short collection of poems is a defibrillator resurrecting a small part of the universe at each new twist: a silent scream rearranging the flowers in a window, the miracle of a near-dead cow sprung back to life and feeding orphans, tears coming at the speed of cars. When these poems hit, you hardly see it coming.

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The mischievous and often dark world of Wayne Holloway-Smith's first collection Alarum exists in the space between the peculiar thought and its dismissal. It is a place in which commonsense is unfixed, where the imagination disrupts notions of stability. 'A single crow falling from the mind' of the poet is something awkward left at our feet, and the 'air itself' is the voice of skewered unease. The complexities of life are jolted awake throughout this fearlessly inventive debut, as loss arrives played by Joseph Gordon-Levitt in a movie, the risk of romance is understood as the filling in a sandwich, and anxieties are found hunkered in bushes, blooming behind the wallpaper, and in the bursting of balloons.

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In late 2012, Wayne Holloway-Smith decided to bring his favourite poets and artists into the public eye by offering them a new kind of stage: his living room.Wayne had moved into a new flat in a King’s Cross backstreet. It was secreted yet spacious. Little did he know at that stage how many friends and random members of the public – not to mention journalists and photographers – would descend on the place, sparking salacious rumours and ensuring these ‘salons’ a place in London’s literary folklore. Advertising the events with a hand-drawn map inviting people to ‘follow the trail of moths’, which lined the street from tube station to venue, and filling his kitchen with fine foods, Wayne gave his home over to performances from leading British poets, accompanied by savvy micro-lectures, music and art installations, spanning three nights from December to March. This book contains, in print form, a selection of the work read on those nights, as well as a complete story by writer Imogen Robertson. Unfortunately, we were unable to reproduce the banjo interludes.

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