Search results for ""Author Wayne G. Hammond""

A lavishly-illustrated study of Tolkien’s paintings and drawings, set in the context of his writings. J.R.R. Tolkien (1892-1973), renowned author of The Hobbit, The Lord of the Rings and The Silmarillion was an artist in pictures as well as in words. In fact, for him the two were closely linked, and in his paintings and drawings he displayed remarkable powers of invention that equalled his gift for words. His books have been read by many thousands; most of his art, however, has only been seen by a few. This book explores Tolkien’s art at length, from his childhood paintings and drawings to his final sketches. At its heart are his illustrations for his books, especially his tales of Middle-earth. Also examined are the pictures Tolkien made for his children (notably in his ‘Father Christmas’ letters and for the story Mr. Bliss), his expressive calligraphy, his love of decoration, and his contributions to the typography and design of his books. J.R.R. Tolkien, Artist and Illustrator contains 200 reproductions, over half of which are in colour and many published for the first time.

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A unique companion to The Lord of the Rings which relates the textual history of the Nation’s Favourite Read; with a previously unpublished Guide to the Names in The Lord of the Rings, written by Tolkien himself. In The Lord of the Rings: A Reader's Companion internationally acclaimed scholars Wayne G. Hammond and Christina Scull examine Tolkien's masterpiece chapter by chapter, offering expert insights into its evolution, structure, and meaning. They discuss important influences on its development, connections between that work and other writings by Tolkien, errors and inconsistencies, significant changes to the text, and archaic and unusual words used by Tolkien. Thousands of notes, keyed to standard editions of The Lord of the Rings but universally accessible, reveal the richness and complexity of one of the most popular works of fiction in our time. Extensive reference is made also to writings by Tolkien not previously or widely published, including elaborate time-schemes, an unfinished manuscript index to The Lord of the Rings, and most notably, the important Nomenclature or guide to names in The Lord of the Rings prepared for the use of translators, long out of print and now newly transcribed and printed in its entirety. With these resources at hand, even the most seasoned reader of The Lord of the Rings will come to a greater enjoyment and appreciation of Tolkien's magnificent achievement. Published originally in 2005, the Reader’s Companion won the annual Mythopoeic Scholarship Award in Inkling Studies. It has now been revised and updated to mark the 60th anniversary of The Lord of the Rings.

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A sumptuous full colour art book containing the complete collection of more than 100 sketches, drawings, paintings and maps created by J.R.R. Tolkien for The Hobbit. When J.R.R. Tolkien wrote The Hobbit, he was already an accomplished amateur artist, and drew illustrations for his book while it was still in manuscript. The Hobbit as first printed had ten black and white pictures, two maps, and binding and dust-jacket designs by its author. Later, Tolkien also painted five scenes for colour plates which are some of his best work. His illustrations for The Hobbit add an extra dimension to that remarkable book, and have long influenced how readers imagine Bilbo Baggins and his world. The Art of The Hobbit by J.R.R. Tolkien is the complete collection of the artwork created by the author for his story. Including related pictures, more than one hundred sketches, drawings, paintings, maps, and plans are presented here, preliminary and alternate versions and experimental designs as well as finished art. Using fresh digital scans from the Bodleian Libraries in Oxford and Marquette University in Wisconsin, Tolkien’s Hobbit pictures can be seen more vividly than ever before. Wayne G. Hammond and Christina Scull, two of the world’s leading Tolkien scholars, have edited the book and provide an expert introduction and comments. Readers who have enjoyed The Art of The Lord of the Rings by J.R.R. Tolkien will find much of interest also in The Art of The Hobbit.

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J.R.R. Tolkien’s fantasy story about the adventures of a bewitched toy dog, written before The Hobbit. While on holiday in 1925, four-year-old Michael Tolkien lost his beloved toy dog on the beach at Filey in Yorkshire. To console him, his father, J.R.R.Tolkien, improvised a story about Rover, a real dog who is magically transformed into a toy and is forced to seek out the wizard who wronged him in order to be returned to normal. This charming tale, peopled by a sand-sorcerer and a terrible dragon, by the king of the sea and the Man-in-the-Moon, was Tolkien’s first full-length children’s book, written before The Hobbit. Now, nearly 90 years later, the adventures of Rover – or, for reasons that become clear in the story, ‘Roverandom’ – are published in this delightful pocket hardback edition. Rich in wit and wordplay, Roverandom is edited and introduced by Tolkien experts Christina Scull and Wayne G. Hammond, and includes Tolkien’s own delightful illustrations.

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A sumptuous full-colour art book containing the complete collection of almost 200 sketches, drawings, paintings and maps created by J.R.R. Tolkien for The Lord of the Rings. As he wrote The Lord of the Rings, J.R.R. Tolkien’s mental pictures often found expression in drawing, from rough sketches made within the manuscript to more finished illustrations. Only a few of these were meant for publication; most were aids to help Tolkien conceive his complex story and keep it consistent. Many do not illustrate the final text, but represent moments of creation, illuminating Tolkien’s process of writing and design. In addition to pictorial sketches, numerous maps follow the development of the Shire and the larger landscape of Middle-earth, while inscriptions in runes and Elvish script, and ‘facsimile’ leaves from the burned and blood-stained Book of Mazarbul, support Tolkien’s pose as an ‘editor’ or ‘translator’ of ancient records. The Art of The Lord of the Rings by J.R.R. Tolkien collects these drawings, inscriptions, maps, and plans in one volume. More than 180 images are included, all of them printed in colour from high-quality scans and photographs. Wayne G. Hammond and Christina Scull, two of the world’s leading Tolkien scholars, have edited the book and provide an expert introduction and comments. Readers who have enjoyed The Art of The Hobbit by J.R.R. Tolkien, with which the book is uniform, will find much of interest also in The Art of The Lord of the Rings.

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This revised and expanded edition of Tolkien’s own Hobbit-inspired poetry includes previously unpublished poems and notes, and is beautifully illustrated by Narnia artist Pauline Baynes. ‘Here is something that no devotee of the Hobbit epic can afford to miss, while awaiting a further instalment of the history of these fascinating people – a selection [of verses] offered as an ‘interim report’ to those interested in Hobbit-lore, and to any others who may find amusement in this mixed bag of old confections.’ One of the most intriguing characters in The Lord of the Rings, the amusing and enigmatic Tom Bombadil, also appears in verses said to have been written by Hobbits and preserved in the ‘Red Book’ with stories of Bilbo and Frodo Baggins and their friends. The Adventures of Tom Bombadil collects these and other poems, mainly concerned with legends and jests of the Shire at the end of the Third Age. This special edition has been expanded to include earlier versions of some of Tolkien’s poems, a fragment of a prose story with Tom Bombadil, and comprehensive notes by acclaimed Tolkien scholars Christina Scull and Wayne G. Hammond.

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