Search results for ""Author Walt Whitman""

Nueva edición.Un libro absoluto, lleno de imágenes verbales y visuales y donde podemos escuchar el simple crecimiento de las hierbas.

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Produced in a numbered limited edition of 350, this is a full-sized facsimile of Wharton Esherick's prototype of Walt Whitman's Song of the Broad-Axe. Each page is as produced by the artist, with hand lettering and illumination. Esherick illustrated the work with eighteen woodblock images that represent the artist's vision and skill. Available for the first time to the public, this book is work of art, interpreting the power of Whitman''s words in Esherick''s unique and beautiful style. Each book is accompanied by a separate 8 x 11 restrike of his original woodcut Welcome are all the earth''s lands, suitable for framing. Also included is an illustrated essay by Paul Eisenhauer, Curator of the Wharton Esherick Museum in Paoli, Pennsylvania, which gives a brief biography of Esherick and the historical background the book. All is contained in a custom cloth case to ensure its longevity as a treasured keepsake.

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First published by Walt Whitman, in 1855, Leaves of Grass is the landmark poetry collection that introduced the world to a new and uniquely American form. Alive with the mythical strength and vitality that epitomized the American experience in the nineteenth century, and published here with rarely collected illustrative woodcuts by Rockwell Kent, Leaves of Grass continues to inspire, uplift, and unite those who read it. Failing to fetch me at first keep encouraged,Missing me one place search another,I stop some where waiting for you. —“Song of Myself”

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TO YOU, IDLER. UP!Though your limbs may be corpulent and weary from your sedentary repose, your head a-thunder from an evening of indulgence, your spirit weary from the wretched nine-to-five – fret not, dear man, for within these pages are strategies to replenish and rejuvenate your manly health and well-being.Heed not those who would have you join a house of muscled exertion and toss your technological flim-flam into the long grass. Attend instead to the most gentlemanly of guides, esteemed man of letters Walt Whitman, who will advise on the most vital qualities of health and training for fellows of all ages and inclinations.Undiscovered and unutilized for more than 150 years, here are the choice extracts from Mr Whitman’s manifesto, which will provide you with a complete and exact science of manly virtue and vigour.

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Testigo de los muchos cambios socioeconómicos y políticos que continuaban erosionando los principios republicanos, y de los innumerables intentos por recomponer el imaginario colectivo democrático norteamericano a través de nuevas formas de intervención públicas, Whitman, fervoroso creyente en las posibilidades que encerraba la prensa como herramienta ideológica al servicio de la mejora social, elabora en estas narraciones una voz profundamente enraizada en las retóricas populares y sensacionalistas de preguerra, con el fin de restañar las heridas abiertas en la utópica comunidad republicana imaginada por los padres fundadores.La producción de relatos de Walt Whitman se concentra entre agosto de 1841 y junio de 1848, y se compone de veinticuatro textos, que aparecieron en muchas ocasiones con pseudónimo o sin firmar. Él mismo haría una selección que aparecería en " Specimen Days & Collect " (1882). Su ficción criticará los males derivados de la acumulación de capital, del poder y l

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Este curioso libro es la adaptación de una serie de artículos periodísticos de 1858 que el poeta escribió con el seudónimo de Mose Velsor. Las columnas ?tituladas La salud y el entrenamiento masculinos, con pistas informales sobre su condición? se publicaron en el relativamente desconocido periódico The New York Atlas y durante más de ciento cincuenta años se ignoró que fueron escritas por Whitman. La serie de 47.000 palabras se publicó después de que las dos primeras ediciones de su famoso Hojas de hierba salieran a la luz sin pena ni gloria, y antes de que se publicara la mítica edición de 1860.

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Pocos poetas poseen una voz tan personal, poderosa e influyente como Walt Whitman. Así lo afirma Juan Marqués en su presentación: el poeta de WestHills consiguió, sencillamente, decirlo todo. Whitman inauguró un mundo, afirmó o insinuó en él todo lo que deseaba o necesitaba afirmar o insinuar delnuestro y después lo clausuró, obteniendo y brindándonos un producto perfecto, macizo, sin grietas. Lo que cantaba de sí mismo lo cantó de todos nosotros,lo que dijo de América lo extendía a todos los rincones del universo.Hemos seleccionado para esta antología veintiséis poemas del célebre Canto de mí mismo, con una nueva traducción de Antonio Rivero Taravillo y unimpresionante trabajo gráfico de Kike de la Rubia.Ese Walt Whitman del que le hablé es lo que más me interesa actualmente. Acabo de leer su segundo libro y me ha sentado mejor que ningún otro libro en mucho tiempo.Henry David Thoreau

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The major male poet of nineteenth-century America (his female counterpart is Emily Dickinson), Whitman is the poet of grand passions great open spaces, lofty mourning and male love. Written in free metres, his verse ranges across every kind of subject in a characteristically exalted mood. This volume includes a wide selection from every period of Whitman's creative career, including many poems from the celebrated LEAVES OF GRASS.

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First published in 1855 and extended by the author over the course of more than three decades, Leaves of Grass embodies Walt Whitman’s lifetime ambition to create a new voice that could capture the spirit and vibrancy of the young American nation, while celebrating at the same time “Nature without check with original energy”. Famously written in free verse and brimming with sensuous imagery and an unbridled love of nature and life in all its forms, and containing celebrated poems such as the ebullient ‘Song of Myself’ – described by Jay Parini as the greatest American poem ever written – and the elegiac ‘When Lilacs Last in the Dooryard Bloom’d’, Leaves of Grass is not only the finest achievement of a highly unique poet, but a founding text for American literature and modern poetry. Considered one of the most influential poets in American literature and a pioneer of free verse, Walt Whitman (1819–92) was also a prolific writer of essays and articles. Controversial in its time, his sprawling collection Leaves of Grass is regarded as his magnum opus.

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''I spring from the pages into your arms''Walt Whitman''s Leaves of Grass stands as one of the most influential and innovative literary works of the last two hundred years. Widely credited as the originator of free verse in English, Whitman abandoned the rules of traditional poetry--breaking the standard metred line, discarding the obligatory rhyming scheme, and using the emerging American vernacular with the formal precedents of the past while adopting the vernacular rhythms of his emergent American democracy. Most currently available texts reproduce the poetry from the Deathbed edition of Leaves, first published in 1892. Often obscured by the near-ubiquitous reprinting of this final edition, however, is the elaborate fluidity and daring of the various previous editions of Leaves. After the book''s initial publication in June 1855, Whitman revised and expanded the project a further seven times, with subsequent editions appearing in 1856, 1860, 1867, 1870-71, 1876, 1881-82, and at inte

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A collectible new Penguin Classics series: stunning, clothbound editions of ten favourite poets, which present each poet's most famous book of verse as it was originally published. Designed by the acclaimed Coralie Bickford-Smith and beautifully set, these slim, A format volumes are the ultimate gift for poetry lovers. In 1855 Walt Whitman published his first collection of poetry, Leaves of Grass. The volume received great praise from leading Transcendentalist poet Ralph Waldo Emerson. This encouraged what would become a lifelong project as Whitman expanded and rewrote the volume until his death in 1892. Whitman's innovative use of free verse and the quotidian achieved his aim of reaching out to the everyday American. This edition, based on the earliest published version of 1855, features Whitman's most famous poem 'Song of Myself', an American epic inspired by his personal experiences.

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From the highly controversial Leaves of Grass, with its overt sexual imagery and delight of sensual pleasures, to the iconic Captain, oh my captain immortalised in the film Dead Poets Society, this short collection is the ideal introduction to the poetry of Walt Whitman.One of the greats, he was celebrated both during his lifetime and ever since - he is widely considered to be the father of free verse. During the American Civil War he worked in hospitals caring for the wounded, and his own funeral in 1892 was a public event.In the words of the modernist poet Ezra Pound, Walt Whitman was 'America's poet . . . he is America'.

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Do I contradict myself?Very well then I contradict myself.(I am large, I contain multitudes.)Abundant, ecstatic, generous, courageous - this is the first American epic poem, a celebration of selfhood and a catalogue of nineteenth-century American life of all ages and races. Revolutionary in style and controversial in content when it was first published in 1855, Whitman's masterwork has since inspired generations with its intoxicating rhythms and images, and its inclusive, praiseful joy.THE ORIGINAL 1855 TEXT

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The young journalist and reformer Horace Traubel visited Whitman nearly every day at his home in Camden, New Jersey. Whitman liked to talk, especially about the big issues, spiritual, political - all he'd learned over seven decades of peace and war. To mark the bicentenary of Walt Whitman's death, Carcanet presents Brenda Wineapple's distillation from these conversations with the great American poet. Whitman speaks from the heart, an old man who changed the course of American poetry and, by extension, the poetries of Europe, Asia, Latin America. Here, too, is the poet's worldly side - recalling the opprobrium heaped on Leaves of Grass for its poetic risks and sexual frankness; memories of Thoreau, Emerson and Lincoln; his judgments of Shakespeare, Goethe and Tolstoy; and his sense of the Nation.

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With an Introduction and Bibliography by Stephen Matterson, Trinity College, Dublin. Walt Whitman's verse gave the poetry of America a distinctive national voice. It reflects the unique vitality of the new nation, the vastness of the land and the emergence of a sometimes troubled consciousness, communicated in language and idiom regarded by many at the time as shocking. Whitman's poems are organic and free flowing, fit into no previously defined genre and skilfully combine autobiographical, sociological and religious themes with lyrical sensuality. His verse is a fitting celebration of a new breed of American and includes 'Song of Myself', 'Crossing Brooklyn Ferry', the celebratory 'Passage to India', and his fine elegy for the assassinated President Lincoln, 'When Lilacs Last in the Dooryard Bloom'd'.

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General Series Editors: Gay Wilson Allen and Sculley Bradley Originally published between 1961 and 1984, and now available in paperback for the first time, the critically acclaimed Collected Writings of Walt Whitman captures every facet of one of America’s most important poets. Notebooks and Unpublished Prose Manuscripts gathers Whitman’s autobiographical notes, his views on contemporary politics, and the writings he made as he educated himself in ancient history, religion and mythology, health (including phrenology), and word-study. Included is material on his Civil War experiences, his love of Abraham Lincoln, his descriptions of various trips to the West and South and of the cities in which he resided, his generally pessimistic view of America’s prospects in the Reconstruction and the Gilded Age, and his reminiscences during his final years and his preoccupation with the increasing ailments that came with old age. Many of these notes served as sources for his poetry—first drafts of some of the poems are included as they appear in the notes—and as the basis for his lectures.

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General Series Editors: Gay Wilson Allen and Sculley Bradley Originally published between 1961 and 1984, and now available in paperback for the first time, the critically acclaimed Collected Writings of Walt Whitman captures every facet of one of America's most important poets. In discussing letter-writing, Whitman made his own views clear. Simplicity and naturalness were his guidelines. “I like my letters to be personal—very personal—and then stop.” This collection of nearly 3,000 letters written over a half century reveals Whitman the man as no other documents can. Volume I includes the poet’s correspondence from Washington, DC, during the Civil War, where he nursed wounded and dying soldiers. Volume II presents the poet during the years he was developing an international reputation. As they came to understand one of the most important American voices of the century, European writers such as Edward Dowden and John Addington Symonds began to correspond with Whitman. Volume III covers the years in which Whitman radiated a personal and artistic magnetism, despite the paralysis that struck him in 1873. This period was full of important events, including the attempted censoring of Leaves of Grass, Whitman’s renewed friendship with William D. O’Connor, and the arrival in America of Whitman’s unrequited lover, Anne Gilchrist. Volumes IV and V cover the last seven years of Whitman’s life, giving an almost day-by-day account of his long struggle with various ailments, his stoical acceptance of constant pain, but also his continuing energy. Volume VI offers updates, corrections, and an index to the preceding volumes in the set.

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“Whatever satisfies the soul is truth.” — Walt Whitman, Leaves of Grass Leaves of Grass is a timeless collection of poems and essays penned by influential nineteenth-century writer Walt Whitman. This profound compilation explores topics such as nature, mysticism, mortality, transcendentalism, and democracy. Inspired by personal experiences and observations, Whitman spent almost four decades piecing together the complete work, sharing societal ideals and epiphanies about life that still resonate with readers today.

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HarperCollins is proud to present its incredible range of best-loved, essential classics. I believe a leaf of grass is no less than the journey work of the stars… First published in 1855, and edited, revised and expanded over thirty years, ‘Leaves of Grass’ has become one of the most celebrated poetry collections in the history of American literature. A master of free verse, Walt Whitman captures the true spirit of his homeland and its people through his poetry. He explores a wide range of themes, encompassing American identity and cultural values, democracy, nature and the mysteries of the human spirit. Featuring the poems of the original 1855 edition, ‘Leaves of Grass’ remains an influential work within the American literary tradition, studied and treasured around the world.

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In 1855, a small volume appeared, self-published by a failed Brooklyn journalist and carpenter: twelve untitled poems and a preface announcing the author's aims. A commercial failure, this book was the first stage of a massive, lifelong enterprise. Six editions and thirty-seven years later, Leaves of Grass had been recognized as one of the central masterworks of world poetry. This Library of America Paperback Classic includes two complete texts: the 1855 first edition and the magnificent culminating edition of 1891-1892. For almost thirty years, The Library of America has presented America's best and most significant writing in acclaimed hardcover editions. Now, a new series, Library of America Paperback Classics, offers attractive and affordable books that bring The Library of America's authoritative texts within easy reach of every reader. Each book features an introductory essay by one of a leading writer, as well as a detailed chronology of the author's life and career, an essay on the choice and history of the text, and notes. The contents of this Paperback Classic are drawn from Walt Whitman: Poetry and Prose, edited by Justin Kaplan, volume #3 in the Library of America series.

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