Search results for ""Author Victoria Ellen Smith""

Annotated, scholarly edition of the original landmark anthology, Voices of Ghana, containing poetry, plays, stories and essays first broadcast on radio in the years leading up to Ghana's independence. Ghana's first radio programme of original literature, The Singing Net, began in 1955 as part of the development of a national radio station in the years leading to independence in 1957. Its central aim was to bring Ghanaianwriters to the forefront of cultural programming as part of the Africanisation of radio in Ghana. It was a critical cultural expression of the radical changes that were unfolding across the colonial world. The programme successfully introduced listeners to a series of pioneering Ghanaian authors who would go on to become significant figures of Anglophone West African literature in the early postcolonial decades: Efua Sutherland, Frank Parkes, Amu Djoleto,Geormbeeyi Adali-Mortty, Albert Kayper-Mensah, Kwesi Brew, Cameron Duodu, J.H. Nketia and many others. The anthology, Voices of Ghana (1958) is a collection of the poetry, short stories, play scripts and critical discussions that were aired on the Gold Coast Broadcasting Service (later the Ghana Broadcasting System) (1954-1958). Both The Singing Net and Voices of Ghana were edited by the BBC producer, Henry Swanzy. The context of Ghana's independence, the singularity of the anthology's history, and the significance of many of the writers all contribute to the importance of this text. This second edition is a timely intervention into recent debateswithin postcolonial studies and world literature on the importance of broadcast culture in the dissemination of "new literatures" from the colonial world. It includes an unabridged version of the 1958 text, a new introduction andfootnoted annotations, which draw on extensive research undertaken in Ghana and Britain. It will appeal to a general readership with an interest in Ghanaian literature, 1950s broadcast culture, the figure of Dr Kwame Nkrumah and the making of a national literature in the era of decolonisation, as well as engaging scholars. The new edition presents a deeply insightful and engaging history of Voices of Ghana and reintroduces the original works on theoccasion of the anthology's 60th anniversary. Victoria Ellen Smith is a Lecturer in the Department of History, University of Ghana, Legon Ghana & Nigeria: Sub-Saharan Publishers

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Henry Swanzy (1915-2004) has an unrivalled position as the midwife of Caribbean writing in the post 1950s period. As the editor of the BBC Caribbean Voices programme (initiated by Una Marson) between 1946 and 1956, he was there as the careers of George Lamming, Edgar Mittelholzer, Jan Carew, V.S. Naipaul, Sam Selvon and many others took off in London. As a programme aimed in the first place at a Caribbean listenership, Swanzy encouraged writing that was authentic to its Caribbean roots, in language, theme and social concern. As an Irishman, Swanzy retained enough of a post-colonial sensibility to be positively sympathetic to the nationalist thrust of the writing. He was evidently well-respected by the writers to whom he offered both literary and personal support – and not least for his awareness of their pecuniary needs. Once Caribbean Voices was well established, it was left in the hands of Caribbean editors (including Mittelholzer and V.S. Naipaul) and Swanzy himself went off to Ghana in 1956 to encourage and support writers and broadcasting there. Thanks to the generosity of Swanzy’s heirs, his private and often amusingly indiscreet diaries of this period (known as “Ichabod”) have been made available and carefully edited and documented by the team of Niblett, Campbell and Smith. With an introduction that puts Swanzy and these radio programmes in context, this is both an essential, entertaining and highly readable book for anyone even remotely interested in the development of Caribbean writing. Not least of its value is the extensive appendix where Niblett et al. have documented all the writers mentioned in the diary. This, in itself, is a salutary reminder of the wealth of writing talent in both the Caribbean and Ghana that flowered in this period but then, in the absence of other opportunities, in many cases undeservedly disappeared from view.

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