Search results for ""Author Tyler Mitchell""

With the help of the Internet and accompanying tools, creating and publishing on-line maps has become easier and rich with options. A city guide web site can use maps to show the location of restaurants, museums, and art venues. A business can post a map for reaching its offices. The state government can present a map showing average income by area. Developers who want to publish maps on the web often discover that commercial tools cost too much and hunting down the free tools scattered across Internet can use up too much of your time and resources. "Web Mapping Illustrated" shows you how to create maps, even interactive maps, with free tools, including MapServer, OpenEV, GDAL/OGR, and PostGIS. It also explains how to find, collect, understand, use, and share mapping data, both over the traditional Web and using OGC-standard services like WFS and WMS. Mapping is a growing field that goes beyond collecting and analyzing GIS data. "Web Mapping Illustrated" shows how to combine free geographic data, GPS, and data management tools into one resource for your mapping information needs so you don't have to lose your way while searching for it. Remember the fun you had exploring the world with maps? Experience the fun again with "Web Mapping Illustrated". This book will take you on a direct route to creating valuable maps.

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I Can Make You Feel Good, is a 206-page celebration of photographer and filmmaker Tyler Mitchell’s distinctive vision of a Black utopia. The book unifies and expands upon Mitchell’s body of photography and film from his first US solo exhibition at the International Center of Photography (ICP) in New York. Each page of I Can Make You Feel Good is full bleed and bathed in Mitchell’s signature candy-colored palette. With no white space visible, the book’s design mirrors the photographer’s all-encompassing vision which is characterized by a use of glowing natural light and rich color to portray the young Black men and women he photographs with intimacy and optimism. The monograph features written contributions from Hans Ulrich Obrist (Artistic Director, Serpentine Galleries), Deborah Willis (Chair of the Department of Photography & Imaging at the Tisch School of the Arts at New York University), Mirjam Kooiman (Curator, Foam) and Isolde Brielmaier (Curator-at-Large, ICP), whose critical voices examine the cultural prevalence of Mitchell’s reimagining of the Black experience. Based in Brooklyn, Mitchell works across many genres to explore and document a new aesthetic of Blackness. He is regularly published in avant- garde magazines, commissioned by prominent fashion houses, and exhibited in renowned art institutions, Mitchell has lectured at many such institutions including Harvard University, Paris Photo and the International Center of Photography (ICP), on the politics of image making.

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