Search results for ""Author Traven T. Croves""

Sam Buchan-Watts’ debut collection considers the capacity contemporary lyric poetry has to reflect social change. The many ethical dilemmas these poems enact listen in to the noise which society makes to distract itself – from carceral space to questions of asylum, masculinity and the boundaries of aesthetic play.Described by the Guardian as a ‘sceptical, serious, versatile writer’, Buchan-Watts variously inhabits poetic form, exposing the interplay of sound, sense and desire. Returning repeatedly to the figure of a vulnerable boy approaching the thicket of adolescence, these are poems that are listening in when they’re not supposed to, distracted when they should be listening in, and finding secret listeners behind the arras. In this disquieting terrain we must hold ourselves to account for what we hear and what we make of what we hear.

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microbursts is a collection of hybrid, lyric essays about the places between life and death; memoir and poetry; making and letting go. Originally written by Reeder as an intense text-based collection of lyric and experimental essays responding to the illnesses and deaths of her parents, it confronts the raw emotions of crisis, grief and creativity. Through collaboration with Thomson, the project expanded to consider how design and visual intervention might alter the nature and impact of the text.The outcome is a book which explores the subjects of illness, crisis, creativity, caring, death and grief, alongside the aesthetic and formal concerns of cross-genre writing, including how image, formatting and text work together to create tension, understanding and pace, expanding the possibilities of the essay and the artist’s book.Formally audacious, linguistically fluid, sensitive and intricate in its visual presentation, microbursts uses the potential and elasticity of the essay form to explore intensely personal, yet universal, experiences and considers the ways in which we can express and communicate these through spatial and linguistic form. Crucially, it achieves these things effortlessly, with its accessible, poetic language and engaging narrative of family, love, care, grief, dying, death and creativity.

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Fatherhood is the debut novel from award-winning poet Caleb Klaces, combining prose and poetry in an experimental work of verse fiction. Following the birth of their first child, a couple move out of the capital to the northern countryside, where they believe the narrator’s great-grandfather, a Russian emigrant, was laid to rest. The father dedicates himself to parenting, writing and conversation with his dead ancestor, newly conscious of the ties that bind the present to the past. It is a time of startling intimacies, baby-group small talk, unexpected relationships and tender rhythms, when every clock seems to tell a different time, and the solidity of language is broken. As his daughter begins to speak, the father’s gentleness turns to unexplainable rage. He begins to question who he must protect his child from – the outside world or himself. Their new house, the family discover, is built on a floodplain.Moving between history, memory and autobiography, its shifting form captures a life and language split open by fatherhood. An experiment in rewriting masculinity, it asks how bodies can share both a house and a planet.

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