Search results for ""Author Tracy L. Adler""
Distributed Art Publishers Sarah Oppenheimer: Sensitive Machine
How Oppenheimer’s complex artworks break down barriers between art, audience and architecture This publication documents the four interactive artworks by New York–based artist Sarah Oppenheimer (born 1972) created for the Wellin Museum of Art at Hamilton College in the context of her greater artistic oeuvre. Printed in five color with foil stamping, with striking reproductions and contributions by Tracy L. Adler, Suzanne Keen, Sarah Oppenheimer and Seph Rodney, the book explores the artist’s multifaceted approach to empathy, agency, audience and cocreation, among many other themes in her work. Oppenheimer considers the space of the museum as a site of experimentation, where visitors experience the curiosity and joy of transforming the artworks themselves. In Oppenheimer’s words, “You have to enter the temporal network in order for the work to exist.”
£38.69
Prestel Elias Sime: Tightrope
Sime’s brightly-colored sculptural tableaus feature found objects including thread, buttons, electrical wires, and computer detritus. This book highlights the artist’s work from the last decade, much of which comprises the series entitled “Tightrope.” Repurposing salvaged electronic components, such as circuits and keyboards, Sime incorporates the refuse that are the byproducts of technological advancement, and points to the urgency of sustainability. The resulting abstractions reference landscape and the figure as well as traditional Ethiopian textiles. “Tightrope” refers to the precarious balance between the progress technology has made possible and its detrimental impact on the environment.
£45.00
Distributed Art Publishers Michael Rakowitz: Nimrud
On a sculptural recreation of a room from an ancient Iraqi palace, in the wake of lootings by Western archaeologists and ISIS Using Arab-language newspapers and wrappers from food products imported from the Middle East, Iraqi American artist Michael Rakowitz (born 1973) has recreated to scale Room H from the Northwest Palace of the ancient Assyrian city of Nimrud (Kalhu). Part of a reception suite, Room H was originally lined with seven-foot-tall carved stone reliefs, including an inscription detailing Ashurnasirpal II's achievements and winged male figures, many of which have been removed by Western archaeologists over the last 150 years. Here, Rakowitz has “reappeared” only those panels that were in situ in Room H when the remains of the palace were destroyed by the jihadist group the Islamic State (ISIS) in 2015. Areas from which the reliefs had already been removed by 19th-century archaeologists are left blank, resulting in what Rakowitz calls “a palimpsest of different moments of removal.”
£31.50
Distributed Art Publishers Yashua Klos: Our Labour
Klos unravels American histories of Black labor in brilliantly executed print-based collages and sculptures that mark new creative terrain for the artist This book features a recent body of work by New York–based artist Yashua Klos (born 1977) and builds upon the artist’s explorations into the intersections between the human form, the natural world and the built environment. Foregrounding a series of print-based and sculptural works, Yashua Klos: Our Labour considers how familial, geographic and narrative histories inform notions of identity. Klos employs a process of collaging woodblock prints to engage ideas about Blackness and maleness as identities that are both fragmented and constructed. In this volume, Klos introduces works conceived around an examination of creative and industrial labor through both deeply personal and historic lenses.
£48.60
