Search results for ""Author Toshiyuki Takamiya""

This volume of essays is aimed at advancing the appreciation of Malory, an author who has always been enjoyed by the common reader, but is still sometimes underestimated by the critics. Despite an increasing number of articles onMalory, there is a need for a general survey of recent research, which Aspects of Malory provides. The volume opens with a note by the late Professor Vinaver on Malory's prose, and three essays on Malory's Englishness andhis English sources, including an essay by P. J. C. Field which argues for an English rather than a French origin for the Tale of Gareth. This is followed by two essays on Malory's French sources, by Jill Mann and Mary Hynes-Berry. Terence McCarthy re-exasmines the sequence of the tales, and three further essays look at the scribal and textual tradition of Malory's work, in particular the relationship between the Winchester MS, Caxton's printed version, and the history of the MS. Finally, Richard R. Griffith reconsiders the authorship question, and proposes a long-forgotten Thomas Malory as the most likely candidate. There is a bibliography of recent research compiled byProfessor Takamiya. .`Full of sound scholarship'. TIMES LITERARY SUPPLEMENT

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This collection of new essays on Arthurian themes contains one on Layamon, two on Chretien, and one on Victorian art. They are as follows: Oliver Goulden, 'Erec et Enide': The Central Section The opening and closing sections of Erec et Enide have always attracted critical attention: Dr Goulden argues that the central section, often neglected, is crucial to our understanding of the poem.Claude Luttrell, The Arthurian Hunt with a White Bratchet:The theme of the hunt with a magical hound is found from the Mabinogion to Malory, and this essay charts its gradual change from the supernatural.W.R.J.Barron and Francoise Le Saux, Aspects of Layamon's Narrative Art: Layamon's Arthurian epic has been regarded as little more than a lively translation of Wace, here his different approach to narrative is examined, and shown to be an original aspect of his work.Christine Poulson, Arthurian Legend in Fine and Applied Art of the 19th and early 20th Centuries: A Catalogue of Artists:Following the bibliographies of modern Arthurian writing in earlier volumes, Dr Poulson presents a catalogue of visual materials. A list by subject will appear in Volume X.

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Continuing its policy of publishing extended explorations of Arthurian subjects, this eighth volume of Arthurian Literature contains four articles. Elizabeth Archibald addresses the reasons for the insertion of the story of Mordred's incestuous birth into many versions of the Arthurian legend (including Malory's) from the early 13th century on, and follows its development from the Vulgate Cycle to later Arthurian narratives. The use of irony to point up aspects of the Lancelot-Guinevere relationship in the prologue to Le Chavalier de la Charrete is explored by Jan Janssens. The early 13th-century Romance of Fergus is introduced and translated by D.D.R. Owen, who finds it of special interest not just because of its uniquely Scottish setting, but also because its use of parody foreshadows later medieval comedy; Scottish concerns also figure in Edward Donald Kennedy's discussion of the 15th-century chroniclerJohn Hardyng's use of the story of Galahad's grail quest, and the changes he made.

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